Posts Tagged contemporary realistic middle-grade fiction

When You Reach Me Turns Sweet 16! An Interview with Rebecca Stead

MG author Rebecca Stead needs no introduction.

We’ve all read, and reread, and re-reread her Newbery-winning classic When You Reach Me—which was published in 2009 and has sold 1.5 million copies—as well as her bestselling booksLiar & SpyFirst LightGoodbye Stranger, and The List of Things That Will Not Change. The two novels she co-authored with Wendy Maas, Bob, and The Lost Library, are familiar favorites as well.

Rebecca’s books—which have been lauded as “mesmerizing” (The New York Times), “incandescent” (The Washington Post), and “superb” (The Wall Street Journal)—have been awarded the Newbery Medal, the Boston Globe–Horn Book Fiction Award and Fiction Honor, and the Guardian Children’s Fiction Prize; shortlisted for the Carnegie Medal, Waterstones Book Prize, Barnes & Noble Children’s Book Award; and named New York Times Notable Books for Children, NPR’s Books We Love, and a Time Top Ten of the Year.

Today, Rebecca stops by to chat about her long and storied career, her writing life, and When You Reach Me’s sparkly new cover (below), which was released on July 1 by Random House Children’s Books to commemorate the novel’s 16th  year in print.

And now, without further ado…

Rebecca Stead!

MR: Welcome to the Mixed-Up Files, Rebecca! I am beyond excited to have you here today and I know our readers are, too. Now, before we dive in, I want to congratulate you on When You Reach Me’s gorgeous new cover. Can you believe it’s been sixteen years since the book came out? (Rhetorical question, I know.) What prompted your publisher’s decision to update the cover?

RS: It’s wonderful to be here – thanks for the invitation. Ah, this new cover from R. Kikuo Johnson is such a delight. Covers are a real puzzle. I’m still in love with the original (by Sophie Blackall), but I think the blue and yellow font-driven paperback was a dish with too many cooks (I was one of them, and definitely throwing elbows.) One day, Barbara Marcus (formerly head of Random House Children’s Books) said she’d been thinking for a while about something different, and this time the process was magically easy. Everything felt right. The new cover has “story energy” and it’s so appealing. I love covers that yield more as you read the story. This one does that, too. 

MR: Since time travel plays an essential role in When You Reach Me, I thought we could do some time travel of our own; specifically, looking back on your impressive career, starting with the publication of your first novel, First Light (2008). How has your writing—and your life as a writer—changed since then? What’s stayed the same?

RS: What’s different: I have more writing friends and publishing-world knowledge. Writing a first book without book community can be a good thing – I was alone with my story for a long time, and oblivious to the publishing world in helpful ways. I didn’t know about “buzz” or starred reviews. I told my editor, Wendy Lamb, that I’d be coming to ALA in DC without realizing that I was supposed to be invited! (She was gracious, met me for coffee, and let me come to a party I wasn’t supposed to be at.) 

What’s not different: Writing. It’s not easier, and I expected it to be. I have absolutely learned things, and those things help in small ways: I no longer feel compelled to explain that my characters grab doorknobs before they leave rooms. But the big picture is the same – gathering material, shaping it over time and hoping it amounts to something. 

When You Reach Me: A Modern Classic

MR: As stated in the intro, When You Reach Me has received countless accolades and is considered a modern classic. Without making you blush or think I’m fawning (which I probably am), how does it feel to have written a book that’s so beloved by middle-grade readers? It must be pretty mind-blowing.

RS: It still feels surreal that a lot of people have read the book. Despite the time travel, When You Reach Me is a personal story, and so when someone tells me they connected with the book it feels like acceptance. I’ll never stop feeling grateful that it came together the way it did. I could easily have swerved or doubted, but I had genuine support from my agent, Faye Bender, from my editors, and from my other readers, my family and friends. So much support.

MR: Along these lines, I’m sure your fans have been begging for a sequel since the book was released. You must have considered it, right?

RS: I actually haven’t considered. I know when to leave something alone. (In fact, I have  never written a sequel. And I did try, once, for another book.) The most common thing I hear is that I should re-tell the story from Marcus’s point of view, which is fun to think about, but the truth is that I’m not as smart as Marcus is.

Readers of the World: Unite!

MR: Like you, I grew up in New York and attended an elementary school where I was lucky enough to sit on the windowsill, or under a table, with good book. What were your favorites in addition to A Wrinkle in Time? Also, how did your experience as a book-loving child impact your decision to become a writer?

RS: For me, there is no writing without reading. If I’m not reading, the desire to write abandons me within about eight hours. As a kid, I loved science fiction (Robert Heinlein’s Red Planet and Stranger in a Strange Land, Ursula LeGuin’s A Wizard of Earthsea, Ray Bradbury’s stories, Anne McCaffrey’s Pern books, and all the L’Engle, of course.) I loved contemporary stories that felt emotionally honest (too many to list! Judy Blume, Norma Klein, Louise Fitzhugh, Paula Danziger, Louise Meriwether); I loved stories about siblings (Half Magic, The Bobbsey Twins); I liked biographies (Maya Angelou’s I Know Why the Caged Bird Sings) but often lost interest after the “childhood” part. All of this reading kindled a secret longing to write, but a writer wasn’t what I “wanted to be” until I was in my thirties.

Story of Her Life

MR: As a follow-up, your first published story appeared in the P.S. 75 magazine, The Spicy Meatball. Do you remember what it was about? (As a frame of reference, my first story, “Behind the Lily Pond,” appeared in the City & Country School magazine and started: Anna didn’t have a mother. Well, she did… before she died.”)

RS: That’s a great start! I do remember my story (title: “The Story”), which was about a girl who finds candy in the woods that allows her to understand what animals are saying. Coincidentally, my first book was about a girl who can understand what dogs are saying. The Spicy Meatball felt very special, thanks to our teachers at P.S. 75 and Teachers & Writers Collaborative, a group that really transformed my elementary school experience, along with a lot of other peoples’.

Easy Writer

MR: In one of your many (many!) glowing book reviews—this one in the Guardian, for Liar & Spy—you are praised for making writing look “easy.” What’s the secret to making writing seem effortless when in reality it’s hard, painstaking work?

RS: I don’t know why people say that about my writing – maybe it’s because I write short books? I do try to eliminate a lot of words while I revise. I’ll have my list of things to fix and also try to cut maybe 500 words a day. You can get a lot done with nothing but the delete key. I’m not a big “word count” person, but counting down is somehow satisfying. 

Rebecca’s Writing Routine

MR: While we’re on the subject of writing, what does your writing routine look like? Do have a specific time of day set aside for writing? Also, are you a plotter or a pantser?

RS: Ahem. I prefer “plunger” to pantser, it sounds more dignified. What I am not is a plotter.

I have a process but I wouldn’t call it a routine because my days vary and I (very) often don’t write at all. Mornings are definitely better. My first draft is pencil and paper, and it’s really more of an exploration of territory than a story. It’s a collection of scenes that are often repetitive. When I feel TOO repetitive and there’s no forward motion whatsoever, I type up what I have. Then I draw a map of whatever is in there, just notes in little squares that summarize each scene. While I’m doing that I take notes and make little to-do lists, nothing too intimidating. I make those changes, moving things and doing bits of writing here and there. Then I made a new map. This goes on for a long time.

Advice, Please

MR: One more writing question: what’s the best piece of advice you’d give to writers—aspiring and well-seasoned alike? Also, do you remember any of the writing advice you received from Frank McCourt when he was your creative writing teacher at Stuyvesant High School?

RS: I hope someone corrects me, but I don’t remember Frank McCourt teaching us anything about writing. What I remember is that he read to us, and what he read was very, very good. It was teaching by example, maybe. He wanted us to read our work aloud, but I couldn’t bear to do it and I wildly admired everyone who could. If no one wanted to read, he would quietly chant the word “Warriner’s” in a sing-song way (“Warriner’s Warriner’s, Warriner’s Warriner’s . . .”) which was a threat. If no one stood up, he would have to teach us grammar. Warriner’s was the name of our textbook. He once wrote at the end of a story I wrote that I had talent, and I definitely never forgot that. Ever. That’s mostly what you need to become a writer – a word of encouragement. 

My best advice is to treat writing as a discovery of your own process. Try different things and figure out what works for you. Always write toward yourself – what you know, or what you love, what makes you curious. Don’t reach for some idea that you hope others will approve of. Every one of us has memories, fantasies, and questions. Use those.

Anything Is Possible

MR: Changing gears, you’ve recently released your first picture book—Anything, illustrated by Gracey Zhang, about a father and daughter who move into a new home. What was it like for you to explore a new genre?

RS: It was great. I love new experiences. Picture books are different – there’s nowhere to hide. The editorial relationship is key here (and I had two wonderful editors, Melissa Manlove and Ariel Richardson), and revision was satisfying in a brand new way. The art (by Gracey Zhang) felt like a giant gift. I’d like to write more picture books, but it’s not something I can force. I have to start with a whole idea, rather than just a beginning.

 The Experiment: A Sneak Peak

MR: Your latest novel, The Experiment, which releases on September 16th,  is about a sixth grader whose family is from another planet. Can you give Mixed-Up Files readers a sneak peek?

RS: It’s about a kid who grows a tail, which is terrifying because he can no longer pass for human. His family gets called back to the mothership, where he discovers that his family’s “noble explorer” story might be a lie and that his crush likes someone else now. Meanwhile, his tail is growing a personality. I just said yes to plot for this one. And it’s also about a kid who lets go of the story that keeps his parents afloat. Which is hard because they’re good folks and he never stops loving them.

MR: What are you working on now, Rebecca? Enquiring minds want to know…

RS: I’m doing a picture book workshop next month at Milkwood, Sophie Blackall’s retreat for people devoted to books for young people. High hopes!

Lightning Round!

MR: And finally, no MUF interview is complete without a lightning round, so…

Preferred writing snack? Hmm. Last time I was asked this I said pretzels and tzatziki, so this time I’ll say dried apricots (or dried mango, new fave).

Coffee or tea? Coffee.

Superpower? Expert healer.

Time travel: fact or fiction? Fiction, and more please.

Favorite place on earth? New York City.

If you were stranded on a desert island with only three things, what would they be? Can I pick people? If not, I’ll take a powerful motorboat, sunscreen and a nav system. I don’t love being alone.

MR: Thank you for chatting with me, Rebecca—and happy 16th  birthday to When You Reach Me!

RS: Thank you!!!! This was so great.

 

Author Spotlight: Katie Kirby

Today, let’s give a hearty Mixed-Up Files welcome to Katie Kirby, the author/illustrator of The Extremely Embarrassing Life of Lottie Brooks. The novel, first published in the U.K. in 2021 and praised by Kirkus as “a funny and reassuring reminder that no matter how great Plan A seems, sometimes Plan B turns out to be better,” is now available from Random House in the U.S.

Lottie Brooks: A Summary:

Lottie Brooks is 11 ¾ and her life is already officially over. Not only is she about to start secondary school without any friends or glamorous swooshy hair, but she’s just discovered she’s too flat-chested to even wear A BRA! She might as well give up now and go into hibernation with her hamsters, Sir Barnaby Squeakington and Fuzzball the Third.

Lottie navigates the perils of growing up in this fantastically funny new illustrated series for pre-teens filled with friendship, embarrassing moments and, of course, KitKat bars.

Q&A with Katie Kirby

MR: Welcome to the Mixed-Up Files, Katie. Huge congrats on the U.S. publication of Lottie Brooks!

KK: Thank you so much! I’m very happy to be here and very excited to be bringing Lottie to America. I think she’s going to love it!

Welcome to America, Lottie!

MR: Although Lottie Brooks is new to American readers, the series is wildly popular in the U.K. (The eighth book in the series came out in the U.K. yesterday.) You even have Lottie merch, including T-shirts, totes, and sweatshirts, and mugs. What is it like to experience this kind of success following a debut? It must be pretty heady, right?

KK: To be honest with you, it’s completely mind blowing! With the first Lottie book, I just wrote something I would have enjoyed reading when I was Lottie’s age – I had no idea it would resonate with so many readers. But I’m obviously very chuffed it has, and even more chuffed that I get to say my job is being an author!

Lottie Brooks: The Inspiration

MR: What inspired you to write Lottie Brooks? I have a feeling, but I don’t want to be presumptuous. 🙂 

KK: I was a big reader when I was younger and I particularly loved books that reflected how I was thinking and feeling – Judy Blume was my number one fave! She put into words all the things I couldn’t say out loud, and that really helped me through those tricky tween and teen years. With Lottie, I’ve tried to do the same thing.

MR: And you’ve succeeded. I too am a HUGE Judy Blume fan (check out my love letter to Judy here), and I definitely picked up on the influence Judy’s writing had on your book, particularly her 1970 classic, Are You There God? It’s Me, Margaret. Both Margaret and Lottie are obsessed with bras and breast growth! 

As a follow-up, did you always envision Lottie Brooks as a series?

KK: My first book deal was for two books, so a series was always on the cards, but of course I had no idea how it would be received. Now I’m writing Book 9 and have no plans to stop!

Dear Diary…

MR: Lottie Brooks is written in diary form. What informed this stylistic decision? Did you keep diaries as a child?

KK: Funnily enough, I actually started writing the book in chapters but felt it wasn’t working quite as well. I feel like diaries lend themselves well to humor, and when I switched to that format it clicked. I also love that in a diary the protagonist can just mainly dump their innermost thoughts and feelings.

And yes, I kept diaries on and off when I was younger. They are very cringeworthy to read now, but I’m also very glad I have them – so many memories!

Portrait of an Artist

MR: In addition to writing the novel, you created the illustrations. What was the process like for you? Did you do both at the same time or add the illustrations later? Also, how does being an artist influence your writing—and vice-versa?

KK: I love doing the illustrations. I feel they add real comedy value and are often the punchline to a scene/entry. I really don’t think my books would be the same without them.

In terms of the process, I used to do the illustrations at the same time as the text, but as deadlines have got shorter, I now tend to do most of the text first and mark out places where I’ll add illustrations later on.

I love that you refer to me as an ‘artist’ but I’m not sure stick people really count – ha ha! Thanks though 😊

By Popular Consensus

MR: An overarching theme in the book is popularity. In fact, the drive to be popular causes Lottie to turn her back on her new friend at school, Jess. Why do you think tweens behave in a way that doesn’t align with their values, just to fit in? Also, is this a theme you explore in your other Lottie books?

KK: I think tweens often do feel really pressured to be popular and that being popular is the key to being happy–but that’s not the way it really works, and Lottie learns this the hard way. Her friend Jess is unapologetically herself and doesn’t care what people think of her. Don’t we all wish we could be more like Jess!

Friendships, high school hierarchies, and mean girls are common themes across the series. I won’t give too much away, but Lottie goes on a real learning journey.

The Perils of Puberty

MR: Puberty is handled in a sympathetic yet hilarious way. Lottie’s family even throws her a “pubic-hair tea party” to celebrate Lottie’s first hair. Was your experience as a prepubescent similar to Lottie’s? Also, what advice would you give to 12-year-old Katie?

KK: LOL – the pubic hair tea party, I certainly didn’t get one of those!! I remember my mum giving me factual books on puberty, but we didn’t really talk about it much. I wish we had, as I think that would have made it feel much less awkward and embarrassing.

I would say to myself at 12 – don’t be ashamed as your body changes, it’s all perfectly normal and happens to everyone, and don’t worry, you won’t be flat-chested forever!

Publishing Across the Pond

MR: As above, this book was first published in the U.K. in 2021 and has been adapted for an American audience (i.e., Lottie says “Mom” instead of “Mum,” and “chips” instead of “crisps,” etc.) Were you involved in this part of the publishing process? If so, what was it like?

KK: I got to approve all of the changes, but to be honest, I largely left it in the very capable hands of my editor! I was very happy for her to make any changes that would make the book work better for U.S. readers.

Blogger-Turned-Children’s Author

MR: Prior to writing the Lottie Brooks series, you were a blogger. (Katie’s popular parenting blog, Hurrah for Gin, was adapted into a best-selling book.) What prompted your decision to write for children?

KK: That’s a blast from the past! I had always loved writing, hence the blog, and my UK publishers came across it and felt like the style would work well for children, too. I guess on reflection it was kind of silly and immature. Anyway, they asked me to give it a try, and hence Lottie was born!

Plotter or Pantser?

MR: What is your writing process like? Do you have a specific routine or word-count goals? Any writing rituals? Also, are you a plotter or a pantser?

KK: I’m a PANTSER in capital letters, but I really wish I could say I was a plotter, as surely that would make my life less stressful?! Sometimes I have no idea where a book is going to go when I start writing it. I also get bored quickly so write scenes from the middle or end and then have to fit them all back together like a complicated jigsaw. It’s a real headache!

MR: Finally, what’s next on your writing agenda, Katie? Would you mind sharing a bit about your latest project?

KK: I can’t share too much as obviously I’m writing quite far down the line in Lottie’s adventures, but I will say there is PLENTY of drama and embarrassing moments in store for poor Lottie!

Lightning Round!

MR: Oh! One last thing. No MUF interview is complete without a lightning round, so…

Preferred writing snack? Corn-based crisps (or chips as you’d say!). I don’t think you have Monster Munch, so I’ll go with Cheetos.

MG authors that inspire you? Judy Blume – My OG writing hero!

Coffee or tea? Coffee – I hate tea, which is not very British of me!

Zombie apocalypse: Yea or nay? Nay – I’d be dead in 30 seconds.

Superpower? The ability to pause time. Think about the clever comebacks!

Favorite place on earth? This is cheesy – but home.

You’re stranded on a desert island, with only three items in your possession. What are they? Suncream, water, and an inflatable flamingo.

MR: Thank you for chatting with me, Katie—and congratulations on the publication of The Extremely Embarrassing Life of Lottie Brooks. I thoroughly enjoyed it, and I know MUF readers will too.

Bio

Katie Kirby is a writer and illustrator who lives by the sea in Hove, England, with her husband, two sons, and dog Sasha. She has a degree in Advertising and Marketing and after spending several years working in London media agencies, she started a blog called Hurrah for Gin, which was adapted to a best-selling humorous parenting book. Katie likes gin (obviously), rabbits, over-thinking things, the smell of launderettes, and Monster Munch. The Extremely Embarrassing Life of Lottie Brooks is her first novel. Learn more about Katie on her website and follow her on Facebook and Instagram.

Author Melissa Roske smiling and signing a book at a bookstore event. She is seated at a wooden table in front of bookshelves, wearing a sleeveless purple dress.

Melissa Roske is a writer of middle-grade fiction. Before spending her days with imaginary people, she interviewed real ones as a journalist in Europe. In London she landed a job as an advice columnist for Just Seventeen magazine. Upon returning to her native New York, Melissa contributed to several books and magazines, selected jokes for Reader’s Digest (just the funny ones), and received certification as a life coach from NYU. In addition to her debut novel Kat Greene Comes Clean (Charlesbridge), Melissa’s short story “Grandma Merle’s Last Wish” appears in the Jewish middle-grade anthology, Coming of Age: 13 B’Nai Mitzvah Stories (Albert Whitman). Learn more about Melissa on her Website and follow her on  TwitterFacebook, and Instagram.

Interview with Cassidy Wasserman about Graphic Novel ON GUARD!

Today, we’re excited to have Cassidy Wasserman with us on the Mixed-Up Files. I had the pleasure of reading her graphic novel On Guard!, which is releasing tomorrow, June 10!  I also got to interview her about the book, her inspiration and process, and more. Thanks so much for taking the time to chat with us, Cassidy!Cover of On Guard by Cassidy Wasserman

 

The author’s note in the book shares that the original seed for this story was about a friend breakup but slowly became about the relationship between mothers and daughters. The line you shared about the real story finding you along the way was lovely, and I wondered if you could talk more about how the story on the page came to be. How did you know when that shift needed to happen?

When I started writing On Guard!, I was focused on Grace and Ava, and how they grew apart. As I wrote, I dug deep into the feelings I experienced in middle school that were likely to be a more universal experience for readers. The story of my parents’ divorce was prevalent in my mind, and I realized that there was a natural through line between Grace, Ava, and Grace’s mom. I decided the shift in focus had to come from Grace starting that school year all on her own, where her struggles at home and school are now completely intertwined. Not only do we see her struggling at home while butting heads with her mother’s personality, but even at school she’s faced with how much she believes her mother liked Ava more than her.

 

There is a lot of your own story inside of Grace’s (and it’s awesome that you’re both artists!). How did you approach weaving parts of your own life into the narrative?

I feel the best stories come from personal experiences. I approached adding these parts of my life to Grace’s story by picking the ones that felt the most relatable, and the ones that I hadn’t yet seen told. I mention in my author’s note that I didn’t get to see relatable stories of mothers and daughters growing up, and it was important for me that this feeling of alienation from your maternal figure would come through. I wanted to ensure the story was true to my lived experience.

 

Relationships are handled deftly in your work, whether it’s Grace with her mom, Grace with her dad, or Grace with her friends, old and new. It was fascinating to see how you gave all of these relationships space in the book—both in the text and in the art itself. Could you tell us how you balanced these threads?

It all comes down to pacing, and making sure every story is intertwined with another. Grace is going through quite a lot, and all of those relationships need their time on the page. I like to let the art tell the story where I can. When you can let a reader sit with a silent panel or two, it can have a big impact. I found that when the plotlines organically developed to suit the needs of Grace and the story, they all started to naturally click into place.

 

One of my favorite lines was when Grace admitted she mostly just wants to hold a sword—who doesn’t? There were many other powerful moments that came through analogies to fencing, like when Grace realizes she can only control her own moves, not her opponent’s. Could you tell us about how you got into fencing? Did that experience give you the idea for this book?

I could talk about fencing all day! When I was a kid, I read The Spiderwick Chronicles, and the sister in that book fences. Ever since then, I’d hoped to be able to do it myself someday. I didn’t get to fence in school, but after college I joined a local club. Epee just happened to be the only weapon they taught, as my coach was a collegiate women’s epee coach. (Go, Wellesley!) It worked out nicely, because epee is the simplest weapon to explain. Foil and saber have a few more rules. I was in love with the sport from the moment I walked into the club and heard the bell guards ringing. I had been mulling over a story about my “Ava” for a while, and after I starting fencing, it became clear.

 

You mentioned you’ve always loved to draw and read. Are there any favorite books or artists that have profoundly shaped you as an author-illustrator?

Lucy Knisley is a big influence on me when it comes to graphic novels. Her travelogues were my favorite thing to bring around in art school. I’ve also pored over Jen Wang’s artwork in The Prince and the Dressmaker a million times, and anything from Tony DiTerlizzi. Be Prepared by Vera Brosgol is also one of my favorites. The biggest influence on me as a writer, though, has to be Rick Riordan. I am a Percy Jackson kid through and through—it holds such a special place in my heart.

 

You’re also passionate about video games and work as a UX/UI artist. Do video games influence your creative process or storytelling?

Yes! Some of my favorite plots and stories to study are video games. The Last of Us in particular is incredible—I love how it deals with difficult topics and gray areas. My coworkers teach me to be a better artist and listener every day. As a UX/UI artist, I care deeply about accessibility and inclusion, and that naturally follows me to creating comics. Things like: Are the colors on the page workable for someone who is color blind? What about the font—is it easy to read for those with dyslexia? These are important questions when it comes to both comics and video games!

 

It sounds like book two for Grace is already underway! Will we get to see more fencing as well as more of Asher and Nia?

Yes! I cannot wait to dive deeper into their stories.

 

Do you have any other projects in the works we can get excited for?

I can’t say just yet, but stay tuned—I’m excited to show the world what’s next.

Cassidy Wasserman

If you could give writers any advice on how to keep writing even in the face of rejection or overwhelming odds, what would it be?

Keep going! Your story is worth telling—we need new perspectives on life. Take breaks when you need to and be kind to yourself, but don’t give up. Getting your story out there is sometimes about having it resonate with the right person, so writing something that is meaningful to you will always be worth that initial rejection.

No MUF interview is complete without a lightning round, so here it is!

Favorite place to write? My office!

Coffee or tea? Coffee, coffee, coffee!

Superpower? I want the chalk zone powers, where whatever you draw becomes real. I would draw myself so many ice cream sundaes.

Dream vacation? The Australia Zoo!

Dream job when you were a kid? I specifically wanted to be a “veterinarian, and an artist on my lunch breaks.”

House pet? Dogs and cats

 

Learn more about Cassidy and her projects at her website: https://www.cassidywasserman.com/