Posts Tagged contemporary realistic middle-grade fiction

Interview with New York Times Bestselling Author Gayle Forman

By on August 22, 2024   /   Author Interviews  

Today, we’re thrilled to welcome New York Times bestselling author Gayle Forman to the Mixed-Up Files! Best known for her wildly popular YA novels, including the If I Stay series, Gayle is also the author of Frankie & Bug, which Kirkus lauded for its “superb” storytelling. Her latest MG, Not Nothing, described by Wonder author R.J. Palacio as “A life-affirming gem,” is out from Aladdin/Simon Kids on August 27.

Chatting with Gayle

MR: Welcome to the Mixed-Up Files, Gayle! It’s an absolute pleasure to have you here. Before we dive in, you should know that I finished Not Nothing in one sitting. And that’s not nothing. I’m a slow reader!

GF: Wow, that is high praise for an author. I love the experience of an immersive, addictive read so when I learn that I delivered that to someone else, I’m very happy.

Not Nothing

MR: Not Nothing is about a 12-year-old boy, Alex, who must endure court-mandated community service at a senior citizens’ home—but the story is so much deeper, and more nuanced, than that. Can you tell MUF readers more about the novel?

GF: At its core, Not Nothing is a book about what happens when you are not invited/encouraged to be your better self—or worse, when you are enticed to be your worst self—and the incredible things that happen when you are invited to rise to the occasion of your life, whatever that means to you. It is also a story about the power of intergenerational friendships, finding commonality with people who seem outwardly so unlike you, and about how stories can unlock so much within us.

Josey: A Bold Narrative Choice

MR: The story is told from the perspective of Josey Kravitz, a 107-year-old Holocaust survivor. For a middle-grade novel, having an elderly narrator is a bold choice. What prompted this authorial decision? (It’s a brilliant one.)

GF: I’m so glad you think so! Josey has always been the heart and soul of this book, and at first I didn’t see how I could do a children’s book with him as narrator. Maybe that’s why at first I tried it as an adult novel, which didn’t work because this book was clearly meant to be what it now is: a middle-grade novel for all ages. So why the old man narrator for a kids’ book? I wanted Alex, and by extension, readers, to benefit from Josey’s experience and perspective. It took some figuring out to have Josey be the narrator and have the voice sound like Alex’s, but once I got there, the unconventional choice of narrators made such sense.

The Power of Words

MR: When we first meet Josey, he hasn’t spoken for five years yet he opens up to Alex about his painful past as a young man in Nazi-occupied Poland. Alex, in turn, is able to address his own troubles, which he’s had to tamp down in order to survive. What is it about the power of words—and the exchange of stories—that’s so transformative, and so healing?

GF: Why do we read novels about total strangers who are made-up people? Because something about the transfer of story from storyteller to listener/reader creates connection. It is why storytelling is so essential in our evolution. Alex cannot begin to grapple with his own reality, and is trapped in a cycle of resentment and anger until he hears Josey’s story. Then he can see his story through another story and the parallels allow him to think about what he has done. And what he can do. When people say that stories change lives, I think this is what they mean.

The Central Story

MR: One of the most important stories Josey shares with Alex is about Olka, a seamstress-turned-resistance-fighter from his hometown in Poland, who saved his life—literally and figuratively—by teaching him to sew. Can you tell us more about Josey and Olka’s story?

GF: Among the many things of today’s world that saddens me is our propensity for sorting people into fixed binaries: good or evil, kind or mean. We are so much more complicated than that and we are often all of these things at different points in our lives and we can change. At the start of the book, Olka is angry and frustrated, shrinking rather than growing, because of what she (rightfully) perceives as the unfair circumstances of her life. She does something that could have sent her tumbling down a rabbit hole of resentment but because of an almost offhanded decision of Josey to ask her to teach him to sew, her life goes in the opposite direction and she winds up saving Josey—and so many other people’s—lives.

Real-Life Inspiration

MR: In the Author’s Note, you share that the novel is based in part on the true-life story of Jerzy Bielecki and Cyla Cybulska, an interfaith couple—he was Catholic and she was Jewish—who met as prisoners at the Auschwitz concentration camp. What was it about this story that inspired you to reimagine it as material for a middle-grade novel?

GF: That part of the story—aside from the star-crossed love story—was a classic heist adventure. It does not play out with Josey and Olka the way it did with the real-life couple, but I definitely incorporated some of the true story. If I say any more, there will be SPOILERS.

It’s All in the Research

MR: Since a good portion of the novel takes place during World War II, in Nazi-occupied Poland, what sort of research did you do to ensure authenticity?

GF: This is the second book I have written that takes place in that time frame (the other one is an audio-only book that draws on my family history), and both books rely heavily on the incredible resources of the United States Holocaust Memorial Museum, which has, among other things, thousands of survivor testimonies.

I also found a lot of the more granular small moments in memoirs written by both survivors from Krakow as well as allies, like the owner of the Eagle Pharmacy, a real-life pharmacy in the Krakow ghetto that features in the book. I also drew from my only family history—my grandparents fled Nazi Germany in 1938—and that of some of the elderly people I have become close with over the years at various assisted-living facilities. And finally, I was very lucky that the copy editor of the book was a daughter of a survivor and had incredible insights.

Presenting Difficult Topics for a Younger Audience

MR: An overarching theme in the novel is what prompts a “good person” to become “evil” and a not-so-good person to become good—or even heroic. You also explore the power of redemption. These are weighty topics for a middle-grade audience, yet you present them with a light, deft hand. What’s the secret to presenting difficult concepts for a younger audience without coming across as preachy or heavy-handed? It’s no mean feat.

GF: Thank you! I’m pretty allergic to anything preachy or performative so that helps me avoid it in my own writing. I would argue that teaching young people about morality and what it means to be aiming toward their better selves is not weighty. It’s exhilarating. To teach someone how to feel good while doing good to others is teaching them how to create, give and receive joy. I don’t think there’s a secret to it beyond trusting your readers, and having written for young people for my 25-plus year career, I know how much they are capable of. It is my job, through my books, to invite them to rise to the occasion of their lives.

Lucky 7

MR: Not Nothing took you seven years to write. What was the process like for you, from initial idea to finished novel?

GF: My new process seems to be to write a novel, think it’s terrible and irredeemable, leave it on my hard drive for a few years, come back to it, see how it’s meant to go. I initially conceived of this as an adult novel (the terrible version) and once I realized it was middle grade, I showed the terrible version to my editor, Kristin, along with an editorial letter of how I would fix it. Once I nailed how to have Josey tell Alex’s story, it clicked, and things moved relatively quickly from there.

Writing MG

MR: Not Nothing is not your first novel for middle-grade readers. Your debut MG, Frankie & Bug, was released in 2021. As a hugely successful YA author—including the If I Stay series, the Just One series, and several stand-alone novels—what prompted you to turn your writerly attention to MG? 

GF: I know this sounds somewhat grandiose, but the stories demand it. With Frankie & Bug, the story I wanted to tell—about how it’s incumbent upon all of us to hurry toward justice—needed to be told in the near past and needed to be about younger people. With Not Nothing, I knew that Josey would be the narrator at the end of life (sorry, no spoiler, he’s 107!) and the grist of the story about his relationship with someone at the start of life.

Gayle’s Writing Routine

MR: What does your writing routine look like? Do you have a particular time of day when you prefer to write? Any habits or rituals?

GF: In my new version of slow novel writing, I actually spend much less time at the computer than I used to. (Would-be writers: this is not an excuse to slack; I think I had to spend all those hours to get to where I could spend less and create more, but it’s also an example of not pushing on a story when it’s not ready.) Maybe I write two or three hours a day when I’m drafting. After that, I run out of steam and the work suffers. When I’m revising, I can spend hours working and they fly by. This is when I get into the flow state. But other than coffee, I don’t really have rituals. I can work anywhere (I’m typing this from a hotel lobby between meetings), although I am probably a better writer in the morning.

MR: What are you working on now, Gayle? 

GF: I have a young-adult novel called After Life coming out in January of 2025, so I’m putting the finishing touches on that while starting to think on my next MG and YA novels.

Lightning Round!

MR: And finally, no MUF interview is complete without a lightning round, so…

Preferred writing snack? Any leftovers that are in the fridge are like manna to me. No cooking, only re-heating!

Coffee or tea? Cappuccino. I make them myself. I’m a decent barista.

Plotter or Pantser? Cruiser

Superpower? Getting stuff done. I know that sounds boring for a super-power but it’s pretty awesome. You can be the best writer in the world but if you can’t finish a novel, it’s going to be a harder road if you want to do it professionally. And I get lots of stuff that isn’t writing done, too.

Best piece of writing advice? My old journalism professor had a sign on her door that reads: A real writer is one who writes. If you want to be a writer, write. And then revise.

Favorite place on earth? Brooklyn

If you were stranded on a desert island with only three things, what would they be?

  1. My dog
  2. A solar-powered e-reader with 1000 Libby library books on it that never expire. And enough blank pages to write.
  3. I was going to say my family but having been through Covid lockdown, I know this would make them miserable and crazy so I’m just bringing the dog who would be so happy to spend all his days with me.

MR: Thank you for chatting with us, Gayle—and congratulations on the forthcoming publication of Not Nothing!

GF: Thank you!!!!

About Gayle Forman

Award-winning author and journalist Gayle Forman has written several bestselling novels, including those in the Just One Day series, Where She Went, and the #1 New York Times bestseller If I Stay, which has been translated into more than forty languages and was adapted into a major motion picture. Her first middle grade novel, Frankie & Bug, was a New York Times Best Children’s Book of 2021. She lives in Brooklyn, New York, with her family.

Melissa Roske is a writer of middle-grade fiction. Before spending her days with imaginary people, she interviewed real ones as a journalist in Europe. In London she landed a job as an advice columnist for Just Seventeen magazine. Upon returning to her native New York, Melissa contributed to several books and magazines, selected jokes for Reader’s Digest (just the funny ones), and received certification as a life coach from NYU. In addition to her debut novel Kat Greene Comes Clean (Charlesbridge), Melissa’s short story “Grandma Merle’s Last Wish” appears in the Jewish middle-grade anthology, Coming of Age: 13 B’Nai Mitzvah Stories (Albert Whitman). Learn more about Melissa on her Website and follow her on  Twitter, Facebook, and Instagram.

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Summer is Hot and so are these New Releases!

By on August 1, 2024   /   Articles, New Releases  

Check out these hot new August releases for our From the Mixed-Up Files of Middle-Grade Authors followers! Order your copies today…perfect back-to-school gifts!

The Rule of Three, written by Heather Murphy Capps (former MUF contributor!!) Publisher: Carolrhoda Books Release Date: August 6

When the rules no longer apply, how do you keep your head in the game?

Wyatt has a three-part Plan for Life, and it starts now, at the beginning of seventh grade, with tryouts for his local travel baseball team. A biracial kid in a mostly white town, he’s always felt like a bit of an outsider. The baseball field is the only place where he feels like he truly belongs. If he can just make the team, everything else will fall into place: school, friends, even his relationship with his often-distant dad.

But after upsetting incidents at tryouts, something inexplicable happens: wisps of smoke form around Wyatt.

As Wyatt tries to figure out what’s causing this mysterious smoke and how to control it, he discovers it’s connected to a painful family history. The more he learns, the more Wyatt begins to question the rules he’s always followed to fit in. With tensions rising at school and on the field, can he face the injustices of the past while keeping his cool in the present?

A Bite Above the Rest, written by Christine Virnig Publisher: Aladdin Release Date: August 6

A boy moves to a Halloween-themed town only to realize there may be more to the tourist trap than meets the eye in this fast-paced romp of a middle-grade novel perfect for fans of The Last Kids on Earth and Escape from Mr. Lemoncello’s Library!

When Caleb’s mom decides they are moving to her childhood home in Wisconsin, Caleb is not thrilled. Moving schools, states, and time zones would be bad enough, but Mom’s hometown is Samhain, a small and ridiculously kitschy place where every day is Halloween.

Caleb is not a fan of Halloween when it only happens once a year, so Halloween-obsessed Samhain is really not the place for him. How is he supposed to cope with kids wearing costumes to school every single day? And how about the fact that the mayor is so committed to the bit that City Hall is only open from sundown to sunup to accommodate his so-called vampirism? Sure enough, Caleb becomes an outcast at school for refusing to play along with the spooky tradition like the other sixth graders. Luckily, he manages to find a friend in fellow misfit Tai, and just in time, because things are getting weird in Samhain…or make that weirder.

But there’s no way the mayor is an actual vampire, and their teacher absolutely cannot really be a werewolf–right? Caleb discovers Samhain is so much stranger than he ever could have imagined. As one of the only people who realizes what’s happening, can he save a town that doesn’t want saving?

 

 

All About Us: A Look at the Lives of 50 Real Kids from Across the United States, written by Matt Lamothe and Jenny Volvoski  Chronicle Books, Release: August 6

From the rocky coastline of Maine to the lush rainforests of Hawai‘i, read about the many different places American kids call home—and about 50 real kids who live there.

In Iowa, Amelia and her dad soar through the skies in their red-and-white-striped plane.
In Rhode Island, Ramon and his sisters ride scooters in the apartment building courtyard.
In Louisiana, Adrain Jr. races his dirt bike down a gravel road, speeding past cornfields.

Matt Lamothe and Jenny Volvovski document the daily lives of 50 children from America’s 50 states in this compelling companion to the award-winning picture book This Is How We Do It. Fifty unique, authentic portraits of growing up in America include:

  • Families who live in a variety of dwellings, from houseboats and yurts to farms, Native reservations, and Air Force bases
  • Children with adoptive families, stepfamilies, single-parent families, two moms or dads, and those who live with their grandparents
  • Children living with health conditions such as leukemia and muscular dystrophy
  • Families from a range of social, religious, and economic backgrounds

This illustration-packed nonfiction children’s book depicts a diverse collection of families, homes, and dreams, highlighting what makes each child’s world so unique yet also familiar. All About U.S. brings us together by celebrating the similarities and differences between kids’ day-to-day experiences across the United States.

Read at Your Own Risk, written by Remy Lai Publisher: Henry Holt & Company, Release Date: August 13

Read at Your Own Risk is the spine-chilling illustrated sketch diary of a kid who is being haunted after a game goes terribly wrong and an evil spirit starts conversing with her on the page.

“The journal format of The Diary of a Wimpy Kid meets the thrills and chills of R.L. Stine in this middle-grade horror.” —The Bulletin of the Center for Children’s Books

Hannah and her friends were just having a bit of fun when they decided to play a game to communicate with spirits of the dead. Little did they know something would answer their call and crawl its way into the pages of Hannah’s journal. What started out as a game has turned into something much more evil. With dire, horrifying consequences.

Is there any way to escape the curse?

 

 

 

The Ghost Rules, written by Adam Rosenbaum Published by: Holiday House Release Date: August 13

Twelve-year-old Elwood McGee never asked to have “ghost-sight,” and it involves a lot more drool-dodging than he expected. Ghosts are the WORST–and they’re all over the place in this sharp-witted middle grade debut novel.Did you know that ghosts love coffee? They’re not trying to be scary. They’re just deprived of an appropriate amount of caffeine! They also bump into things by accident, are occasionally nosy, and get a little nervous when they’re seen by the living.

Elwood McGee knows these ghost facts because he’s one of those rare people with the gift of ghost-sight. And it turns out ghosts are everywhere! Especially in the small Tennessee town where Elwood and his family had to move following the death of his big brother Noah, which Elwood thinks was his fault.

Once Elwood figures out he can see ghosts, he becomes single-mindedly determined to use his powers to see Noah and talk to him once last time. With the help of two girls who live on his street, Elwood embarks on a journey through the surprisingly funny world of ghosts and faces the realities of letting go.

At once hilarious and heart wrenching, Adam Rosenbaum makes his middle grade debut with a supernaturalish novel about grief that’s perfect for fans of Gordon Korman and Dan Gutman.

A Junior Library Guild Gold Standard Selection

The Swifts: A Gallery of Rogues Written by Beth Lincoln Publisher: Penguin Young Readers Group Release Date: August 20
Shenanigan Swift is headed to Paris, where new mysteries await in the hilarious, quick-witted sequel to Beth Lincoln’s #1 New York Times bestseller, The Swifts: A Dictionary of Scoundrels.“Abundant wordplay and humor will keep the pages turning.″ —Kirkus, starred review

Now that the family reunion is over and the murderer has been caught, Shenanigan Swift can return to important projects, like searching for the long-lost family treasure. But trouble always finds Shenanigan, and when a valuable painting is stolen from Swift House by a group of eccentric art thieves known as Ouvolpo, she is determined to get it back–even if it means chasing them all the way to Paris. A new adventure is about to begin, and Shenanigan’s sleuthing skills will soon be tested like never before.

A Gallery of Rogues is the highly anticipated sequel to Beth Lincoln’s celebrated debut, A Dictionary of Scoundrels. Beloved characters are back, joined by a fresh flock of relatives from the French branch of the Swift family tree–the Martinets, including Cousins Soufflé, Mercredi, Contraire, and Pomme. Get ready to say bonjour to more secrets, more bodies, and even more fun, in this delicious mystery that once again celebrates words, family, and plenty of shenanigans.

 

 

The Grimsbane Family Witch Hunters, written by Joan Reardon, Publisher: Aladdin Release Date: August 20

Netflix’s Wednesday meets Jodi Lynn Anderson’s The Memory Thief in this creepy and high-stakes middle grade adventure about a girl’s quest to save her cursed brother that takes her through perilous, monster-filled woods.The Grimsbane women have been hunting witches and monsters for generations–ever since the Watcher, the most powerful witch in the Midwest, cursed the Grimsbane men to die untimely and unusual deaths. Part-time skater, full-time troublemaker Anna Grimsbane may be only twelve, but she’s been learning about hunting her whole life and is tired of waiting to do the real thing. She and her twin brother Billy are about to turn thirteen, the age the curse takes hold, and Anna wants to be on the front lines fighting to break it.

Only hours before he’ll become an accident-prone walking disaster, Billy runs away to find the Watcher himself. The Grimsbane women are all out on patrol, leaving it up to Anna and her friends Suvi and Rosario to find Billy before his recklessness hastens his demise. But the woods are crawling with cryptids, most of whom hate humans, and all of whom hate the Grimsbanes, and the deeper Anna gets into the forest, the clearer it is that reading about witch hunting is no replacement for practical experience.

Anna feels in over her head, especially as she starts to suspect she knows much less about her family history than she’d thought. As she races against the clock to find Billy before midnight, it becomes all too evident that he isn’t the only Grimsbane at risk for a grisly death tonight.

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Interview with Author/Illustrator Caroline Palmer

By on June 10, 2024   /   Author Interviews  

Today, I’d like to extend a warm, Mixed-Up welcome to Caroline Palmer, author and illustrator of Camp Prodigy, a debut graphic novel about two nonbinary kids who navigate friendship and identity at summer orchestra camp. Touted by Kirkus as “an immersive and affirming story that hits the right notes,” the novel is perfect for fans of Victoria Jamieson and Raina Telgemeier. It’s out tomorrow, June 11, from Atheneum Books for Young Readers/S&S.

But first…

Camp Prodigy: a Summary

After attending an incredible concert, Tate Seong is inspired to become a professional violist. There’s just one problem: they’re the worst musician at their school.

Tate doesn’t even have enough confidence to assert themself with their friends or come out as nonbinary to their family, let alone attempt a solo anytime soon. Things start to look up when Tate attends a summer orchestra camp—Camp Prodigy—and runs into Eli, the remarkable violist who inspired Tate to play in the first place.

But Eli has been hiding their skills ever since their time in the spotlight gave them a nervous breakdown. Together, can they figure out how to turn Tate into a star and have Eli overcome their performance anxieties? Or will the pressure take them both down?

Interview with Caroline Palmer

Melissa: Welcome to the Mixed-Up Files, Caroline! It’s great to have you here.

Caroline: I’m very glad to be here!

Melissa: First and foremost, congrats on Camp Prodigy! Can you share the inspiration behind your MG debut?

Caroline: I pretty much took lots of ideas from my own life and threw them together. The main characters being nonbinary violists, orchestra camp, the awkwardness of making connections as a kid… All of those bits, at least, were drawn from personal experience!

Similarities and Differences

Melissa: Camp Prodigy, which focuses on two nonbinary tween violists, Tate and Eli, is loosely autobiographical. (In addition to being nonbinary, you studied the viola.) What are the main similarities between you and the main characters? The main differences?

Caroline: I’d say that Tate and I are similar in how we struggle to open up to others–but for different reasons. For Tate, it’s because they don’t have a lot of confidence. In contract, I’m pretty at ease with myself, but that doesn’t come naturally to me. Eli struggles when they have to play music solo, but by the end of the book they find enjoyment in playing as a part of the orchestra. This is something I relate to. I guess the main difference between us is that I’m not competitive, haha!

Hard Work Pays Off

Melissa: At the beginning of the novel, Tate and Eli seem to have little in common. Eli is a high-achieving viola prodigy; Tate loves to play but isn’t particularly talented. What were you trying to say about achievement—and perseverance—in general?

Caroline: I really liked the idea of this dynamic. A prodigy and a beginner who are worlds away in skill but very similar in motivation. And while Tate’s journey from worst violist in camp to best violist (according to the seating arrangements) is a bit unrealistic, I don’t doubt it can happen in real life. When you’re starting out, even little adjustments can make a big difference in how you play music. Mindful practice and guidance from someone who can see opportunities for you to improve, and then communicate them to you on your level, goes a long way.

This isn’t exclusive to playing music, either! Anyone learning a new skill can go far with it. Hard work really does matter more than natural talent. I’m a lucky person–my personal talents and interests are in alignment–but there are people who have more technical skill than I do, in areas they had to work for.

The Stress of Secret Keeping

Melissa: The theme of secret keeping looms large in this story. Tate is afraid to come out to their family as nonbinary, while Eli hides the trauma they suffered as a result of their quest to be an accomplished violist. What is it about secrets that provokes so much anxiety, particularly for tweens? And what advice would you give to young readers who are struggling with a secret themselves—coming out or otherwise?

Caroline: I think there’s some correlation with hitting puberty, in a way. This could be influenced by my experience with gender, but suddenly, you have to deal with uncomfortable changes to your body. I could always speak freely with my parents, and I knew what was coming, but I still felt the urge to lie by omission. By saying nothing, it’s as though your problems and worries won’t be real. Unfortunately, they still are.

My advice? It’s always a relief to share a secret with someone you trust. It may be scary, but the people who care about you should always be able to help, even if they can’t do anything but listen. It’s up to you whether or not you share a secret, but it’s always easier to carry something with help, rather than alone.

Nonbinary rep

Melissa: As above, your novel features two main characters who are nonbinary. How is this novel specific to the nonbinary experience? What is universal?

Caroline: There are several scenes that center on the feeling of being misgendered. In my experience, for those first few months and years after you’ve realized that you’re not cisgender, you tend to be the most sensitive about incorrect pronouns or gendered terms. It’s like a fresh wound that needs to heal. Tate, a kid who’s recently begun to explore their nonbinary identity, is deeply uncomfortable not just with being misgendered, but also with hearing other people misgendered. And sometimes, cis people who are well intentioned still don’t give the concept a second thought.

This experience feels pretty specific to me, but I think everyone can understand the feeling of having something important to you completely dismissed, even by kind people who just don’t understand. The feeling of being queer is not so  alien if people give it some thought!

Challenges and Rewards of MG

Melissa: Since this is your first foray into middle-grade fiction, what was the biggest challenge you faced when writing and illustrating this novel? The greatest reward?

Caroline: It was tricky trying to create satisfying stakes. When you write fantasy or sci-fi, for instance, it’s easy to create tension. Maybe the world will be destroyed if the bad guys aren’t stopped! But Camp Prodigy was an entirely different genre, so the stakes had to be personal. It was also pretty tough to draw realistic backgrounds consistently!

For the reward, I’d say getting to hold the book in my hands. Getting to read it from front to back as a professional, physical story. It was so satisfying to see everything come together just the way I knew it would!

Caroline: The Versatile Creator

Melissa: In addition to writing middle grade fiction, you create comics, storyboards (including those inspired by The Simpsons, Star Wars, and Hamilton), and have done a TV-show pilot based on the BETA version of Regular Haunts, where you produced all the art, editing, sound design, and voice acting. What is the secret to being such a versatile creator?

Caroline: It all stems from the same source for me. I want to tell stories with words and art. The many facets of animation and comics aren’t too different in that regard; I’ve always seen them as points on the same scale of visual mediums. You have prose novels–all words, animation–all art, and comics in the middle of both.

For me, there’s very little that compares to the feeling of telling stories with words and art. I’d try out any medium to bring what’s in my mind to reality in the most fulfilling way! So I guess the secret would be…if you want to try something new, do it! There’s nothing more exciting than creating art without holding yourself back.

Creative Process

Melissa: What does your creative process look like? Do you have any particular rituals or routines?

Caroline: I try to stick to a vague schedule in terms of work projects, but I’m always thinking up stories in my mind. It’s so embedded in my life that there’s no removing it. Because of that, it’s hard to think of my actions as routines, but I suppose I draw almost every day. It’s not even something I try to do, it’s something I’m compelled to do. If I don’t draw for too long, I’ll get an itch under my skin.

Some people do warm-up drawings before starting important art pieces, but I usually don’t do that either, hah! If you draw often, it gets easier to jump right in. And if you draw comics, you’ll be compelled to practice depicting complicated backgrounds, props, and poses that you might normally avoid.

Melissa: What are you working on now, Caroline? Can you give Mixed-Up Files readers a sneak peek?

Caroline: I have another pitch in the works, but I can’t share much about it now. Maybe soon! Aside from that, I’m still updating my long-running webcomic “Talent de Lune” on tumblr and webtoon. If you like action, consider checking it out!

Lightning Round!

Melissa: And finally, no MUF interview is complete without a lightning round, so…

Preferred writing snack? You can never go wrong with apples! I’ve also been snacking on these things called Yoggies from Costco.

Coffee or tea? Neither! But here’s my favorite soda–root beer!

Favorite piece for the viola? I’ve been chipping away at Suite Hébraïque by Ernest Bloch for ages. It’s very eerie and beautiful.

Zombie apocalypse: Yea or nay? I would be bitten, sadly. I would definitely be bitten.

Superpower? Bringing my drawings to life, of course!

Favorite place on earth? If I’m having a good time with friends or family, everywhere is fun! But I did get to visit Korea last year, and the food is delicious, no matter where you go.

If you were stranded on a desert island with only three things, what would they be? A fully stocked and manned ship to sail away on. Gotcha! (Or, if perhaps that’s unavailable…some sort of satellite radio, a fire-starting kit, and a pot?)

Melissa: Thank you for chatting with us, Caroline. It’s been a pleasure, and I’m sure MUF readers will agree!

Caroline: Your questions were great! I had a lot of fun, thanks for inviting me!

About Caroline Palmer

Caroline Palmer (they/them) is a nonbinary comic creator who tells action-packed stories with heart. Visit them at CarolinePalmerComics.Weebly.com.

Melissa Roske is a writer of middle-grade fiction. Before spending her days with imaginary people, she interviewed real ones as a journalist in Europe. In London she landed a job as an advice columnist for Just Seventeenmagazine. Upon returning to her native New York, Melissa contributed to several books and magazines, selected jokes for Reader’s Digest (just the funny ones), and received certification as a life coach from NYU. In addition to her debut novel Kat Greene Comes Clean (Charlesbridge), Melissa’s short story “Grandma Merle’s Last Wish” appears in the Jewish middle-grade anthology, Coming of Age: 13 B’Nai Mitzvah Stories (Albert Whitman). Learn more about Melissa on her Website and follow her on  Twitter, Facebook, and Instagram.

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