Oh MG News

The Shifting Landscape of Literary Agents

American Association of Literary Agents logo

The Association of American Literary Agents (AALA) has revised its Canon of Ethics, with changes set to take place September 1, 2026.

 

Significant Changes to Note

 

While agents still may not charge a client for editorial work done to prepare a manuscript for submission, other avenues of generating revenue have opened up. As reported by medium.com, agents can now “offer clients paid services, such as marketing, publicity, web design, and, in some circumstances, editorial services, as long as representation is not contingent on purchasing those services.”

 

A significant change to the Canon, while not encouraging agents to act as publishers, allows agents to enter into publishing agreements with clients if consent is given. As rationale for this change, AALA states the following:

 

As self-publishing and hybrid publishing continue to gain popularity and traction, and both indie and mainstream publishers find new ways to collaborate with agents, AALA members are more often being asked to help clients get their work published in non-traditional ways.” 

 

What do these changes mean for authors?

 

Industry expert Jane Friedman discusses catalysts for these changes and concerns she has about their implementation in her July 29 post, “Agent Business Models May Be Shifting: What I Fear Will Happen.”  

 

Friedman acknowledges that the agents are under pressure. The field has exploded in growth, with more people “taking up agenting as a side gig” and many industry professionals taking on agenting roles. As a result, editors are overwhelmed with submissions, and response times are lagging. The shifting landscape has made agenting an often financially unstable endeavor.

 

However, changes to AALA’s Canon of Ethics raise concerns for Friedman, including referral fees, potential conflicts of interest, subtle pressure tactics, and a “power imbalance in the author-agent relationship.” Her detailed article, linked above, is thorough and offers specific advice to authors before they sign any contracts.

 

New Kwame Alexander Imprint

Kwame Alexander, author of popular books such as Acoustic Rooster, The Crossover, The Door of No Return, and Caldecott Medal-winning The Undefeated will partner with Sourcebooks to launch Kwame Alexander Books in spring 2027.

Kwame Alexander Books logo via Sourcebooks

The imprint, with the goal to “[champion] bold authors across generations,” will publish children’s books from picture books through YA, as well as adult titles. The imprint will also have to-be-announced initiatives to help discover and support new writers.

AI in the News

One half of the image is a mechanical cog, and the other have is an AI screen

As the use of generative AI grows, concerns about its negative impacts grow as well. Most notably, Pope Leo XIV recently issued his Magnifica Humanitas, an appeal to safeguard humanity against the use of AI in a way that is detrimental to our collective future.

 

While concern is spread across industries, the publishing arena has become acquainted with a unique set of issues. Lawsuits are waged over the unauthorized use of intellectual property, and many literary agents and publishers now require authors to attest that AI was not used in the development of stories. 

 

And yet, AI is a growing part of the writing world, and we must remain informed about the issues surrounding its use. Here’s a rundown of a few recent news stories concerning AI and writing. Each item on the list is a link that will lead you to more information:

 

 

For some historical reflection, here at MUF, we have examined the use of AI in children’s literature from different perspectives. If you type “Artificial Intelligence” into the search bar, you will find multiple articles to explore.

AI is a growing part of every field, and it’s important to stay on top of the latest news as this tool continues its pervasive application in all areas of human endeavor.