Oh MG News

Publishers Working to Stop the “Decline by 9”

As recently covered in the fascinating Vox article “The promising race to get kids reading again” by Constance Grady, kids read and read and read up until about age 9, when they drop off a reading cliff.

Frequency with which children read books for fun via Scholastic.com

Via Scholastic.com

There are plenty of theories for this, as outlined by Grady, including:

  • Middle-grade books getting too long, due in part to the success of the billion-page-long Harry Potter series.
  • Kids having less free time to sit and read because they are more scheduled than earlier generations.
  • Covid-19 threw off reading habits, along with access to libraries and books in school.
  • Potential readers putting down books and picking up phones, tablets, and video game consoles.

The good news is that publishers are aware of this, and are actively working to address this huge issue by offering up more illustrated titles, graphic novels, and shorter-length books as well as making sure there are light, breezy, funny options for readers who may still want to read, but aren’t sure they want to crack open the #kidlit version of War and Peace.

Keeping people of all ages engaged in reading is of vital importance.

The Shifting Landscape of Literary Agents

American Association of Literary Agents logo

The Association of American Literary Agents (AALA) has revised its Canon of Ethics, with changes set to take place September 1, 2026.

 

Significant Changes to Note

 

While agents still may not charge a client for editorial work done to prepare a manuscript for submission, other avenues of generating revenue have opened up. As reported by medium.com, agents can now “offer clients paid services, such as marketing, publicity, web design, and, in some circumstances, editorial services, as long as representation is not contingent on purchasing those services.”

 

A significant change to the Canon, while not encouraging agents to act as publishers, allows agents to enter into publishing agreements with clients if consent is given. As rationale for this change, AALA states the following:

 

As self-publishing and hybrid publishing continue to gain popularity and traction, and both indie and mainstream publishers find new ways to collaborate with agents, AALA members are more often being asked to help clients get their work published in non-traditional ways.” 

 

What do these changes mean for authors?

 

Industry expert Jane Friedman discusses catalysts for these changes and concerns she has about their implementation in her July 29 post, “Agent Business Models May Be Shifting: What I Fear Will Happen.”  

 

Friedman acknowledges that the agents are under pressure. The field has exploded in growth, with more people “taking up agenting as a side gig” and many industry professionals taking on agenting roles. As a result, editors are overwhelmed with submissions, and response times are lagging. The shifting landscape has made agenting an often financially unstable endeavor.

 

However, changes to AALA’s Canon of Ethics raise concerns for Friedman, including referral fees, potential conflicts of interest, subtle pressure tactics, and a “power imbalance in the author-agent relationship.” Her detailed article, linked above, is thorough and offers specific advice to authors before they sign any contracts.

 

New Kwame Alexander Imprint

Kwame Alexander, author of popular books such as Acoustic Rooster, The Crossover, The Door of No Return, and Caldecott Medal-winning The Undefeated will partner with Sourcebooks to launch Kwame Alexander Books in spring 2027.

Kwame Alexander Books logo via Sourcebooks

The imprint, with the goal to “[champion] bold authors across generations,” will publish children’s books from picture books through YA, as well as adult titles. The imprint will also have to-be-announced initiatives to help discover and support new writers.