Posts Tagged children’s books

STEM Tuesday Field Work — Writing Craft and Resources

By on March 20, 2018   /   Field Work, For Writers, STEM Tuesday, Writing  

This month we’ve focused on books about scientific field work. What about the field work of a writer? Whether their subject matter is fact or fiction, frogs or fractals, writers have important research to do out in the field.

We all know that sensory details help to create a more engaging read, but how do you craft those sensory details? Research in the field!

 

 

 

 

Here is an exercise to help you with auditory information. It will train you to become more aware of the ever-present sounds around you, will help you gather specific sounds on site, and will strengthen your descriptions of sound qualities.

Creating a Sound Map

The set-up:

  1. Place yourself “in the field.”
  2. On a plain piece of paper draw the largest circle that will fit.
  3. Put a dot in the middle of the circle. The dot represents you. The circle represents the furthest edge of your hearing.

Listen:

  1. When you hear a sound, record it on the map in relationship to the dot and the edge of your hearing.
  2. Record the sound as a word, color, shape or symbol – whatever represents it best.
  3. Try to indicate qualities of the sound: is it loud? moving? staccato? raspy? repeated?

Keep going:

  1. Continue listening until your map is full.
  2. Do you notice any trends in what you have recorded? Are there more human or natural sounds?  Are there more sounds on one side? Why? Were their sounds that surprised you?
  3. Try writing about the sounds of this place in a descriptive paragraph.

Sound maps have become one of my favorite tools for collecting sensory data. Try them in a variety of places and you will grow your ability to enrich your writing about scientific field work.

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Heather L. Montgomery writes for kids who are WILD about animals. She reads and writes while high in a tree, standing in a stream, or perched on a mountaintop boulder. www.HeatherLMontgomery.com

THE O.O.L.F. FILES

This month, The Out Of Left Field (O.O.L.F.) Files look at field work options for young people.

Want science you can do while fishing? Or at the beach? Or in a sports stadium? SciGirl has got you covered!

http://pbskids.org/scigirls/citizen-science

From tracking the seasons through tulips to tracking hummingbird migration, students can get busy collecting data with Journey North.

https://www.learner.org/jnorth/

If you prefer to do field work from the comfort of your living room – or classroom – Zooniverse is for you. Tons of opportunities to help scientists spy on cheetahs, count cute seals, or train an algorithm to detect plastic on beaches.

https://www.zooniverse.org/

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A Sense of Atmosphere

By on March 19, 2018   /   For Kids, For Librarians, For Parents, For Teachers, For Writers, Writing  

As an artistic quality, atmosphere is easy to spot—sometimes. A moment of high suspense in a scary movie, for example, is highlighted with an accompanying soundtrack; a musical comedy in a theatre might showcase brightly painted backdrops and set pieces. In literature, though, atmosphere must be conveyed through descriptive phrases and other text details. It might be a little more challenging to cultivate atmosphere in books, but it’s just as important for the audience. A convincing sensory environment in a story makes for a tale in which one can get lost, a quality sought by all readers—and certainly by middle grade. Memorable and fulfilling books allow the reader to step inside, breathe the air, sense the mood—these are books with atmosphere.

Since setting and atmosphere are so intertwined, let’s break down setting first: How does a writer create a setting that pulls the reader along for a trip outside their ordinary? It’s a skill worth practicing if you write middle grade, and one worth recognizing if you are a parent, teacher, or librarian. Setting is a lot more involved than its old standby definition you probably learned in elementary school (the time and place of the action). Setting is indeed time and place, but also consider:

  • Weather
  • Hour of day
  • Season and month of year
  • Landscape
  • Geography (natural and manmade)
  • Color, lighting, and shading (of outdoor or indoor light source)
  • Regionalism (the dialect, customs, traditions, and local setting characteristics in a story)
  • Communication systems, language, and vernacular
  • Environment
  • Character observations
  • Socioeconomic factors
  • Back and forth flow of time: impact of past (events, family) and expectations of future

Whew! And when used effectively, the setting details can help this necessary story element become an extraordinary component—one that allows a reader to sink in for a more fulfilling read. All of these setting characteristics work collectively to create the offshoot of a well-composed, well-built world: atmosphere.

Atmosphere is tricky to define, but most literary terminology sources suggest it has to do with the mood or overall “feel” of the scene, based on the setting description, tone, and other literary devices. The mood of the character can match this mood in the air of the scene, but it doesn’t have to. In fact, sometimes the actions and attitudes of the characters can serve as a literary foil to the atmosphere, heightening suspense or making a bittersweet mood even more poignant.

How does a writer cultivate atmosphere? Imagery, word choice, and connotation all contribute, as do character reactions and pace. Some figurative language devices like symbolism and metaphor can add to the developed atmosphere, as well. When seeking inspiration for establishing atmosphere, writers might use photographs, illustrations, history, music, colors, travel experiences, dreams, patterns, and nature.

From my to-be-read pile, I chose a few middle grade openings to think about in terms of atmosphere: one realistic, one sci-fi, and one fantasy.

The Ethan I Was Before by Ali Standish – In the opening chapters of this first-person novel, the atmosphere is heavy and uncomfortable, much like the oppressive heat in Ethan’s new town of Palm Knot, Georgia. As a twelve-year-old boy terribly conflicted over the loss of his best friend, his narration has few lengthy descriptive passages. But Standish provides all the right details through environment, weather, temperature, and observations about this sleepy locale (a rusty parked truck, an untended baseball field, a cracked highway, a murky bay) that readers need in order to feel like they’ve stepped into its atmosphere.

Last Day on Mars by Kevin Emerson – This middle grade science fiction offers up opening chapters with a crisp, tense, nervy atmosphere in which the conflict increases at an alarm-inducing pace. Set in Earth Year 2213, humans living in a Martian colony must evacuate the planet and its rapidly deteriorating conditions. A prelude serves up danger and emotion before delivering a fearful and mysterious clue; here, descriptions are futuristically foreign, yet technologically familiar enough to pull readers in. The main characters resist an acknowledgement of the danger throughout the first chapter, which only serves to increase the suspense. As a solar radiation storm begins to flare, protagonists Phoebe and Liam start a quest of discovery in an atmosphere of uncertainty and confusion.

A Single Stone by Meg McKinlay — This middle grade dystopian abounds with atmosphere from the first paragraph. Young protagonist Jena has a crucial job to perform for her isolated society—she is the leader of a small team of girls who must find harvests of mica inside the mountain. In the opening pages, Jena is crawling through a narrow, natural crevice with only a thin rope connecting her to the six other girls who follow her lead. In the dark, with the chilly rock of the mountain hugging her close on all sides, every movement and every touch seems amplified and intense; the reader immediately feels as if she too is crawling, squirming, wishing for a harvest spot, counting on having enough air to keep going. The dark, the mountain, even the bones Jena happens to grasp accidentally all work to establish a tangible, claustrophobic opening atmosphere—though, paradoxically, Jena seems to feel no such confinement.

The atmosphere of each title considered here had me invested as a reader from the opening chapters. Feel free to comment on the post if you know of a great, atmospheric MG to recommend, or with how-to ideas for writing settings and situations with strong atmosphere! Thanks for reading!

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Reading Roundup: Three Middle Grade Standouts

By on March 14, 2018   /   Book Lists, For Librarians, For Parents, For Teachers, New Releases  

It’s hard to keep up with all the exciting new releases in middle grade fiction that have crossed my desk in the last few months. But there are three from Simon & Schuster Books for Young Readers, I need to crow about. They couldn’t be more different from one another. But each has a plot that will leave young readers breathless and each has characters that will win hearts and minds.

I’ll start with CHECKED by Cynthia Kadota, because although I’m not usually interested in sports books or hockey, I loved it! To the story’s protagonist, eleven-year-old Conor, nothing is more important than playing hockey – and his policeman dad, who was a hockey player himself, supports his son’s dream of playing professionally. But when Conor’s beloved Doberman, Sinbad is diagnosed with cancer, everything begins to change. The dog’s treatment is barely affordable and Conor begins doing odd jobs around the neighborhood to help out with the costs. Soon he begins noticing other people’s problems, like those of his elderly neighbors. Conor is the kind of kid you’d want your kid to be. And his dad is the kind of dad you wish every kid had. The relationship between them is real and totally heart-warming. You can’t help believing in these two. What great role models for young readers!

  The electrifying ESCAPE FROM ALEPPO by N.H. Senzai, takes place at the beginning of the Arab Spring in 2010. It’s the story of twelve-year-old Nadia, who becomes separated from her family as they flee the bombing of Aleppo. Her harrowing journey to reunite with them at the Turkish border brings readers deep inside the danger and uncertainty of the escape. Together with Ammo Mazen, a mysterious old man who takes her under his wing, Nadia makes her way through the city where soldiers and rebel gangs threaten their existence. But as Ammo Mazen weakens, Nadia must develop the courage and resourcefulness to help herself and her friend. It’s a hopeful ending, but young readers won’t soon forget this emotionally wrenching exploration of the war in Syria and its awful cost.

  At the beginning of Avi’s book, THE PLAYER KING, a 15th century scullion named Lambert Simnel is working in a rough tavern in Oxford. Lambert has no family he knows of. He isn’t even sure of his age, which he guesses at “nine, ten or even thirteen.” But because of his resemblance to young Prince Edward, the missing heir to England’s throne, Lambert is purchased by two villains, Brother Simonds and the Earl of Lincoln, who forcibly educate him in the ways of royalty. The villains’ purpose is to have Lambert claim Prince Edward’s identity as the true king, opposing King Henry VII, who sits on the throne in Edward’s stead. It’s an Avi tale for sure—the kind in which the Newbery Award-winning author brings the twisted history of Medieval England to life with all the intrigue and color of the times. Fast paced and action-packed, this new release is sure to please the author’s many fans!

 

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