Posts Tagged Author Interview

Landslides and landfills make for great reads!

Betty Culley Young Adult and Middle Grade Book Author

Maine author Betty Culley has lived the effects of a landfill on a small rural community. A commercial landfill situated less than five miles from her home collapsed in 1989. Garbage that had covered 12.5 acres was, within moments, spread across 25 acres. The land surrounding that site still is a landfill (now operating on 158 of their 1,267 acres) and it now supplies waste capacity for towns and businesses all throughout New England and beyond. It also provides jobs and contributes to the community, sponsoring school sporting events and more. Given her experiences, this Maine writer wanted to paint a realistic picture of what it’s like for kids in a small town where a large, commercial landfill is situated.

In Landslide, the main character, ten year old Nathan Savage, lives right across the road from a landfill, where the mountain of garbage is reaching 90 feet. This landfill provides employment for Nathan’s dad, who works on top of the heap driving the huge compactor that compresses the garbage. The landfill also  sponsors Nathan’s hockey team. At the same time, Nathan’s mom closes her curtains during daylight hours and chooses to work  at night when the garbage trucks are not rumbling past the house. She works at home stitching shoes for a local shoe shop. The landfill is on land her own parents once farmed, and where she grew up playing in the fields and listening to birds sing.

Landslide - A Middle Grade Book by Betty Culley

Nathan, the book’s narrator,  has an extraordinary ability to perceive motion. Per Betty, this ability  “is not a documented talent. It’s something I made up. Maybe a bit of magical realism, but also, there’s the suggestion that when you pay close attention to the world around you, you may notice  things other people don’t. I wanted to have kids realize that noticing the natural world can be its own gift. You might observe what  others might not notice because you’re paying attention.”

The downside of living near a landfill is portrayed honestly, including the pervasive odor, the noise of truck traffic and the contamination of a local stream on a organic dairy farm that Nathan loves to visit.  Betty carried out extensive research on the solid waste industry, created sympathetic characters and provided an even handed portrayal of the economic benefits of the landfill. Nathan’s quirky friend, Wilder Bacon, learns about landfills and “garbology” as Nathan observes subtle movements and shifting on the hill. Nathan explains to Wilder that a landslide is inevitable and how he worries that his dad might be hurt or even killed in the collapse.

Betty became interested in telling Nathan’s story in part because the landfill that collapsed in 1989  is now the site of the only commercial landfill operation in Maine and is owned by the largest trash management company in the world.  It’s also where she brings her own trash. As she wrote Nathan’s story, Betty researched the history of trash management in her own town. “I live on 85 acres in a small town in Maine. Our town used to have an open pit dump where the  trash was burnt when it got full.” When open pit dumps were banned, engineered landfills with leachate collection systems became the norm. She learned that a few, like the one near Betty’s home, take special waste such as oily debris and forever chemicals.

Regarding the family that lives across from her local landfill, Betty reports, “They’re in their 80s and still live there, where their parents farmed, right across from the entrance to the landfill and they still have cows. Their persistence and steadfastness was a great part of my inspiration.” Betty strove to write an even handed story because she wanted to answer the question, “How do we live with these things?”

“I also have seen how the waste management industry has changed,” she says. Betty sees that efforts are being made to improve landfill safety as well as urging people to reuse, recycle and reduce reliance on single use products.

In many ways, Landslide parallels community efforts nowadays to deal with giant corporations creating data centers which can create problems such as drought due to water usage, or excessive energy bills.

Betty, who writes realistic young adult and middle grade novels and is a keen observer of adolescent and young adult perspectives, has been writing since she was a little girl. She says, “I always wanted to publish a book but I didn’t have a lot of self-confidence so I didn’t share my writing for a long time. Then I joined a writers’ group and started sharing my writing and learned more about the publishing world and the process of querying agents.” That changed her perspective and approach. “I couldn’t be shy about my writing anymore. It really is a dream come true to have my words out in the world.”

Betty’s interest in writing is definitely coupled with her interest in learning, researching and realism.  Once she decided to portray Nathan’s mother as a shoemaker she researched the Maine shoemaking industry. “I met a woman who was a hand sewer and she showed me her tools. She laid out her tools and showed me her thread and how she taped her hands.” Betty adds, “Shoe shops were very big in Maine at one time and there is still hand sewing being done here.”

Per Betty, Nathan’s mother chooses to work at night and keep the drapes drawn against the landfill, “as a survival mechanism. I think it was the idea that there was something beyond her control out there. It changed her beautiful view and peaceful quiet. Drawing closed the curtains and working at night is her way of trying to deal with it. Not to see it, not to hear it, not to smell it, if she can.”

The message here goes beyond Natham’s mom to the ways we all try to cope. “Whether it’s healthy or if it works, it’s all she can do. On this earth we all try to create beauty in our lives but there are things beyond our control, like a big building might be built near us or a highway might be rerouted, changing our view. That’s what happened to Nathan’s mom.”

At one point, Nathan sees his mom transplanting her perennials from the front yard to the backyard and he helps her, realizing it’s one of her ways of coping while living with the landfill.

There is tremendous reality and depth of life and character in this novel. Betty says this comes about almost magically. “The way I write, I’m not really a plotter. I’m kind of a pantser and when I write sometimes characters appear and there they are. It can feel like the muse is at work, kind of a magical thing. That’s what happened with Wilder. Having Wilder in the story was fun, especially because friendship is an important part of the book.”

“In all my novels that have social issues—Three Things I Know Are True has gun violence issues in it—I don’t really take sides. Instead, I strive to show the truth as best I can. It’s not about this is right and this is wrong. That’s not how I view writing. I try to find a voice and see what the character tells me.”

To assure that she was giving readers a well-rounded view of small communities and their landfills, Betty says she “talked to a landfill compactor operator, toured the giant state run landfill at Juniper Ridge, north of Bangor and stood on the working face watching the trucks come in.” She says everyone on all sides of the solid waste issue appear to share the same sentiment, “Garbage has to go somewhere.” So Betty “tried to look at the whole picture and how this industry affected one boy’s life and where he lives and what happens to him, his family, his friends, and his community.”

Nathan is a character who stays with readers long after we close the last page of the novel. A memorable image is of Nathan looking down at his house from atop a nearby hill as the landfill expansion begins and planning to plant more crabapple trees. That leaves readers wondering what Nathan might do next. Betty says, “I do have my own crabapple orchard with close to 20 crabapple trees. Some of them grow apples big enough to eat. Others have hard berries that birds love . I planted the orchard  simply for its blooms, its beauty.”

There’s a big takeaway in this novel, one that could make it a valuable all-community read for teachers and librarians who want to share the love of reading in their schools and communities. Betty describes that takeaway as “In life, sometimes there are big challenges we have to face, like what Nathan faced. Challenges that are right in front of you that don’t have easy answers and you have to rely on yourself and other people to find your way. And you can still find the beauty in your life.”

Betty had some specific advice for readers of all ages:

For the teachers and librarians – “The nature and volume of our garbage has dramatically changed and the generation coming up is going to have some real challenges. I hope that we can give students the tools for how to think about these things and learn how to help protect the environment. Maybe some of them will come up with ideas that are life changing for all of us.”

For students — “I’ve met with students and I’ve heard some of them talk about their concerns for the earth and the environment. Tell them I believe in them and I have faith in them to help things move forward. They’re thoughtful and they’re caring and I appreciate that. “

For more of Betty’s novels, you can visit her website: Betty Culley – Author of Young Adult & Middle Grade Novels Betty Culley | Author

STEM Tuesday– Chemistry– Author Interview

We are excited to be talking with Jon Chad, author/illustrator of the Physics of Life  SCIENCE Comics,  and the new Solvers comics about Math.

Jon Chad

 

Because this month’s topic is chemistry,  we are specifically talking about this book:

                                            Science Comics: The Periodic Table of Elements

                                                                                                      Periodic Table Comic by Jon Chad

 

 

JS: How did you get the idea to write this awesome book and why did you choose to make it a graphic novel? 
Jon C.: I was asked by my publisher, First Second, if I would be interested in doing a Science Comic about chemistry, specifically the periodic table of elements.  I find chemistry extremely fascinating, and I was eager to tackle it in a way that could connect to young readers.  When I make a STEM comic, I like to play around with genre and narrative as not only a way to make the work have more appeal and excitement, but also as a way to create stakes and tension in a way that draws the reader in.  There isn’t a need to fully silo off nonfiction from fiction in comics.  Readers are astute enough to know the difference between the two.  

 

When I am figuring out what sort of narrative framework I will use in a book, I try to find some sort of connection between the genre and the topic.  As I researched and thought about the periodic table, I was ensorcelled by how distinct the different sections are.  I started to view the table as a thing to explore, rather than look at.  That thought, plus the realization that the table itself looks like a top-down map from old dungeon-delving games like The Legend of Zelda, gave me the idea to frame an exploration of the periodic table and its distinct, interesting sections as a dungeon crawler.  From that point, I started working out who would be the hero, who would be the villain, and what sort of narrative beats I could map onto the conveyance of information to keep the reader hooked.

 

JS: Do you think graphic novels are a good way to help kids to understand difficult topics?  And if so, why? 
Jon C.: I think there is tremendous value in using comics to communicate STEM ideas; from the large complex ones, to the smaller, less complex ones.  Everybody’s brains are wired differently, and people connect to, and retain, facts in different ways.  Personally, I have a difficult time reading.  I struggle with mistakenly rereading the same word or line over and over.  Information presented solely through text is not an efficient way for me to learn.  Seeing pictures/diagrams/examples in conjunction with text is a much more accessible way for me to retain information.  It is why my research always includes documentaries and interviews with living scientists/experts.  Making STEM graphic novels have the ability to connect to a reader that might otherwise not engage with a topic.

 

JS: Clearly you are both author and illustrator of this book. What advice would you give to authors who want to write graphic novels, but won’t be the illustrator?
Jon C.: My biggest piece of advice would be to practice thumbnailing your own comic pages as you script them out.  Thumbnailing is the stage of comics making where you make a quick, small drawing of what a page might look like, where the dialogue might go, how many panels there are, etc.  Even if it is just a bunch of stick figures and simple shapes for the background, thumbnailing can help you figure out whether your vision of a panel or page is doable by an artist.  Even if you don’t turn those thumbnails over to a cartoonist, you will have considered the flow and density of your work during its creation, and that will pay off big time. 

 

JS: How hard is it to condense complex topics to the format of a graphic novel?
Jon C.: On the whole, the process for creating a comic about a complex topic, and one with less complexity is almost the same.  The biggest difference is what is my own personal level of knowledge on the topic upon starting the comic.  When I’m making a STEM comic, long or short, I am trying to communicate some larger takeaway about a topic.  It’s impossible for me to say everything I want to about chemistry in 122 pages of comics, so I make sure that everything I’m putting into the book funnels back to my one core takeaway.  In my volcano book, it was how volcano shape and eruption strength were all on a spectrum that was dictated by magma viscosity.  In my periodic table book, my core takeaway is about identifying periodic trends and the characteristics of each section of the table, rather than a deep dive on each individual element. As long as I’m keeping that core, digestible takeaway in mind, I can tackle very complex topics.

 

JS: What would you like readers to get out of this book?
Jon C.: For my book Science Comics: The Periodic Table of Elements, I want to get young readers excited about chemistry, and what makes up the world around us.  There are a lot of stand-out elements to fawn over in the book, but as I eluded to before, the most important takeaway are the periodic trends that I illustrate near the end of the book.  Having an understanding of the periodic table and trends as a whole can give us an idea of the properties of a given element just from their position on the table.  You can also use these trends to predict whether an element will be stable or reactive, malleable or rigid, solid or gaseous, etc.

 

JS: How would you like teachers/librarians to use this book?
Jon C.: My hope is that educators and librarians use this book either to engage readers that are having a hard time connecting with prose or spoken instruction, or as gateway material for a reader who is interested in science and is not quite at the grade level where a full chemistry curriculum is taught.

 

JS: Can you give any tips to writers who want to break into nonfiction children’s books?
Jon C.: Good question!  The first thing that jumps to mind is to familiarize yourself with different national- and state-based standards and curriculums.  I’ve found these resources invaluable in figuring out what sort of topics young readers will have potentially been exposed to, based on their grade.  I’ve also used these sorts of guides in seeing what sort of information is taught in the subsequent grades.  I like to include information in my books that is one step above the intended grade levels of my books.  Even if the topic that I am writing about is not actively covered in the target grades that my publisher is aiming for, I can still use something like the common core to see what they are learning.  I can extrapolate trends from that, and approach my topic the same way.
I would also recommend finding any combination of adults, experts, and young people to give your writing a once over, even in the preliminary steps. Getting the right measure of information that is clear and not bogged down in specifics and still accurate can be a real balancing act.

 

JS: What are you working on now?
Jon C.: I just wrapped up a wild west true crime story written by Steve Sheinkin called DIAMOND FEVER that comes out in May that I’m very excited for people to read.  I’m also in the middle of a book about veterinarian sciences, and one about the Voyager spacecrafts.  It’s been fun to work on such a wide array of nonfiction topics!

 

Jon, thanks so much for stopping by and chatting with us today! Check out Jon’s other awesome books and learn more about him Here:  https://www.jonchad.com/

Interview with Author and Podcaster Jonathan Rosen

I’ve known Jonathan Rosen for almost a decade, but there’s some disagreement on how we met. Jonathan claims it was at a photoshoot for People magazine, where I interviewed him for the “Sexiest Man Alive” cover. Jonathan further maintains that he beat out Zac Efron and Idris Elba for the honor, and that the men were so distraught, Annie Leibovitz needed three assistants and a bottle of Jameson’s to calm them down.

I won’t bother to tell you the real story, because it’s not nearly as entertaining (😀), but I will say this: Jonathan Rosen is a dear friend and former Mixed-Up Files member, and I’m delighted to talk to him about his career as a writer, podcaster, blogger, and literary agent. So, without further ado…

Heeeeere’s Jonathan Rosen!

MR: Thanks so much for joining us today, Jonathan. We’ve missed you at the Mixed-Up Files, but I know you’ve been busy. Let’s start with your writing life. Can you tell readers what you’ve been working on these days?

 JR: For the record, Zac Efron was inconsolable after I beat him for the title, but that’s all in the past and I feel guilty for rehashing it. But it happened. As far as writing goes, I’m in a mix of things now. I’m working on a middle-grade novel as well as a couple of things for adults. A romcom and a nonfiction.

Pop Culture Retro

MR: In addition to writing, you’re the co-host of the popular podcast, Pop Culture Retro, which celebrates past trends in music, fashion, TV, movies, and more.  How did you first got involved with the podcast? Also, what attracts you to pop culture from the ’70s, ’80s, and ’90s?

JR: I’ve always had a love of Pop Culture. I was a movie and TV kid. A huge viewer. Always read entertainment books on the history of cinema and show business. I grew up watching old shows from the ’50s, ’60s, and ’70s as well. I moved around a lot as a kid, so went to the movies. You didn’t need anyone to go to the movies.

As far as the podcast goes, it happened almost by accident. I was doing interviews with editors and agents for MUF and would usually ask them what their favorite childhood movie was. A couple of people said Escape to Witch Mountain. A friend of mine, Jan Eldredge, reached out to me and said that she was friends with Ike Eisenmann, who starred in Witch Mountain. I asked to interview him for MUF, and he graciously accepted. I became friendly with Ike, and eventually suggested that we do a podcast. It was a good dynamic, since Ike had been in the business, and I was a huge, and I’d like to think knowledgeable, fan.

We began interviewing people who had appeared in many shows and films from when I was a kid, and it was surreal to me. If I had told kid-me that I’d be interviewing people that I grew up watching, I would never have believed it. One of the people we interviewed, a friend of Ike’s was Moosie Drier. He had also had been in many beloved shows and films when he was a kid, including Oh God!, Laugh-In, The Bob Newhart Show, and many others. When Ike eventually stopped doing the show to focus on other things, Moosie agreed to take over, and I’ve had a blast straight through. We’re now good friends.

Rubbing Elbows with the Stars

MR: As a follow-up, you’ve interviewed dozens of iconic celebrities for the show, including Tiffany, Hal Linden, Morgan Fairchild, Mason Reese, Christopher Knight from The Brady Bunch, Audrey Landers from Dallas, Willie Aames from Eight Is Enough, the stars from Little House on the Prairie, and many more. Of all the celebs you’ve chatted with, which ones stand out the most?

JR: I’m not just saying this, but I actually enjoy every interview. I’m a fan, and I enjoy hearing behind-the-scenes stories. But if you want me to focus on one, I’ll answer–and also give the reason. For me, it was Meeno Peluce who was also a big star when he was a kid. He was in the TV show Voyagers, the time-travel show that also starred the late Jon-Erik Hexum. Voyagers was on for only one season, but it was my favorite show. I loved it, and it was one of the first shows I remember being really upset about when it was cancelled. I had gone back and watched the series many times since then, and when Meeno came on, it brought me back to my childhood.

Cher: The Icon… the Legend… the Fantasy

MR: Last celebrity question, and it’s a deeply personal one. What’s the deal with Cher? Not only are you her biggest fan, but you’ve also asked her to appear on Pop Culture Retro at least 365 times. She hasn’t said yes (yet), but do you think she will? Also, what is it about Cher that resonates with you so profoundly? I am being dead serious here.

JR: Okay, I LOVE Cher! And I asked a LOT more than 365 times. She DID answer me once. I asked for an interview daily for a while, and at one point she answered, “What interview??” I think she got confused, thinking she was actually scheduled for an interview.

But back to her. She was the first celebrity crush I had as a kid. The first celebrity poster I had on my wall. Others had the Farrah poster. I had Cher. Love her films, love her music, and I love the persona she has. Just an icon.

The Jewish Lens

MR: Pop Culture Retro” isn’t your only podcast. You’re also the host of The Jewish Lens, which covers themes such as Jewish identity, cultural challenges, and social issues, with episodes featuring such topics as antisemitism, Holocaust education, and the impact of Jewish culture in various industries. I know that your Jewish identity is integral to who you are as a person. Can you share your thoughts on what inspired you to create this podcast, and what it means to you?

JR: October 7th happened. I felt helpless. I saw Jew hate skyrocket and felt like I wanted to do something. And part of what I do is interview people. I wanted to give a platform to Jewish voices. I’ve had on authors, sports figures, movie people, activists, politicians, etc. It really is just a place where I want to give a place for Jews to speak. I don’t always agree with my guests, or necessarily share all opinions, but I like that there’s conversation, and giving a place to share a Jewish voice.

Substack: Platform of Choice

MR: You’ve also created a Substack recently. Can you tell readers more about it?

 JR: Lately, Substack has been the social media platform where I’ve spent the most time. I had intended to do a lot on writing, and using my experience as an author and former literary agent, and I still will talk about publishing from my lens. But so far, my Substack veered off. I talk a lot about Jew hate, and the Jewish experience socially, as well as in publishing.

Adventures in Agenting

MR: In addition to writing and podcasting, you’ve worked as a literary agent. What was that experience like for you? Also, what advice would you give to both agented and querying writers?

JR: I am an admirer of whoever is an agent. It’s not something I enjoyed at all. I say it often. No author is happy unless you sell them, and in publishing, there are a lot more non-sells than sells. It can be frustrating, and I knew that from the author side as well. I also put so much time into it, that I was seriously neglecting my own writing. I had sales, which I’m happy I could help make someone’s publishing dream come true, but I’m happy to be doing something else. As far as advice, I will be posting a lot of it on my Substack, so check there. 😊

Jonathan’s Writing Process

MR: What’s your writing process like, Jonathan? Are you a plotter or a pantser? Also, do you have a specific writing routine?

JR: I usually plot extensively. I plot every detail. But with that being said, Night of the Living Cuddle Bunnies and its sequel, From Sunset to Sunrise, were really more of an example of being a pantser. So, you never know.

No Jonathan Rosen interview is complete without a CHER LIGHTNING ROUND, so…

Favorite Cher song? I like so many, but “Just Like Jesse James” is the song I’ve kept on repeat more than any other.

Favorite Cher movie? Moonstruck, but I also like Witches of Eastwick a LOT!

Favorite Cher hairstyle? I can’t answer that. It’s like choosing between your children.

Favorite Cher outfit? I do have one, but this is a site dedicated to children’s books, so will pass. [Oh boy… I knew it would come to this 😂. –MR]

Favorite Cher quote? “Yes, Jonathan Rosen, I’d be delighted to come on for an interview!” (Okay, to be fair, she hasn’t said this one yet, but she will, and it’ll be my favorite quote.)

Sonny Bono or Gregg Allman? Can I say Jonathan Rosen? Between those two, you have to go with Sonny, but once I meet Cher in person, I think it’s going to be a foregone conclusion to have my name listed there.

You’re stranded on a desert island with Cher, with only three items in your possession. What are they? Why would I need anything else if I had Cher on an island??

MR: Thanks for stopping by the chat, Jonathan. It was a real pleasure!

JR: Always a pleasure, Melissa! (You can now stop threatening me to do the interview.)