Posts Tagged Author Interview

STEM Tuesday — Serendipity Science — Interview with author Sarah Albee

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Sarah Albee, author of Accidental Archaeologists: True Stories of Unexpected Discoveries.  The book is a fascinating compilation of discoveries, often made by ordinary people, that changed the way we view history.  Sarah Albee is known not only for presenting facts in an interesting way, but showing how everything we study is interconnected. In a way, she’s building higher order thinking in her readers one book at a time. Because the pandemic affected the release of a number of good STEM books, I wanted to bring this particular title to our reader’s attention.

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Christine Taylor-Butler: Sarah, you’ve published a wide variety of books for children. How did you get started in publishing?

Albee books

Sarah Albee: My first year out of college I worked in Egypt for a year. After that I knew I wanted to work in publishing. I landed a job with Children’s Television Workshop which produced Sesame Street. Today it’s known as Sesame Workshop. It wasn’t easy to break into the television side of the business so I moved to the publishing division. I was hired as an editorial assistant. That’s when I realized I really wanted to write for children. One of my responsibilities was to fly to Bologna Children’s Book Festival in Italy each year. I speak Italian so I set up the booth and helped translate for my boss and coworkers. I worked for CTW for nine years and was promoted to Senior Editor during that time. Afterwards, I started freelancing for Sesame Street while raising my children. I wrote a lot of fiction and learned early on how to hit deadlines. It was incredible training. I put in my “ten thousand hours” as Malcom Gladwell would say, to develop my skills over time. I wrote constantly and became very efficient. That experience helped me grow as a writer.

Fun fact, I got to meet the Muppets!

CTB: Okay, let’s back up a minute. After college, you spent a year working in Egypt? Wow! What did you do for that year?

Sarah: I was lucky. I got an internship at the press office of American University in Cairo. I edited English language books for adults. Later, I got a freelance job illustrating books.

CTB: As a parent and an author I’m always pointing students toward the benefits of traveling abroad. Do you have a special memory of your time there?

AUC courtSarah: Yes. I was walking across campus one day and saw a basketball sitting on this beautiful court. I played basketball at Harvard and was in good shape. So I started shooting baskets. As luck would have it, a coach was walking through the court and saw me playing. He wanted to talk but I didn’t speak Arabic and he didn’t speak English. He found a student who could translate for us. Because of that chance encounter I ended up playing semi-pro basketball. It was one of the best experiences of my time there. The women on my team all spoke Arabic, but not all spoke English. Some spoke French. So the time outs were held in all three languages. I became good friends with the other women on the team. Egypt is a very private society so the games became a great way to talk and learn more about the culture.

CTB: We share a similar view on pursuing knowledge for the sake of it instead of a specific career. That’s not as common as it should be in society.

Sarah: I consider myself a generalist. Throughout history, enlightenment thinkers saw acquiring knowledge as an end to itself. I look at the way we educate children today. They go to math class, then English, then Social Studies, etc.  It’s an artificial construct. We don’t make connections between the individual disciplines. Instead we treat them as separate topics.

Albee BuggedCTB:  You take a different approach when writing nonfiction. I’ve noticed a trend across your body of work. You go well beyond basic facts to make connections other people might not consider.

Sarah: Yes. That’s why it’s hard to find a place for my book on a classroom or library shelf. I try to connect dots. When I write a book about insects it’s put in the science section but it’s really about history too.

CTB: Then we both agree that, ideally, we need to think more broadly about how we teach children.

Sarah: Exactly. When I’m researching a topic I’m thinking, “What else was happening at that time?” Here’s a good example: We teach children about the Roman empire but at that same point in history the Han Dynasty in China was much larger. In another example, Beethoven was composing his third symphony at the same time Lewis and Clark were leading a western expedition.

Hobble skirtI like vertical and horizontal history. I ask myself, “What was being invented at the same time?” “Who was friends with whom?” Want to know why was there a sudden explosion of self portraits during the Renaissance? It corresponded with the invention of mirrors in the 15th century. Suddenly people could see what they looked like. Another fun fact I uncovered was at Harvard. The Widener Library was finished in the early 1900’s but the risers on the staircase are shallow – about 4 inches tall. I wondered what happened in history to cause that. It turns out that was the era when hobble skirts were popular.  Women had to take tiny mincing steps to walk in them so architects built that into their design.

CTB: Let’s talk about ACCIDENTAL ARCHAEOLOGISTS which fits the this month’s STEM TUESDAY theme perfectly. It’s also a Junior Library Guild selection.

Albee ArchaelogistsSarah: Thanks. I’m really proud of this book. I got the idea while working on North America – a fold out timeline of America, published by What On Earth Books in tandem with the Smithsonian. I was researching Mexico in the 20th century. One year a construction worker was burying electrical cable beneath the streets of Mexico. While digging he uncovered an enormous stone. It turned out to be a section of Templo Mayor, the main temple for the ancient capital city of Tenochtitlan. So I thought, “There has to be other stories like that.” In the book, I open with a discovery then discuss where, who, what and why it’s significant. I try to contextualize the information for kids – the history, the science and the human connections.

ruinsI went into the research thinking archaeology is the ultimate objective truth. People talk about only using primary sources, but those can sometimes be flawed. I use a combination of primary and secondary sources. For example, a professor who spent their life studying something may be a reliable source in addition to information in a diary. The truth is that sometimes archaeologists can be biased. The field has such a checkered history about sexism and racism. Here’s an example: the Zimbabwe ruins are stone structures in what was once Rhodesia. These magnificent edifices were precise and put together without mortar. It’s genius. They were discovered by male archaeologists in the late 1800’s. Someone decided that African people couldn’t have possibly built something that sophisticated so it must have been a different civilization, maybe the Phoenicians. Later, a female archaeology team proved without a shadow of a doubt that based on dating, the ruins had been built by African people. The Zimbabwe ruins didn’t make the book because the discovery wasn’t accidental. But it’s an excellent example of how bias can shape perception and that bias is then carried into books until unbiased research proves the assumptions to be wrong.

I’ve learned that you do your best to triangulate all the sources of information to get as close to the truth as you can. That’s the underlying theme of my work.

CTB: That’s the hard part of what we do. Evaluating information in context. What might be underlying the information we are reading and whether it is biased based on the time the documentation was created.

Cowboy George McJunkinSarah: Yes. Here’s an example in the book. I read about a Black cowboy, George McJunkin who lived in the late 1800’s/early 1900’s. He was enslaved as a child but was later freed. He worked to become a cow wrangler but was a scientist at heart. Fluent in Spanish, he had his own science equipment. He was also well respected and helped to resolve land disputes. He was the “go to guy” for things like that. In 1908 there was a big flood near the ranch he lived on. He went to check his fences and discovered a huge gully had opened up. Inside he saw huge white bones. Right away he knew they are ancient and might be bison. There was something cool about them. They were larger than contemporary bison. So McJunkin wrote to a museum and to several men and tried to generate interest in the discovery. But cars weren’t common and it was too hard for anyone to travel there easily. After his death, cars were more widely available, The two men he’d contacted drove out to investigate McJunkin’s discovery. Those men then contacted a museum. Not only had McJunkin found these bison, but after one of the skeletons was removed scientists found a spear point between the ribs. That changed what archaeologists knew about Native Americans. It proved that humans had coexisted with these animals much earlier than thought. It moved the date back by 10,000 years. McJunkin got no credit for the discovery. He was a Black male and a cowboy. There had been a bias towards the contributions of people who weren’t part of the majority. Only now is he finally being recognized.

CTB: Book research is great but sometimes the best resources are serendipitous and you find help in unlikely places.

Golden BuddhaSarah: My husband teaches at a high school. I was researching a story about a giant solid gold buddha in Bangkok. It was about nine feet tall and originally covered in concrete plaster. It wasn’t very attractive and was moved several times throughout its history. In the 1950’s it was being moved to a permanent display. As it was being lifted the cable broke and the buddha fell to the ground. The plaster cracked and revealed a statue underneath made of solid gold. Most of the stories I’d read were not from reliable sources. My husband introduced me to a student from Thailand. I asked for her help finding Thai sources. Turns out she lived close to the temple. When she went home on break, she began sending me photos, descriptions and notes from her conversations with monks at the temple. To get this right I then had to learn more about Thai history and who might have covered the statue. It turns out the Burmese were invading the territory so monks covered the statue with concrete plaster to keep it from being stolen. After a while, knowledge of what was underneath the plaster was forgotten.

CTB: So what’s up next? Is there a book we should be putting on our radar?

Sarah: Fairy Tale Science: Explore 25 Classic Tales through Hand’s On Experiments comes out in Fall of 2021. I’m so excited about it. It features twenty-five (25) tales, some well known, some international and lesser known. I start each tale with a synopsis which is tongue in cheek. Then I pull out the scientific questions. For example, could a pair of glass slippers sustain the stress of ballroom dancing? Could hair really hold the weight of a prince climbing up a tower? Is stone soup a mixture, or does it undergo a chemical change? Then I follow up with experiments the readers can do.

CTB: It’s a brilliant way to engage students by using something already familiar. But identifying science in fairy tales had to be a daunting task (and I’ll confess I’m sad I didn’t think of that first.)

Sarah: The book was hard to write because the research involved physics, chemistry, botany and astronomy among others. I thought, “What am I doing? I can’t write this!” But scientists tend to be specialized. Einstein, for example, was a genius but he had a hard time explaining his concepts to regular people. He didn’t understand why other people didn’t understand his research. So I decided I was the right person to write a book like this because I had to understand the science in order to explain it to the reader. If I’m looking into a subject I have to learn about concepts like buoyancy and sheer stress fractures. It was a super fun book to write. Plus I had the advantage of talking to a retired scientist who loved to talk about physics. At one point we were talking for an hour and a half each day. This book is very much in my wheelhouse. There’s a lot of making connections and finding something familiar to kids to draw them in.

CTB: Well now I want to dive in too. I’d like to thank Sarah for stopping by for an interview. In children’s literature, she’s become a science and history interpreter. Always well researched and engaging, keep an eye out for Sarah’s future titles to round out your S.T.E.A.M. book acquisitions.

Win a FREE copy of Accidental Archeologists: True Stories of Unexpected Discoveries.

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

 

Albee Science

Photo by Peter Frew

Sarah Albee is the New York Times bestselling author of more than 100 books for children. A graduate of Harvard University, her substantial body of work includes numerous preschool titles for Sesame Street, early readers and nonfiction for middle grade. Her work has been recognized by Bank Street College of Education Best Books selections, Notable Social Studies Trade Books, and Eureka! Nonfiction Children’s Book Awards.  To learn more about Sarah visit www.sarahalbeebooks.com. You can follow her on Twitter @sarahalbee

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Christine Taylor-ButlerYour host is Christine Taylor-Butler, MIT nerd and author of Bathroom Science, Sacred Mountain: Everest, Genetics, and many other nonfiction books for kids. She is also the author of the middle grade sci-fi series The Lost Tribes. Follow @ChristineTB on Twitter and/or @ChristineTaylorButler on Instagram

 

Digging Into Journey Beyond the Burrow

Hi Mixed-Up Filers! We dug into all kinds of nature topics with author Rina Heisel, author of the upcoming Journey Beyond the Burrow.

MUF: Welcome Rina. Thanks for joining us today. I’m really excited to be talking to you about this book.

Rina Heisel: Thanks. I’m excited to be here.

MUF: So, tell us about Journey Beyond the Burrow.

Rina Heisel: Journey Beyond the Burrow is an adventure story about a young mouse, Tobin. He’s the top weather scout in his burrow, and he’s an expert in the Rules of Rodentia. He’s very proud of this, and always follows the Rules, until a big storm introduces a new predator that scuttles off with Tobin’s new baby brother. The Rules say to never pursue a predator, but Tobin goes on a rescue mission, along with his best friend and his little sister.

MUF: Speaking of the new predator, they definitely freaked me out, but not as much as the part where Tobin winds up in a nest of snakes. I had to put the book down at that part. Snakes scare me.

Rina Heisel: I’ve actually heard that from a few reviewers. Some people go into Journey Beyond the Burrow expecting a cute animal story, and it is that. But it’s also got some pretty scary, intense parts. Those are some of my favorites because I always loved those types of books when I was a kid.

MUF: Speaking of books that you enjoyed as a child, can you tell us some of the books that influenced you?

Rina Heisel: I read a lot of animal fantasy: Charlotte’s Web, Watership Down, Mrs. Frisby and the Rats of NIMH. I liked horse books and animal rescue books, but I also loved ghost stories, especially books by Mary Downing Hahn, and the Choose Your Own Adventure books.

MUF: Oh! Those were so good. I saw on your website that you worked on nature shows for South Dakota Public Broadcasting, how did your time there influence Journey Beyond the Burrow?

Rina Heisel: The natural science shows were my favorite projects. I spent a lot of time in the Badlands getting prairie dog footage and observing them and their burrows. It got me thinking about the relationship between predator and prey.

MUF: So, you started with prairie dogs, why is the story about mice?

Rina Heisel: Mice are so expressive, and they have fingers. It’s so helpful in writing animals that an animal is able to hold something because it’s such a human quality.

Also, I had a pet mouse in college that I rescued from a tarantula cage. The owner tried to feed the mouse to the tarantula, but the spider was scared of this little baby mouse and just clung to the top of its cage. I had a very understanding roommate who let me take the mouse back to our room. We named it Lucky, and it lived on cafeteria food.

MUF: Oh! That’s awesome. So, are the Arakni in the story based on that tarantula then?

Huntsman Spider

“Hunstman Spider (Heteropoda sp.)” by GeeC is licensed with CC BY 2.0. To view a copy of this license, visit https://creativecommons.org/licenses/by/2.0/

Rina Heisel: Arakni are based on tarantulas, yes, but also on Hunstman spiders, and A. Eximius spiders, which are spiders that live in colonies. I basically took the most terrifying traits of several spider species and combined them to make the Arakni, much to my agent’s chagrin. She had to go over all of the

different versions of the cover with spiders on them.

MUF: Wait! There’s a spider on the cover? I never noticed.

Rina Heisel: Yes! The mice that Paul Canavan drew are so expressive that they just pull you in, but there’s definitely a spider on the cover if you look for it.

MUF: Oh, I see it now. It’s kind of … menacing. So, tell us about the Rules of Rodentia. How did you come up with them?

Rina Heisel: The Rules come from nature and the relationships that animals have with each other. I got the idea from a biologist who talked about rabbits and the trails that they memorize. I thought about how all animals have these codes that they follow instinctively, and I wondered what that would look like written down.

MUF: Are there more rules that weren’t covered in the book?

Rina Heisel: There’s a little wiggle room in the numbering. So, there may be new rules, but there’s also a gray area. In life, it’s not just black and white. There’s this whole murky gray area.

MUF: That really feels like Tobin’s arc is finding that out. Rules of Rodentia would have made a pretty good title too.

Rina Heisel: It’s funny that you bring that up. Rules of Rodentia was my title, but my editor, Alice Jerman, wanted a title that would convey more of the story. So, my daughter and I brainstormed about 10 titles, and Journey Beyond the Burrow was one of my daughter’s suggestions.

MUF: Ha! That’s awesome. Can you tell us about your writing journey so far?

Rina Heisel: This story has been with me for about 15 years. The idea for the plot came to me in the Black Hills when we were interviewing a biologist about symbiotic relationships between animals, and I wondered “What would make a mouse and a snake team up?” I carried that little kernel of an idea around for a year or so. Then, the spiders came into play, and I wrote a summary. Then, I went to SCBWI classes and conferences to learn about writing for kids. It was around that time that my family moved to Florida, and I met my amazing writing group, The OWLS. I My first meeting with them I brought a 15 page first chapter of this animal fantasy that started out with Tobin just thinking about life. The OWLS were very patient with me, and I learned so much from them.

“Giant Batfish!” by montereydiver is licensed under CC BY 2.0

MUF: So, would that be your advice to new writers? Find a good group?

Rina Heisel: Yes, a supportive group is the biggest blessing, and SCBWI is a good resource. I learned so much by going to conferences, and going to conferences with my writing group was like imagination fuel.

MUF: Speaking of imagination fuel, what are you working on next?

Rina Heisel: I have an idea for a possible sequel to Journey Beyond the Burrow sketched out, but, right now, I’m working on an MG ghost story about siblings who visit a haunted hunting lodge in the North Woods.

MUF: Sounds spooky! Only a few more questions. What is something that readers would be surprised to find out about you?

Rina Heisel: Well, I love nature and being outside, but I’m scared of big fish. I went scuba diving with a friend near the Great Barrier Reef in Australia, and we saw a huge batfish. My poor diving partner, when we surfaced, said, “You kn

ow, for a small person, you have the most vice-like grip.” I was terrified!

MUF: That sounds like nightmare fuel. How can readers find you on social media?

Rina 

Heisel: I’m on Twitter: @rinaheisel. Instagram: rina.heisel and my Facebook page is Author Rina Heisel.

MUF: Thank you so much for talking with us today.

Journey Beyond the Burrow comes out July 13th, but one lucky winner will have a chance to win a sneak peek by entering our giveaway below.

 

Journey Beyond the Burrow Prize Pack
a Rafflecopter giveaway

Interview with Chris Swiedler: The Orpheus Plot

Interview with Chris Swiedler

Dropping June 25, 2021! What a great cover!

The Orpheus Plot

I grew up loving science fiction in every form, and my tween self would have disappeared into The Orpheus Plot (HarperCollins, 2021), so I jumped on the chance to interview Chris Swiedler about his book The Orpheus Plot.  Just in time for summer, Chris takes us on a great MG spacesuit adventure to the asteroid belt, where pre-teen Lucas Obadayo must bridge dual identities to prevent war. This is Swiedler’s second title with HC, following last year’s In the Red.

Welcome to Mixed Up Files, Chris!

Interview with Chris Swiedler

Sean McCollum: Lucas Abadayo is such a great protagonist, with a complete menu of internal and external conflicts to deal with. How much of your own young self is in his DNA?

Christopher Swiedler: Not enough, in the sense that I wish I’d had his internal strength when I was his age! I went to a new school for third grade and it was enormously difficult for me. Looking back I wasn’t really all that different from any of the other kids, but those differences were so magnified in my head that I felt as if I’d never be able to be friends with anyone. I can’t even imagine how I would have handled it if I’d been born in the asteroid belt!

Of course, there are lots of bits of me in Lucas. I was never very good in math, but I always loved computers. And I’ve always had a strong belief that most problems are caused by people not understanding someone else’s point of view. If all the people around you have seen something a certain way for a long time it begins to feel not only like a truth, but a truth worth (literally) fighting over. I’m mostly optimistic about the future of humanity, but I worry a lot about technology making it easier to segment ourselves and shut off any interactions with people and opinions that we don’t already agree with.

Orpheus Plot World Building

SMc: How did you go about the world-building process for The Orpheus Plot? What advice do you have for beginning science fiction authors on how to approach it?

CS: For me, world-building in science fiction is all about imagining how people will live and interact as we adapt to changes in technology. For example, it’s fascinating to think that as humans leave Earth and live in the rest of the Solar System, the first colonists will have to entirely give up eating meat, because growing plants to feed to animals and then feeding the animals to people is just too inefficient.

Or think about communication – in the last fifty years we’ve gotten used to being able to reach anyone, anywhere, instantly. Once people live on Mars, it will take anywhere from 3 to 22 minutes for signals to arrive, and then the same delay again coming back. Can you imagine trying to have a conversation with someone where it takes close to an hour for them to respond to what you’ve just said?

Good world-building is all about creating something that is different and believable. Making something different is easy—making it also be believable is the tricky part. Our brains are really good at spotting the little things that stand out and don’t quite make sense. My friend Shirin Leos uses the term “credibility gap” in her workshops, which I like a lot. I’ve gotten countless bits of great feedback from writers in her groups who start off by saying something like “I’m not at all a science-fiction person” and then proceed to point out in precise detail how a particular bit of futurism doesn’t quite make sense.

The best piece of specific advice I can give for world-building is to start off with the things you want to be different and then keep asking yourself “how would the world adapt?” If people flew on dragons—how would we adapt? If zombies rose from their graves—how would we adapt? Think about it in excruciatingly logical detail and open yourself up to all of the possibilities.

On the other hand, world building has to serve the story! Sometimes it’s fun to start with the world-building and then build the story and characters inside. But sometimes you need to flip it around and come up with the story first and the world second. My current project is fantasy / alternate-history, and I’ve only done light sketches of the world because I haven’t gotten the core story finished yet. Locking yourself into a particular, super-detailed world can sometimes be a hinderance.

MG Sci-Fi Influences

Author Chris Swiedler, everybody!

SMc: Because this is MUF, which middle grade books left an impression on you? And why do you write for middle grades now? Which science-fiction authors and books in general are among your influences today?

CS: In any genre, the stories that have an influence on me are the ones that make me think or make me cry (and ideally both). I love Watership Down for its detailed, believable, and almost totally foreign world, but the part that really gets me is at the end when you see how the story of Hazel, Bigwig, and the others gets woven into the legends of El-ahrairah for future generations. Another example is the movie E.T., where the science-fiction elements support and complement the amazing characters.

I love middle-grade novels because the stories are so genuine and positive. Young-adult books are great in how they can focus on the moments when our optimistic view of the world begins to crumble and be replaced by something more nuanced. But I find myself gravitating toward stories that see the world as an inherently positive place where conflict can eventually be reconciled. Of course, even in middle-grade there’s still a broad range of emotions like anger, sadness, and grief, but these are usually accompanied by healing and a return to an un-shattered, positive view of the world.

Out of recent sci-fi, I’m a big fan of everything that Lois McMaster Bujold has written. The settings of her Vorkosigan Saga and World of the Five Gods are amazingly authentic and engaging, but even more importantly, characters like Miles and Cordelia or Ista and Penric feel so much like real people that I’m sad when I finish the books and realize I have to say goodbye (at least till she writes the next one!)

((Looking for more space books? Check out our space-themed book list here)

Fundamentally Universal Themes

SMc: Thematically, science fiction seems to overlap with fantasy and perhaps superhero genres. What draws us to these stories?

CS: I think the great thing about themes is that they’re fundamentally universal. Things like setting, technology, magic, and superpowers can put characters into exciting situations, but it’s their choices—especially the difficult ones—that make us care about them.

One of my favorite quotes ever, from Lois McMaster Bujold, is this: “You are what you choose. Choose again, and change.” Think about that. You are what you choose. It’s true for us as people, and it’s just as true for characters. If someone is strong in the Force, or the wielder of some powerful magic, or smart enough to invent their own powered suit of armor—well, that’s great! But people are not their abilities or their talents. People are their choices. And the reason we care about them and follow them in their wonderful adventures is because we want to see those choices. We want to see Captain America choose to stick to his guns and keep fighting no matter what. We want to see Frodo Baggins choose to take the One Ring into Mordor. We want to see both the good choices and the bad ones, and we want to root for them to come out all right in the end.

Thanks so much for spending some time with us here at MUF, Chris. And have a great summer!

Keep up with Chris Swiedler:

At his website

On Facebook

Twitter @ChrisSwiedler

Goodreads

You can also buy The Orpheus Plot online at an independent bookstore through our MUF Bookshop portal: bookshop.org/shop/fromthemixedupfiles