STEM

Blast Off with Author Suzanne Slade and her new Space Book

I am so excited to be interviewing author Suzanne Slade about her new book

 

Countdown: 2979 Days to the Moon (Peachtree Publishers)

 

           Powerful free verse and stunning illustrations tell the true story of the American effort to land the first man on the Moon. In 1961, President John F. Kennedy announced that the United States would try to land a man on the Moon by the end of the decade. During the two thousand nine hundred and seventy-nine days following his speech, eighteen astronauts climbed into spaceships; three of them died before even leaving the ground. Eight rockets soared into space. And four hundred thousand people―engineers, technicians, scientists, mathematicians, and machinists―joined Project Apollo in hopes of making the dream a reality.
Award-winning author and mechanical engineer Suzanne Slade joins up with New York Times best-selling illustrator Thomas Gonzalez to tell the powerful story of the successes, failures, triumphs, tragedies, and lessons from Apollos 1 through 10 that led to the first Moon landing.

 

Junior Library Guild Selection
Starred Review Booklist, Publisher’s Weekly, and School Library Journal

 

Thanks so much for joining us, Suzanne.

 

  What first drew you to this story? Why did you feel it needed to be told? 

 

The Apollo moon missions are of great personal interest to me — probably because I have a mechanical engineering degree and worked on rockets in an earlier career.
I decided to write COUNTDOWN: 2979 DAYS TO THE MOON because I wanted to convey the struggles, successes, and surprises of the early Apollo missions that led to the first moon landing. The book covers the details of 2979 incredible days: from President Kennedy’s announcement that America should land on the moon (May 25, 1961), to Neil Armstrong’s first step on the moon (July 20, 1969.) 

 

COUNTDOWN shares notable events including Apollo 1’s deadly fire and Apollo 8’s first glimpse of the far side of the moon, as well as lesser-known details such as why Apollo 7 staged a mutiny and refused to wear helmets, and how Jim Lovell made chocolate pudding in space.  

 

Is there a reason why you think this story is so pertinent now?

 

The 50th anniversary of the first moon landing is approaching soon — July 2019. I hope this true story of courage, ingenuity, and perseverance inspires readers as they join in the celebration.
Although the Apollo missions were decades ago, their discoveries are still relevant today and important for our future.
These missions helped us to learn about the moon (it’s history, geography, how it was formed, etc.), and they continue to help scientists today learn about space, space travel, Earth, other planets, and much more. 
(Fyi – Check out the Air and Space Museum’s   “Top Ten” Apollo discoveries  list. #2 is my favorite.)

 

 I understand that it took you 8 years to complete all of the research for this book. Can you speak to how you felt during that time?

 

With any nonfiction project, I expect the research to be comprehensive and time-consuming. Since COUNTDOWN is a middle grade (I usually write picture books) about a technical topic, the research was particularly tedious and intense.
My engineering degree, and experiences at McDonnell Douglas Space Systems working on rockets for NASA, provided a technical background which helped me understand the basics of the Apollo spacecraft (Saturn V rocket, command module, service module, lunar module), but I still had a  lot  to learn. 

 

To your question, during my research for the book I felt inspired, discouraged, curious, frustrated, overwhelmed, exhilarated, and many other things. But the overriding emotion was excitement. It was thrilling to delve into the details of this amazing time and discover fascinating facts about the missions and astronauts that I’d never heard before. It was especially rewarding to write this amazing story for curious readers. I think they’ll be blown away by the astounding Apollo missions.

 

Can you give a few insights into how you found your sources?  

 

 
Of course, I focused on primary sources — NASA transcripts*,  Apollo photo archives, NASA websites, and astronaut biographies. 
Email inquiries to astronauts resulted in interviews with Alan Bean (4th man on the moon) and correspondence with astronaut Walt Cunningham.  I was unable to find contact info. for some astronauts, and  a few didn’t reply to my emails . But I was very grateful for the many reliable sources I found, and to the experts who enthusiastically helped with the accuracy of the project.
[*NASA Transcripts are public domain. Discussions between astronauts in flight and mission control are found in the   Apollo Flight Journal.  Dialogue after landing on the moon is in the  Apollo Lunar Surface Journal .]
 
I also visited museums where I studied Apollo spacecraft and space suits first-hand.  After the manuscript was complete, I asked several experts to vet the story. Thankfully, Dr. Dave Williams (PhD from NASA), and three others lent their expertise to the project.  My “Sources Doc,” which contains all the sources for the facts in the story, ended up 51 pages long.
 

 

This book is in verse. Do you write all of your books in verse? And if not, why did you choose to do that for this one?

 

Only a few of my books are in verse.  Actually, I didn’t choose this format for COUNTDOWN, the story did. 
Here’s how it happened. After years of research it was finally time to start writing, so I sat down to pen Chapter 1. To my surprise, the words came out in short, energetic lines. The text felt powerful, tense, and urgent, just like the events they described. So I kept writing in free verse. With some books, it seems the story knows how it wants to be told and the author has to go with it.

 

 Do you have a particular passion for writing STEAM/STEM books? 

 

 
Science and math were my favorite subjects all through school. In my free time now, I find myself reading about new science discoveries, watching science documentaries, or asking my son about his latest research projects, so science seems to be one of my favorite topics to write about.
 

 

Why do you think young readers would find this book interesting? Important?

 

It’s been nearly 50 years since the first moon landing. This incredible event is often summarized in history books  with a few lines or paragraphs   that discuss the Apollo 11 landing and Neil Armstrong’s first step on the moon. 

I think readers will be fascinated to discover more about the details and determination it took to get to the moon. The accomplishment of the  Apollo team, who made countless sacrifices to put the first human on the moon,  is nothing short of a miracle!

I hope COUNTDOWN allows readers to gain a deeper understanding of the the inspiring 2979 days that led to the moon landing. Also, Thomas Gonzales’ illustrations are simply stunning!  His glorious art is detailed, powerful, and emotional — just like the missions.

 

 COUNTDOWN recently released on Sept. 1. How has the book been received?

 

 
COUNTDOWN is a 2018 Junior Library Guild Selection, and has received Starred reviews from Booklist and Publishers Weekly. I was invited to present the book at the National Book Festival in Washington, DC (which happened to be the day it released,) so that was exciting. 
 

 

 Any new works on the horizon that you can discuss? 

 

I have two more “space” picture books releasing March 2019, just in time for the 50th anniversary of the first moon landing:   A Computer Called Katherine: How Katherine Johnson Helped Put America on the Moon  (Little, Brown) and  Daring Dozen: The Twelve Who Walked on the Moon (Charlesbridge).

 

Those books sound fabulous, too. Congratulations on all your successes!
Suzanne is generously offering to giveaway a  COUNTDOWN book mark which contains an authentic moon rock!! To take advantage of this amazing opportunity, please leave a comment below.

We’re talking nonfiction with a librarian!

As an author of primarily nonfiction, I thought it would be interesting to interview a librarian about all-things nonfiction for middle grade readers.

Rachel Stewart, the children’s services librarian for the Maumee (Ohio) Branch of the Toledo Lucas County Library was kind enough to answer questions I had about the topic from her perspective. Rachel has been with the TLCPL for five years. Her background is in elementary education, taught in traditional as well as a Montessori school, where she also served as an administrator. As you would expect, she is an active reader, enjoying various genres and subjects

As a children’s librarian, what nonfiction titles/subjects do you find appeal to middle grade readers the most? Middle grade readers are drawn to books about making and doing. When filling our new nonfiction displays, I notice that books related to STEAM subjects go fast, especially those that involve LEGO building or crafts. The DK book series is a constantly popular one. It is so popular that we have a designated, ongoing display of those books for customers to browse. This tells me that kids have a natural curiosity about a wide variety of topics and enjoy the graphic layout and photographs within these books.

I know that in our library system, the biographies for children, from PB to YA are shelved with biographies for adult readers. Does this lessen the exposure to young readers? (As opposed to shelving them in with children’s books?) We keep a constant display of the “Who Was/is…?” series, which has been very useful to parents and children alike. We often do temporary displays of PB bios and are currently doing a long-term display of YA/adult bios. Most often, when a child asks about bios, it is about a specific person and we can point them in the right direction (if such a book exists). We frequently do juvenile nonfiction displays on a wide variety of topics and usually include bios. There are pros and cons to interfiling, however, a major positive is that interfiling encourages young readers to choose books that they may not be exposed to in the juvenile section. Interfiling also allows adults with a lower reading level to feel comfortable browsing for books on a topic of interest.

Do you find that MG readers are borrowing nonfiction titles simply out of curiosity or because of school assignments? I believe that MGs are borrowing for both reasons. The NF displays that we keep up are heavily trafficked and browsed. I will often recommend narrative NF to reluctant NF readers just to open that door.

Does the library do much programming in nonfiction for middle grade readers? Nonfiction programming is a priority within the Toledo Lucas County Public Library system. At Maumee we have a popular programming series for grades 1-8 called “No School? No Problem!” that is focused on STEAM activities and scheduled when the local schools are off. When presenting those programs, we always include a large selection of related books for attendees to browse.

Do you have any amusing experiences with middle grade readers relating to nonfiction topics you care to share? I enjoy loading a child up with books on a favorite topic. I witness visible excitement and anticipation as if taking that stack home will be like opening a gift. 

 I also happen to have an 11-year-old that is a voracious reader of both fiction and nonfiction. He is spoiled by new books almost daily and I love when he asks what I brought for him. He is a fan of the Nat Geo and Guinness Books about world records and amazing facts. I am amused when he feels the need to share (at rapid-fire pace) interesting trivia from those books while I am driving or getting ready for work in the morning.

What are some of your favorite middle grade nonfiction titles? I have a love of cookbooks and am thrilled whenever we get new juvenile titles. Cooking encompasses so many practical life skills and supports emotional well-being. I believe learning to cook and bake should be a core part of childhood.

Thank you Rachel for your time and input!

Writing and Illustrating Muslim characters in children’s literature: Interview and Giveaway with Author Saadia Faruqi and Illustrator Hatem Aly

I am thrilled to interview Author Saadia Faruqi and Illustrator Hatem Aly and discuss their new book – Meet Yasmin!  Saadia and Hatem talk about their experience developing a story with a Muslim main character and why diversity in children’s books matters.

 

Saadia, Yasmin is a brave girl who has a big imagination and loves adventure. Why is it important for you to write/illustrate the story of an empowering ethnic minority character?

 Saadia: So far we’ve seen brown characters mostly in issues books. They typically face a problem – or issue – that directly relates to their identity. For instance a Muslim main character facing Islamophobia, or an African American main character experiencing racism. Although I do believe that those sorts of books are helpful to our understanding of critical social and political issues, it also means that minority groups are otherized further, they’re seen as different, or only viewed in the context of that issue. Yasmin is the antidote to this problem: a Muslim girl in America, a brown first generation American, who is perfectly normal and average, facing all the issues every child her age faces, and having the same happy disposition we expect to see from all our children. It was really important to me not to make Yasmin or her family “the other” – someone different because of their skin color or their religion or ethnic background. There is a sort of empowerment in that normalization that only minority groups can truly understand.

 

Hatem, was it important for you to take the author’s background into consideration while creating the illustrations in the book?

Hatem: It is important, However, I didn’t have to work so hard on being familiar with Saadia’s background since I can relate to many elements of her background already being brought up in Egypt and Yasmin’s family seems so familiar to me in a broader sense. I did work on bringing up some Pakistani visual elements but illustrating Yasmin went organically harmonized with the author’s experience and my own as well.

 

In the recent times, literary agents and publishing houses for children and young adult books have made an open call for submissions from Muslim authors and illustrators. Can you explain why it matters to include diverse characters in children’s and young adult literature?

 Saadia: It’s really crucial to have as much diversity in all sorts of literature, not just in terms of characters but also stories. I actually come from an adult literary background, and I see the same calls for diversity in that age group as well, and it warms my heart to witness these changes in publishing. The reason this matters so much is two-fold (and something we in kidlit talk about constantly): mirrors and windows. My children need a mirror. They need to see themselves reflected in the pages of the books they read. Growing up in Pakistan I didn’t have that. I read exclusively white stories, by white authors, and my worldview was shaped with an extreme inferiority complex because of that. I don’t want my children to have the same, and I know nobody else does either. Also, other children need windows. They should be able to read and enjoy books that show a different sort of family than theirs, a different culture than theirs. This is the only way we can have a younger generation that’s more empathetic and understanding and aware than our previous generations were.

Hatem: It is critically necessary to show diversity in literature of all ages and to express a wider range of life elements in people’s lives. In my work I sometimes pay attention to some things that bothered me as a child but also that I found intriguing. For example, I remember almost all comics and story books took place in a sort of a suburban –house per family- neighborhood and I felt strange finding nobody living in an apartment like myself and most of the millions of people in Cairo alone or at least everyone I know. So I felt alienated but amused from a distance longing for something I can’t define. It seemed to me there was a generic way of living that needs to be challenged and I couldn’t put my finger on the issue exactly until I was older. It’s important for children to see themselves and to see others as well in books.

 

How can parents, librarians, and readers help support books like Meet Yasmin?

 Saadia: The key is not only to read the book but to discuss it. You could use the back matter which has some really good discussion guides for students, and there is also an educator’s guide for teachers. Finally, and for me most excitingly, Capstone has some very cool downloadable activities based on Yasmin, which kids are going to love. I encourage parents, librarians and teachers to take advantage of those as much as possible.

Hatem: The best thing is to read the book, and share it with others! Personally I feel that the most powerful way is to read it to students or story time at public libraries as well as parents to their younger children. I find that helps building bonds between children and books.  I love libraries, so I ask everyone to walk into their local public library and suggest that they buy a few copies for their shelves. Most libraries have book suggestion tools for their patrons, either online or in person. The same goes for your child’s school library.

 

Who are your personal author/illustrator idols?

 Hatem: It’s more of an emergence of inspiration fueled by a mix of interesting people. Many names come to mind, and many I will forget. Some whose work I enjoy and admire are Bill Watterson, Tove Jansson, Maurice Sendak, Jon Klassen, Luke Pearson, Marc Boutavant, Sempé, Zep, Jillian Tamaki, Lynda Barry, Vera Brosgol, Hayao Miyazaki, Naoki Urasawa, Edward Gorey, Kate Beaton, Carson Ellis, Oliver Jeffers and many more.

Saadia: Some of my favorite writers are my own peers, because I believe writing is best done as part of a community. In early reader and picture books I admire Hena Khan who’s been a trailblazer as far as Muslim representation in kidlit is concerned, and really carved a space not only for herself but for others as well. In terms of illustrators, I’m actually a big fan of Hatem Aly, haha! I feel very blessed that he’s part of Team Yasmin because it’s so important for me to have a person doing the art who really understands what it means to be Muslim, and first generation, and sometimes “the other”. He really gets my stories in a way that I think another illustrator wouldn’t have, and I’m very grateful for that.

 

What can readers take away from Meet Yasmin?

Saadia: Readers will enjoy seeing themselves in Meet Yasmin, even if they are very different in superficial ways to Yasmin and her family. Yasmin is literally the every-girl, and her family is the same as every other family. With everything that’s going on politically in our country at the moment, I hope that Yasmin can help readers understand that Americans come in all colors, and that there’s beauty and worth in diversity, despite what they may hear in the news sometimes.

Hatem: I believe that readers will have fun with Yasmin and recognize similarities despite some superficial differences. They will be inspired to be curious, creative, and believing in themselves all the way even if things go wrong sometimes. There are a lot of lessons a child can learn, but there’s also a lot of entertainment which is so important to develop in this age group of readers.

 

For more about Saadia and her work, visit her website. You can also connect with her on Twitter.

For more about Hatem and his work, visit his website. You can also connect with him on Twitter.

Thanks, Saadia and Hatem!

 

Want to own your very own copy of Meet Yasmin? Enter our giveaway by leaving a comment below! 

You may earn extra entries by blogging/tweeting/facebooking the interview and letting us know. The winner will be announced here on Wednesday, August 15, 2018 and will be contacted via email and asked to provide a mailing address (US/Canada only) to receive the book.