Writing

Writing and Illustrating Muslim characters in children’s literature: Interview and Giveaway with Author Saadia Faruqi and Illustrator Hatem Aly

By on August 10, 2018   /   Author Interviews, Book Lists, children's bookstores, Common Core & NGSS, Cross-Curricular, Diversity, Fiction, For Kids, For Librarians, For Parents, For Teachers, For Writers, Giveaways, independent bookstores, MUF Contributor Books, New Releases, Publishing & Promotion, STEM, Writing  

I am thrilled to interview Author Saadia Faruqi and Illustrator Hatem Aly and discuss their new book – Meet Yasmin!  Saadia and Hatem talk about their experience developing a story with a Muslim main character and why diversity in children’s books matters.

 

Saadia, Yasmin is a brave girl who has a big imagination and loves adventure. Why is it important for you to write/illustrate the story of an empowering ethnic minority character?

 Saadia: So far we’ve seen brown characters mostly in issues books. They typically face a problem – or issue – that directly relates to their identity. For instance a Muslim main character facing Islamophobia, or an African American main character experiencing racism. Although I do believe that those sorts of books are helpful to our understanding of critical social and political issues, it also means that minority groups are otherized further, they’re seen as different, or only viewed in the context of that issue. Yasmin is the antidote to this problem: a Muslim girl in America, a brown first generation American, who is perfectly normal and average, facing all the issues every child her age faces, and having the same happy disposition we expect to see from all our children. It was really important to me not to make Yasmin or her family “the other” – someone different because of their skin color or their religion or ethnic background. There is a sort of empowerment in that normalization that only minority groups can truly understand.

 

Hatem, was it important for you to take the author’s background into consideration while creating the illustrations in the book?

Hatem: It is important, However, I didn’t have to work so hard on being familiar with Saadia’s background since I can relate to many elements of her background already being brought up in Egypt and Yasmin’s family seems so familiar to me in a broader sense. I did work on bringing up some Pakistani visual elements but illustrating Yasmin went organically harmonized with the author’s experience and my own as well.

 

In the recent times, literary agents and publishing houses for children and young adult books have made an open call for submissions from Muslim authors and illustrators. Can you explain why it matters to include diverse characters in children’s and young adult literature?

 Saadia: It’s really crucial to have as much diversity in all sorts of literature, not just in terms of characters but also stories. I actually come from an adult literary background, and I see the same calls for diversity in that age group as well, and it warms my heart to witness these changes in publishing. The reason this matters so much is two-fold (and something we in kidlit talk about constantly): mirrors and windows. My children need a mirror. They need to see themselves reflected in the pages of the books they read. Growing up in Pakistan I didn’t have that. I read exclusively white stories, by white authors, and my worldview was shaped with an extreme inferiority complex because of that. I don’t want my children to have the same, and I know nobody else does either. Also, other children need windows. They should be able to read and enjoy books that show a different sort of family than theirs, a different culture than theirs. This is the only way we can have a younger generation that’s more empathetic and understanding and aware than our previous generations were.

Hatem: It is critically necessary to show diversity in literature of all ages and to express a wider range of life elements in people’s lives. In my work I sometimes pay attention to some things that bothered me as a child but also that I found intriguing. For example, I remember almost all comics and story books took place in a sort of a suburban –house per family- neighborhood and I felt strange finding nobody living in an apartment like myself and most of the millions of people in Cairo alone or at least everyone I know. So I felt alienated but amused from a distance longing for something I can’t define. It seemed to me there was a generic way of living that needs to be challenged and I couldn’t put my finger on the issue exactly until I was older. It’s important for children to see themselves and to see others as well in books.

 

How can parents, librarians, and readers help support books like Meet Yasmin?

 Saadia: The key is not only to read the book but to discuss it. You could use the back matter which has some really good discussion guides for students, and there is also an educator’s guide for teachers. Finally, and for me most excitingly, Capstone has some very cool downloadable activities based on Yasmin, which kids are going to love. I encourage parents, librarians and teachers to take advantage of those as much as possible.

Hatem: The best thing is to read the book, and share it with others! Personally I feel that the most powerful way is to read it to students or story time at public libraries as well as parents to their younger children. I find that helps building bonds between children and books.  I love libraries, so I ask everyone to walk into their local public library and suggest that they buy a few copies for their shelves. Most libraries have book suggestion tools for their patrons, either online or in person. The same goes for your child’s school library.

 

Who are your personal author/illustrator idols?

 Hatem: It’s more of an emergence of inspiration fueled by a mix of interesting people. Many names come to mind, and many I will forget. Some whose work I enjoy and admire are Bill Watterson, Tove Jansson, Maurice Sendak, Jon Klassen, Luke Pearson, Marc Boutavant, Sempé, Zep, Jillian Tamaki, Lynda Barry, Vera Brosgol, Hayao Miyazaki, Naoki Urasawa, Edward Gorey, Kate Beaton, Carson Ellis, Oliver Jeffers and many more.

Saadia: Some of my favorite writers are my own peers, because I believe writing is best done as part of a community. In early reader and picture books I admire Hena Khan who’s been a trailblazer as far as Muslim representation in kidlit is concerned, and really carved a space not only for herself but for others as well. In terms of illustrators, I’m actually a big fan of Hatem Aly, haha! I feel very blessed that he’s part of Team Yasmin because it’s so important for me to have a person doing the art who really understands what it means to be Muslim, and first generation, and sometimes “the other”. He really gets my stories in a way that I think another illustrator wouldn’t have, and I’m very grateful for that.

 

What can readers take away from Meet Yasmin?

Saadia: Readers will enjoy seeing themselves in Meet Yasmin, even if they are very different in superficial ways to Yasmin and her family. Yasmin is literally the every-girl, and her family is the same as every other family. With everything that’s going on politically in our country at the moment, I hope that Yasmin can help readers understand that Americans come in all colors, and that there’s beauty and worth in diversity, despite what they may hear in the news sometimes.

Hatem: I believe that readers will have fun with Yasmin and recognize similarities despite some superficial differences. They will be inspired to be curious, creative, and believing in themselves all the way even if things go wrong sometimes. There are a lot of lessons a child can learn, but there’s also a lot of entertainment which is so important to develop in this age group of readers.

 

For more about Saadia and her work, visit her website. You can also connect with her on Twitter.

For more about Hatem and his work, visit his website. You can also connect with him on Twitter.

Thanks, Saadia and Hatem!

 

Want to own your very own copy of Meet Yasmin? Enter our giveaway by leaving a comment below! 

You may earn extra entries by blogging/tweeting/facebooking the interview and letting us know. The winner will be announced here on Wednesday, August 15, 2018 and will be contacted via email and asked to provide a mailing address (US/Canada only) to receive the book.

 

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The Real Scoop on Middle-Grade Interviews

By on July 23, 2018   /   Articles, For Writers, Writing  

For my first post I’d like to write about something I get very excited about while doing research for one of my science books—interviews! Interviews get you out of your head during the research process and out into the action of doing science. They help bring the soul into your science writing.

Interviews are important for any topic though—they reveal the story behind the data. Uncovering that story is your job as the writer, so how do you do it? And what does it bring to your book? I have a few ideas (KLK) and I asked fellow MUF bloggers Jennifer A. Swanson (JAS) and Heather Murphy Capps (HMC) for their thoughts too. Here’s what we all had to say about doing interviews for nonfiction books.

What do you think interviews add to a nonfiction book?

  • KLK: I think interviews add a voice and perspective that you cannot get from traditional research. By doing interviews, you can uncover dramatic and unusual details that suck middle grade readers right in and allow experts to speak directly to them.
  • JAS:  Interviews add authenticity. Unfortunately, I don’t get to experience the thrill of discovering new science, the excitement of going into space or diving deep in the ocean, or even the construction of new technology in person. I get to read about them. Interviews add a spice of life and reality to liven up the subject. They also ensure that I am accurate in my explanations.
  • HMC: What I like about the interview is that it adds texture and also interesting perspective from a subject matter expert. You can throw all the facts you want into a book, but without the anecdotes and personal relationships a SME has with a subject, it can – and often does – fall flat.

How do you find people to interview? How do you contact them?

  • HMC: I usually reach out to the thought leaders on the subject I’m working with. As a reporter, those thought leaders were often local, and usually were excited to be given an opportunity to talk about something they love. Sometimes it wasn’t so easy – if the subject was controversial. Also, sometimes if I was reaching out to a person with large national visibility, the time it took to get an interview was challenging.
  • KLK: I often look on science publications. I can usually find the authors’ contact information on the paper or online. I also try contacting the PR department at a university to ask them if any professors might be willing to be interviewed. Be persistent and patient (but never pushy) when trying to schedule an interview. One time it took me six months to get an interview scheduled, but it was so worth the wait!
  • JAS: I spend a lot of time searching for contacts online. I tend to look at universities and colleges first. Since that is where a lot of the cutting-edge research starts. When I find someone that I want to interview, I simply send them an email asking if they’d be willing to speak with me. Many of them are happy to do so. Others take a little more persistence to get them to respond, and some just never respond. That’s fine. They are busy people and I respect that.

Do you like to do recorded phone interviews, take notes while speaking, or email your questions? If you record interviews, how do you do so? And what do you do if you have technical difficulties?

  • JAS: For me, it’s up to what is best for the scientist or engineer. Phone interviews take more time than answering emails. Some experts have the time for a phone interview. If you do that, be sure to record it. But ask their permission first—on the record. You wouldn’t want to be accused of recording them without their permission. Others I will just send questions within the email. I’ve been surprised before, though. A few times when I just needed the answer to one or two quick questions, the expert wanted to have a phone call and it ended up lasting an hour. I learn so much from those interactions. There are many different apps that you can download. Be sure to test the app before the actual interview. For example, once I found out that a recording app I had used successfully before DID NOT record if I had my headphones plugged in. OOPS! Yeah, I didn’t find out until after the interview. UGH. So I do take notes as I go along, too. Yes, I’ve had technical difficulties, I mean it’s technology. You just do the best you can. But if you test and prepare in advance, you should do fine.
  • KLK: I prefer recorded phone interviews, because they result in more natural speaking language and I get more quotable material. Sometimes written answers can be very formal and highly technical, especially when coming from someone used to academic writing. I use an app to record, and have had some issues. I think it’s best to have a backup recording device available, like a handheld tape recorder. Sometimes recorded interviews aren’t convenient for the person you are interviewing, though, especially if you are in different time zones or don’t speak the same native languages. So email interviews work best in those cases.
  • HMC: As a TV reporter, all of my interviews were recorded. However, as an author I find most people prefer the flexibility of emailed interview questions, which they then have time to edit and research before hitting “send.” When I do the rare phone interview, I do it old-school—scribbling notes on a legal pad.

What are some of the most interesting details you’ve discovered through interviews?

  • HMC: I have discovered fascinating details about the search for genetic cures (CRISPR-Cas9) to diseases that plague us, like malaria and cystic fibrosis.
  • KLK: When doing research for my book Extreme Longevity: Discovering Earth’s Oldest Organisms, I was fascinated by the different coincidences and accidents that led to different discoveries. Like Italian biologist Ferdinando Boero and his team, who forgot to feed some jellyfish they were raising to document their life cycle, After two days, they realized their mistake and saw the jellyfish had regenerated into new ones. That’s how they discovered the immortal jellyfish! Another was when Danish biologist Julius Nielsen was in a college seminar and heard that the largest Greenland shark was caught more than 100 years ago. But he knew this was incorrect, because he had recently been on a research vessel that had caught an even larger shark. Hearing this, Nielsen decided to investigate Greenland shark size and age, and discovered that they may live longer than 500 years! I love hearing the connections like these between the events that made a scientist curious about something to the results of their investigations.
  • JAS: That’s a tough one. There are SO many! Some of the most notable such as Dr. Kathryn Sullivan, the first US female astronaut to walk in space and also at the time of theinterview who was the head of NOAA, were so profound, that I could have listened to her for hours. I mean what she has personally done to further women in the field of science and technology is awesome. That was for my Astronaut-Aquanaut Dr. Sullivan is both. I also got to speak and actually meet Fabien Cousteau, the grandson of Jacques Cousteau, my childhood hero. That was awesome! Fabien was very easy to talk to and we had a lot of fun. I spoke with a few of the top climate change scientists in the world about carbon capture and reforestation. For my Super Gear book, my expert is a material scientist who now has his own medical device company that is changing the face of medicine!

 

And here are a few extra tips from the three of us:

  • Be polite. Be professional. Be aware of their time. Remember that you are asking these people to give up a portion of their very valuable time to speak with you. So you should be prompt, prepared, and keep to your topic.
  • Plan your interview as carefully as you can by planning your book so that you iron out any questions about direction, detail, level of difficulty, etc.
  • Remind interview subjects that you are writing for a middle-grade audience, which means the language used to describe the topic has to be accessible to the 8-14 age range.
  • Be sure to listen and let them speak. But also listen to ensure that you get what you need for your book.  If you need them to talk about a specific topic, then make sure it’s covered.
  • See if your interviewees have any photos they might be willing to share with you for the book. Photos from the field are hard to come by on stock photo sites. Also ask if they can recommend any papers or books for your further research.
  • People sometimes get a little nervous when what they say appears in a book. Offer to send interviewees what you write about them for their review.
  • Add a “special thanks” section to the book and be sure to recognize the contributions of the people you interviewed.
  • Send your interview subjects a thank you and copy of the book. That is not required, but definitely a nice gesture. It sometimes works in your favor. I sent a copy of my climate change book to an expert and he did a huge shout out on Twitter about it. Went to a lot of his colleagues who all said they’d buy the book. You never know… 🙂

 

Thanks so much to Jennifer A. Swanson and Heather Murphy Capps for contributing to this post! Here’s a bit more about each of them.

Science Rocks! And so do Jennifer Swanson’s books. She is the award-winning author of over 30 nonfiction books for children. She has presented at numerous SCBWI conferences, BEA, ALA, NSTA conferences, the Highlights Foundation, and also the World Science Festival. You can find Jennifer through her website www.JenniferSwansonBooks.com.

 

Heather Murphy Capps writes middle grade novels that weave together all her favorite things: science, magic, baseball, and poetry. She is an #ownvoices author committed to increasing diversity in publishing.

 

 

 

Now it’s your turn! What do you like about doing interviews? And what are your tips? Tell us in comments what you like to do!

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Inspiration for Famous Authors

By on May 11, 2018   /   Articles, For Kids, For Librarians, For Parents, For Teachers, For Writers, Writing  

Writers are often told to write what they know. Even if they end up writing fantasy, some of their real life often creeps into the story. I recently enjoyed a Children’s Literature Tour of England and Scotland to see the homes and work spaces of famous authors, and I was surprised to see the little details (or sometimes more) from their homes or towns that crept into their work. See if you can recognize any of these places from the books.

Lucy Boston Children of Green Knowe

Tolly arrives at Green Knowe, and this is his bedroom. He leaves his window open a little bit so a bird can fly in. Here’s the bird cage and toy chest too. The room Lucy Boston described in the book belonged to her son, Peter. They’ve kept the room the same so visitors to the house can see what it looked like long ago.

 

 

 

 

 

 

 

C. S. Lewis The Lion, The Witch, & the Wardrobe

When Lucy walks into the wardrobe, she heads toward a lamppost in the snow and meets a faun. When Author C. S. Lewis walked along this path in Oxford, he passed this lamppost. Can you imagine him seeing it on a snowy day? What’s even more interesting is that the porch posts on a nearby house have fauns carved into them. Could that be where he got his idea?


J. K. Rowling  Harry Potter

So many scenes in the Harry Potter books and movies are drawn from Oxford. Do these scenes from the Buttery, the Sorting Room, and the staircase look familiar? How about taking a ride on a steam train? Do you think any of these inspired J. K. Rowling?



Howard Pyle  Robin Hood

This giant oak still stands in Sherwood Forest, Nottinghamshire, England. Its branches are now propped up, but can you picture this mighty tree sheltering Robin Hood and his band of merry men?

Nancy Farmer  Sea of Trolls

The Holy Isle of Lindsifarne, a tidal island off the coast of England is cut off from the mainland during high tide. Visitors to the tiny town are trapped on the island until low tide. Isn’t this mysterious island the perfect setting for the Sea of Trolls trilogy?

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