For Writers

July New Releases

July is simply exploding with sparkly new books! As a budding “tangler,” I’m especially excited about TANGLES by Abby Huff, and of course, I can’t wait to dive into Mrs. Smith’s Spy School for Girls by our own Beth McMullen! Be sure to tell us in the comments what books you’re looking forward to this summer!

Mrs. Smith’s Spy School for Girls by Beth McMullen from S&S/Aladdin (July 4) After a botched escape plan from her boarding school, Abigail is stunned to discover the school is actually a cover for an elite spy ring called The Center, along with being training grounds for future spies. Even more shocking? Abigail’s mother is a top agent for The Center and she has gone MIA, with valuable information that many people would like to have–at any cost. Along with a former nemesis and charming boy from her grade, Abigail goes through a crash course in Spy Training 101, often with hilarious–and sometimes painful–results. But Abigail realizes she might be a better spy-in-training than she thought–and the answers to her mother’s whereabouts are a lot closer than she thinks…

Tap into your artsy side with TANGLES! Kids of all drawing abilities can have fun and unwind with tangles — simple, repetitive patterns that combine to form beautiful and elaborate drawings called zendoodles. And with TANGLES as your guide, it’s easy to dive into this doodly art style. Explore over sixty awesome drawing projects in Animals, Fairy Tales, Nature, and Lettering and Embellishments themes. Doodle prompts plus space for coloring and tangling will ignite your imagination, and bonus craft ideas will inspire you to create a DIY zendoodle masterpiece. Packed full of step-by-step tangle instructions and extra tips, you’re sure to have fun getting creative. So sharpen your pencils and get lost in the twirls, curls, and swirls of tangles!

Bubbles by Abby Cooper from Farrar, Straus and Giroux (July 3) Twelve-year-old Sophie Mulvaney’s world has been turned upside down. Mom lost her job at the TV station and broke up with Pratik, whom Sophie adored. Her teacher is making them do a special project about risk-taking, so Sophie gets roped into doing a triathlon. And to top it all off, she’s started seeing bubbles above people’s heads that tell her what these people are thinking. Seeing other people’s thoughts seems like it should be cool, but it’s actually just stressful. What does it mean that Pratik wishes she and Mom were with him to eat dinner? Is her best friend Kaya really going out with their other best friend, Rafael, whom Sophie also has a crush on? And can Sophie’s mom ever go back to her old self? In this funny, heartwarming novel from Abby Cooper, BUBBLES shows readers that people are more than what they seem or what they think. A Margaret Ferguson Book

Walking With Miss Millie by Tamara Bundy from Nancy Paulsen Books (July 4) A poignant middle grade debut about the friendship between a white girl and an elderly black woman in the 1960s South. Alice is angry at having to move to Rainbow, Georgia–a too small, too hot, dried-up place she’s sure will never feel like home. Then she gets put in charge of walking her elderly neighbor’s dog. But Clarence won’t budge without Miss Millie, so Alice and Miss Millie walk him together. Strolling with Clarence and Miss Millie quickly becomes the highlight of Alice’s day and opens her eyes to all sorts of new things to marvel over. During their walks, they meet a mix of people, and Alice sees that although there are some bullies and phonies, there are plenty of kind folks, too. Miss Millie shares her family’s story with Alice, showing her the painful impact segregation has had on their town. And with Miss Millie, Alice is finally able to express her own heartache over why her family had to move there in the first place.

Overboard! Survivor Series by Terry Lynn Johnson, illustrated by Jani Orban from HMH Books (July 4) Eleven-year-old Travis and his family are on a whale watch off the coast of Washington when disaster strikes. The boat capsizes, throwing everyone into the ice-cold chaotic waves. Separated from their families and struggling to stay afloat, Travis and twelve-year-old Marina must use all of their grit and knowledge to survive.
With seventeen years of hands-on experience and training in remote areas, survival expert Terry Lynn Johnson (Ice Dogs; Sled Dog School) creates on-the-edge-of-your-seat storytelling featuring the real skills that kids need to survive a disaster. This book includes Coast Guard-approved cold-water survival tips; you may have a better chance of surviving a real-life cold-water disaster after reading this book.

The Unicorn in the Barn by Jacquelin K. Ogburn, illustrated by Rebecca Green from Houghton Mifflin (July 4) For years people have claimed to see a mysterious white deer in the woods around Chinaberry Creek. It always gets away. One evening, Eric Harper thinks he spots it. But a deer doesn’t have a coat that shimmers like a pearl. And a deer certainly isn’t born with an ivory horn curling from its forehead. When Eric discovers the unicorn is hurt and being taken care of by the vet next door and her daughter, Allegra, his life is transformed. A tender tale of love, loss, and the connections we make, The Unicorn in the Barn shows us that sometimes ordinary life takes extraordinary turns.

Our Story Begins edited by Elissa Brent Weissman (July 4) Simon and Schuster From award-winning author Elissa Brent Weissman comes a collection of quirky, smart, and vulnerable childhood works by some of today’s foremost children’s authors and illustrators—revealing young talent, the storytellers they would one day become, and the creativity they inspire today. Everyone’s story begins somewhere…

For Linda Sue Park, it was a trip to the ocean, a brand-new typewriter, and a little creative license.
For Jarrett J. Krosoczka, it was a third grade writing assignment that ignited a creative fire in a kid who liked to draw.
For Kwame Alexander, it was a loving poem composed for Mother’s Day—and perfected through draft after discarded draft.
For others, it was a teacher, a parent, a beloved book, a word of encouragement. It was trying, and failing, and trying again. It was a love of words, and pictures, and stories. Your story is beginning, too. Where will it go?

The Secrets of the Superglue Sisters by Susie Day from Penguin (July 6) Best friends Georgie and Jem aren’t just new at school; they’re new at being full-time sisters too. Georgie’s mum and Jem’s dad have finally bought a house together, and they get to share a home at last, just like they always wanted. But being full time sisters is maybe a tiny bit harder than they expected. At school, there are new friends to make and a new class project to complete. Everyone must write down their deepest secret so that their teacher Miss Eagle can set a giant ball alight and they can all watch their worries disappear. But the ball of secrets mysteriously disappears and everyone’s secrets are revealed. Can Georgie and Jem discover who the secrets thief is and learn how to stick together in their new family? 

The Wild Bunch by Jan Gangsei from Aladdin (July 11) Three unlikely friends–brainiac Hector, bullish Jack, and sarcastic Paul–find themselves braving the wilderness in search of the mythical Beast of Bear Falls in this hilarious MAX novel.As far as Paul Adams is concerned, the idea of a weekend camping in the nearby state park with his dad’s two college friends and their sons, Hector and Jack, sounds like a nightmare. But even he finds the myth of the Beast of Bear Falls–a legendary Bigfoot creature–intriguing.The trip gets off to a rough start, and calamity and disaster follow catastrophe. Against all odds, arguing most of the way, the crew face all sorts of obstacles natural and man-made. Can the three boys make it to Bear Falls and uncover the truth about the Sasquatch living there?

It All Comes Down To This by Karen English from Clarion (July 11) It’s 1965, Los Angeles. All twelve-year-old Sophie wants to do is write her book, star in the community play, and hang out with her friend Jennifer. But she’s the new black kid in a nearly all-white neighborhood; her beloved sister, Lily, is going away to college soon; and her parents’ marriage is rocky. There’s also her family’s new, disapproving housekeeper to deal with. When riots erupt in nearby Watts and a friend is unfairly arrested, Sophie learns that life–and her own place in it–is even more complicated than she’d once thought. Leavened with gentle humor, this story is perfect for fans of Rita Williams-Garcia.

You May Already Be a Winner by Ann Dee Ellis from Dial (July 11) Twelve-year-old Olivia Hales has a foolproof plan for winning a million dollars so that she and her little sister, Berkeley, can leave behind Sunny Pines Trailer Park.But first she has to:
– Fix the swamp cooler and make dinner and put Berkeley to bed because her mom is too busy to do all that
– Write another letter to her dad even though he hasn’t written back yet
– Teach Berk the important stuff, like how to make chalk drawings, because they can’t afford day care and Olivia has to stay home from school to watch her
– Petition her oddball neighbors for a circus spectacular, because there needs to be something to look forward to at dumb-bum Sunny Pines
– Become a super-secret spy to impress her new friend Bart
– Enter a minimum of fourteen sweepstakes a day. Who knows? She may already be a winner. Olivia has thought of everything . . . except herself. Who will take care of her when she needs it? Luckily, somewhere deep down between her small intestine and stomach is a tiny voice reminding her that sometimes people can surprise you–and sometimes your family is right next door.

The Emperor’s Ostrich by Julie Berry from Roaring Book Press (July 13) Young dairymaid Begonia has lost her cow Alfalfa. So she has set off on a search across the countryside even though she has nothing but a magical map to guide her. Along the way she meets a mother and baby, a woodcutter, a very dirty young man, and an eight-foot ostrich. Meanwhile, the emperor has gone missing from the royal palace in a most mysterious manner. Was it murder? Was it magic? It will take all of Begonia’s wits to save the empire and get Alfalfa home safely.

Princesses, Inc. by Mari Mancusi from Aladdin (July 18) Twelve-year-old Hailey and her BFFs are all big fans of Collin Prince, a YouTube star, and swoon-worthy crush. So when the opportunity to meet him at a local Comic-Con comes up, the girls jump at the chance. The problem? The convention isn’t cheap–and the girls don’t have the money to go. But Hailey isn’t ready to give up just yet. In addition to meeting Collin at the convention, there is a young writer’s competition that she is determined to enter–and win.The girls dream up Princesses and Pirates, Inc., a babysitting service where the girls will dress up in costume to entertain their charges. Of course, they aren’t as prepared as they thought they would be to deal with bratty kids, scheming older siblings (who are less than thrilled that their own babysitting jobs have dried up), and trying to balance their new “jobs” with school. And more responsibilities means less time for Hailey to work on her contest entry. Will their plan to make it to Comic-Con pay off…or could their business end up as shipwrecked as the pirates they portray?

Wormwood Mire by Judith Rossell  from Atheneum (July 25) This spine-tingling sequel to Withering-by-Sea sees Stella sent away to the moldering old family estate, where she discovers two odd cousins–and a mystery.Eleven-year-old Stella Montgomery has always wondered about her family. What happened to her mother? And could she have a long-lost sister somewhere? Stella’s awful Aunts refuse to tell her anything, and now they have sent her Stella away to the old family home at Wormwood Mire, where she must live with two strange cousins and their governess. But dark secrets slither and skulk within overgrown grounds of the moldering house, and Stella must be brave if she’s to find out who–or what–she really is…

Refugee by Alan Gratz from Scholastic (July 25) JOSEF is a Jewish boy living in 1930s Nazi Germany. With the threat of concentration camps looming, he and his family board a ship bound for the other side of the world . . .
ISABEL is a Cuban girl in 1994. With riots and unrest plaguing her country, she and her family set out on a raft, hoping to find safety in America . . .
MAHMOUD is a Syrian boy in 2015. With his homeland torn apart by violence and destruction, he and his family begin a long trek toward Europe . . .
All three kids go on harrowing journeys in search of refuge. All will face unimaginable dangers — from drownings to bombings to betrayals. But there is always the hope of tomorrow. And although Josef, Isabel, and Mahmoud are separated by continents and decades, shocking connections will tie their stories together in the end.
This action-packed novel tackles topics both timely and timeless: courage, survival, and the quest for home.

Almost Paradise: A Novel by Corabel Shofner from Farrar, Straus and Giroux (July 25) Twelve-year-old Ruby Clyde Henderson’s life changes the day her mother’s boyfriend holds up a convenience store, and her mother is wrongly jailed for assisting with the crime. Ruby and her pet pig, Bunny, find their way to her estranged Aunt Eleanor’s home. Aunt Eleanor is an ornery nun who lives in the midst of a peach orchard on Paradise Ranch. With a little patience, she and Ruby begin to get along, but Eleanor has secrets of her own―secrets that might mean more hard times for Ruby. It’s not going to be easy for Ruby Clyde and Eleanor to heal old wounds, face the past, and learn to trust each other. But with enough little pieces of love, they might be able to bring their family together again, and learn that paradise isn’t a place―it’s the feeling of being home.

Spirit Hunters by Ellen Oh from HarperCollins (July 25) We Need Diverse Books founder Ellen Oh returns with Spirit Hunters, a high-stakes middle grade mystery series about Harper Raine, the new seventh grader in town who must face down the dangerous ghosts haunting her younger brother. A riveting ghost story and captivating adventure, this tale will have you guessing at every turn.

Harper doesn’t trust her new home from the moment she steps inside, and the rumors are that the Raine family’s new house is haunted. Harper isn’t sure she believes those rumors, until her younger brother, Michael, starts acting strangely. The whole atmosphere gives Harper a sense of deja vu, but she can’t remember why. She knows that the memories she’s blocking will help make sense of her brother’s behavior and the strange and threatening sensations she feels in this house, but will she be able to put the pieces together in time?

Defining Magical Realism

I want to talk about magical realism, the genre that confounds so many authors and excites so many readers, publishers, and agents. What exactly is it, and equally important, what exactly is it not?

Perhaps the word “exact” is misleading, since “exact” is hard to pin down in this genre. The basic definition of magical realism is that it’s literary fiction grounded in reality – with elements of magic. But. There are conditions to that magic.

The magic in magical realism is characterized by the very real role it plays in the characters’ lives. Supernatural events are often so much a part of their world that they go unnoticed or unremarked. And if they are acknowledged, it is not with a sense of unfamiliar wonder or questioning, but rather an acceptance of this reality in life. A common example of this mystical-as-mundane phenomenon is in One Hundred Years of Solitude, by Gabriel Garcia Marquez.

Ghosts are a common and accepted presence in this saga of a family and a town whose story parallels that of the emergence of modern, independent Columbia. In other genres, the ghosts would be identified, investigated, discussed, possibly feared. But in 100 Years, the ghosts are simply accommodated without any fanfare.

In Like Water for Chocolate, by Laura Esquivel, Tita is born in a river of tears that literally floods the kitchen – a moment of extreme magic that is told with a perfectly straight face.

This distinction – that these mystical elements are a part of everyday life – is critical to understanding what the genre is and also what it is not.

Why do we care? Because of late, the publishing/writing community has allowed its definition to drift and encompass all realistic fiction laced with a dash of subtle magic. For example, Rebecca Stead’s When You Reach Me definitely has magic. But the stunning story of Miranda, some mysterious letters, and the laughing man on her New York City street is not magical realism. The same with Ask the Passengers, by A.S. King. Astrid, who’s struggling to define herself on her own terms, sends love to the passengers in the planes that fly above her. But Astrid never realizes she occasionally creates magic in the passengers’ lives, and never examines these supernatural events.The reason this still isn’t magical realism? The magic isn’t happening to her or her community and isn’t a natural part of the perspective of her culture.

So why does this matter? Isn’t it enough to acknowledge that there are many ways to embrace the fantastic in our fiction?

It matters because in addition to its unique structure, magical realism has important cultural significance. The literary giants who shaped and breathed life into this genre were Latin American – Isabelle Allende, Gabriel Garcia Marquez. They wrote about surviving colonialism and a culture of oppression. Weaving magic through their stories accented their despair and was key to surviving and interpreting a world more destructive than nurturing.

The fact that magical realism is grounded in this history doesn’t exclude non-Latin cultures from writing it. But it’s vital we remember that the genre evolved as an art form that could explore and cope with oppression. Threading touches of magic or even outright in-your-face magic through a contemporary story about non-oppressed cultures is not magical realism.

I love this quote from Gabriel Garcia Marquez from an interview in the New York Times from 1982, when he was preparing his speech to accept the Nobel Prize: “It has to be a political speech presented as literature.” Pretty much sums it all up.

Want to read more modern magical realism? Try Anna-Marie McLemore’s The Weight of Feathers or Nove Ren Suma’s The Walls Around Us.

Putting It into Perspective: Multiple Points of View in MG

In a graduate writing program I did years ago, a highlight of each residency was the chance to pitch our manuscripts to attending agents. Once, I was nervously pitching my book to a Very Famous Agent. When I mentioned that it was written in three alternating viewpoints, Very Famous Agent interrupted and said, “Why’d you have to do that? Single perspective books are ALWAYS better, ALWAYS easier to sell!”

Umm, ouch…pitch session pretty much over! Afterwards I had a lot of doubt about my choice to show multiple viewpoints. But with the number of high-quality, successful multiple viewpoint MG novels available to readers—both then and now—I ultimately chalked up that pitch session to a lasting reminder that agents have individualized passions about books. Maybe a particular agent has sold more single viewpoint novels, but that certainly doesn’t mean singular POV is always better.

Like many elements of writing, the number of points of view you use to tell the story depends on the story you are trying to tell.

Certainly, writing a book in multiple viewpoints has some challenges you don’t experience with a single viewpoint:

  1. Each POV character must be made clear to the reader with every switch in perspective.
  2. Each POV character’s storyline must be memorable enough to the reader to “survive” the interruption of another viewpoint.
  3. Since your POV character is usually the one your reader gets to know most intimately through your careful character development, adding viewpoints tends to add characterization work for you.

From these challenges, it might seem like multiple viewpoint novels are harder on both the reader and the writer!

But there’s no denying that some stories just wouldn’t be as effective without multiple viewpoints. Sometimes you need to show an event that your main character doesn’t attend or info he/she wouldn’t know. Sometimes it’s important to show more than one side of the story, to demonstrate the importance of differences in opinion. Sometimes you might want your reader to be the only one who knows everything, giving him or her the chance to solve a mystery or identify a villain first—always a reader thrill.

Many excellent MG novels serve as examples of multiple viewpoints, and I hope you’ll offer your favorites in the comments. These titles each employ multiple viewpoints for different uses:

Sharon Creech’s The Wanderer. The narrative is divided between two first-person storytellers, Sophie and Cody. On first meeting Sophie, the reader finds her to be a vivacious, lighthearted dreamer, immediately likable in her innocence and intent to sail the Atlantic with family members. But when Cody picks up the story and shares his thoughts about Sophie’s behavior, the reader realizes that Sophie is a much more complex character than first assumed—that, in fact, she’s a girl not ready to face a past tragedy. Because Sophie cannot let her internal conflict rise to the surface of her own mind for most of the book, a second point of view character is used to give the reader the clues and information they need to see all true sides of Sophie, even before she’s ready to see them herself.

Holly Goldberg Sloan’s Counting by 7s. This book is a great study in tense as well as point of view. The book opens in main character Willow’s first person point of view, in present tense; consequently, we are already close to this very likable character on the afternoon she learns her parents have been killed. The author then uses past tense first-person to relay Willow’s backstory in the following chapters, but returns to present tense at the moment in the narrative that has led back to the accident, signified by a chapter appropriately titled “Back in the Now.” The really interesting thing, though, is that each of the other point-of-view characters who “chime” in to help tell parts of the story do so in third-person, and consistently in past tense. So even though each additional voice is clearly characterized and has a need to insert his or her part of the narrative at the given time, the reader remains closest to Willow and her first person immediacy. Each of those secondary voices confesses at various points the extent to which they care about Willow, in a slow build of compounded concern that ultimately parallels our own.

Rebecca Stead’s First Light.  In this example of multiple viewpoints, two characters alternate the telling of two seemingly distinct stories – they are in separate physical locations and don’t know each other. Peter and Thea each have their own concerns and conflicts, each trying to solve a set of mysterious circumstances. When finally the two meet—and their narratives align—about 2/3 of the way through the book, it’s a fulfilling thrill for the reader. The story ratchets up in intensity as the two begin a changed journey together.

R.J. Palacio’s Wonder. I think a lot of the genius of Wonder stands on its use of point of view. If we as readers had heard from no one but Auggie throughout the entire story, it would have been a beautiful and well-crafted book. But with the inclusion of other viewpoints – his sister Via and her new friend Justin, Auggie’s schoolmates Summer and Jack,  Via’s friend Miranda—the story is helped along by those around Auggie, some of whom have known him his whole life, others who meet him only once he takes the brave leap to attend school at Beecher Prep. The first time I read Wonder, I was so taken with Auggie’s voice that when it switched to Via in Part 2 I had a moment of “What? Wait! Go back to Auggie!” But as R.J. Palacio indicates on her website, we need to see inside those other viewpoints to truly understand the extent to which Auggie has left an impact on each of those characters.

Ultimately it may take a little more brainwork to write and to read a novel in multiple viewpoints, but the end result can be deeply fulfilling. After all, being able to understand and to follow more than one viewpoint on a topic helps to prep our kids for this challenging world in which we live. Once young readers understand that each character in a book sees plot events differently, it’s a quick connection to understanding that each of us in real life sees issues from a personal frame of reference. And comprehending one another’s viewpoints can be the first step toward acceptance, empathy, and kindness.