For Writers

The Bullet Journal: A Tool for Writers

Maybe you’ve got a calendar on your computer and/or phone, and maybe your desk or wall or refrigerator. You might have a bunch of lists–shopping, packing, tasks. There are slips of paper where you write story ideas scattered around your home or on your bedside table. Your desk has stacks of research notes. You may even keep an exercise log, a gratitude journal, or a meal planner.

You can have them all–in a bullet journal.

I first learned about bullet journals from a post by middle-grade author Kate Messner in early 2015. Here’s the way she describes it:

“One thing you’ll notice here is the serendipitous nature of the whole thing – story ideas live side by side with phone call notes, brainstorming charts, grocery lists, and jobs I need to do in my role as a skating club parent volunteer. . . I am a particularly task-oriented person, so this system makes me more productive and less likely to fritter away time on social media, which is great, but it also forces me to own what’s important to me each day. If it goes in the bullet journal, it matters, and I’ve found that I’m more likely to honor my exercise plans and small writing goals when I write them down here. I’ve always kept paper to-do lists, but this is different, somehow, in its permanence. Today’s list doesn’t get tossed in the trash tomorrow, and for some reason, that adds to my motivation to keep those commitments.”

I won’t go into the details of the bullet journal here. The basic premise is described on the originator’s website, but that’s just a jumping-off point. The great thing about a bullet journal is that it can be whatever you want it to be. Every BuJo is unique. You can even change the way you use it from day to day, week to week, or month to month.

This one is very fancy, and not mine. (http://studytildawn.tumblr.com/)

Some people use separate journals for work and home and writing. As a freelancer, I have to organize one or more freelance gigs, my personal life, family obligations, and my Zumba teaching along with my creative writing. These tasks flow into each other during a given day.  I do keep a separate journal for conferences, so that all those notes are together.

I use a simple composition book with a 4 square per inch grid. No need for fancy, expensive books, unless you’re into that kind of thing.  I write the dates on the cover, also noting on the cover if this journal contains important things that I might look for later, like tax information or research notes you took on a visit to a museum.

These are mine. I attended a lot of meetings about college and financial aid between May and September 2016.

Some people purchase a journal with numbered pages or number the pages themselves, then list those page numbers in an index. I don’t bother; I color the edges to help me find things, like this.  I use paper clips instead of fancy ribbons to make it easy to flip to today’s page. There are lots of other ways to keep track of pages.

Each daily page in my own BuJo includes the date, appointments, and Zumba classes I’m teaching right at the top. If I have an upcoming deadline, I’ll note how many days are left here.

At the top right, I list who will be home for dinner (it gets complicated) and what will be on the table. Down the right side I list people I need to contact by phone or email. Bottom right is errands.  I used to put exercise below the dinner plan, but since I’ve been teaching Zumba, there isn’t really a lot of need to log that.

The main part of the page I divide into sections based on the writing projects I’m working on (freelance assignments, blog posts, manuscripts, talks, etc.), Zumba tasks, and home stuff.

This one is very neat. Also not mine. (PenPaperSoul Instagram)

 

Sure, I can do most of this on a computer or smartphone, but writing stuff down has some cognitive, creative and meditative advantages, some of which are listed here and here. I like to sit with my journal just before bed and go over what I need to get done tomorrow. Sort of like downloading my brain onto paper so those thoughts won’t be floating around keeping me awake.

The BuJo can be as basic or complicated as you want. There are Facebook groups for those that want to keep it simple and for those that take it to the extreme, with art, calligraphy, stickers, stencils, and washi tape. 

There is also a Facebook group for writers, who have lately been sharing how they use their BuJos for NaNoWriMo. Bullet journals are a natural for writers, many of whom already keep journals.

In addition to keeping track of daily tasks, there are some writing-specific spreads you can add to your BuJo. You can add inspiration, motivation and organization. You can track word counts and map productivity. You can list books you want to read and check them off as you finish them, perhaps adding notes or reviews or ratings. You can set short-term and long-term goals. You can keep track of submissions (and rejections). You can build worlds and diagram plots. You can list writing prompts and do a daily free-write. You can brainstorm titles and character names. You can plan revisions and track edits.

This is not my book list, although I have read some of these books. (currently studying Tumblr)

Megan Rutell has compiled lists you can use to “supercharge” your writing and offers some great tips and hacks.  Several writers have written about the ways they use bullet journals in their writing, including Laura Shovan, Amanda Hackwith, Victoria Fry, Lyndsay Knowles, and Claire Bradshaw.

Here is a spread used by Kara Benz to prepare for NaNoWriMo.

If you are looking for videos of writers giving tours of their bullet journals, you can start here and here and here and here. Keep looking until  you find what you think can work for you.

There are more ideas than I can list here, but I encourage you to give it a try. Start simple. Explore the ways other writers have used their BuJos. Add features that you think might help you. Feel free to delete features that aren’t as useful as you thought they’d be.

Do you use a bullet journal? Do you have any special spreads, trackers, or techniques that you find especially useful? Share in the comments.

My Kids Made Me a Writer

“Mommy.”

My four-year-old daughter’s voice was a whisper in the dark. I sat quietly on a chair next to her bed, vigil against monsters and other worries.

“Mommy,” she repeated, with some urgency. “I take care of unicorns.”

Of all of my children–indeed, of all children I’ve ever met–she is the one of whom I could believe that to be true. She cares fiercely. When she walks into room, she spots the older person in pain, the lonely child, the uncertain non-English speaker. She goes to that person without hesitation, and offers a blanket, a stuffed animal, a small hand on the shoulder. She also lives a fanciful life. There is no snark in her world. Her room is pink, and so are her sunglasses.

If there are unicorns, I know she will find them, and protect them.

When I tell people I am a writer, as well as a lawyer and mom, they express amazement. “Three kids?” they ask. “How do you find time?” Advice on writing while parenting tends to be dire. You’ll need to squeeze in writing during naptime, or while sitting in the carpool lane. Don’t have more than one child. Motherhood will exact a heavy toll on your creativity and mental energy.

The message is clear that motherhood is a hindrance to a writing career. I cannot deny that the challenges are real. My own days more closely resemble a seesaw than a balance beam. But today, I want to speak not of the burden, but of the gift.

The reality for me is that if I were not a mother, I would not be a writer. My first book grew out of that late night conversation with my daughter. The book I am writing now sprouted from my realization in mother/daughter book club that all girls want to talk about in fourth grade is friendship. It turns out I have a lot of thoughts on friendship and fourth grade, too.

I am inspired by them all the time—the things that frighten them, fascinate them, make them laugh. I eavesdrop shamelessly. I steal their vocabulary and syntax.

In addition to inspiring me, my children give me the will to write. I strive for clarity and honesty because I want to show them a truth about the world. My commitment to my kids keeps me going through the long nights of toiling away. I want to create something worthy of them.

Their presence in my life is also a good salve for the slings and arrows of writing. This is not an easy business, my friends. Knowing that I have these three young ones keeps me grounded, and a snuggle on the couch cures most ills.

I would imagine many of you who write for kids do it for the same reasons. As middle grade writers, our audience is not our peers, but rather, children—our own, or those in our lives, those in the world. And aren’t we lucky?

Kate Hillyer lives, writes, and mothers in Washington, D.C. She blogs here and at The Winged Pen. You can also find her at www.katehillyer.com, on Twitter as @SuperKate, and on her book blog, Kid Book List.

 

 

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Traveling Africa in Pursuit of Research

Most authors spend many hours researching topics before they begin writing. For fiction, getting details right is important, but for nonfiction it’s essential.

I recently returned from Kenya after gathering material for a story I’m writing. Yes, I saw many different parts of the country, but my goal was getting background material for a biography on one of the leaders of the Mau-Mau rebellion, when Kenya declared its independence from Great Britain.

To do this, I traveled over back roads to meet the man’s son, who was a schoolboy at the time his father was arrested. When I say back roads, I don’t mean the usual country roads. These were roads typically traversed on foot or motorbike. While we jounced along, huge chunks of rock and piles of dirt scraped the underside of the van. At times we could only pass by driving with two wheels in the ditch at the side of the road. Sometimes the van tilted so much, it seemed as if we were riding on two wheels rather than four. This harrowing ride was made more difficult when we needed to pass an occasional vehicle by a hair’s breadth.

After more than an hour, we came to the remote village in the mountains. We took a tour of the extensive farm, then settled in for the interview, while his wife cooked beef stew over coals in a small metal fire pit in the kitchen. Chickens wandered into the screened-in porch, while a goose pecked at the screen as his story unfolded. He began with the family tree, so I would know his father’s history. He rattled off names and dates. What an incredible memory! And I left his farm with a full stomach and many memories of my own.

The next day we visited the prison where many Mau-Mau revolutionaries were held. Because the prison is still in use, we had to wait for the guards to clear all the prisoners from the areas we would be touring. And we received special permission to take a few pictures. The prisoners watched from behind barbed wire fencing while we entered the older buildings on the grounds. It was an emotional day for the independence leader’s daughter because this was the first time she had seen the cells where her father was held for seven years. Throughout the tour, the guards were very respectful of the descendant of a man who’d helped secure Kenya’s freedom.

I spent one day at the area considered the “Eden” of the Kikuyu people and heard their origin story and history, and viewed historical artifacts, granaries (pictured), and homes. The fight for independence mainly began with the Kikuyu, who wanted to stop British settlers from taking over their land. Ancient and modern history combined later when I got to hear about politics from an official in the present-day government who is Kikuyu.

Another stop was the archives in Nairobi, which has a museum on the first two floors that added to my knowledge of history. My main goal, though, was to look at official records. Although they could not pull the specific records I requested, they did bring me a file from 1954 titled “Information and Propaganda,” which contained British records of the revolts, arrests, and killings. It was jarring to read the British accounts after hearing the Kenyans laud the Mau Mau as freedom fighters. The British called them “terrorists.” Interesting to see how people with opposing points of view can describe the same events so differently.

Before I’d left for Africa, I’d read books about the period recommended by my Kenyan friend, and those accounts by Kenyan writers gave me a greater understanding of the culture and history. In addition, I had a long, handwritten account of family stories from the man’s son. Armed with that knowledge, I returned home to begin my library and online research. Having firsthand experiences and good official records will add richness and detail to the story that I would not have had otherwise. When the book is written, the manuscript will be sent to all the sources to check it for accuracy.

Reading about my travels and research might give some insight into how much background work can go into writing a children’s book. Stories come from the heart, but they need to be backed up by extensive research. Once the book is written, I hope sharing this small piece of history and one man’s commitment to Kenyan freedom will inspire children everywhere to dream big.