For Librarians

Distance Doesn’t Have to Mean Disconnection

By on July 24, 2020   /   For Kids, For Librarians, For Parents, For Teachers, For Writers, Publishing & Promotion  

Quick question.

What do you miss most?

I know. It’s a broad question.

But the truth is, most of us are missing something that we used to enjoy. Travel. Dinners out. Family gatherings. Weekends with friends. Browsing in the library or local bookshop. The list could go on and on.

I’ve been thinking a great deal about how the world has changed the way authors connect with readers. For those of us who write for children, connections with readers come by way of very important adults: parents, teachers, librarians, booksellers.  Like many authors, my life used to be filled with connection. I spoke at schools regularly. I said “Yes!” to every invitation to book-talk at a library, and I cherished the chance to sit at the signing table at a book store or book festival and ask a bright-eyed ten-year-old how to spell their name as I signed their new book.

But none of those things are happening right now. And I’m feeling it, big-time.

When all of my spring 2020 events were cancelled, I was hopeful. We’ll rebook in the fall. Fall is going to be so busy! But now we know that’s how it’s working out.

Here’s the thing:  Covid-19 doesn’t have to steal our connection. Authors and illustrators still want to meet our readers. We’re just going to have to get creative and think of new ways to make it happen.

Now, before I go on, let me say this:  Teachers, Librarians, Parents, Administrators, PTA presidents, all those who usually orchestrate author connections in schools:  You are swamped right now. You are trying to figure out how to do the impossible and you are nothing short of heroes who didn’t ask to be heroes. Thank you. Author connections are likely the last thing on your minds. So, tuck these ideas away for a day (and I hope that day comes sooner rather than later) when your routine is set, your students are in the groove, and the learning doesn’t feel so overwhelming. Then perhaps, you might come back to this post, this list, and we’ll find our connections once more.

Virtual Author Visits – What was once considered second-rate to the “real thing” is now becoming commonplace. And it doesn’t feel so second-rate at all. I had the privilege of meeting with two wonderful groups of students in May and June via Zoom and we all relished the experience. I’m in Ohio and they were in Texas and California. Bringing an author to your classroom doesn’t have to mean raising money for airfare and coordinating years in advance.  Many authors have revamped their author visit options to include small group visits with students in their own virtual classrooms. Some schools are meeting in person this fall with strict (and wise) rules prohibiting outside visitors. Authors are as flexible as ever. Virtual visits are alive and well! Check out authors’ websites or visit an author booking site such as StorySeer to find out how authors are still coming to schools and virtual classrooms.

Snail Mail is Back – What did your students like about the book they just read? What questions do they have for the author? Many authors answer mail from readers. To find out how to reach an author, check out their website for information about where to send mail. We love hearing from our readers more than just about anything else!

Story Time Has Gone Online – Your local library might be limited to curbside pick-up right now, but librarians have proven themselves some of the most adaptable folks on the planet (no surprise there!). Look at your library’s website or social media pages to see if authors are visiting virtually. Many of the summer events my fellow authors and illustrators had planned in Northern Ohio went to a virtual format instead of being cancelled.

Booksellers are our Best Friends – At first, booksellers were simply trying to figure out how to stay in business (and many still are trying to stay afloat, so buy local and buy indie. But now we realize that events that draw a crowd are not going to happen in the near future, so booksellers are finding new ways to connect authors and readers. I’m in the middle of a three-Saturday virtual Author-Led Book Club with a group of chapter book readers, and while this was all new to everyone participating, a local bookseller was willing to give it a go! Stay connected with your local bookseller. They have a lot to offer.

Remote Learning Resources from Authors and Illustrators –  The Society of Children’s Book Writers and Illustrators (SCBWI) has collected a mass of resources for teachers, librarians, and parents to support literacy and learning in the remote environment. From activities, to online readings, podcasts, and workshops, find everything in one neat location right here.

Family Virtual Author Visits –  What child wouldn’t love to have a one-on-one meeting with the author of their favorite book? Would a personal video conference with a beloved author be the perfect birthday present for the young reader in your life? A sign of the digital age, this new service that connects children with authors in virtual, at-home, meet-and-chats sounds like something that may have come out our current pandemic situation, but in fact Talkabook was underway prior to stay-at-home orders and online schooling. Click here to read about how it works.

NOTE: I would be remiss if I completely ignored the elephant standing before me as I type. So, I won’t. Some of the things listed above cost money. Not all, certainly.  Many book creators have always been generous with their time when it comes to answering letters, discounting school visits, making a limited number of appearances free of charge. But, when it comes down to it, authors and illustrators are professionals. Many earn half or more of their annual income with speaking engagements – and most have completely lost that income in 2020. Speaking as a creator who frequently visited schools, I can tell you that the lost income is difficult. But the lost connection is worse.  Most authors and illustrators will do what they can afford to maintain their relationship with schools, libraries, booksellers, and families.

If we’ve learned one thing in these past few trying months, it’s that distance doesn’t have to mean disconnection. Book creators can still connect with their readers in engaging, fun, and creative ways.  If you have more ideas on how to make this happen, put them in the comments below.  We love hearing from you!

 

Back to Top

Exploring THE PLACES WE SLEEP with Author Caroline DuBois

By on July 23, 2020   /   Articles, Author Interviews, Book Lists, For Librarians, For Parents, For Teachers, Giveaways, New Releases  

I have a new guest for you, today! She’s written a tender, moving tale in verse that journeys a young girl through everyday details while living during a time of national crisis. The first words of this story made me pause and take notice. And the rest, poked me right in the heart to the end. The writing is beautiful and real, the story is important, and the growth of the main character is hopeful. I’m very excited to share The Places We Sleep with you and welcome Author Caroline DuBois to share her thoughts about the book.

Hi Caroline! It’s wonderful to have you visit our Mixed-Up Files family. Let’s share your beautiful cover and story with readers first.

THE PLACES WE SLEEP

by Caroline DuBois

A family divided, a country going to war, and a girl desperate to feel at home converge in this stunning novel in verse.

It’s early September 2001, and twelve-year-old Abbey is the new kid at school. Again.

I worry about people speaking to me / and worry just the same / when they don’t.

Tennessee is her family’s latest stop in a series of moves due to her dad’s work in the Army, but this one might be different. Her school is far from Base, and for the first time, Abbey has found a real friend: loyal, courageous, athletic Camille.

And then it’s September 11. The country is under attack, and Abbey’s “home” looks like it might fall apart. America has changed overnight.

How are we supposed / to keep this up / with the world / crumbling / around us?

Abbey’s body changes, too, while her classmates argue and her family falters. Like everyone around her, she tries to make sense of her own experience as a part of the country’s collective pain. With her mother grieving and her father prepping for active duty, Abbey must learn to cope on her own.

Written in gorgeous narrative verse, Abbey’s coming-of-age story accessibly portrays the military family experience during a tumultuous period in our history. At once personal and universal, it’s a perfect read for fans of sensitive, tender-hearted books like The Thing About Jellyfish.

If you would, share with our readers one book from your childhood that has stayed with you, and how can children’s authors in today’s unsettled world achieve this same unforgettable feel?

Mary Norton’s The Borrowers sparked my imagination as a child. My librarian mom introduced it to me. Norton’s world-building of tiny people living in the walls and borrowing from the people with whom they lived was pure escape for me from the big complicated world.

Children’s authors in today’s uncertain world can achieve this same unforgettable feel by either delivering children to a rich land of imagination, or by providing children a story in which they can see themselves. Then they can envision and dream of ways they can be and all the things they can achieve.

What made you decide to write “The Places We Sleep” in verse?

Abbey’s story came to me naturally in poetry, perhaps as a lyrical way to process 9/11 and my brothers’ deployment, but also likely because I’d recently completed my MFA in poetry. It began as more of a character sketch through poems and eventually turned into a story. I wanted to write about how world events have rippling effects on individuals and familial relationships in unexpected ways. The snapshots or scenes that poems allow you to write provided me with the perfect medium.

Your description of poems being scenes is fascinating and also beautiful. It definitely worked. How much of the novel is inspired by your own experience growing up in the South in a military family?

Although I did not grow up in a military family, both of my grandfathers served in the military, as well as both of my brothers, my brother-in-law, and my sister-in-law. Abbey’s story is about being a military child, but it’s also about many other things—identity, loss and grief, creating art in the face of tragedy, tolerance and acceptance, and friendship. It’s about how world events can touch individuals in large and small ways.

That they do. ♥ This couldn’t have been an easy story to write. What was the most difficult part?

I faced two specific challenges in writing this story. One was creating full, round characters through poems. And the other was making decisions about how to approach a national tragedy age-appropriately and sensitively. Having a great editor at Holiday House and a sensitivity reader helped with both.

Why do you think this story is important for the middle-grade audience?

Middle grade students I’ve taught often have had only a fuzzy understanding of the events of 9/11, and the nonfiction texts they’ve typically enjoyed the most in my classroom were almost always couched in a narrative story. I hope Abbey’s story will spark curiosity in young readers about 9/11 and the monumental lessons we learned and are still learning from that tragedy. I hope the book will leave readers with a memorable story about a girl who may not be all that different from themselves. Furthermore, I hope student readers are gently nudged to learn the names of others with whom they share classes and hallways and to act with kindness and dignity to those they may not know or understand. Maybe it will even inspire some young reader to choose to deal with life’s challenges through art or poetry or other forms of creativity.

Inspiring young readers to engage in conversation about the events of 9/11 is a wonderful.

How much research did you do for the story?

I lived through 9/11 and began writing and reading about it immediately thereafter. Additionally, I’ve had various family members in the military as well as taught students who experienced and still experience islamophobia. I conducted research as I was writing the story, as well as mined the living resources around me to create as authentic a portrayal of the historical backdrop to the story as I could.

What can young readers expect from your main character Abbey?

I hope that young readers can see themselves in Abbey as she navigates challenging world events along with the struggles of middle school and adolescence. Currently, teens and children are facing their own difficult world events. I hope readers see how Abbey perseveres and strives to be a good friend, to be kind, and to express empathy and tolerance to others.

All extremely important traits, especially in today’s world. Do you have any advice for librarians and teachers on how to encourage middle schoolers to give in verse books a try?

Books in verse make great shared read-aloud opportunities. You’re never too old to be read to or to enjoy reading aloud to someone else. Another way to inspire and hook a child on the joy of reading is by giving a book talk. Where an educator may not have time to read an entire chapter, there’s always time for a poem or two. And once one student starts reading it, the likelihood is that his or her friends will pick it up too. Books in verse create more white space between scenes as well as playful or dramatic visual messages with syntax, punctuation, and form, which can motivate adolescent readers.

Circling back to my first question, what do you hope stays with your readers after they read this story?

Perhaps The Places We Sleep will spark curiosity in young readers about 9/11 and the monumental lessons we learned and are still learning from that tragedy. I hope student readers are gently nudged to learn the names of others with whom they share classes and hallways and to act with kindness and dignity to those they may not know or understand. Maybe it will inspire some young reader to choose to deal with life’s challenges through art or poetry or other forms of creativity.

Here’s a little bit more about Caroline:

Caroline Brooks DuBois found her poetic voice in the halls of the English Department at Converse College and the University of Bucknell’s Seminar for Young Poets. She received a Master of Fine Arts degree in poetry at the University of Massachusetts, Amherst, under the scholarship of Pulitzer Prize winning poet James Tate, among other greats in the poetry world.
DuBois’s writing infuses poetry and prose and has been published by outlets as varied as Highlights High Five, Southern Poetry Review, and The Journal of the American Medical Association and has been twice honored by the Society of Children’s Book Writers and Illustrators. Her debut middle-grade novel-in-verse, The Places We Sleep, is published by Holiday House and to be released August 2020.
DuBois has taught poetry workshops, writing classes, and English at the middle school, high school, and college levels. In May 2016, she was recognized as a Nashville Blue Ribbon Teacher for her dedication to her students and excellence in teaching adolescents.
DuBois currently lives in Nashville, Tennessee, where she works as an English instructional coach and sometimes co-writes songs for fun with her singer-songwriter husband. She has two teenage children and a dog, Lilli, and she enjoys coaching soccer and generally being outside.
WEBSITE | TWITTER | INSTAGRAM

Thank you for sharing some of your writing journey with us, Caroline! All the best with The Places We Sleep.

Back to Top

Diversity in MG Lit #17 July 2020 Historical Fiction and Non-fiction

By on July 15, 2020   /   Articles, Book Lists, Diversity, Fiction, For Librarians, For Teachers, MUF Contributor Books, Nonfiction  
Historical fiction was one of my favorite genres as a MG reader and it’s one of my favorite to write now. Here is a collection of new and recent historical books. In these turbulent times I’m finding comfort in seeing the many difficult things humanity has overcome in the past.
What the Eagle Sees: Indigenous Stories of Rebellion & Renewal by Eldon Yellowhorn & Kathy Lowinger, Annik Press, 2019 This is non-fiction at its finest. Each chapter could be extended into an entire book but the authors have kept it concise and vivid with clear explanations, photographs of artifacts, frequent sidebars and maps. The collected stories of indigenous resistance to colonization and oppression is clearly and fairly portrayed. Their past and ongoing efforts at renewal and repair are inspiring. This should be required reading for every history teacher and will find a welcome place in the hearts of many history-loving students. Science teachers will also appreciate the care taken in describing how archeologist work to give evidence of historic events. This is the best non-fiction book I’ve read in a very long time!
Superman Smashes the Klan by Gene Luen Yang art by Gurihiru Here’s a rarity, a graphic novel within the realm of historical fiction. Based on a radio show from 1946, it portrays Superman standing up for a Chinese American family who has moved out of Chinatown and into a Metropolis neighborhood. It has all the action and derring do you’d expect from a comic book but it also shows Superman coming to terms with his own status as an alien. Extensive back matter chronicles the history of the KKK, the role of comics in American culture and the treatment of Asian Americans during and after WWII. The Klan is often portrayed as operating only in the south and fueled solely by racial hatred. I appreciated the setting on the west coast where white supremecist organizations have a long history. I also appreciated it when the leader of the racist organization in the story is revealed to be more interested in milking his gullible membership for money than anything—an aspect of white supremicist’s groups that is often overlooked.
Never Caught, the story of Ona Judge, George & Martha Washington’s courageous slave who dared to run away by Erica Armstrong Dunbar & Kathleen Van Cleve, Aladdin, 2019.
This is the young readers edition of the story of a slave in the George & Martha Washington household who escaped successfully and lived out her days in freedom. This is a balanced story that deals with the Washingtons as slave owners clearly without dwelling over much on violence or degradation. For example, for part of her life Ona was Martha Washington’s favorite slave and so had a room adjoining the Washington’s bedroom. The text says only that it was common for female slaves to be assaulted by their owners, without elaborating. This careful approach gives the reader the option to stop reading and ask for more context or move past the information that might be too overwhelming. There are primary source documents, a timeline, and extensive source notes.
Tooting my own horn here, like the above Never Caught, my title Last of the Name, is a finalist for the 2020 New York Historical Society History Book Prize. If you are a fan of historical fiction set in the US, this is a great place to look for solid titles year after year.
Last of the Name is about Danny and Kathleen, young orphaned Irish immigrants during the American Civil War. It encompasses the events of the Civil War Draft Riots, the most violent race riots in US history and a topic seldom addressed in either fiction or non-fiction. It also touches on the beginnings of vaudeville and the power of traditional ethnic music and dance to give an immigrant community strength and help them find each other in new surroundings.
I confess that I never wanted to be a writer when I was growing up but a career as a circus flyer held great appeal. Orphan Eleven by Jennifer Choldenko is the book my 11 year old self would have loved. It follows the adventures of four orphans who escape the worryingly named Home for Friendless Children to find work and community in a traveling tent circus. It features a character who is an elective mute and takes place in 1939.
Saving Savanah by Tanya Bolden takes a look at the turbulent year immediately after the First World War through the eyes of a young woman from the African American upper class.The story touches on class conflict within the African American community, womens’ suffrage, and the ravages of Jim Crow laws and the influenza epidemic. Eye-opening reading for older MG readers.
Prairie Lotus by Linda Sue Park travels the same time and territory as the well-known Little House on the Prairie series by Laura Ingalls Wilder. This story follows Hanna Edmonds a Chinese American 15 year old who moves east from California with her widowed father to a small town in South Dakota. There she strives against prejudice to complete her schooling and open a dressmaking shop with her father. Period detail and a middle grade sensibility make this a perfect choice for 9-14 year old readers.
Back to Top