Diversity

Writing and Illustrating Funny Poetry For Kids – Author Interview with Vikram Madan, and Giveaway

At Mixed-Up Files today, we’re thrilled to have author-illustrator Vikram Madan. Vikram talks about his new book A Hatful Of Dragons that comes out on April 21, 2020. He also shares his exciting publishing journey along with other writing tips.

                                                           

 

  1. Tell us about A Hatful Of Dragons. What inspired you to write the book?

A Hatful of Dragons: And More Than 13.8 Billion Other Funny Poems’ is a quirky, eclectic collection of funny rhyming poems woven together with rich illustrations featuring recurring characters and sub-plots – a double dose of visual and literary fun for all ages 7 and up.

As a kid I loved both cartooning and writing poems but never thought of combining the two till I encountered, much later in life, Shel Silverstein’s work. I was instantly attracted to the concept of words and images working together to create a funnier experience. So much so that ‘A Hatful of Dragon’ is my third collection of self-illustrated funny poems featuring intertwined words and drawings.

 

  1. What would you want readers to take away from A Hatful Of Dragons?

I would love for readers of all ages to come away from this book with the idea that you can have a lot of fun playing with language and also with a desire to read more rhyming poetry.

 

  1. What were some of the most fun and challenging parts about writing A Hatful Of Dragons?

The poems in my original manuscript were largely disconnected from each other. While shortlisting the poems, Rebecca Davis, my editor, instinctively zeroed-in on the uniqueness of creating cross-connections between poems. As I developed the illustrations for the book, I had a lot of fun thinking of ways to interconnect the poems visually. For example, a main character in one visual might show up later in the book as a secondary character in another visual, helping create a cohesive, but weird, universe for the characters. I hope kids will have fun closely inspecting the illustrations for cross-connections.

The most challenging part of the book was stuffing 13.8 billion poems into 64 pages. 🙂

Actually I found doing the illustrations to be a challenge as I underestimated the sheer physical work required to get through multiple rounds of revisions and changes. Somewhat like running a marathon, most enjoyable, not while you’re doing it, but well after it is done. 🙂

 

 

Another challenge was coming up with a distinctive title for the book. The title poem ‘A Hatful of Dragons’ did not exist in my original manuscript. We thought of titling the book ‘There’s a Dragon in My Wagon’ but an internet search showed half-a-dozen books already had that title. Many other title poems from the manuscript did not pass internal sales and marketing reviews. I finally proposed ‘A Hatful of Dragons’ and once that title was approved, I had to then write a title poem from scratch worthy of the book. Talk about pressure! 🙂

 

  1. You began your writing career by self-publishing your work. How did the experience influence you as a children’s writer? How did you make the transition from self-publishing to traditional publishing?

Prior to self-publishing, I spent a decade trying to have my rhyming picture books and themed poetry collections published. I found agents and publishers reluctant to consider poetry. With rejections piling up, I actually gave up writing and submitting for a few years. However the itch never went away. In 2012, I spent a summer writing a fresh collection of poems. I decided then that if no one would publish my poems, I would publish them myself, which led to my first collection ‘The Bubble Collector’.

 

Once ‘The Bubble Collector’ was out, I realized writing the book was the easy part. Marketing, distribution, getting anyone to notice a self-published book, was incredibly hard (more so for us introverts!). I learnt that if I didn’t do the hustle, no one else would. With perseverance and leg work, I was able to get the book into local bookstores, gain a few favorable reviews and endorsements, and conduct some school visits. The book went on to win a 2013 Moonbeam Book Award for Children’s Poetry and was invited to apply to the 2014 WA State Book Awards. All in all, for a self-published poetry book, it did quite ok. The ‘hustling’, however, left me with deep appreciation for traditional publishing.

Upon completing the manuscript for my second collection (in 2015), I decided to give the traditional channel another shot. It took a year of querying agents before one, Rosemary Stimola at Stimola Literary Studios, expressed interest in the manuscript. (The modest success with the self-published book really helped my pitch). It took Rosemary another year to find a publisher, Boyds Mills & Kane. The publisher scheduled the book for a 2020 release, five years from when I finished the manuscript. Despite the slow pace of traditional publishing, I’ve really enjoyed working with my editors, Rebecca Davis and Barbara Grzeslo – the book is so much better than I could have made just by myself – and I’m looking forward to it being available everywhere without having to knock on doors, one at a time. 🙂

And since the second book was going to take five years, I squeezed out another self-published poetry collection, ‘Lord of the Bubbles’, in 2018, which went on to win a 2019 Moonbeam Award for Children’s Poetry.

 

 

  1. If you could tell your younger writing self anything, what would it be?

Although I was writing and drawing from a really early age, I didn’t take my art seriously because I couldn’t see how to traverse the gap between what I made and what I admired. With no insight into the creative journey, the learning process, the blood, sweat, and tears that every piece of art demands, I did not believe in my own abilities. My epiphany came when one day, as an adult, I accidently wandered into an exhibition of original Dr. Seuss manuscripts. Typewritten sheets covered with frustrated scribbles, crossed out over and over again in search of better options. I was stunned to realize that the ‘genius’ was in the incessant revision, the twenty attempts before something worked, the trying, trying, trying and not giving up. Looking at those manuscripts was the first time I thought to myself, “Wait, if this is how it’s done, then maybe I can do this too!” Thank you Dr. Seuss – I wish I could have sent my younger self to see that!

 

  1. Do you have any other advice/tips for writers?

In visual-art circles the running joke is that ‘Only the first fifty years are the hardest’. In other words, the ‘successful’ artists are the ones who find ways to persist. The same is true for writers. Patience, persistence, working on your craft, and never giving up! (And if you do feel like giving up, read a book, any book, by creative coach Eric Maisel).

 

Here’s a cool flip-through video that Vikram made for the book: https://youtu.be/XswGM2FLlBM

Seattle-area Author-Artist Vikram Madan grew up in India, where he really wanted to be a cartoonist but ended up an engineer. After many years of working in tech, he finally came to his senses and followed his heart into the visual and literary arts. When not making whimsical paintings and public art, he writes and illustrates funny poems. His books include ‘The Bubble Collector’, ‘Lord of the Bubbles’, and ‘A Hatful of Dragons’. Visit him at www.VikramMadan.com

 

Want to own your very own ARC of A Hatful Of Dragons? Enter our giveaway by leaving a comment below! 

You may earn extra entries by blogging/tweeting/facebooking the interview and letting us know. The winner will be announced here on March 2, 2020 and will be contacted  via email and asked to provide a mailing address (US/Canada only) to receive the book.

 

 

Diversity in MG Lit #14 Girl-centered Sci Fi and Fantasy

In the last several months I’ve seen a crop of solid Sci Fi and Fantasy titles with diverse girl characters. Ever since I stepped through the wardrobe into Narnia with Lucy Pevencie, I have loved girl-centric fantasy and sci fi. Especially when it featured a familiar mythology or sacred story. So I’m so pleased to see fantastical stories based in a much broader group of tales. None of these books are a definitive or scholarly reproduction of their originating myths. Please look to non-fiction sources for instruction about originating myths.  Enjoy these books for the gems they are, hewn from the stone of a rich mythological tradition.
The Jumbie Gods Revenge by Tracy Baptiste
    When an out-of-season hurricane sweeps through Corinne’s seaside village, she believes Mama D’Leau, the powerful jumbie who rules the ocean, has caused the hurricane. But Corinne discovers the storms were caused by the angry god Huracan. Corinne races against time to find out what has angered Huracan and try to fix it before her island home is destroyed forever. The Jumbie God’s Revenge blends Caribbean and West African tales to present powerful themes of community and heroism and adventure.
Lintang and the Pirate Queen by Tamara Moss
    When a deadly mythie attacks Lintang’s village the same day the infamous Captain Shafira visits her island, Lintang gets her chance. She defends her village with bravery and earns her a place on the pirate queen’s ship. When Lintang discovers her best friend has stowed away she must choose. Telling Captain Shafira betrays her friend, but keeping the secret risks everything.
Love Sugar Magic: A mixture of mischief by Anna Meriano 
Leo Logroño of Rose Hill, Texas, wants to become a full-fledged bruja like the rest of her family. But she hasn’t discovered the true nature of her magical abilities. That isn’t the only bit of trouble in her life: Her family’s baking heirlooms have begun to go missing, and a new bakery called Honeybees has opened across town, threatening to run Amor y Azúcar right out of business.
Spirit Hunters: The Island of Monsters, by Ellen Oh
 For fans of scary stories, Spirit Hunters is a high-stakes middle grade mystery series. It features Harper Raine, the new seventh grader in town who must face down the dangerous ghosts haunting her younger brother.
Game of Stars, by Sayantani DasGupta
    When the Demon Queen shows up in her bedroom, surrounded by evil-looking bees, 12-year-old Kiranmala is uninterested. After all, it’s been four months since she last heard from her friends in the Kingdom Beyond, the alternate dimension where she was born as an Indian princess. But after a call to action over an interdimensional television station and a visit with some all-seeing birds, Kiran decides that she has to once again return to her homeland, where society is fraying, a reality show is taking over, and her friends are in danger.
Dragon Pearl, by Yoon Ha Lee
    Yoon Ha Lee’s space opera about thirteen-year-old Min, who comes from a long line of fox spirits. But you’d never know it by looking at her. To keep the family safe, Min’s mother insists that none of them use any fox-magic, such as Charm or shape-shifting. They must appear human at all times. Min is counting the days until she can follow her older brother, Jun, into the Space Forces and see more of the Thousand Worlds. When word arrives that Jun is suspected of leaving his post to go in search of the Dragon Pearl, Min knows that something is wrong. She decides to run away to find him and clear his name.
Race to the Sun by Rebecca Roanhorse
    Lately, seventh grader Nizhoni Begay has been able to detect monsters, like that man in the fancy suit who was in the bleachers at her basketball game. Turns out he’s Mr. Charles, her dad’s new boss at the oil and gas company, and he’s alarmingly interested in Nizhoni and her brother, Mac, their Navajo heritage, and the legend of the Hero Twins. Nizhoni knows he’s a threat, but her father won’t believe her. When Dad disappears the next day, leaving behind a message that says “Run!”, the siblings and Nizhoni’s best friend, Davery, are thrust into a rescue mission that can only be accomplished with the help of Diné Holy People, all disguised as quirky characters.
These are just some of the terrific new and diverse titles out there. Please mention any I’ve missed in the comments. -Rosanne Parry

Sydney Taylor Book Award Blog Tour — Interview with Honor Book Award-winner Author Sofiya Pasternack and a GIVEAWAY

 

 

The Mixed Up Files Blog is proud to be a host for the Sydney Taylor Book Award.

The Sydney Taylor Book Award is presented annually to outstanding books for children and teens that authentically portray the Jewish experience. Presented by the Association of Jewish Libraries since 1968, the award encourages the publication and widespread use of quality Judaic literature. Gold medals are presented in three categories: Picture Books, Middle Grade, and Young Adult. Honor Books are awarded silver medals, and Notable Books are named in each category.  To learn more about this prestigious award and to see a list of all of the winners, please visit this website: https://jewishlibraries.org

Today we are thrilled to introduce Sofiya Pasternack, author of the author of Anya and the Dragon  a Sydney Taylor Honor Book in the

Middle Grade Category. CONGRATULATIONS Sofiya!

 

 

In this book, headstrong Anya is the daughter of the only Jewish family in her village. When her family’s livelihood is threatened by a bigoted magistrate, Anya is lured in by a friendly family of Fools, who promise her money in exchange for helping them capture the last dragon in Kievan Rus.

This seems easy enough—until she finds out that the scary old dragon isn’t as old—or as scary—as everyone thought. Now Anya is faced with a choice: save the dragon, or save her family.

 

Reviews:

Anya is a new and mem­o­rable Jew­ish char­ac­ter who has forged her way into fan­tas­tic literature. Anya and the Drag­on is high­ly rec­om­mend­ed, not only for chil­dren but also for adults eager to find high-qual­i­ty fan­ta­sy books with Jew­ish themes. — Jewish Book Council

With this clever, fast-paced debut, Pasternack draws upon the myth and folklore of Kievan Rus’ to deliver a delightful tale filled with supernatural creatures…a tale that never loses its sense of fun or wonder. –Publisher’s Weekly

An irresistible blend of moral quandaries, magic, humor, danger, and bravery. Imaginative details bestow a fairy-tale-like quality to the story, which will effortlessly ensnare historical fantasy fans.– Booklist

This delightful series opener is an exciting blend of Russian and Jewish traditions. –Kirkus

The plot keeps readers on their toes with skillful pacing … [it] puts a spin on the usual dragon story without losing its excitement. –Center for Children’s Books

 

 

Thanks so much for joining us today at the Mixed-Up Files, Sofiya

What inspired you to write this story?
One of my favorite fairy tales of all time is wrapped into this book, and I spent a long time trying to retell it for adults. Once I finally realized that it was a children’s story, it really started to flow.

 Why did you decide to myth and folklore of Kievan Rus’?
 Russian folklore is told largely in byliny, or oral epic poems. These were grouped into cycles depending on the area the stories took place, and all my favorites are in the Kievan Cycle. The general time period was around the reign of Vladimir I, who ruled Kievan Rus’ from 980 to 1015 CE, so that’s why I picked that era and those specific stories!

 

Your book has such a wonderfully well-constructed setting, do you have any tips for writers on how to world-build?

You boil some water! Seriously. A friend of mine introduced me to this method of worldbuilding and it’s been so amazing for really forcing me to think through the entire world. I just ask myself the question, “What has to happen to allow my character to boil some water?” That seems really simple, right? Put some water in a pot and throw it on a stove and turn the heat on. Okay. Where did the pot come from? The store? A blacksmith? Handed down through the family? How? From who? From where? What’s the water source? Is it safe? Was it dangerous to get? Are waterborne illnesses a concern? Why? Who made the stove? Is the stove gas? Electric? Wood? Nuclear? Magic? Where did the gas come from? The electricity? The wood? What’s the deal with magic? And so on. You just keep asking yourself questions, and you keep answering questions, until your world is fleshed out.

 

I love how you weave the magic throughout your story, and dragons! Did you do a lot of research on dragons before writing this book?
 I’ve kind of been a dragon nerd my whole life, so I didn’t have to do a ton of research. I knew exactly what kind of dragon Håkon was before I started: a lindwurm! And then I had to ask myself, “Well, if he’s a lindwurm, he must be Scandinavian, because that’s where lindwurms are from. Why is he in Anya’s Russian village?” And that’s why Kin is from where he’s from, why Håkon has a Scandinavian name, and why he has ties to Istanbul/Constantinople. Dragons are important in Russia, but I didn’t want Håkon to have multiple heads, as most Russian dragons do. I wanted him to be unique and unexpected, and I think a lot of people are pleasantly surprised by him.

 

 Kirkus said of your book, “This delightful series opener is an exciting blend of Russian and Jewish traditions.” How important was it to you to include your heritage in this book?
 I didn’t start this book out as a Jewish story. I was afraid to do that, because in my mind, who would want to read a fantasy about a Jewish girl that had nothing to do with the Holocaust or a specific holiday? So Anya and her family were incidentally Jewish in a way that maybe someone who was Jewish might pick up on. But then after some encouragement from people who knew much better than I did, I added more visible Jewishness to the book until it reached the point it is now. I’m so glad I did. I came to be very passionate about Anya being a visibly Jewish character who wasn’t defined by trauma: bad things happened to her (they happen to everyone!) and she used her unique perspective to manage them. I also wanted to include more Jewish and Russian folklore creatures than people are familiar with. Everyone knows what a golem and a dybbuk are, but do people know about helpful possession? Everyone knows who Baba Yaga is, but do they know what a leshy is? I love learning about the folklore of other cultures, and being able to introduce lesser-known creatures from my own background has been really great.

 

Anything you’d like to add?
 For all the authors out there who are struggling with their story, don’t give up! The world needs your unique perspective. Keep writing, keep writing, keep writing!

 

Awesome! Thanks so much for joining us, Sofiya. Your book is amazing. Congratulations again on your award!

Sofiya has generously donated a copy of her fantastic book to be given away (US only). Please comment below to be entered. You can also tweet it out and tag us at @MixedUpFiles  or like our post on Instagram at @mixedupfilesmg