Diversity

Diversity in MG Lit Roundup

By on January 1, 2025   /   Articles, Diversity  

Hi Everyone –

Have you ever had a chance to check out our Diversity in MG Lit Book List series? Our contributor Rosanne Parry does a regular round-up of diverse MG titles, and we think they’re fantastic. We decided to collect a few of her most recent lists to illustrate what a terrific resource we have in these lists:

Diversity in MG Book Lists

  1. Diversity in MG #19: Mysteries
  2. Diversity in MG #17:  Equity for Black books and their creators
  3. Diversity in MG: Historical Fiction  and Non Fiction
  4. Diversity in MG Lit #14: Girl-centered Sci Fi and Fantasy
  5. Diversity in MG Lit #3: Latinx Characters and Authors
  6. Diversity in MG Lit: #5: Refugees

Join us again next month– on October 14-– for another post on Diversity in MG Lit.

As always, thanks for your support. We love our readers!

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Diversity in MG Lit #50 December 2024

By on December 18, 2024   /   Articles, Diversity, For Librarians, For Parents, For Teachers  
Friends, I started writing these Diversity in MG Lit posts six years ago in the fall of 2018. Today marks my 50th post. I wanted to reflect on how far we’ve come and where we might best spend our energy in support of diverse books in the future.
The Cooperative Children’s Book Center has been carefully and exhaustively compiling data on the racial and cultural composition of children’s book characters and children’s book authors and illustrators. Their data shows broad and consistent advances in the number of children’s books both by diverse creators and about diverse characters. The improvement has been particularly strong for Black, Asian, and Latine creators and characters. Each of those categories include more than 10% of the children’s books studied. Indigenous American, Pacific Islander and Arab titles saw a doubling over the last six years though the overall numbers are lower than 10%.
Equally encouraging is the recognition diverse titles receive.  Taking the window of 2018-2024, all the National Book Award winners but one were diverse. And in the ten years before that (2007-2017) six of the ten winners were Black, Indigenous, or Asian.
The American Library Association has many book awards meant to elevate diverse books and their creators. But if we only look at the Newbery Award which does not make race or ethnicity of the author a qualification, all but one of the Newbery medals from 2018 to 2024 went to diverse authors–86%. Each Newbery committee can select as many as 5 honor books in a year. There were 26 honor books and 77% of them went to diverse authors.
This is all very encouraging and has come about due to the efforts of groups like We Need Diverse Books which formed to address this issue in 2014. It’s worth remembering that teachers, librarians, and independent booksellers have been pushing for greater diversity for many decades before social media brought the issue to wider attention.
We have much to celebrate as we complete the circle of another year. And yet there has been a dramatic rise in book banning and virtually all of it targets books for young readers by diverse creators and about the diverse experience. The LGBT+ experience has been a particular target of book banning.
Many anticipate that these bans will increase as the Trump administration takes office. Some states, most recently New Jersey, have passed laws to prevent book bans. Local action does seem to be the most effective deterrent. Book banning is broadly unpopular even among conservatives. And most book banning attempts ultimately fail, though not without causing disruption and heart ache. For my part I plan to pay close attention to my local school board and encourage my state representatives to enact anti-book ban legislation.
I have a far bigger concern than the bans though. Most diverse books are bought by teachers for their in-class collection or by librarians for school and public libraries. The children who need diverse books the most rely almost entirely on these free access opportunities. However, school and library funding has been decreasing for years. The most diverse communities have little or no access to an independent bookstore leaving them only the smaller inventory at big box stores. For example, I work at a medium-sized indy in Portland. Our middle grade section holds hundreds of individual MG titles. By contrast the local Target typically has no more than 30 MG book choices.
In some ways because book bans are emotionally-laden events, they distract from a far more dangerous agenda. Project 2025 would destroy public education as we know it.  Among many objectives, it calls for the elimination of Title 1 funding and Head Start programs. Those programs make literacy possible for millions of low income and mostly diverse children. If those children never learn to read, it will not matter how many diverse books we create for them.
So although I will gladly continue to trumpet the arrival of new diverse books for middle grade readers, the lion’s share of my attention will go toward protecting public education and public libraries for all children. Our teachers and librarians and all of our children have never needed our support more.
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WNDMG Author Interview with Elle McNicoll

By on October 23, 2024   /   Author Interviews, Diversity  

WNDMG Author Interview with Elle McNicoll

My reading sweet spot is MG fantasy, so give me dragons, witches, spells, and curses any day of the week. Like A Curse by Elle McNicoll delivered on them all, plus more including a new creature I haven’t read about before! 

I had the esteemed pleasure of sitting down to interview Elle. Here’s the inside scoop on both the author and her book…

About the Author

Elle McNicoll is a bestselling and award-winning novelist. Her debut, A Kind of Spark, was a Schneider Family Honor title, an overall winner of the Waterstones Children’s Book Prize, and a Blackwell’s Book of the Year. She has been nominated for the Carnegie Medal and was shortlisted for the Books Are My Bag Readers Awards, the Branford Boase Award, and the Little Rebels Children’s Book Award. Her second novel, Show Us Who You Are, was a Blackwell’s Book of the Month title and one of the Bookseller’s Best Book of the year. She is an advocate for better representation of neurodiversity in publishing and currently lives in London.

Interview with Elle McNicoll

Kate: Our Mixed-Up-Files readers would love the inside scoop on book 2 in your Like a Charm series. Can you tell us a bit about neurodivergent tween Rayma and her role in becoming a witch?

Elle: Ramya is a witch in training. She’s a little too emotional when it comes to her magic and, while a lot of fantasy heroes need to be convinced that they’re the chosen one, Ramya needs people to remind her that she can’t do everything by herself.

Kate: Beyond casting spells, there are other magical abilities to read about in your book as well. I absolutely love the notion of Glamour! This one’s new to me. Is this something you created? And, if I were to go about daydreaming this was my magical power, what are the rules around using it?
Elle: I wish!! Glamour is a fae creation, and it’s popular in Scottish mythology. It’s a kind of disguise, and Ramya is lucky (or unlucky) in that she can see through it. The rules of glamour are fairly simple. It can turn you into anything to just about anyone. It’s like a magical filter. It helps you edit or reinvent yourself.

Kate: Let’s talk setting. Edinburgh has been on my bucket list for years, so I thank you for bringing it to life for me! How important was it for you to place your story inside a real world vs a created one?
Elle: So important. As a Scot, I want the kids I write for to touch the places in the book. I’ve done a few sold out walking tours in Edinburgh and the kids adore being able to take pictures in the real locations.
Kate: Rayma comes into contact with many interesting creatures such as Hidden Folk – Hulders, Blue Men, selkies, and kelpies – just to name a few. When choosing who to add to your storyline, were any of these mythological creatures based on research? Or do they stem from part of your cultural folklore?
Elle: They’re all part of my culture, in stories that have been handed down. I liked using childhood memories of Scotland to craft the world Ramya lives in.
Kate: It’s often fun to read about the baddies of a book, and Portia is certainly up there on that list! How fun is it for you to write the antagonist?
Elle: It’s fun! I like her. There’s lots about her to like. And she’s got a big wound, one that’s much more personal than her enemies realise. I love that!
Kate: Other important characters include many of Rayma’s family members. In what ways do these multiple generations impact how you developed Rayma as a character?
Elle: I love the whole wild bunch. I like the three sisters, I think that’s such a witchy number. They’re all sort of a coven, and their disapproval of Ramya’s impulsivity make the dynamics fun to write. She feels like a bad witch compared to her aunts.
Kate: You and Rayma share many things in common, I’m sure, one in particular is dyspraxia. Can you tell MUF readers about dyspraxia and how this connection to Rayma helped you in your story development?
Elle: Dyspraxia is a learning difficulty that can impact coordination, balance, processing and memory. Amongst many other things. I wanted Ramya to be dyspraxic, like me. I’m also autistic. I thought a neurodivergent witch would be fun. Also, ND kids are forced to be really resilient so we make good protagonists, I think.
Kate: Like a Curse leaves readers with such a great message. Without revealing spoilers, can you describe your writing process: in organizing your duology, did you have this ending for book two in mind when you set out to write book one? And, can you give us an example of something you cut, changed, or reworked from draft to publication?
Elle: I knew I wanted to see Ramya and Opal’s relationship develop in Like a Curse and I wanted more of Portia. Everything was planned, I didn’t need to make big cuts. It was enough stories for a tight duology and I’m glad it panned out that way.
Kate: You write for multiple age ranges. Do you set out knowing before you write a book whether it will be MG or YA? And for Like a Curse in particular, how did you nail that MG voice?
Elle: I always know which age the book is for, usually because the main character’s age dictates it. It’s important to know, I think. I remember being 12. It’s very close to my mind at all times, so it’s easy to get back in those shoes.
Kate: Thank you for taking the time to share the inside scoop on Like a Curse. Is there something beyond Rayma’s world you can hint at? Perhaps a new project in the works?
Elle: I’ll be writing witches again. Without a doubt!
Kate: Where can readers best find you if they want to reach out?
Elle: @ellemcnicollofficial on Instagram
Or ellemcnicoll.com

And of course, no MUF interview is complete without a lightning round, so…

Favorite place to write? At home.Dark chocolate or milk chocolate? White chocolate.

Superpower? Glamour

Rollerblades or bike? Neither, I’m dyspraxic.

Dream job when you were a kid? This.

House pet? My dog, Cheeseburger.

Favorite piece of advice? Take the work seriously, but not yourself. And if you’re different from the herd, you gotta be tough.

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