Author Interviews

Interview with Jeanne Birdsall, award-winning author of The Library of Unruly Treasures!

By on July 21, 2025   /   Author Interviews  

Jeanne Birdsall’s THE PENDERWICKS is as highly acclaimed and beloved as a middle-grade series can be, earning the National Book Award and becoming New York Times bestsellers. With her newest novel, THE LIBRARY OF UNRULY TREASURES, she creates a new world: one of tiny, winged creatures called Lahdukan and the adventures a girl named Gwen has with them in a library outside Boston. It’s a wild, fun, and heartwarming ride that is sure to delight Penderwicks fans and new readers alike.

Read below to discover the inspiration for this new book, thoughts on Lahdukan pronunciation and (incredible!) art, and the real Pumpkin the dog(s) in Jeanne’s life!

Book cover of THE LIBRARY OF UNRULY TREASURES by Jeanne Birdsall

The opening of THE LIBRARY OF UNRULY TREASURES grabs readers with a series of diary entries that tease some of the magic to come. When did you decide to open the book like that, and what are you hoping readers will glean from it?

I knew I’d have to open the book in 1860s Edinburgh, if only to justify the research trip I took to Scotland. That’s only kind of a joke. Truly, once I’d wandered the neighborhood where my diarist lived, she became too real to be shoved aside as mere backstory.

I thought it would be fun for the readers to know more than Gwen does at the beginning of the story, to have them impatient for her to meet the Lahdukan. When she finally does, the reader already knows the Lahdukan are real and thus can enjoy watching Gwen become convinced. From that point on, the reader knows only what Gwen knows. They can be puzzled together, and I hope they are. I like a bit of a mystery.

Gwen is a character readers immediately pull for—what was the process like of creating her? Was she fully formed from the start, or was it a longer process, and how did Matt Phelan’s interpretation of her (and the other characters!) come to be?

I knew Gwen right away. It took me a while, though, to work out what made her who she was—both despite of and because of her rotten parents and lonely childhood. And even longer to figure out how to explain her past without a lot of exposition. I wanted the reader to understand how difficult it had been for Gwen, but without piling on too many gruesome details.

Matt illustrated a picture book of mine, Flora’s Very Windy Day, so I knew that our instincts and visual aesthetics were in sync. He got Gwen right away. (And gave her freckles. I pretend this was in honor of my freckles, but it may have been a coincidence.) We had to go back and forth for a while with Pumpkin, but that was my fault. My original text made her sound like a mythic monster, a tiny griffin with impossibly mismatched parts. Matt’s Lahdukan are masterpieces. Their combination of goofiness and dignity is right there in every painting. And the Lahdukan in flight! There’s one spread of them aloft inside the Isabella Stewart Gardner Museum that makes me catch my breath every time I see it.

The detailed worldbuilding of the Lahdukan is such a joy to uncover in the book. You mention Mary Norton’s delightful The Borrowers as an inspiration for these tiny, wondrous creatures, but did you have any other influences on this world?

The Borrowers are an obvious reference point. Not only were the books written during my childhood—we were allreading them—but Beth and Jo Krush, the illustrators, lived in my neighborhood, a mile down the road. But the Lahdukan were woven from dozens of myths and stories, enriched by my fascination with Scotland, particularly the Highlands. Some of this came because of my Scottish blood, but lately I’ve been re-reading T. H. White’s The Once and Future King. He goes deeply into the Scottish Gaels (Gawaine and his peculiar brothers) and their resentment of the English. This must have lodged in my brain years ago, to come out now.

Plus, I’ve always wanted to be able to fly, haven’t you? The closest I could get was bestowing eagle wings on my Lahdukan.

Pumpkin the dog is a force throughout the book, and you mention in the introduction that you can’t write without a canine companion. Was Pumpkin always such an integral character, or did her role change through the drafting process?

Pumpkin was always going to be important to the story, but not being satisfied with mere importance, she upped her own role until she was vital. Just like my real dogs.

[Editor’s note: to see pictures of Jeanne’s own dogs, visit her website!]

I appreciated the pronunciation guide at the end of the book and had so much fun with the Lahdukan names and background. Is that something you had thought through while writing and sounding out these splendid details?

No, but I should have! Because I don’t like reading my own writing out loud and I don’t listen to audiobooks, I didn’t think about it along the way, just merrily dreaming up names and words. It was only toward the end, when my own husband still couldn’t remember how to say Abarisruk or Zarakir, that I realized I’d need a pronunciation guide.

Although I don’t listen to audiobooks, I hope people will listen to this one. By an incredible stroke of luck—or maybe magic—we found the perfect narrator. Sorcha Groundsell grew up on the Isle of Lewis, one of the Outer Hebrides, west of Scotland and close to the Isle of Rùm, where the Lahdukan lived a thousand and more years ago. (See? Magic!) Her voice is gorgeous—light, quick, musical—exactly what the story calls for. Just wait until you hear her as the Lahdukan.

Do you have any other adventures in mind for Gwen, Pumpkin, and the Lahdukan, or are you returning to other book worlds (or elsewhere!) next?

I have dozens of other adventures in mind, going forward and backward in time. But speaking of time, alas, I don’t have enough of it. The Penderwicks took twenty years of my life, and almost certainly I don’t have twenty more to spend on another series. Where I’m headed next is still a bit fuzzy, but there will be pie and a dog, and I’ll have to learn some Italian.

Author photo of Jeanne Birdsall

Jeanne Birdsall is the National Book Award–winning author of the children’s book The Penderwicks and its sequel, The Penderwicks on Gardam Street, both of which were also New York Times bestsellers. She grew up in the suburbs west of Philadelphia, where she attended wonderful public schools. Although Birdsall first decided to become a writer when she was 10 years old, it took her until she was 41 to get started. In the years in between, Birdsall had many strange jobs to support herself while working hard as a photographer. Birdsall’s photographs are included in the permanent collections of museums, including the Smithsonian and the Philadelphia Art Museum. She lives with her husband in Northampton, Massachusetts. Their house is old and comfortable, full of unruly animals, and surrounded by gardens.

THE LIBRARY OF UNRULY TREASURES is available for pre-order until August 5th, 2025 and then wherever books are sold. Visit Penguin Random House for more information and to order!

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Author Spotlight: Barbara Carroll Roberts + a GIVEAWAY

By on July 17, 2025   /   Author Interviews  

In today’s Author Spotlight, Landra Jennings chats with author Barbara Carroll Roberts about her new middle-grade novel, The Metamorphosis of Bunny Baxter (Holiday House, July 22). She’ll share her inspiration behind writing it, the passion for gardening and wildlife that informed it, and the lovely inspiration for the dog character. Plus, there’s a chance to win an ARC of The Metamorphosis of Bunny Baxter if you enter the giveaway!

 

Book Summary:

Bunny Baxter thinks nothing could be worse than starting seventh grade at a school where she knows no one. But after her first day, she realizes things can actually get much worse.

If Bunny Baxter were an insect, she’d have so many ways to slip through seventh grade unnoticed. But she’s tall instead of tiny, has flaming red Medusa hair instead of camouflage, and she suffers from social anxiety, which makes it hard to be part of a swarm. Worst of all, she’s been redistricted to a new middle school away from her best friend who she could always hide behind when her anxiety got the best of her.

The first day at E.D. Britt Middle School does not go well. Bunny trips on the steps, falls into the cutest boy in the school, and causes a kid domino pile-up. At lunch, she unintentionally causes an uproar in the cafeteria, which lands her and another girl in the principal’s office. Bunny decides there is only one option: to get expelled so she can transfer to the school her best friend attends.

She soon discovers that it isn’t that hard to get in trouble — don’t turn in your homework, walk around the track instead of run in P.E., pretend you deliberately hit someone with a badminton birdie. What isn’t so easy for Bunny is realizing she now has a reputation as a troublemaker. And even more confusing, when it looks like her plan to get expelled might work, she’s no longer sure what to do.

The Metamorphosis of Bunny Baxter is a heartfelt coming of age story about an insect-loving girl who is learning to grow into herself — quirks and all.

Junior Library Guild Gold Standard selection. Publishers Weekly Starred Review. Booklist Starred Review.

Interview with Barbara Carroll Roberts

LJ: Welcome to the Mixed-Up Files, Barbara! Thanks for joining us today.

BR: Thank you so much for having me.

LJ:  First, I have to tell you how much I loved this book. I couldn’t put it down. Bunny’s journey is so beautifully layered and nuanced. “Metamorphosis” is the perfect descriptor. Can you please tell us about your inspiration to write it?

BR: Thanks so much! I actually began this book with what it wouldn’t be about. While I was working on my MFA at Hamline University, one of the other students wrote her critical thesis about how few children’s books she’d found in which the main character had been adopted into their family. And of the books she did find, almost all of them focused on the character searching for a birth parent, or on another issue directly linked to the child’s adoption. The woman who wrote this essay had been adopted into her family, and she also adopted her own children. She felt that children who’d been adopted needed more books about kids like them, but more than that, they needed books in which the main character just happened to have been adopted, but that’s not what their story was about. Since my husband and I had adopted one of our children, I decided to write a book like that.

This isn’t a craft technique I’d recommend, though – starting a novel with what it won’t be about. I struggled through several really awful attempts to come up with a story before the main character and the vaguest idea of a plot began to take shape.

Gardens and Pollinators

LJ: You’re a gardener. How did your passion for gardening and pollinators influence the story? Did you have to do any additional research on that?

BR: This story actually came to me through research, though I initially didn’t realize I was doing research – I was just reading the magazines and websites of the gardening and wildlife organizations I belong to and seeing more and more articles about the need to protect insects, especially pollinators. Then I read two books by Douglas Tallamy, Bringing Nature Home and Nature’s Best Hope, which also discuss the importance of insects in the natural world, as well as the difference individuals can make by planting native plants in their yards.

So, then I tore out a big planting bed in my yard that was filled with boring nonnative shrubs and replanted it with native flowering plants. And somewhere in all of that the story of a very shy girl who’s fascinated by insects began to take shape. I had to do a lot of research on insects and social anxiety, which Bunny experiences. There was much more research done than what ended up in the story!

Favorite Scene

LJ: The writing was so beautiful. My favorite scene to read was the lovely “hammock” scene. What was your favorite scene to write?

BR: Wow, this is a difficult question. It was really important to me to dig into the deep emotions of the characters in that scene. This was also true of the scene in which Bunny asks her sister, Bella, if she thinks it feels different to have been born into their family instead of having been adopted into the family, as Bunny was. But these scenes were also very difficult to write, because I had to dig deep into my own emotions, too. I’m sure I revised these scenes more than any others, trying to get them “right.” Scenes with broader humor, like the pandemonium in the cafeteria caused by Bunny’s emotional-support cicada, were definitely more enjoyable to work on.

Favorite Character

LJ: Your side characters were so well drawn out. Ralph was a personal favorite. Do you have a favorite secondary character?

Riley

BR: It’s funny you mention Ralph. My dog Riley was a real life inspiration!

In general this question is sort of like asking “Who’s your favorite child?” I grew very attached to all of the characters in this book, but the two I had the most fun with are Bunny’s dad – because he’s so talented and creative at garden design, but so absent-minded about all kinds of mundane things – and Sylvia Lester-Hewitt-Abruzzo-Fung – because she has no filter and says whatever comes into her head. Plus, I had a lot of fun thinking about all the goofy things she wears in her hair.

 

Cover Art

LJ: The cover by Erin McGuire is absolutely gorgeous. What was your reaction on seeing Bunny and her faithful counselor Ralph depicted for the first time?

BR: When my editor at Holiday House, Margaret Ferguson, told me they were considering Erin McGuire for the cover illustration, I went to Erin’s website to see her work. And I was thrilled to discover that she’d illustrated book covers that I’ve always loved, including the cover of The Real Boy, by Anne Ursu, and the cover of your book, Wand. I’m absolutely delighted with the cover Erin created for my book. She perfectly captured Bunny’s fascination with insects and the natural world, as well as the love and friendship she shares with Ralph.

To the Heart of Bunny

LJ: I was really touched by Kyle’s articulation of what seemed to be a major theme for the story—”You get to be who you are.” Can you tell us a little bit about that?

BR: I wish I could tell you that I had that scene all planned out from the beginning, but pretty much the opposite is true. Instead, it was one of those magical moments when your characters just start talking to you. I was probably on my fifth or sixth full revision of the manuscript when Kyle suddenly “said” those words to Bunny, and I realized I’d finally found the heart of the book.

LJ: What else do you hope readers take away from this story?

BR: You know, every reader sees a book through the lens of their own life experiences. So, I suspect readers will find a variety of take-aways. My main hope is that readers enjoy the book. And if they happen to be inspired to plant a pollinator garden at their own school or home – even just a small pot of native plants on their apartment balcony or windowsill – that would be lovely.

On Writing

LJ: What do you like best about being a writer?

BR: Oh boy, another difficult question. I very rarely find writing to be fun. More often it’s hard work. Trying to get a sentence to flow smoothly. Figuring out the logical steps of a conversation or a sequence of action. Developing an idea without smacking the reader over the head; finding the most evocative sensory details to bring a scene to life. I started writing Bunny in 2019 after my first book came out. It took some time to develop. But I’ve always enjoyed being alone with my thoughts – what my mother called daydreaming and my children call spacing-out-staring-at-nothing. I think it was E. L. Doctorow who said writers have to “re-dream the scene.” And I think this is what I like best about writing – the dreaming-it-up part.

Lightning Round

No MUF interview is complete without a lightning round, so. . . .

Coffee or tea?

Coffee.

Sunrise or sunset?

I do love seeing the sunrise. But since I’m a bit of a night owl and not at all a morning person, I don’t see too many sunrises. I’ve always loved the hour or so around sunset, when things start to go quiet and still. I also love the word that describes that hour – the gloaming.

Favorite city (besides the one you live in):

I’m not really a city person – I like being outside in nature too much. But I visited Paris for the first time last year, and it was fabulous.

Favorite childhood television show:

The Wonderful World of Disney. During the summer, Sunday evenings always presented a difficult choice: stay outside playing after dinner or come inside to watch Disney. No streaming shows in those days.

Favorite ice cream:

Ben and Jerry’s Cherry Garcia

If you could choose a superpower, what would it be?

I’d love to be able to talk with animals.

Favorite book from childhood:

I always loved animal books – Charlotte’s Web, Misty of Chincoteague, Black Beauty, My Friend Flicka. I particularly loved Rascal, by Sterling North.

LJ: How can readers obtain a copy of the book?

BR: The book can be preordered at your local independent bookstores, Bookshop.org, Barnes and Noble, or Amazon, or any place books are sold. Personalized copies can be shipped from Politics and Prose.

How to win!

For a chance to win an ARC of The Metamorphosis of Bunny Baxter, comment below! (Giveaway ends July 31, 2025, MIDNIGHT EST.) U.S. only, please. ARC will be mailed.

About the Author 

Barbara Carroll Roberts is a children’s author whose debut middle-grade novel, Nikki on the Line, was a finalist for two state children’s book awards and made numerous best-of-the-year lists. Her nonfiction picture book, A Rose Named Peace, illustrated by Bagram Ibatoulline, is a Junior Library Guild Gold Standard selection and received a starred review from School Library Journal.

Barbara has had many careers: farm worker, video producer, freelance writer, mom. All of which she draws on in her work writing for children. She grew up in northern California and holds a BA in English from Occidental College in Los Angeles and an MFA in Writing for Children and Young Adults from Hamline University in St. Paul, Minnesota. She has two grown children and now lives in Virginia with her husband, two cats, and one very goofy springer spaniel.

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Author-Illustrator Spotlight: Jessixa Bagley

By on July 14, 2025   /   Author Interviews  

In today’s Author Spotlight, Landra Jennings chats with author-illustrator Jessixa Bagley about her new middle-grade graphic novel, Jazzy the Witch in Broom Doom (Simon & Schuster Books for Young Readers, July 15). She’ll share her inspiration behind writing it, her creative process and a few hints about the next Jazzy book!

Book Summary:

“Whimsy abounds in this playful” (Publishers Weekly, starred review) middle grade graphic novel about a young witch who struggles to fit in—perfect for fans of The Okay Witch and Hooky!

In her town full of witches, Jazzy’s always been a little bit different. She’s not excited about magic. She forgets the steps to spells. And even though her parents run the town’s broom shop, she doesn’t want to fly.

Then, one day, she discovers what she was born to do: cycling! Now she just has to find a way to get a bicycle…and learn how to ride it. But will her new passion come between her and her best friend—and possibly get her in big trouble?

Interview with Jessixa Bagley

LJ: Welcome to the Mixed-Up Files, Jessixa! Thanks for joining us today.

JB: Thank you so much for having me.

LJ:  First off, I want to tell you how much I enjoyed this novel. Your characters’ expressions—those nuances—really take us into the heads of the characters and into the story. There are so many laughs and so much heart. Can you tell us about your inspiration for writing this book?

JB: It’s a funny thing how the idea came about. I had a dream, and when I woke up in the morning, I drew a picture of a little witch that looked kind-of like me as a kid. It made me think of a lemonade stand or Lucy’s advice booth in Peanuts, but the kid in my dream was selling bicycle seats for broomsticks to witches. I posted it on Instagram and the feedback was: This needs to be a book!

Around that time, my son was learning how to ride a bike and I was reflecting on how I had a really hard time learning how to ride a bike myself. As I began developing my little witch character, I found myself putting more of “me” into her. I also added some snark and sass because I love characters with some texture. So, my inspiration was a mix of the unconscious, my childhood, and some bits from real life.

Developing Ideas

LJ: I’m always curious about how author-illustrators work. How do you develop your ideas?

JB: My process has changed over the years. Before I was published, I was looking everywhere for a story, trying really hard. I didn’t feel the ideas were coming to me very easily; the stories didn’t feel interesting or personal and I didn’t have much of a connection.

These days, as I’ve tuned more into my own experiences and my childhood, I might be inspired by something in a dream, I might get ideas while I’m meditating, or something in the world might catch my eye. I try to capture these moments. During school visits, I show the students the place in my sketchbook where I do just that—I jot down words or phrases or an animal that I like, because there’s something inside of those that was inspiring.

Writing and Illustrating

LJ: What’s your creative process like? Does the writing come first, or the pictures?

JB: These things are usually happening simultaneously. I jot down some ideas and then I’ll sketch a little and go back and forth.

For illustrations for Jazzy, I had my stylistic approach from that initial sketch. I was also inspired by Adrienne Adams’ The Woggle of Witches, which has a beautiful and moody quality to the artwork, and Norman Bridwell’s The Witch Next Door series, with those minimal illustrations and simple colors. I wasn’t intentionally creating something retro or vintage, but I was picking up on the things that I liked.

As far as the writing, my process is that after I get the initial concept, I outline the novel, considering total word count and what I plan to happen. Then I’ll reverse-engineer, writing the whole manuscript before I start sketching. My years of creating picture books (those page-turn moments!) and making comics really informs my work. For this project, I was focused on dialogue, because graphic novels are all dialogue.

Overall, making graphic novels is fun because there’s that sense of the unexpected that comes through during the process. I just try to go with the flow and stay loose and let things happen.

Creative Tools

LJ: What’s your medium? Do illustrators still use pen and paper or is everything software-driven now?

JB: I used to be much more of a traditionalist. Thumbnail, then pencil, ink, color. That’s how I did my comics. For most of my picture books there was very minimal involvement of digital tools. I created everything by hand and with watercolor. I loved doing that.

But making picture books the traditional way creates so much pressure because if you don’t get it right, you’re starting over. And an entire graphic novel done in traditional fashion can also take a real physical toll.

The newer tools allow for moving things around, changing things. They make the process easier and more fun. I’m trying to be freer with how I make art. For me, that’s allowing for the opportunity to work smarter. I enjoyed using Photoshop for iPad for this project, my first attempt to do an entire book digitally.

Character Expressions

JB: You mentioned the facial expressions that you loved. I created this postcard, as part of my pre-order goodies, reflecting Jazzy’s different moods.

LJ: Thank you so much for sharing the postcard! It really nails Jazzy’s feelings. For those interested in obtaining a copy, Books of Wonder may still have some of the pre-order goodies available with purchase.

Deep relationships

LJ: I love how you handled relationships, with Jazzy and her family, with her best friend Aggie, with her mentor Madame Melcha (even the bickering familiars got a relationship arc!). How did you balance all those threads?

JB: Collaborating on graphic novels for upper elementary with my husband Aaron had me thinking on character arcs for that slightly older reader. So, I was used to keeping an eye on what was happening with the different characters, building that muscle memory, like, “When’s the last time we saw Aggie or Madame Melcha?” And making sure that the characters all evolved a little bit differently.

One of the relationships I loved the most was that minimal arc that Aggie’s familiar, Cassie has with Jazzy’s familiar, Fiona. Cassie hates Fiona. Fiona likes to needle her. I enjoyed having a moment where they come together. So even though this novel is for a middle grade audience that’s a bit younger than the books I did with Aaron and the relationship arcs are simpler and more straightforward, I still wanted to make sure that they were there.

Favorite Scene(s)

LJ: There were so many scenes that were hilarious with a lot of fun details. There were also others like the “I found it” scene (where Jazzy stares into the television) that were simpler, but impactful. What was your favorite scene to create?

JB: There’s three that come to mind. I really love the conversation that Granny Titch has with Jazzy where she’s telling the family history over the course of a few pages. It was an opportunity for me to go outside the panels and do more of a flowy composition. I also liked being able to tuck in bits about the history of witches.

A similar moment occurs with Madame Melcha where she’s telling Jazzy about her past. Witches have a complicated history and I really liked the opportunity to acknowledge some of the things we know about witches and witchcraft, like, for instance, that relationship to nature and to the harvest, while also keeping the story sweet and joyful and age-appropriate

My other favorite scene is when Jazzy and Aggie go to the junkyard and they make the bike. We see Aggie coming prepared. She has her spell and Spellopedia and she’s very confident. But Jazzy has to bring her own magic to it too. And she’s a little unsure, but she makes it work because she really wants this and she really loves this. I loved that element—that when we really want something, we can bring a lot more of ourselves to it and we can actually make it happen.

On Learning How to Ride a Bike

LJ: There are actually quite a few panels about riding a bike after that scene. What was your thinking there?

JB: I mentioned that I was a very late learner to riding a bike and I fell a lot. I was very much like: Why can’t I just do this thing? Well, it takes practice. You have to form this energy force effectively between yourself and this object. You have to find your balance.

So, after Jazzy created a bike for herself, I found a really fun opportunity to have all that in there. What are the things you need to think about when riding a bike? Because maybe some of the kids who are going to read this novel don’t know how to ride a bike yet. I wanted that little tutorial and also the message: You’re going to fall and that’s part of it. It’s okay.

To the heart of Jazzy

LJ: The theme of being your own person is meaningful for so many. Can you share with us what drew you to that theme?

JB: If I were to have had a theme in mind from the beginning, I don’t think the book would’ve worked. I didn’t want to make a self-help book for kids or beat anyone over the head with theme. I wanted to create this as much from a “kid feeling” as I possibly could. So, I really just set out to create this little book about this witch and her world.

It was only when it was done that I realized this book actually speaks to larger themes that could apply to kids in so many different ways: You don’t have to be what others expect you to be. Jazzy perceives that she’s supposed to be a certain kind of witch. And her family just assumes she’ll be into witchcraft because it’s their whole world. These sorts of expectations come in so many forms in real life for kids, be it academic, athletic, religious, cultural, or community. And that can be very hard when you don’t feel those things are your identity.

What I absolutely love about making books, about making art in general, is that people will look at it and reflect and bring their own feelings to it. I don’t get to decide what this book means to somebody, the same way I don’t get to decide what a painting means.

On Creating

LJ: Anything else you want to share?

JB: I hope I’ve set a tone for Jazzy’s world. That it can feel real in people’s minds and these characters feel big and rich. Making graphic novels is not for the faint of heart, for sure. But I have loved every second of this, even the hard parts, because it was just so much fun. I would encourage anybody that has an interest in it to give it a try. I know that it can be daunting. But kids love graphic novels so much. I feel like I’m trying to make up for all the books that I didn’t get to have when I was a kid.

More Jazzy

LJ: What will the next Jazzy book be like?

JB: I have so many more of those big, full-page moments that really add emotional heft to the book. This next book is even more expressive, even more yelling, more faces.

LJ: I already know we’ll love it!

Lightning Round

No MUF interview is complete without a lightning round, so. . . .

Coffee or tea?

I drink tea, but I like the idea of coffee way better. Like, I love the ritual and the idea. My body just doesn’t love coffee as much.

Sunrise or sunset?

Oh, that’s really hard. I’ll say sunsets. But what I have learned in living in a place where I get to see the sunrise, is that it does give you a sense of hope.

Favorite city besides the one you live in?

I have two. I’m a bit of a Francophile. I love Paris. And I do really love New York. My dad was from there.

Favorite childhood television show?

Pee Wee’s Playhouse. I’m staring at things from the show right now!

Favorite ice cream.

I like inclusions. So, I’ll say Mint chocolate chip.

If you could choose a superpower, what would it be?

Teleportation, hands down.

Favorite book from childhood?

Beatrix Potter books. I was really steeped in those when I was a kid. And that definitely led me as an adult to making books that featured animals. They were “delicate,” those books, with whimsy before I knew what whimsy was.

LJ: How can readers obtain a copy of the book?

JB: The book can be ordered at your local independent bookstores, Books of Wonder, Bookshop.org, Barnes and Noble, or Amazon, or any place books are sold.

About the Author 

Jessixa Bagley is a children’s book author-illustrator with a background in fine art and comics. She has had work featured in publications such as New American Paintings, Highlights Magazine, The Stranger, and Illustoria Magazine. She’s also the author of the middle grade graphic novels Duel and Dear Jackie (illustrated by Aaron Bagley) and the author-illustrator of the middle grade graphic novel series Jazzy the Witch. Jessixa is a two-time Washington State Book Award recipient; first in 2016 for her debut picture book, Boats for Papa, and again in 2024 for her graphic novel, Duel. Jessixa also received a 2018 Ezra Jack Keats Honor Award for picture book Laundry Day. Many of her books are Junior Library Guild Selections. In her work, she’s drawn to animals and emotional themes often inspired by her own experiences. Jessixa also teaches and speaks about writing and illustration. She often illustrates for other writers and artistically collaborates with her husband, Aaron Bagley. Jessixa lives in Seattle with her husband and son.

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