Author Interviews

Author Spotlight: Ciera Burch

Today, we welcome author Ciera Burch to shine in the Author Spotlight. Her MG debut novel, Finch House, is out September 5th from Margaret K. McElderry Books. But first…

A Summary 

Eleven-year-old Micah has no interest in moving out of her grandfather’s house. She loves living with Poppop and their shared hobby of driving around rich neighborhoods to find treasures in others’ trash. To avoid packing, Micah goes for a bike ride and ends up at Finch House, the decrepit Victorian that Poppop says is Off Limits. Except when she gets there, it’s all fixed up and there’s a boy named Theo in the front yard. Surely that means Finch House isn’t Off Limits anymore? But when Poppop finds her there, Micah is only met with his disappointment.

By the next day, Poppop is nowhere to be found. After searching everywhere, Micah’s instincts lead her back to Finch House. But once Theo invites her inside, Micah realizes she can’t leave. And that, with its strange whispers and deep-dark shadows, Finch House isn’t just a house…it’s alive. Can Micah find a way to convince the house to let her go? Or will she be forced to stay in Finch House forever?

Interview with Ciera Burch

MR: Welcome to the Mixed-Up Files, Ciera. It’s always exciting to have a debut author on our blog!

CB: Thank you for having me!

MR: Could you tell Mixed-Up Files readers about Finch House?

CB: Of course! Finch House is a horror middle-grade novel about a young girl, Micah, whose curiosity draws her to an old Victorian house that she’s been forbidden by her poppop, her grandfather, to go near. When he goes missing, she’s drawn back to the house to search for him, and she discovers mysteries about the house, the people who used to live there, and even things about her own family’s past.

Victorian Inspiration

MR: What was your inspiration behind the novel?

There are so many inspirations behind Finch House—my own poppop’s basement, my attitude on change, my love of horror as a genre despite being easily frightened. One of my biggest inspirations, however, was my love of Victorian houses. There was a neighborhood near mine growing up that was full of them, and every time we drove past my eyes would be glued to the window. I loved imagining what the houses looked like on the inside and who used to live in them and, for some of the scarier ones, what ghosts or witches might exist inside. That curiosity never left and eventually manifested into Micah, who’s even more curious than I was as a child.

A Dark Room, Creaky Floorboards…BOO!

MR: What is it about the genre of spooky MG that appeals to you most? Were you into ghosts, haunted houses, and the supernatural as a child?

CB: Oooh, what a great question. I think it’s probably the courage that the characters possess. I was, and still am, a bit easily spooked but getting to read about characters who are brave in the face of scary things is always fun to me. Plus, I love the atmosphere. A dark room, creaky floorboards… it always gets my heart racing in the best ways.

I wasn’t quite as into them as a child as I am today, but I did enjoy the Goosebumps books. I always tried to pick the ones I thought might be less scary based on the cover. Those, and Scary Stories to Tell in the Dark always had me up reading until way too late…and then burying my head under the covers to hide from all the monsters.

Breaking the Rules

MR: Micah, the main character of your novel, knows that Finch House is strictly off-limits—but she dares to go inside anyway. What is it about rule-breaking that is often so enticing? And what does this say about Micah’s character that she ignores Poppop’s instructions?

CB: I think it’s the sense of self that it allows you. After all, it’s typically someone else who has set the rules—Poppop in this case. In choosing to break a rule, you’re making your own decisions. Your own rules, even! There’s something thrilling about that, especially as a kid, the aspect of being in charge of yourself and doing what you want to do regardless of what anyone else has said or told you to do.

As for Micah personally, I think it shows a good portion of her stubbornness—she wants answers and she’s going to get them whether or not she’s been told otherwise. I think she craves the knowledge that her usually very open Poppop won’t give her in this particular instance. And honestly, she also just thinks it’s fun. At first, anyway.

(For more spooky fun from the Mixed-Up Files archives, click here.)

Poppop: Fact versus Fiction

MR: Speaking of Poppop, I’m guessing this character is based on your own grandfather. Can you tell us about him? How is he similar to the fictional Poppop? How is he different?

CB: He is! Oh, man, I love talking about my Poppop. He’s great. He’s the most adorable man in his 70s that you’ve ever seen. He has a single gold tooth, forever wears his Navy hat, and chuckles in answer to just about anything. In terms of similarities, he and the fictional Poppop look pretty much alike and they both go networking! I also think they share a sense of comforting quiet. Unless he’s telling a story, my Poppop isn’t a huge talker but he’ll listen to you and I think both Poppops do that well. They also both spoil their granddaughters! In terms of how he’s different, my Poppop can probably be a little grumpier sometimes.

Writing for Different Readers

MR: In addition to being a writer of middle-grade fiction, you write YA (Something Kindred, out Winter 2024 from Farrar Straus Giroux Books for Young Readers) as well as short stories. What is the secret sauce for writing with different readerships in mind? The biggest challenge? The greatest reward?

CB: Honestly, I just try to stay true to the story and to the characters. They are usually about the age of the general readership—kids or teens or adults, etc—but I don’t tend to think too much about that when I’m writing. I’m focused on what my characters’ lives are and whether they are coming across as genuine and if the situation they’re in fits them—or doesn’t fit them.

I think the focus on readership is important, of course. If I’m discussing grief in MG versus YA, I’m going to go about handling things differently, but I don’t ever really censor myself based on who’s reading because that feels limiting for both me and my readers. I try to tell the best story I can for my characters first and foremost to do them the justice they deserve. That’s where both the biggest reward and biggest challenge comes into play for me: creating authentic, fully fleshed-out characters who people can relate to in any age range or format or genre.

One City One Story

MR: As a follow-up, your short story, “Yvonne,” about a queer woman of color who reconnects with her biological grandmother, was selected as the 2019 One City One Story read for the Boston Book Festival. Can you tell us about that? What was it like to be chosen for this prestigious opportunity at such a young age? (You were only 23!)

CB: I’d honestly forgotten about it after I submitted the story at first! I was in grad school for my MFA at the time and working two jobs, so I was very busy and I had a spreadsheet of what story I’d sent to which contest or magazine and when. So I didn’t stress about them all, once I marked a short story down, I tried my best to forget about it. When I got the email, I was at work, at the indie bookstore, and tried super hard not to freak out at the register! I took a quick break to call my mom in the stairwell and from there…everything got real.

Being chosen for that was more than a dream come true, it was something I hadn’t even dared to imagine for myself. So, it was really amazing to have my very diverse, queer story be celebrated by the entire city from the newspaper to the radio to all the languages that it was lovingly translated into. It was such a wonderful experience that I’ll never forget, especially because it just reaffirmed my goals in life: I can write professionally while telling diverse stories and be successful at it.

Path to Publication

MR: Can you tell us about your path to publication? Was it smooth sailing or bumpy seas?

CB: It was pretty smooth. I waited until my manuscript, which was also my master’s thesis, was ready and then I started by querying an agent who had reached out to me during the One City One Story whirlwind and a few other agents on my spreadsheet. I was signed pretty quickly and I was lucky enough that I was talking to editors and was offered a book deal for my YA very shortly after that.

Ciera’s Writing Routine

MR: What does your writing routine look like? Do you have any particular rituals?

CB: I’m such a big type-A person that it’s really shocking that I don’t have a routine! It used to be whenever I could find the time; on my lunch break, after a closing shift, on my phone on the metro, etc. Typically, at night since I’m a big night owl. But these days, I like to take a few hours a day or two a week to write at a café or library during the day and the rest of the week it’s me typing away on my couch or at my desk.

MR: What are you working on now, Ciera? Enquiring Mixed-Up Files readers want to know.

CB: I’m currently working on my second middle grade! I don’t know how much I can say but it involves a summer camp, missing campers, and a particular cryptid native to my home state.

 We All Scream for Ice Cream

MR: Before I let you go, I must share that we have something in common: We’re both ice cream lovers. What’s your favorite flavor? (I know… it’s like being asked to pick your favorite child.) Also, you have a favorite ice cream haunt? (sorry!).

CB: Yay ice cream! My absolute favorite food group. Hmmm…a favorite flavor is so hard! I’m going to have to go with a good old classic and say Mint Chocolate Chip. Perfect blend of mintiness with just a hint of chocolate. Favorite ice cream haunt in Boston was probably J.P Licks (or the Scoop N Scootery for late night writing cravings!) and now in D.C I’d probably go with Larry’s Homemade Ice Cream.

Lightning Round

MR: And finally, no MUF interview is complete without a lightning round, so…

Preferred writing snack? (besides ice cream) Dark chocolate peanut butter cups from Trader Joe’s!

Coffee or tea? Neither, actually! Strictly a hot chocolate girl.

Zombie apocalypse: Yea or nay? No way!

Superpower? Flying!

Favorite place on earth? Scotland!

If you were stranded on a desert island with only three things, what would they be? A copy of Roll of Thunder Hear My Cry by Mildred D. Taylor, my stuffed bunny, and a hair tie!

MR: Thank you for chatting with us, Ciera. It a pleasure, and I’m sure MUF readers will agree!

CB: Thank you so much for having me! These were such fun questions to answer.

Bio

Ciera Burch is a lifelong writer and ice cream aficionado. She has a BA from American University and an MFA from Emerson College. Her fiction has appeared in The American Literary MagazineUnderground, the art and literary journal of Georgia State University, Stork, and Blackbird. Her work was also chosen as the 2019 One City One Story read for the Boston Book Festival. While she is originally from New Jersey, she currently resides in Washington, DC, with her stuffed animals, plants, and far too many books. Learn more about Ciera on her website and follow her on Instagram and Twitter.

WNDMG Wednesday- Interview with Anna E Jordan

Shira and Esther cover

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around

Illustration by: Aixa Perez-Prado

WNDMG Wednesday – Debut Author Interview

I’m super excited to be able to introduce you and interview debut author Anna E Jordan today. Anna’s new book is SHIRA AND ESTHER’S DOUBLE DREAM DEBUT (Chronicle Books) and it launches on October 10, 2023.

I am extra excited to do this, as Anna and I are Agent siblings! I can’t wait to hold a copy of Anna’s book in my hands, and I am eagerly waiting for my preorder to arrive in October.

Shira and Esther cover

About SHIRA AND ESTHER

A fun middle grade book that draws on the fun switched identity  in THE PARENT TRAP and comedic tone of THE MARVELOUS MRS. MAISEL, this beautiful book features two Jewish girls navigating family, friendship, and faith.

Description taken from the publisher:

When Shira and Esther first meet, they can hardly believe their eyes. It’s like looking in a mirror! But even though they may look identical, the two girls couldn’t be more different. Shira dreams of singing and dancing onstage, but her father, a stern and pious rabbi, thinks Shira should be reading prayers, not plays. Esther dreams of studying Torah, but her mother, a glamorous stage performer, wishes Esther would spend more time rehearsing and less time sneaking off to read books. Oy vey! If only the two could switch places . . .

Would Shira shine in a big-time televised talent show? Would Esther’s bat mitzvah go off without a hitch? What’s a little deception, when it means your dreams might finally be within reach? One thing is certain: Shira and Esther are going to need more than a little chutzpah to pull this off. But if they do, their double dream debut is sure to be the performance of a lifetime.

Interview with Anna E. Jordan

I loved getting to talk to Anna about her new book and I think you will enjoy meeting her and Shira and Esther as well.

 

SSS: What is the inspiration behind Shira and Esther?

AEJ:

On a trip to the Society of Illustrators in the spring of 2014, I saw an exhibit of Drew Friedman’s book Old Jewish Comedians. I hadn’t gone to the museum to see it, but one drawing and explanation card caught my eye. It was about a comedian, Benjamin Zuckerman, whose father wanted him to be a rabbi, but he wanted to be a comedian. What if, I thought, there were two kids and they each wanted what the other had. From there, my research led me through the evolution of Jewish theater and comedy in this country.

SSS: So many important and wonderful themes in your book – could you elaborate on which themes resonate the most for you, and that you hope will be the most impactful for young readers.

AEJ:

I resist having themes or a lesson when I start to write the book and hope that by the end, I pose more questions than deliver answers to young readers. The characters struggle with some big questions in the text including: When and how should you follow your dreams? What does it mean to obey your parents? How can family and community support young people as they dream? What are different ways that we express our culture and are they all valid? How can we make room for magic in our everyday lives?

I’m sure that young readers will come up with their own big questions. Hopefully, they will find interpretations I didn’t even consider when I wrote the book. That’s the best part of sending a book baby out into world!

SSS: How are Shira and Esther similar? How are they different? Was it difficult to write a book in two points of view?

AEJ:

The book is actually told by a 3rd person omniscient narrator, but you are absolutely right about the difficulties involved with having two main characters.

Shira, the rabbi’s daughter, is a confident risk taker. She wants to sing, dance and tell jokes all the time. As you can imagine, that frustrates her father—the rabbi.

Esther, is happiest with her nose in a book and especially in books that teach her more about Judaism. Esther has big questions about the world and her place in it while her mother just wants Esther to take the stage.

 A lot of the revision work that I did with my first editor was about honing the differences between the two characters. Not only their character traits, but also their wants, needs, and faults. We wanted to make sure that the reader knew each character well before they switched places, so they could root for each character throughout her journey. Like the movie Parent Trap, the characters pretend to be the other character. When Esther became Shira, she still had to have her essential Esther-ness, and Shira had to hold on to her Shira-ness as Esther.

SSS: The subject of music and theater is important in the book—can you talk more about how you became inspired to write about music and the performance arts?

AEJ:

I sang, danced, and performed from the time I was six through high school. My two sons were also very active in school theater. I loved supporting their theater programs with makeup and set design and creation. As a 5th-grade teacher, I help with the annual production in my school too. It’s wonderful to watch students shine outside the classroom. Like writing, theater allows the artist to step out of their own life story and into another character for a time.

Also, as I mentioned previously, my research led me through the evolution of Jewish theater and comedy in this country from the Yiddish Theater and Vaudeville, to stand-up comedy in the Borscht Belt (the group of hotels in the Catskills that were owned by Jewish families for Jewish families when we weren’t allowed in other hotels), to television and finally Hollywood. 

SSS: Diverse books are so important (and a passion of mine!). How does the Jewish Faith play a role in your book and in Shira and Esther’s lives?

AEJ:

The Jewish people are an ethnoreligious group with an identity, culture, language(s), and religion. Judaism is our religion but we experience it in different ways. Shira has been raised as a practicing Reform Jew and Esther has been raised within the vibrant Jewish culture of the Yiddish theater. Each character goes on a journey to learn more about being Jewish and coming to understand their own experiences.

 Ultimately, both Shira and Esther embody pieces of my own Jewish Journey: the part of me that strives to study Torah and the part of me that wants to be immersed in my culture and community.

As the narrator of the book says:

“There is a saying that if you assemble ten Jewish people in a room and ask them a question about Judaism, you’ll get ten different answers. This is one of the most wonderful things about being Jewish: No one is Jewish in quite the same way.”

 One thing that was important to me as an author was filling a space in the children’s book market with Jewish Joy. So often, Jewish books have to do with the 3Hs: History, Holiday, or Holocaust. With the rise of anitsemitism in the U.S., it’s important that Jewish and non-Jewish children read about the positive aspects of Judaism such as education, social justice, community, and yes—humor and joy.

 

SSS: Will there be more Shira and Esther in the future?

AEJ:

As we say, “From your mouth to G-d’s ears.” Seriously though, one of the supporting characters, Benny Bell, has been talking to me more and more. I need to give him space in my writing time to listen to his story.

We’ll see!

Writing Process

SSS: How long did it take to write SHIRA AND ESTHER? And was it an emotional process (as a fellow author, all my books seem to come from personal experience. Was this the same for you?)

AEJ:

I’ve had other wonderful publishing experiences in my 22 years as an author, but I’m so proud that SHIRA AND ESTHER’S DOUBLE DREAM DEBUT is my first published novel. The seed of the book was in 2014, the manuscript was purchased in 2021, and now it’s 2023. That nine-year period includes two agents, a divorce, raising two children as a single mom, a variety of day jobs, many moves, many submissions and rejections, a pandemic, and the death of my father. It was a very long and emotional process.

Bonus!

SSS: Bonus question! Is there anything I haven’t asked that you’d like to share with us?

AEJ:

I’m grateful that Shira and Esther found a publishing home with Chronicle Books. The team there gave this book so much time and attention. I had a double dream team of editors—Taylor Norman, who helped me hone the story and characters, and Daria Harper who worked with the sensitivity readers (for Yiddish and Jewish accuracy) and with the copy edits, mechanicals, and design. The designers did an amazing job as did the cover illustrator Marco Guadalupi (visit him on Instagram @marcoguadalupi85) It’s such a long process, and I feel so lucky.

Thank you so much Anna for answering my questions!

I hope everyone picks up a copy of your beautiful book.

AEJ:

Yes, please. Preorder, post, and review! Thanks so much for this lovely interview.

Those who preorder from Anna’s local independent book store will receive a signed book and swag!

Politics and Prose preorder link

You can also preorder on

Bookshop

 

For more Middle Grade diverse books, check out this wonderful book list on our site!

 

Anna Jordan picture

About Anna E. Jordan

Anna E. Jordan, an author and middle grades educator, was the recipient of the 2013 PEN New England Susan P. Bloom Children’s Book Discovery award and has an MFA from the Writing for Children and Young Adults program at Vermont College of Fine Arts. SHIRA AND ESTHER’S DOUBLE DREAM DEBUT (Chronicle Books, 10/10/23) is her first novel. In addition to the rhyming picture book THIS PUP STEPS UP, her poems appear in the anthology THE PROPER WAY TO MEET A HEDGEHOG AND OTHER HOW TO POEMS (Candlewick, 2019). You can also find her work national magazines including Ladybug, Babybug, Highlights High Five. Follow Anna on Facebook and Instagram @annawritedraw or on her blog Creative Chaos (annaejordan.com).

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Debut Author Interview – Wendy Parris

Welcome Wendy!

It is my absolute pleasure to welcome Wendy Parris to the Mixed-Up Files today. The debut of a first book is such an exciting time for an author, especially when the book packs as many chills in it as Field of Screams.

Field of Screams

Field of Screams
Paranormal enthusiast Rebecca Graff isn’t happy about being dragged to Iowa to spend the summer wit
h family she barely knows. But when she tracks a ghostly presence to an abandoned farmhouse, she starts to think the summer won’t be a total lost cause! Soon she is in a race to piece together a puzzle and recover a family legacy before it is lost forever—and a horrible tragedy repeats itself.

Advice for Authors

An author at work.

What advice would you give to a writer working on their first book:

My advice: Keep your eyes open. Of course, writers need to read a lot of books in their chosen category/genre. And also study the craft of writing and practice as much as possible. But you never know when a photograph or a glimpse of something from your everyday life might spark your imagination. The single most important thing that inspired me to write FIELD OF SCREAMS was something I saw in my day-to-day life. In the summer of 2012, I was visiting family in Clear Lake, IA, a small town not far from the Minnesota border. I went on a bike ride around the lake, through some woods, and onto a lonely country road—and came across an abandoned farmhouse. Fascinated, I stopped, jumped off my bike, and explored, taking a bunch of pictures of the outside of the house (to this day I wonder if I should’ve ventured inside, though who knows what kind of critters could have been lurking there!). That farmhouse lingered in my mind. I wondered who had lived there, what had happened there, and why it was abandoned. And it looked so spooky to me that I knew it must be haunted. I decided I’d write a ghost story about it. So I did. 
 

Main Character

red-head-girl-cartoon-md.png (296×207)
Would you and your main character get along?
Absolutely! Rebecca and I grew up in very different circumstances and decades (lol), but I empathize a lot with her. For example: I understand her battles with her naturally curly and frizzy hair; I, too, was fascinated by ghost stories and mysteries when I was a kid; and I HATED being away from my best friend. Although my parents divorced when I was a kid and Rebecca’s father passed away—very different life experiences— I do understand how awkward and unsettling it can be when a parent starts dating a new person. I really admire Rebecca’s curiosity and determination as well, but there is no way twelve-year-old Wendy would have been as brave as Rebecca is when facing a ghost! One big difference between us: I’m a big fan of ’80s music and she is not, so we don’t agree on that topic at all.
 

Music or Silence

Do you play music when you write —and, if so, what’s your favorite?

I don’t play music when I write, like I know a lot of writers do. I don’t need total silence, but I like to “hear” the characters’ voices inside my head. When Don't We All Struggle With Being Silent And Listening, - Listen To Music Verb #492255I write, the dialogue flows through my mind. I explore each character’s voice , trying out different words and intonations. This is probably because I studied acting and performed in plays, musicals, and improv comedy shows over many years. I find that music, particularly music with lyrics, competes with the words I’m trying to form in my imagination and write down. So I tend to like things as quiet as possible when I write. That being said, I’ve certainly had to learn how to tune out all sorts of sounds (dogs barking! kids playing! traffic passing!) so that I can concentrate and hear my characters.

 

Favorite Middle Grade Books

What books did you read growing up?

Well, I was obsessed with Nancy Drew. My mom saved most of her childhood books, so I had a whole library of not only classics like Little Women, but of Nancy Drew Mysteries, the Betsy-Tacey series, and Trixie Belden Girl Detective books (look them

MWPA on Twitter: "Come party Nancy Drew-style on July 29 with @MaineWriters! https://t.co/9QjzTBo9xJ https://t.co/0SWLo187H0" / Twitter

up!). And I grew up in the 1970’s, so Judy Blume was hugely popular and I devoured her stories. I loved Tuck Everlasting by Natalie Babbitt. I’d go to the library several times a month and come home with stacks of books. I read pretty much anything I could get my hands on. I remember my grandmother saying “That Wendy always has her nose in a book.” My favorite place to read was up in a beautiful old willow tree in my backyard. 

 

What’s Next?

Can you share a tiny bit about your next book?
My next book is another spooky middle grade novel called Stage Fright about a group of thirteen year olds trapped in haunted theater.

Cleveland's Most Haunted: 21 places where ghosts roam (and you can, too) - cleveland.com

Here’s the pitch: When Avery returns to her hometown after moving away a year earlier, she is hoping to jump back into her friend group as if nothing has changed, but new interests, secret crushes, and changing dynamics get in her way. In an effort to reunite her BFFs, she suggests they host a séance at an abandoned theater that was the site of a tragedy; what starts as a fun outing soon becomes a fight for survival. 
I’m writing it right now, and it is slated to be published by Delacorte Press in the fall of 2024. 

Release Party

Find out more about Wendy Parris and Field of Screams at her Book Release Party!
Visit Wendy at her website.
Interested in learning more about other Debut Authors?