Author Interviews

WNDMG-Interview With Ann Clare LeZotte

I am delighted to welcome Ann Clare LeZotte to The Mixed-Up Files blog to talk about her award-winning book, SHOW ME A SIGN and her new release, SET ME FREE. I’ve never met Ann in person, but we are Twitter friends, and I’m a big fan, so I jumped at the chance to get to know her a little better.  

Let’s do this! 

Lisa: Tell us about Show Me A Sign and Set Me Free.

Ann: They are the first two books in a trilogy about a girl named Mary Lambert who lives in Martha’s Vineyard in the early 1800s. Mary is deaf, but that’s not unusual. In her town of Chilmark, hereditary deafness is common (I in 4 are born deaf) and all the descendants of English colonists speak a special form of sign language, which we now call Martha’s Vineyard Sign Language (MVSL). But we see that people outside of her community view deaf people as inferior. Both books include members of the Wampanoag Nation who are fighting to keep their land. Mary is very curious and independent and had many exciting and some frightening experiences. The books are a combination of (if I may say so) well-researched historical fiction and adventure stories.

Lisa: How did you come to learn about the deaf community in Martha’s Vineyard?

Ann: I lived on Cape Cod in the 1990s and I visited Martha’s Vineyard for the first time in the winter. It was a cab driver from the airport to my bed and breakfast who told me about the island’s history of deafness. I became immediately fascinated!

Lisa: How did you research this project?

Ann: On that first trip, I visited the Chilmark Free Public Library and local bookstores. I asked a lot of questions—using my pen and pad, I wasn’t using oral speech at the time. Everyone was very friendly. From there, I visited the island other times. I walked the land I was going to write about. I studied many texts and old maps. I had sensitivity readers whose input was crucial in understanding all the perspectives in the community. I believe in showing characters in an engaging but also realistic way, prejudices and all.

Lisa: How do your life experiences impact the stories you tell?

I grew up on a different island—Long Island, New York. Like Mary, I was a beachcomber from a young age. I’m Deaf, and it’s important for me to share my history, language and culture in books. Deaf people experience a great deal of prejudice, called ableism or audism, which must be acknowledged and dismantled. There are some painful personal echoes in the books. Like Mary, I lost my brother too young. Like Ladybird, I was the victim of childhood abuse and neglect.

Lisa: How did you decide the best way to translate sign language into written text?

Ann: Many people describe what signs looks like. I think that’s fine, but I try not to do it too much. Sign languages are fluid languages and I prefer to describe character’s styles of signing. It shows the individual personality. Like Ezra Brewer whose hand are “old and gnarled” but he “gathers words out of the air.” Anytime I was stuck in a conversation (and I have to always remember to situate everyone correctly and have an interpreter in sight) I’d put myself in the scene and it naturally worked out.

Lisa: What books did you like to read when you were growing up? Do those books influence your writing?

Ann: I was language deprived as a small child. That’s not uncommon, especially as I was born deaf in the 1960s, but, sadly, even today. My parents tried to include me in the reading experience in creative ways—like the ways Mary and Ben find to communicate nonverbally. I had a book of Aesop’s fables from my grandmother. I was fascinated by the not exceptional illustrations of the animals—Jerry Pinkney did them perfectly later in my life– and made up my own story. But I was a poor student, and it took years for me to catch up. Oddly, the first middle grade novel I could easily read from cover to cover was Daniel Pinkwater’s Lizard Music.

Lisa: When did you decide you wanted to become a writer and why children’s books?

Ann: I said I was going to become a writer before I could do it—very daring! I started writing short, lyric poetry in college. That was the first time anyone told me that I could write. Once I started working at the library, with a focus on marginalized kids and teens, I saw what was and what wasn’t on the shelves. I saw kids searching for themselves and not finding good representation. Then I realized (many years later) what I’d do with that initial Martha’s Vineyard research and how I could share Deaf history with all young readers.

Lisa: What advice would you give twelve-year-old Ann?

Ann: Don’t give up! Twelve was an awful year. I was so badly bullied and ill from my pulmonary disability that the school paid for me to stay home with tutors. I felt alien, like the world somehow disallowed me. I never thought any of this was possible. It took a long time, but I somehow didn’t give up. I’d tell myself that my experiences and my story mattered and eventually someone would see it.

Lisa: What do you hope readers will take away from Show Me A Sign and Set Me Free? 

Ann: One thing I’ve asked kids for years is, which is the problem? That I can’t hear or how people treat me because I can’t hear? I want to create not just compassion but respect for d/Deaf kids. We’re capable (even remarkable) if given the chance. I like that Mary is a helper. She could stay at home after Show Me a Sign and hide from the outside world. But she learns of a deaf girl who is in a terrible situation, and she feels she has to go. She’s not a perfect tutor, by any means. At age fourteen, she’s more stubborn and passionate than ever. But she can and does make a difference. Make the leap, especially in service to others. You can be a hero too.

Lisa: What are you working on now?

Ann: There will be a third and last Show Me a Sign book in 2023, if all goes as planned. I’m working in a totally different medium, which is challenging and exciting. I can’t say anything yet. Keep your eye out.

Thank you and kiss-fist!

About Ann:

Ann Le Zotte is completely deaf and a bilingual-bicultural (ASL/English) member of Deaf community. Ann supports every kind of D/deaf person and the choices they make in terms of communication (she is oral and lipreads) and assistive hearing devices (she doesn’t wear any).

She has worked in public library youth services for over twelve years, with a focus on intergenerational ASL literacy and inclusive programming. An inclusive cis lesbian (she/her), she was a pioneer in working with LGBTQIAP+ teens in her district. She loves helping young patrons find books they like and they’ve taught her how to play Minecraft.

Born and raised in Long Island, NY, Ann has travelled widely and lived in Athens, Greece and Cape Cod, MA. She currently resides with her family in Gainesville, FL. She had a Hearing Dog named May who worked at the library with her for many years. Her bundle of joy is a small rescue dog named Perkins. He rarely barks, because he knows it won’t get Ann’s attention.

Ann’s Social Media Links:

Website

Twitter

Instagram

 

 

Danielle Joseph’s SYDNEY A. FRANKEL’S SUMMER MIX-UP + Giveaway!!

Today I’m so delighted to introduce Mixed-Up Files readers to Danielle Joseph, author of everything from picture books to young adult novels. We recently spoke about her middle-grade debut, Sydney A. Frankel’s Summer Mix-Up, which will be published this coming Tuesday, November 1. Danielle has generously offered a signed copy of the book along with some swag to one lucky winner. So don’t forget to click on the Rafflecopter at the bottom and follow the prompts for a chance to win. (USA only.)

About Danielle

Danielle is the author of the picture book, I Want to Ride the Tap Tap (Macmillan, 2020) and the young adult novels Shrinking Violet, Indigo Blues, and Pure Red. Shrinking Violet was adapted into the 2012 Disney Channel movie, Radio Rebel starring Debby Ryan. Danielle is a former middle school creative writing teacher and has been teaching writing workshops for more than ten years. She was born in Cape Town, South Africa and currently lives in Maryland with her husband and three children. Visit www.daniellejoseph.com for more information about her and her books.

 

About the Book

Dorian: Please tell us a little about Sydney A. Frankel’s Summer Mix-Up.

Danielle: Sydney A. Frankel’s Summer Mix-Up is about best friends, summer shenanigans, and overcoming your fears. It’s also about navigating the transition before starting middle school. Most importantly, this book is for anyone that has ever felt a little different from the crowd.

 

Dorian: Sounds great! What was the inspiration behind this book?

Danielle: The original idea for this book actually came from a conversation I had with my eldest son. He was in fifth grade at the time, and he told me he didn’t want to enter the school spelling bee because he didn’t want to win. The winner would have to represent the whole school at the county spelling bee. Just like Sydney Frankel, my son didn’t like being in the limelight. This was the little nugget that I needed to get this story rolling.

 


Dorian: I can definitely relate. Were there any autobiographical elements in the book?

Danielle: Like my son, I was also very shy growing up, so I was definitely able to draw from some of my own experiences while writing this book. I was also a very tall kid who grew early, like Sydney, so some of those details are from my own experiences.

 

Dorian: What would you like readers to take away after reading Sydney A. Frankel’s Summer Mix-Up?

Danielle: I would love readers to connect with the characters in the book. I want them to know that they are not alone and that we all have different anxieties and fears. That things aren’t always what they seem on the surface and that even the most confident seeming person has their own struggles.

 

Dorian: What were some of your favorite middle-grade books when you were a kid?

Danielle: As a kid, I always wanted to be Judy Blume or Beverly Cleary. They were my literary heroes because their characters jumped off the pages and their humor was spot on. I was also a big fan of Bridge to Terabithia, Harriet the Spy, and Ronia, the Robber’s Daughter.

 

Dorian: You’ve written novels for the young adult audience and a picture book as well. What did you find was different about writing for the middle-grade reader?

Danielle: My process of writing is similar for everything I work on, I like to write a skeleton draft and then weave in everything that is missing. But when writing for the middle-grade reader, I really tried to make sure there was someone in the book that everyone could connect to on some level. For some kids this might be the first time they’re reading a novel completely on their own, and it was important to me that they could easily relate to the story.

 

Writing Tips and Rituals

Dorian: I love that idea! Did you run into any stumbling blocks while writing Sydney A. Frankel’s Summer Mix-Up or was it smooth sailing as you wrote?

Danielle: I definitely had stumbling blocks. I always get stuck in the soggy middle. I want to hurry up and get to the finish line. When this happens, I leave notes for myself in the manuscript about things that will happen in later chapters. Then when I actually get to those scenes, I’m happy to have some ideas already laid out.

 

Dorian: Do you have any writing rituals regarding where you write, whether you listen to a certain type of music, what beverages or food you must have next to you, etc.?

Danielle: I love to have a hot beverage while I write, either coffee or tea depending on the time of day. And I will never say no to chocolate.

I play music often when I’m drafting but like silence when I’m revising. And since I work from a laptop, I work from different spots—my patio, family room couch, dining room table and home office. In non-Covid times I love to write from cafes. But these days, it’s usually all about my dog Ringo, a two-year-old mini doodle. We move spots when he gets bored.

 

Dorian: So cute!! What are two of your best tips for our readers who also write?

Danielle: One of the best things you can do is listen to the world around you. By that I mean, sit in an outdoor setting, and listen to people passing by. How do they talk? What are they saying? This is especially important when you are an adult writing for kids. Don’t lose touch with how kids communicate today.

The other thing is to give yourself a break. So often writers want everything that they put on the page to be perfect. Allow yourself to brain dump and free flow write. No one has to see your first or even second draft . . . Often, I’ll sit down and write and think everything I just wrote is trash. However, when I read it over the next day, I usually find plenty to keep me going.

 

Dorian: Great tips! Can you tell us a little about the turtle pin that’s one of your swag items and how it fits into the novel?

Danielle: The turtle is a starring pet in Sydney Frankel. I don’t want to give too much away but readers will meet the turtle! He belongs to a friend of Sydney’s and gets his own pin because he’s cute!

 

Dorian: Do you have anything else in the works that you’d like to tell us about?

Danielle: It hasn’t been announced just yet, but I do have an upcoming picture book biography about a female freedom fighter that I am so excited to share with my readers.

Dorian: That’s wonderful! Thanks so much for talking with us and for donating a signed copy of Sydney A. Frankel’s Summer Mix-Up along with a bookmark and turtle pin. 

Readers: Don’t forget to try your luck below from now until Saturday at midnight.

 

a Rafflecopter giveaway

NO PLACE FOR MONSTERS: School Of Phantoms (Bk2), An Interview with Kory Merritt

Welcome to my interview with Author/Illustrator Kory Merritt and his latest release No Place For Monsters – SCHOOL OF PHANTOMS!

Kory visited us back in October of 2020, where he introduced NO PLACE FOR MONSTERS (Bk1). At that time he also showcased his mighty artistic ability through some added drawings. You can find them HERE as well as book 1, No Place For Monsters.

THE BOOK

School of Phantoms

BOOKSHOP | WEBSITE

No Place For Monsters – SCHOOL OF PHANTOMS by Kory Merritt

In this spine-tingling follow-up to No Place for Monsters, which Diary of a Wimpy Kid author Jeff Kinney called “wildly imaginative and totally terrifying,” a group of unlikely friends must band together to protect their town from the monsters that are threatening to destroy it.

The storm is coming. Who will survive?

It’s been months since Levi and Kat defeated the Boojum and rescued their town’s forgotten children. But now the strangeness has started again: hundreds of creepy snowmen pop up across town and a bizarre blizzard hits the day before spring break.

Being trapped in the school overnight by freak weather is bad enough. But an evil is lurking . . . one far worse than ice and wind. Worse than power outages. Even worse than being stuck with teachers and annoying classmates.

Something is roaming the darkened school halls. Something . . . hungry. Now it’s up to a small group of student survivors—along with some supernatural helpers—to uncover the cold-hearted menace before it takes the entire school.

 

THE INTERVIEW

Hi Kory! It’s wonderful to have you join us, again. If you would, give us a sneak peek into SCHOOL OF PHANTOMS in tweet-length and a hashtag?

Kids and teachers trapped overnight in a haunted school, told partly through illustrated “found footage.” #SpookyCartoonFoundFootage

Trapped in a haunted school overnight. I mean, what could go wrong?😱😱😱

What makes this follow-up book different from the first?PHANTOMS IMAGE

The overall presentation and format are different—much of it is told through “found footage” (views from phone cameras, school security footage, etc). So I think the illustrations are more ambitious and creative.

That’s pretty cool!

The story is also different in that it has a bigger cast of characters. It takes place in a school, so the view bounces back and forth between sixth graders, third graders, and teachers. The first book only had two or three main characters. This one has a bunch of different viewpoints.

What was your favorite part about continuing this story?

It was fun to experiment with the illustration format, and also set the new story in a school. I used to be an elementary art teacher, and sometimes wondered what it would be like to be trapped in the school overnight during a storm.

Care to share a #funfact about Phantom that you left out of the book itself?

My original draft had a scene set in the school library, where the library gets haunted and storybook characters come to life and attack the students. I tried to use mainly public domain book characters, but wanted the main library villain to be Greg Heffley from Wimpy Kid, who would get taken out with a single punch. My editor wisely convinced me to cut this chapter—it would have been a legal nightmare to include so many existing characters.

Ooh, super creepy and a bit funny!

BOOK TRAILER

CHARACTER TRAITS

I’m sure your main characters grow even more throughout this second book. How do they change from the PHANTOMS IMAGEend of the first book and how can young readers relate to those changes?

The main characters from the first book are back, but now they’re part of an ensemble and share equal “screen time” with a bunch of other characters. So we see a bunch of different personalities colliding as they’re forced into a strange and desperate situation.

New ensemble of characters? Ooh, please introduce them.

The story takes place mainly over one night of being trapped in a haunted school. There are new sixth grade characters, some primary grade students, and some faculty: Ms. Padilla the cunning science teacher, Mr. Chuck the burnt-out custodian. If you’ve ever gone to school, you should find something relatable.

Plus a whole bunch of new creatures get involved: some friendly, some not-so-friendly. Big spiders. Creepy snowmen. Monsters based on school subjects . . .

Oh, these are awesome!

STORY CREATION

Did you do any research for this second book? Do you do separate research or inspiration searching for your drawings as opposed to your writing work?

PHANTOMS MOVIE IMAGEResearch is important, but this book is set in a school and deals with strange creatures. I used to be a K-6 art teacher, and I’ve always loved strange real-life animals, so the writing was based around fields I’m already very familiar with.

For the illustrations: I wanted to capture the feel of a “found footage” movie. So I watched several found footage movies, including Blair Witch. I tried to replicate the shaky camera movements for certain illustrations.

For our illustrating writers, what are three of the most important pieces of advice you’d pass along to them?

I’m bad with advice—I can never think of anything original to say. I guess it’s pretty simple: 1. Gotta write and draw a LOT. You’ll look back at older work and be embarrassed by it, but staying productive lets you develop your style, so don’t worry about mistakes at first.

  1. Read a lot of books. Read a wide variety of books by a wide variety of writers/illustrators. Read outside your comfort zone—don’t just read the same thing over and over. Read comics and graphic novels, sure, but also read traditional prose with no illustrations—try to visualize scenes in your head as you read.
  2. Finish things. Lots of people want to write or draw stories and they start working on books, but lose interest or give up. Force yourself PHANTOMS CASTto finish projects. Even if it’s not what you hoped for, you at least developed your style during the process.

Really great advice, even if someone has heard some of it before. It never hurts to be reminded. 👍

Was there anything that surprised you about this story as you wrote it?

I realized that I like having big casts. Keeps things bouncing along.

Haha! But it keeps it interesting, right?

WRITER’S CORNER

Any suggestions on how young student writers and/or illustrators can find inspiration when beginning a story . . . let’s say for an assignment in class?

I guess . . . think of something that is fun for you to write about. Not everyone likes writing—that’s fine. But I think it helps if you’re interested in the subject. I like animals and creatures, so I always want to include them in stories, and it motivates me to write and draw.

How can librarians and teachers use spooky stories such as this one in their classrooms and homes to encourage reluctant readers to engage in reading?

I’ve heard illustrated stories and comics/graphic novels can be gateways to all sorts of books and reading habits. You get a feeling of accomplishment when you finish a book, and I think illustrations can be a fast hook for pulling in readers—you simply open the cover, and here’s a glimpse of the world.

Obviously, there’s lots of spookiness going on throughout SCHOOL OF PHANTOMS. Why do you believe spooky stories are important for young readers to read?

My books are spooky but in a cartoonish way, for kids—I think sometimes it’s just fun to read a creepy story. Some excellent spooky stories, such as books by talented authors like Tananarive Due, can have deeper meanings and mirror real-life fears, and help readers cope through the fantasy.

Thank you for sharing your latest story with us, Kory! It looks and sounds amazing. Plus, what better time to share a story about being stuck in a haunted school for the night than during Halloween season!

ABOUT THE AUTHOR

Kory Self-Portrait

Kory Merritt is a former public school art teacher from western New York who enjoys reading weird stories, looking for strange wildlife, and drawing creepy monsters. In addition to teaching, Kory previously worked as an illustrator for the online game franchise Poptropica and its spin-off book series.
www.korymerritt.com, Facebook: @korymerrittauthor, Twitter and Instagram: @koryjmerritt