Author Interviews

Middle-Grade Fantasy story featuring strong South Asian Characters: Interview and Giveaway with Payal Doshi

By on July 9, 2021   /   Articles, Author Interviews  

 

Today, we are delighted to have with us, Payal Doshi, author of Rea And The Blood Of The Nectar (Mango & Marigold Press, 2021) with us.

Welcome to Mixed-Up Files, Payal!     

Thank you so much for having me!

Tell us about Rea and the Blood of the Nectar. What was your inspiration for the story?                                                                                                                                                     

           Rea and the Blood of the Nectar is the story aboutRea Chettri, an introverted but curious girl from Darjeeling, India, whose life gets turned on its head on the night of her twelfth birthday. After a fight with her twin brother Rohan, Rea discovers that he has gone missing. Her Amma is distraught and blames Rea for his disappearance. So, Rea along with her neighbor Leela visit the village fortune-teller whose powers of divination set them off on a thrilling quest to find Rohan where they must solve riddles to portal into an enchanted realm and travel to Astranthia, a land full of magic and whimsy! There, Rea must battle evil creatures, confront a ruthless villain, and find out why Rohan has been captured. But the heart of this adventure story lies in Rea’s relationships with the people in her life. Her brother who she was once inseparable from is now the popular kid in school and spends most of his time with his friends. Rea, on the other hand, has always struggled socially, but in her mission to find Rohan she must learn to trust others, find the courage within her, and understand the meaning of friendship and family.

I was inspired to write this story because as a kid, I loved to read but I never saw myself in books. A girl like me never got to be the hero, have magic, or save a realm. I wanted to change that. So, I decided to write a fantasy story rooted in Indian culture that had kids from India who went off on thrilling adventures and became heroes! It’s a story I would have loved to read as a kid and one in which I saw myself. This book has all the elements I loved reading about as a kid—there’s a mystery that needs solving along with an exciting quest, a ticking clock, dark family secrets, unforgettable friendships, a fantastical world, and my favorite, magic!

Could you share your publishing journey with us?

My road to publication was long and winding! I began querying in November 2018. At first, it was great. Most of my queries turned into full manuscript requests. But by mid-December, the rejections started to come in. One of the criticisms I kept hearing was that my book was too long for middle grade. Typically, the word count for middle grade novels is between 50,000-70,000 words while mine was 91,000. I was heartbroken. I had a choice to make: continue querying or pull my book out, edit it down by 20,000 words, and then give it another shot. If I chose to edit the book, I would have to significantly rewrite parts of it since I had to remove one of three POVs. Adding to the daunting prospect of a massive revision, I was pregnant!

         As hard as it seemed, I knew it was the right thing to do. During the last two months of my pregnancy, I cut down 23,000 words and rewrote large sections of the book. Once my baby arrived, I sent the manuscript back to my beta readers to see if the new revisions maintained plot, pace, and character growth. After I emerged from that newborn haze of hormones, sleepless nights, and baby cuddles, I dove back into my beta readers’ feedback and by September 2019, I began querying again. Long story short, I signed with my publisher on January 2nd, 2020! My publishing journey ends with the ever-important lesson: No matter how hard it gets, don’t give up.

What was your research process when you set the story in the foothills of the Himalayas and when you created the fantastical world of Astranthia?

When I was thinking about where to set the ‘India’ part of the story, I knew right away that I wanted to portray a region of India that was beautiful and underrated with respect to its landscape and people. The city of Darjeeling is a stunning hill station in the northeast part of the country ensconced within hills, the view of the majestic Himalayas, and rolling tea plantations. There was just so much beauty to be inspired by in terms of its landscape and culture. Since I had never been Darjeeling, I relied on online research especially the official government website for Darjeeling to get details about which trees, birds and animals could be found as well as tourist accounts on blogs and reputed travel websites. I bought books on Darjeeling to get an idea of the local cuisine and day-to-day life, I peered over every aspect of Google Maps to understand the topography of the land and keep it authentic to the story. After double and triple checking the details from my research, I felt pretty confident that everything I had included about Darjeeling was factual. However, it turns out it wasn’t all accurate! I’m so glad I decided to visit Darjeeling before sending my manuscript to agents because I found several inaccuracies in my descriptions and details and it was only after seeing the city, talking to the locals, and driving around that I was able to correct the inaccuracies and record factual details. So, my top tip for any writer who is writing about a place they have not themselves visited is to visit that place before submitting their work for publication!
Simultaneously, as I was inventing the realm of Astranthia, I wanted to capture that same lushness that Darjeeling exuded. When researching Astranthia, I drew inspiration from nature, the changing seasons, online research from fantasy illustrations and Indian and Celtic mythology. I love reading books in which the world feels like a character in itself and I wanted both settings of Darjeeling as well as the fantastical land of Astranthia to feel immersive, verdant, and magical. I find that descriptions of plants, leaves, trees, flowers, and animal life add greatly to the atmosphere of a place and make the reader feel like they are right there with the characters.

About Rea’s family and sibling relationships …

It was important for me to show Rea coming from a small, nuclear, and broken family – it’s just her mother, her grandmother, her brother, and herself. Stereotypically, Indian families are known to be big, joint families and rarely do we hear about divorce or unconventional family units. I wanted to change because the reality is that there are all kinds of family units and structures in India and as we have begun to talk more openly about it, we are seeing that there are so many kids who come from family structures that are different from that ‘one big, happy family’ narrative. Similarly, I wanted to shake the stereotype of the Indian mother as one who is always selfless, always generous, always making you and your friends eat, and just being wonderful and gregarious. Rea’s Amma is not that at all! She is aloof, cold, and battling her own demons, which Rea does not know about or can fully understand yet. Her relationship with her mother is strained and Rea craves the love and attention from her which she does not get. With respect to Rea and Rohan’s relationship, I based a lot of it on mine and my sister’s dynamic! It amazes me how siblings can be so different from each other, and I loved exploring those opposite qualities in Rea and Rohan. Rea has her insecurities but is a fierce girl who is on the hunt for answers to questions that plague her while Rohan is extroverted and the popular kid in school. They get compared all the time (as so many of us have experienced with our siblings!), much to Rea’s disdain. And as they’re growing into their own people, Rea and Rohan who used to be close as children, are now going their separate ways. I wanted to capture that sibling dynamic of rivalry, jealousy, envy but also fierce love, loyalty, and pride for each other.

Why was it important for you to write Rea’s story?
It was important for me to write Rea’s story because I wanted South Asian kids see themselves as main characters in books and know that they are worthy of going on exciting and joyful adventures as well as being heroes.My first draft which I wrote nearly ten years ago, all 70,000 words of it, was written with white characters who lived in the English countryside. It was only when my writing teacher pointed out my lack of Indian characters did I realize how much the books I had read growing up had subconsciously trained my mind into thinking those were the only types of stories people wanted to read. I wouldn’t change the books I read as a kid, but I sure would have loved to read books with characters that looked like me. This is why representation is important. Underrepresented kids should see themselves in books, see themselves as complex characters, and should grow up knowing that their stories are equally important and wonderful. Similarly, I want kids from other cultures and countries to relate with my characters and see that despite their different backgrounds, they share the same hopes, dreams, and fears.

What are some things you hope children will takeaway from Rea’s story?
South Asian representation is incredibly important to me and it has been my mission and passion in writing this book. What I most hope for is that young readers from all backgrounds see my book as an exciting fantasy story (not one only meant for South Asian kids) filled with characters that can relate to and hopefully love reading about. I believe all kids should see themselves represented in books because each kid should know that they can be the heroes of their own stories. I want South Asian kids to feel seen when they read my book, feel joy and pride for their culture, and know that their stories deserve to be celebrated. At the same time, I wanted to write a story that all kids would enjoy regardless of color, race, nationality, and culture.

Payal Doshi has a Masters in Creative Writing (Fiction) from The New School, New York. Having lived in India, the UK, and US, Payal Doshi noticed a lack of Indian protagonists in global children’s fiction and one day wrote the opening paragraph to what would become her first children’s novel. When she isn’t writing or spending time with her family, you can find her nose deep in a book with a cup of coffee or daydreaming of fantasy realms to send her characters off into. She loves the smell of old, yellowed books. Rea and the Blood of the Nectar is the first book in The Chronicles of Astranthia series. She lives in Minneapolis, Minnesota. For more information, visit her website, www.payaldoshiauthor.com, or follow her on Instagram @payaldoshiauthor and on Twitter @payaldwrites.

Want to own your very own signed copy of Rea And The Blood Of Nectar? Enter our giveaway by leaving a comment below! 

You may earn extra entries by blogging/tweeting/facebooking the interview and letting us know. The winner will be announced here on July 16, 2021 and will be contacted via email and asked to provide a mailing address (US only) to receive a signed, personalized book.

Back to Top

Interview with Jess Rinker and Giveaway

By on July 5, 2021   /   Articles, Author Interviews, For Kids, For Librarians, For Parents, For Teachers, For Writers, Giveaways  

Our guest today is Jess Rinker, author of the middle-grade novels Out of Time: Lost on the Titanic, The Dare Sisters, and The Dare Sisters: Shipwrecked (coming this September). Jess has also written picture book biographies on feminist Gloria Steinem and Brenda Berkman, one of the first female firefighters for the New York City Fire Department.

Thanks so much, Jess for joining us at From the Mixed-Up Files of Middle-Grade Authors! It has been fun witnessing your publishing success since meeting at the Highlights Foundation workshop several years ago. Can you offer a bit about your journey?

Thank YOU for having me! It’s funny, I always think about our time at Highlights as if it was “last summer”, when in fact it was four years ago! Wow. A lot has happened since then for sure—it’s amazing how connected we’ve all remained and hopefully, we’ll begin to cross actual paths again soon.

My journey started way before then, probably more around 2005 when I went from one of those people who said “someday I’ll write a book” to someone who actually sat down and wrote a book. It would be the first of many shelved manuscripts, but learning I could write a novel changed my life trajectory. Fast forward through years of practice, attending conferences, and taking classes, by 2014 I graduated with an MFA, signed with an agent the following year, and sold my first book Gloria Takes a Stand in 2016. I definitely put in my “10,000 hours” as Malcolm Gladwell says. 2018 was a bit of an explosion for me regarding book sales, and so now I just turned in my third middle-grade novel, which brings me to a total of six books by next summer. Whew.

I know you love the outdoors and rural settings, which shines through in your middle-grade works of fiction. Would you share your inspiration for these settings?

So far, yes, all of my middle grade takes place in rural/small town settings. (Even the super secret one we’re just about to pitch to my editor) I grew up in rural NJ and PA in the ’70s-’80s and my parents were pretty hands-off so I was free to explore all of the woods and creeks and rivers around me. Other than a library card, it was probably the biggest gift they gave me. I had few friends as a young child and the woods and wildlife became my entire world—the perfect place for an imagination to blossom. My mom gave me countless nature books as well, and so learning the names of flowers, trees, bugs, animals, even fish, and frogs, became a way for me to “know” the wildlife around me, as well as order my otherwise chaotic world. I think my mom always had an innate understanding that when you give something a name (or learn its name), you gain an appreciation for it. In my upcoming book The Hike to Home, I give my mom and my young self a little nod in that the main character has a similar proclivity to know all the names of the natural things around her. It’s something I still do and now living in a brand-new place—West Virginia—there are so many new creatures to get to know! West Virginia is an incredibly biologically diverse state with New River Gorge (The nation’s most recent National Park!) being the highest, I believe.

Your picture book biographies feature strong, independent women. Your middle-grade fictional work shares the adventures of strong and independent girls. Tell us a little bit about the background behind these stories.

To be completely honest, I never intended to “brand” myself and when I first started, I was writing angsty YA that didn’t sell. I’ve always approached the writing life—and publishing as much as possible—as someone who just truly loves writing stories. I don’t have a very altruistic sense until the book is on the shelf. Once it’s out there, it’s on its own, but before that it’s all mine and I treasure that creative stage. So ideas come and go and whatever grabs a hold of me the most, I write it. I have plenty of stories and ideas that are not strong-girl stories per se.

That being said, back in 2015 I was reading Gloria Steinem’s canon of literature and that, paired with the sale of the biography, fueled me in a new way as a woman and as a writer. I absolutely became conscious of wanting to write characters who had agency in their lives. I had next-to-none as a child, and many children are powerless because of their circumstances. I chose not to write about those circumstances (yet) and instead write stories that showed children the power they CAN have. Somehow, that turned into strong girls, strong women. I’m not complaining! But it was a natural evolution, driven by my own education and internal revolution, the love of storytelling, and a desire to empower children in whatever little way I can.

I know that you and your family experienced a tragic fire, which engulfed and destroyed your home, including all of your childhood journals. How has writing helped you move forward through that loss?

That was a huge blow, for sure. Sometimes I don’t even remember it happened until someone mentions it and other times I look in my closet and mourn the loss of my favorite summer dress or those precious journals. I mentioned earlier that 2018 was a bit of an explosion for me book-wise, and I think that’s what really helped me quickly recover from that trauma—which was also caused by a literal explosion! I don’t know that we will ever be “over it”, only through the worst of it, but we have found a secure new normal since then. The book sales kept me focused. I’d lost everything I owned, but I still had my family and my job, and it completely kept me going. I’d also been married only a week before the fire, so while it slightly marred our anniversary month, which is August, we had a lot of love and joy.

Exactly a week after the fire, even though we were technically homeless, we still had our wedding party that had been planned for months. Sometimes I wish we could do it over again since my husband and I were in a bit of a fog, but I’m grateful we were able to celebrate. In another wonderful, but long story my wedding dress had been somewhat spared from flame and smoke because of the way it was stored, so a dear friend of mine stole it away, had it cleaned and repaired, and I got to wear it again at the party. We made the news for the fire and the dress. Kind of a beautiful juxtaposing, I think. Everything is writing material, right?!

Whenever I do school visits, both students and teachers are interested in my writing process. Tell us about yours.

Gosh, it changes so much all the time—especially with writing under a few different categories. This question is always tough to answer, but I suppose my main process is to first let myself be entirely swept away with an idea. Whether nonfiction or fiction, I dive into research, notetaking, scene ideas, dialogue, and especially character development before I really write anything. When I’m drafting, I’m in my PJ’s on the couch. Sometimes I try to get away to a place like Highlights where I don’t have to think about normal day-to-day stuff, but that’s not possible as much anymore since I’m also teaching now. I don’t have any fun rituals or anything—it’s just me, silence (when possible), the notebook or computer, and a comfy place to sit.

What stories did you enjoy reading as a child?

Everything. I was never once told I wasn’t allowed to read something so I read everything from the nature books to kids’ books to my mom’s collection of Stephen King and Dean Koontz. My favorite stories often involved survival aspects, like Island of the Blue Dolphin, or My Side of the Mountain, but I also loved classics like Little Women and The Secret Garden.  (Which, come to think of it, have survival aspects in other ways) All of EB White and Judy Blume, Beverly Cleary, and Katherine Paterson. But I quickly graduated to adult books and loved horror and dystopian. I weirdly enjoyed reading about grown-ups. I also really loved my grandparents’ shelves of encyclopedias and would page through them quite a bit. It wasn’t until having my own kids, and especially while working on my MFA, that I really got a good dose of the huge variety of children’s books.

I know you teach writers at the collegiate level. What have you learned through this process?

My husband and I were just talking about this! Teaching writing forces you to be a better writer and that’s one of the reasons we both really enjoy it. (Although don’t ask me that when I have 25 essays to grade in two days) Teaching stretches you, keeps you on your toes. Not only for the college but with freelance clients as well. We team up as a couple to coach writers through their projects and we bring different skills and insights to the table, so it becomes a pretty well-rounded process. When you have to help someone craft and revise an essay or plot a novel, it reminds you of all the things you do on a more subconscious level. It’s very eye-opening. My favorite part of teaching, however, is encouraging young writers who want to be better, assuring them that it is a lifetime of practice and devotion, and none of us masters it. We just get better. Hopefully.

As you are married to children’s book author Joe McGee, what is it like working and living with a fellow creative soul?

It’s pretty wonderful. I won’t say there haven’t been some tough spots, because when we first partnered, he was a bit “ahead” of me in the business. I was struggling to sell anything, as well as unable to find a decent job. I had a couple of years of a lot of disheartening “No’s” seemingly coming from everyone and we struggled financially. Those couple years were hard on me. I wasn’t competing with him, but I remember thinking if nothing ever happened for me, and I had to settle for retail jobs for the rest of my life, I didn’t know if I could survive the relationship. This came from my own personal baggage of always feeling like the cheerleader in my previous marriage, and I was very aware of that, and so was Joe. With patience and continued determination, it obviously all panned out. And Joe is probably my biggest cheerleader. 

I’m often asked which is my favorite book that I’ve written…do you have a favorite?

I get that question a lot too—especially from kids. I always tell them my favorite is the one I’m writing right now because it’s true! It’s that special creative time where the story is all mine and I can be lost in it before handing it over to the world. So right now, my favorite book is the one we’re about to pitch to my editor…hopefully more on that very soon!

What is your absolute favorite thing about writing for children?

I do not know. How’s that for an answer! But I really am not sure how to choose one thing. Writing is what I love and it just happens to be for children. I’ve been writing for myself since I was a kid, and then when my kids were little, and I read to them all the time, I thought, “I could totally do this”. So, I did and I never looked back. I’ve never tried writing an adult book, I never have ideas for adult books, and I’m fine with that. I could get super psychological and really pull it apart on a deeper level that has to do with suffering a lot of trauma as a child, and the fact I was treated like a peer to my parents from day one, and so never had a true, care-free childhood….but nah. It doesn’t really matter. Because those very things also made me the writer I am. The fact is, the ideas and voices in my head are always kids and teens, and I just love writing their stories. When a young reader tells me they loved the book, or a parent tells me that it’s the first book their kid ever finished, that is a major heart-warming bonus, for sure. But I’d keep writing regardless.

 

Thank you, Jess! To learn more about Jess, visit her website, www.jessrinker.com. Jess has graciously offered to give a copy of both The Dare Sisters and the upcoming Dare Sisters: Shipwrecked to one lucky winner. Enter here by July 15 for your chance to win. Note: Only residents of the contiguous United States, please.

 

 

Back to Top

SAMANTHA M. CLARK INTERVIEW + GIVEAWAY

By on June 25, 2021   /   Articles, Author Interviews  

We here at The Mixed-Up Files are thrilled to shine the spotlight on our own Samantha M. Clark, who has not one, but two, middle-grade novels out this month. ARROW released this past Tuesday, June 22, and HOLLYWOOD (American Horse Tales #2) hits the shelves next Tuesday, June 29. Samantha has generously offered our readers a chance to win signed copies of both books. So, don’t forget to click the Rafflecopter link at the end of the post (U.S. entries only).

 

ABOUT THE BOOKS

ARROW

For the first twelve years of Arrow’s life, he has grown up as the only human in a lush, magical rainforest that’s closed off from the rest of the world. He was raised by the Guardian Tree, the protector of the forest, which uses the earth’s magic to keep it hidden from those who have sought to exploit and kill it. But now the magic veil is deteriorating, the forest is dying, and Arrow may be the only one who can save it.

Arrow has never seen another human until one day, a man in a small airplane crash-lands in the forest. Then, a group of children finds their way in, escaping from their brutal, arid world where the rich live in luxurious, walled-off cities and the poor struggle for survival. The Guardian Tree urges Arrow to convince the trespassers to leave by any means necessary. Arrow is curious about these newcomers, but their arrival sets off a chain of events that leave him with a devastating choice: be accepted by his own kind or fight to save the forest that is his home.

 


HOLLYWOOD (American Horse Tales #2)

Set in modern-day California, this American Horse Tale is the story of a young girl who, along with her family’s horse, is destined for the big screen.

Juniper dreams of making it big in the movies along with her horse, Able. In particular, Juniper is obsessed with getting Able onto her favorite television show, CASTLE MacAVOY, and will do anything, even slay dragons, to make that happen.

HOLLYWOOD is part of a series of books written by several authors highlighting the unique relationships between young girls and their horses.

 

ABOUT THE AUTHOR

Dorian: Tell us a little bit about yourself and how you became interested in writing for children.

Samantha: Hi Dorian! Thank you for having me on The Mixed-Up Files today. I’m very excited to be here, especially as a contributor to this wonderful website.

I’ve loved stories since as far back as I can remember. My nose was always in a book, and when I told my parents about my day, I’d tell it carefully to build up to the climax. (Although, people got bored a lot. I had a lot to learn about pacing back then. 🙂 ) Growing up, I wanted to tell stories any way I could, and went into journalism telling the stories of others. I loved making up my own stories, though, so I wrote in my spare time. I didn’t set out to write children’s books, but the more I wrote, the younger my protagonists got. Finally, I realized that’s where my heart was. To learn more about Samantha, visit her website here.

 

Dorian: What was your journey to becoming a published writer like?

Samantha: Long! 🙂 My first published novel is THE BOY, THE BOAT, AND THE BEAST, which came out in 2018 from Paula Wiseman Books/Simon & Schuster. But it wasn’t the first novel I wrote. I wrote two other novels, then started THE BOY, THE BOAT, AND THE BEAST in 2008. Despite getting some honors in contests and winning the Joan Lowery Nixon Award with the Houston chapter of the Society of Children’s Book Writers & Illustrators, the book got a lot of rejections from agents. I wrote two more novels, and kept writing, learning and revising BEAST. Finally, I got a pass from an agent I had met at the Austin Society of Children’s Book Writers & Illustrators conference, but she liked my work enough to recommend it to two other agents, including Rachel Orr with Prospect Agency, who loved my work and offered to represent it. My rejections weren’t over, though. After a bunch more revisions, BEAST went out to editors and was passed on by nine. Then one editor asked for a revise and resubmit, which gave me the opportunity to do another revision with some new ideas I had. That editor still ultimately passed, but when the revised version went out to new editors, BEAST got two offers within three weeks. It ended up taking ten years for that book to come out, and lots of times, I thought it would never happen. But seeing my book on bookshelves, it was all worth it.

 

THEMES

Dorian: ARROW and HOLLYWOOD could not be more different from each other regarding setting, tone, etc. But I’m wondering if you found that you visited similar themes that resonate for you, personally, in both books.

Samantha: Great question! And you’re right that the books are very different. ARROW is closer to THE BOY, THE BOAT, AND THE BEAST in style, tone, nature setting, and magic. It was the book I started writing after BEAST, so I think it’s a good follow-up. HOLLYWOOD, however, is part of a new series from Penguin Workshop that I auditioned for. I did come up with the story and characters myself, based on their guideline of “a girl and a horse,” but the story is contemporary, set in a TV studio, and has no magical elements whatsoever. But you are also absolutely right that both books have similar themes. Acceptance, confidence, and self-esteem are themes that seem to pop up in all my stories (I wonder why… 😉 ), and these books are no exceptions. In ARROW, the main character is a 12-year-old boy with a limb difference who lacks the confidence to think he can fix the rainforest’s failing magic. When the forest is infiltrated by humans from outside, Arrow wants to be accepted by the humans, the first of his kind that he’s ever seen. In HOLLYWOOD, Juniper is an 11-year-old girl who accidentally (sorta) stumbles into her dream job of being a stunt rider with her horse on their favorite TV show, but once she’s there, she doesn’t have the confidence in herself to think she can be as good as the other riders. She will do anything she can to prove herself, so she can feel accepted by them.

 

Dorian: Both your debut book, THE BOY, THE BOAT, AND THE BEAST (which won the 2019 SCBWI Texas/Oklahoma Crystal Kite Award) deal with boys who are mostly alone in strange places. What is it about such stories that attract you as an author?

Samantha: Another great question, Dorian! And it’s funny because I was wondering the same thing recently. 🙂 I don’t tend to plan things like this into stories when I’m working on them. It’s only later, looking at the stories when they’re finished, that I can see where they overlap. In a sense, both the Boy and Arrow are like I was when I was a kid. I’m an only child and we moved around a lot, not just to different towns, but also to different countries. By the time I was 12, I had lived in four countries and was always the new kid. I often felt alone and in a strange place, just like my characters. I was also always most comfortable in nature, among trees and near the ocean, so writing these settings has been a lot of fun.

 

INSPIRATION

Dorian: I read that THE BOY, THE BOAT, AND THE BEAST began with the idea of a boy waking up on a beach with no memory that came to you while you were walking your dog. What was the seed that your new book, ARROW, grew from?

Samantha: Yes! I get lots of ideas when I’m walking our dogs or doing any kind of activity when my mind can wander. The first spark of ARROW actually came to me while I was vacuuming. A boy with one hand who lived in a tree popped into my head. I had no idea who he was or what he wanted, but I was intrigued. I started pulling from my own experiences and passions. I went into the Amazon when I was 10 and felt that Arrow’s tree should be in a rainforest. I saw a TED Talk by renowned ecologist Suzanne Simard about how mother trees communicate and protect their forests, and I knew that Arrow’s tree was the Guardian Tree of his forest. The more research I did, the more the story grew, and the more hooked I was as its writer.

 

Dorian: Love that story! Maybe I should start vacuuming more. 🙂 Other than being entertained, what do you want readers to come away with from your novels?

Samantha: I hope my books encourage readers to dream and hope for amazing possibilities, the way the books I read as a kid did for me. More specifically, I hope that readers of THE BOY, THE BOAT, AND THE BEAST see that their fears don’t have to control them; that readers of HOLLYWOOD believe they can make their dreams come true; and that readers of ARROW gain a better appreciation for our natural world, as well as the understanding that we all live best when we live together as a true, sharing ecosystem.

 

TIPS FOR WRITERS

Dorian: What tips do you have for aspiring writers?

Samantha: Ooh, I could take hours to answer this question! 🙂 I write tips articles on my blog (samanthamclark.com/blog/) every month that go into specific topics, so here I’ll just share my two favorite tips:

  1. Consume stories. Read books, watch movies, play story-based videogames, listen to audiobooks . . . The more you consume stories, the more you absorb about story structure, character development, and setting. The best of these is books (and I include in this, comics and graphic novels), because we have a more personal connection when we add our own imaginations. Consume as many stories as you can as often as you can, and you will grow as a writer.
  2. Don’t compare your first draft, or even first few revisions, to books you bought at a bookstore. I used to read published books and think my work was nowhere near as good. And I was right! It wasn’t. But I hadn’t gone through all the revisions that the author had to get their book to that level. Know that every book you read has been written, re-written, revised, polished many, many times, and when you do all that work, your book will be that good too.

Thank you!

Dorian: Thanks so much, Samantha, for joining us today, and thanks for donating the books!

Click on the Rafflecopter and follow the directions before Saturday at 11:59 PM for a chance to win copies of Samantha’s two new books. Winner will be announced on Sunday.

a Rafflecopter giveaway

Back to Top