Author Interviews

Interview with Chris & J.J. Grabenstein, co-authors of SHINE!

Today at MUF we’re talking with Chris & J.J. Grabenstein, co-authors of the middle-grade novel, SHINE! (Random House Children’s Books), which James Patterson says is, “Inspirational, commonsensical, and a whole lot of fun.” We got the writing partners — and life partners! — to tell us about their new book, how they work together, and what’s next for them.

 

Shine!

Mixed-Up Files: J.J., we understand the idea behind SHINE! was yours. Can you talk about what sparked the idea? What made this the story you decided had to get written?

J.J.: I guess living in New York City has made me hyper aware of how hard everybody here strives to get ahead. What pre-K your child gets into, theoretically, will help determine whether they get into Harvard. Growing up in an environment where accomplishments and awards were highly prized, I wish I had read a book that said who you are as a person is even more important than landing on the honor roll or winning the lead role in the school musical.

We know that J.J. has helped behind the scenes on many of Chris’ other books, but how was the process here different than in the past?

CHRIS: In the past, J.J. has been my first editor. She reads everything before anyone else and encourages me to cut out the boring parts. She also lets me know if anything takes her out of the story. An odd word or phrase. An illogical leap. Confusion of any kind. But, in the end, those books are my books and I get the final say (even though I typically take all J.J.’s notes and make all her suggested changes).

On SHINE! we were equals. Both our names would be going on the cover. We both had to be happy with every word.

MUF: What did your collaboration look like?

CHRIS: Well, first we spent months blocking out a very detailed outline. VERY detailed.

That’s a technique I learned from James Patterson. When I work on a project with him, he creates an extremely detailed outline with all the twists and turns plotted out. I execute a first draft from that outline and check in with him every month with new pages.

With J.J., we checked in every day.

We also discovered that we have extremely different writing techniques.

In college, I majored in Communications at the University of Tennessee. J.J. studied music and theater at Northwestern (yep, that’s why the hero of our book’s father is a music teacher). At the end of my freshman year at UT, I took a typing test. We needed to do 30 words a minute before we could take any sophomore level courses. From then on, every assignment we turned in had to be type written.

When I graduated, I could type over one hundred words a minute. In fact, working as a temporary typist was how I supported myself when I first moved to New York City to pursue a writing and comedy career.

So now, when I write, I think through my fingertips.

J.J., on the other hand, has a theatrical background. For years, she toured the country doing musicals. She also appeared Off Broadway in the long-running hit NUNSENSE. Today, she works as a voice actor, creating lots of different characters. (She narrated my HAUNTED MYSTERY series from Random House.)

When J.J. writes, she wants to act out all the scenes. And play all the characters. Something I was doing in my head and sending down to my keyboard (and she thought I was just typing). This led to some very interesting scenes in the writing room.

Chris and JJ Grabenstein

MUF: Did you ever disagree at points on what direction the book should go? If so, how did you resolve that?

J.J.: Not on the overall direction. On individual scenes? Yes. If neither one of us could convince the other to see it our way, then we realized there was something fundamentally wrong with both approaches. So, we’d chuck whatever we were championing and work out a solution that made both of us happy.

MUF: Do you find collaborating on a book with someone else harder or easier than doing it solo?

CHRIS: In a lot of ways, it’s much easier. Someone else is helping you map out the journey and make decisions along the way. Then, if you take a wrong turn, it’s not entirely your fault!

MUF: What’s it like when you get editorial notes back? How did you decide to tackle those edits? What was the division of labor there?

J.J.: We were very fortunate to have Chris’s longtime Random House editor Shana Corey working with us on SHINE! In fact, we often say, her name should be on the cover, too. She was a true third partner throughout the whole two-years and six drafts it took to get the book right.

Like I’ve seen Chris do (from time to time), I’d whine a little about the editorial letters and all the notes. After all, what we had turned in was perfect, right? But then, the next day, I’d also do what I’ve seen Chris do countless times: Realize Shana was right. And the book would be better if we made her suggested changes, cuts, or additions.

MUF: What projects are next for you both?

CHRIS: Well, let’s see…my first picture book, NO MORE NAPS, from Random House will be coming out in February. There will be a fifth Lemoncello book, MR. LEMONCELLO AND THE TITANIUM TICKET, coming in late summer, 2020 to be followed by the first book in what we hope is a new Middle Grades series. I also edited and contributed to a collection of short stories for the Mystery Writers of America that will be out in June. James Patterson and I will have, I think, three books coming out in 2020, including the 7th in the popular TREASURE HUNTERS series. And, I am doing a new Audible Original entitled STUCK, where I get to make a cameo appearance.

J.J.: Well, after reading Chris’s list, it looks like I have a lot of first editing to do! I’ll also be heading back to the sound booth to record books and voice overs for all sorts of clients. I’m also happy to report that I will be appearing in the Audible Original STUCK. Chris and I play goofy cartoon characters at a game-arcade/restaurant called Chuck and Ernie’s.

MUF: Do you both read quite a bit of middle grade? What are some of your favorite recent MG titles? Any recs for us?

CHRIS: I do read (and listen) to a lot of Middle Grade stories. My recent faves include Steve Sheinken’s BORN TO FLY, R.J. Palacio’s WHITE BIRD, Stuart Gibbs’ CHARLIE THORNE, and Jerry Craft’s NEW KID.

J.J.: I read a ton of Middle Grade books. Because Chris writes a ton of ’em every year.

MUF: Tell us a little bit about SHINE! for our readers. 

CHRIS: Well, the gang at Random House always knows how to summarize a book better than me! Here’s what they say:

“Who do you want to be?” asks Mr. Van Deusen. “And not when you grow up. Right here, right now.”

Shine on! might be the catchphrase of twelve-year-old Piper’s hero–astronaut, astronomer, and television host Nellie Dumont Frisse–but Piper knows the truth: some people are born to shine, and she’s just not one of them. That fact has never been clearer than now, since her dad’s new job has landed them both at Chumley Prep, a posh private school where everyone seems to be the best at something and where Piper definitely doesn’t fit in.

Bursting with humor, heart, science, possibilities, and big questions, Shine! is a story about finding your place in the universe–a story about figuring out who you are and who you want to be.

MUF: If you have anything else to add, please feel free!

We’re excited to see the numerous ways teachers and librarians have already brought SHINE! to life in their schools. We’re also thrilled that the folks at Random House put together such a fantastic Educators’ Guide for the book. (Click here for the Educators’ Guide to SHINE!)

 

Interview with MG Author Victoria Piontek

Writing can be very solitary; just a writer and their computer or notebook. But as writers of children’s books, we’re lucky to have a wonderful camaraderie between creators who support and help each other. The year my first novel, THE BOY, THE BOAT, AND THE BEAST, came out, I found heaps of support and help through my debut group, the Electric Eighteens, and the Spooky Middle Grade authors. I love to see how other authors are navigating their writing, so I thought today I’d interview one of the authors who shared and supported me during my debut year in both of these wonderful groups, Victoria Piontek. Victoria is the author of THE SPIRIT OF CATTAIL COUNTY (Scholastic, 2018), which A SNICKER OF MAGIC author Natalie Lloyd described as, “Wrapped in prose as mysterious and lovely as a southern breeze lies a story about loss that haunts, and the ghosts that help us heal. This story is a treasure.”

Victoria Piontek

Victoria Piontek

Samantha: What do you love about writing books, and on the flip side is there anything you don’t like?

Victoria: What I love most about writing is working with words and revising them to say just the right thing in the right way. I also really love watching a project take shape through revision and the way it gets a little more whole with each pass. The thing I don’t like about writing is getting started again after a break. Blank pages and flashing cursors are terrifying!

Samantha: What made you want to be a writer?

Victoria: My sister and I discovered a battered set of C.S. Lewis’s CHRONICLES OF NARNIA in our family barn. We spent the summer reading the books, and by the time I finished the series, I knew that I wanted to be a writer.

Samantha: What were the biggest challenges you had to overcome in your journey so far?

Victoria: Self-doubt. Even though I knew from a young age that I wanted to be a writer, I believed I wouldn’t be able to become one because I’m dyslexic. As a kid, even though I loved school and learning, I didn’t perform well in an academic environment, and I thought that meant I couldn’t be an author. I had to work really hard (and still do) to overcome some of the technical aspects of writing and to believe in myself.

Samantha: What’s the biggest lesson you learned from your debut year?

Victoria: To enjoy and celebrate every milestone no matter how small because the debut year goes by surprisingly fast.

Samantha: Do you feel as though your debut year or your book has changed you in any way?

Victoria: THE SPIRIT OF CATTAIL COUNTY is, in many ways, a love letter to my family, especially my mom. It didn’t change me as much as reinforce how important family is to me and how grateful I am to have grown up in my family even though we were not picture perfect. As a family, we were a little messy and quirky, but my mom taught us to celebrate that difference, and I think that has helped me with my writing. I love writing characters who are good-hearted but imperfect.

Samantha: How has your writing process changed?

Victoria: My process has changed in two ways since I first started writing. I now outline before I start drafting. It’s a loose outline, but I’ve learned that if I don’t know what is supposed to come next, I get stuck and flounder. When I have a roadmap, I can work quicker. I also fast draft without editing or revising as I go. I’ve discovered it’s the best way to make progress because it allows me to get more words on the page and stops me from getting caught up in self-criticism. Nothing kills creativity like self-doubt.

Samantha: What draws you to middle-grade novels, and are there challenges or special considerations you have to think about when writing for this category?

Victoria: Middle grade is my favorite category to read and to write because it has all the qualities I love in a novel—heart, humor, and hope. I think when writing for this category, the most important thing to keep in mind is to not write down to readers. Kids are very discerning creatures. Adults have a tendency to forget that.

Samantha: What types of stories are you most interested in telling, and why?

Victoria: I love telling friendship and family stories because I feel like those connections are at the heart of who we are and why.

Samantha: What’s next for you?

Victoria: I’m working on a new novel about friendship and family.

Samantha: I look forward to reading it!

Find out more about Victoria Piontek on her website, VictoriaPiontek.com

Interview with Ridley Pearson, Author of Super Sons

Support Independent Bookstores - Visit IndieBound.org and check out Ridley Pearson's The Foxglove Mission.Hey Mixed-Up Filers, we’ve got a super interview for you. Ridley Pearson, author of the Lock & Key, Kingdom Keepers, and most recently Super Sons series is sitting down with us today to discuss the latest book in the Super Sons series, The Foxglove Mission.

This is your second book in the Super Sons series. Can you tell us a little bit about the series and about DC’s middle grade graphic novels?

The most interesting character in suspense is, ironically, the villain. The trilogy of Super Sons books works off three “evils.” Book 1: gangs. Book 2: corporate corruption. Book 3: governments. Sometimes these evils are on the page; sometimes implied.

In The Foxglove Mission, our newest character, Candace, is in search of her lineage, her larger family, and her purpose as a human being. She is surrounded by friends who care about her: Ian Wayne and Jon Kent, the Super Sons. She goes off on a dangerous quest. Jon and Ian follow, trying to help her. The boys have their own missions: to find a way to heal Jon’s ailing mother, and to stop a chemical firm from making others sick. It’s high stakes, high action, and teamwork.  

You’ve worked with characters before that, like the Super Sons, have an already established canon, in projects like Lock & Key, Kingdom Keepers, and Never Land. What was it like working on a story with characters that have so much history attached to them? 

It’s a great question, and that was my question to DC when we discussed my writing these graphic novels. Thankfully, my editors said, “Pay no attention to the man behind the curtain” (i.e., the past of these young superheroes). They allowed me to reinvent them, and hopefully they are likeable, strong characters with much to figure out. That’s how I felt as a kid.

Why Damian Wayne and Jon Kent? Were the Super Sons chosen before the story or did the story choose them?

Page from The Foxglove Mission

Art by Ile Gonzalez

These are the characters DC asked me to write about. I was intimidated. The son of Batman? The son of Superman? But I grew up with both Batman and Superman, so I eagerly jumped in!

You’ve created some amazing original characters in Candace, Tilly, and Avyrc. I was really happy to see Candace’s story expanding in The Foxglove Mission, and even Tilly having an expanded role. Can you tell us a little bit about these characters? For example, how did you choose Candace’s superpower? Why is Tilly’s superhero alter-ego Puppet Girl? And what makes Avyrc such a great villain for our team to go up against?

My wife and I have two daughters (grown now). I’m comfortable with such characters; I’ve witnessed so much success, drama, heartache, and redemption. We also have an adopted son from Kenya, and I’ve written about Kenya on my adult side of publishing, so when DC and I discussed Jon and Ian, I wanted to add a female character, and that became Candace. She has “elemental” powers of controlling weather, and working with birds. She is my Earth woman.

 You’ve written a lot of cool tech, such as the DHI and a lot of Batkid’s gadgets? What piece of tech from your books do you wish you could use?

I wouldn’t mind having a hovercraft!

Similarly, you’ve written a lot of cool supernatural powers? If you could choose a superpower, what would it be?

The power to eliminate all poverty and prejudice. I’ve looked on Walmart shelves, but it isn’t there. Yet.

I’ve read that you’re more of a plotter than a pantser. Can you tell us a bit more about what your writing process is like?

Stories are shaped in many ways. Two of the most common are: start with a situation; or outline. I fall into the outline group. I like to work with the puzzle pieces first, see where they fit and how to fit them together. It’s not for everyone, but it works for me.

What was your writing journey like? You’ve written for all ages. How did you get started writing for middle-graders?

My writing journey would take up a long dinner! Basically, it has come down to understanding it’s hard work; that stories aren’t written, they are rewritten; that stories are about character; and all the plotting in world won’t replace one terrific character. 

Peabody Headshot. Found on the press section of Ridley Pearson's website.

 

 What is the best piece of writing advice you’ve received, and what writing advice would you give to someone just getting started?

My writing advice: Read. Then read some more. When you do try writing, dedicate some small piece of each day (for me it’s 6-8 hours) to sitting in the chair and putting words onto pages. Don’t worry if they are perfect—there’s time to fix that.

What are you working on next?

I have a new Kingdom Keepers series publishing September of 2020. Working title: Kingdom Keepers 2.0. I’m halfway through a new graphic novel trilogy for DC called The Indestructibles. It’s an original series that I’m incredibly excited about. I think the first book publishes in 2020 as well.

 How can people follow you on social media?

Very carefully. (Twitter. Insta. Facebook. I’m not great at it; something I’m working on.)