Author Interviews

The Case of the Disappearing Book: An Interview with Susan Martineau Author of Real-Life Mysteries and Disasters

When I brought Real-Life Mysteries and Disasters into my home, it immediately created a mystery of its own. Every time I went to grab the book from where I had left it, the book had vanished! Leave it on the side table and a few minutes later Poof! empty table. Leave it on the chair and next thing I know Puff! nothing there. Since it is exceedingly difficult to interview an author about a book you haven’t read, I had to get to the bottom of this book’s disappearing act. (Plus, if I could discover the source of this vanishing power, maybe I could harness it to clean my house!) Once the book re-appeared, I laid it in the middle of the living room floor like bait in a trap and . . .  Snap! caught my eight year old and my ten year old in the act of swiping it to read. I couldn’t have been happier to discover that the cause of my confusion was my boys’ love of this fascinating book! (And I did harness their powers to clean their rooms.)

Today I’m interviewing Susan Martineau author of Real-Life Mysteries and Disasters an engaging middle grade browseable book that examines evidence of mysterious circumstances and spooky happenings like: Does the Loch Ness Monster actually exist? What made the Black Death so lethal? And was there really a documented case of time travel? My boys were drawn in by the colorful illustrations and case-file design then held captive by the often eerie information.

So, if you are feeling brave. . . let’s investigate!

Emily Starr: What sparked the idea for Real-Life Mysteries and Disasters, and what made you want to dive into these topics?

Susan Martineau: I’ve always loved reading about mysteries and strange or extreme events. My dad was really into all things mysterious, so there were a lot of books in our house for a budding mystery fan like me. The one I remember best is the Reader’s Digest Book of Strange Stories and Amazing Facts. I used to pore over it in fascination and horror (usually when I was supposed to be doing my homework)! I became quite obsessed with trying to work out what had really happened and if any of it was true! It was handy to be taken on holiday to Scotland so I could sit for hours by Loch Ness in Scotland in the hope of spotting the monster. As an adult, I’ve now visited quite a few of the places mentioned in the book. I am disappointed to say I didn’t see Bigfoot when I was hiking in California or Queen Marie-Antoinette at the palace of Versailles in Paris. I still love mysteries, though, and for as long as I have been a writer, I have wanted to write my own book about strange happenings and unexplained events. It was amazing to finally get the chance!

Emily Starr: Fifty mysteries is a lot of rabbit holes to go down! Because many of our blog readers are also authors, can you please share how you managed so much research?

Susan Martineau: It was a huge task, but so enjoyable, and it certainly did lead me down an incredible number of rabbit holes—and some pretty weird and wacky ones at times! Once I’d decided which mysteries and disasters to include, I read as much as I could about each one. I tried to go back to primary sources like eyewitness statements and diary entries where possible. I looked at any videos or photos, and I read the books that some people had written about their experiences. I checked out newspaper reports, documentaries, and other secondary source material, too. The whole time I was asking, “How reliable or credible are these witnesses or reports?” and “What are the theories being put forward to explain these mysteries?” I always tried to find as many sources as I could to corroborate what was being said or written. In the case of the disasters, I also checked what the specialist experts or organizations said or did about the terrible events. It left me in awe of the bravery of some of these people, like volcanologists who put their lives at risk to figure out when a volcano might next erupt.

Emily Starr: Was there any mystery that you felt more convinced was true after you read all of the evidence? If so, why?

Susan Martineau: There is one form of “haunting” that I find especially fascinating and really rather comforting. These are the “friendly ghosts,” or Third Man Syndrome. There are many stories about folks in danger or difficult situations being “visited” by a benign presence (often a deceased loved one) who helps them get through and watches over them. I read a brilliant book by John Geiger called The Third Man Factor as part of my research. I was blown away by just how many people, from NASA astronauts and extreme mountaineers, have experienced this. It may be our own brains conjuring these “ghosts,” but I think there’s something to it, and I want to believe in it!

Emily Starr: How would you recommend educators use your book to teach students about disinformation and misinformation?

Susan Martineau: I love the idea that educators might use my book for this essential critical literacy skill. It’s so important for students to navigate the jungle of content out there on the internet and in other forms, too. I would try to make it fun, though! After sharing one of the mysteries from my book plus case file, maybe the students could choose another mystery or disaster (there are some suggestions for further investigations in the book) and research it. They could then make their own case file, along the lines of the ones in the book. They might draw diagrams or timelines to analyze the information. However, the most important thing is for students to consider WHO is writing or presenting the information, WHY they are writing it, and WHEN it was written. Can the students find the most reliable sources of information and corroborate it across more than one source? It is important to encourage healthy skepticism and enable students to think for themselves. My tips for all budding mystery investigators are: keep an open mind, follow the facts, and try not to be influenced by emotion or fear!

Emily Starr: The book is designed like a series of case files. While making the content look appealing, it also helps young readers to access the text. How did you come up with that organization idea?

I am so lucky to have a wonderful designer and illustrator, Vicky Barker, working with me. I wanted the first double-page spread of each mystery to “tell the story” and get the reader hooked on it without having too much to read. I think Vicky’s artwork really helps get things rolling along. Then I asked her to design a “detective”-style pinboard for the second double-page spread so that it would change the tone and make it like a serious investigation. I love watching detective shows, and I wanted it to look like one of those old-fashioned pinboards with sticky notes and bits of evidence, along with visuals and the main theories that might explain what has happened. It was important to have a “follow the experts” section for all of the disasters, too, as I really wanted to reassure young readers that there are wonderful people out there trying to prevent disasters from happening. The inclusion of “Big Words” is something I love to put into all my books, as I like learning new words myself!

Emily Starr: Were there any mysteries you uncovered that didn’t make the book? If so, could you share one and why it was excluded?

There were so many mysteries on my list, and it’s growing all the time! In fact, I have just published two books in the UK that include many of the stories I could not include this time. Tales of Scary Beasts and Tales of Ghosts and Hauntings also tell the stories of weird occurrences and unnerving mysteries followed by a “let’s investigate” section for each chapter so that readers can flex their critical muscles.

I had some misgivings about including Spontaneous Human Combustion in Real-Life Mysteries and Disasters at first, but it was one of the stories that always fascinated me (such a gruesome child!) as a young Reader’s Digest reader! It made the cut, and I believe that, like me, children have quite an appetite for this kind of tale!

However, there are some very peculiar mystery stories that I feel are not appropriate for young readers. I haven’t included UFO abductions in any of the books. I started to feel a bit uneasy about the accounts I was reading and the unpleasant things that people said happened to them.

Emily Starr: Are there any future projects in the works you can share with our readers?

I’ve been working on new editions of two other books I’ve written recently. How to Question Everything and How to Think Like a Scientist are toolkits for young readers to learn critical literacy skills. It is essential for them to be able to see clearly through the bombardment of information coming at them through social media and other platforms. The new editions include information and advice on AI-generated content. Students need to be aware of how AI is used, and how it is teaching itself to use information and data. I’ve also included some fun activities in both books and hope they can be of use to educators.

My aim is to enable young readers to be nimble, confident, and thorough fact-finders, unafraid of being curious about the wonderful world around them. My motto, learned from my father, is “Be brave and always think for yourself!”

 

Susan Martineau was born in London, but has lived in various parts of the world including Holland, France and Malaysia. She has written over 30 books for children and won the Blue Peter Book with Facts Award for her book Real-life Mysteries. She is fascinated by strange and weird information and tries to shine a light into the most unusual corners of the world, sparking a passion for discovery and curiosity in her readers. Susan spends a good deal of her time lost on the internet or rummaging through libraries researching, unearthing and checking facts for her books. She loves quiz programs and annoys her family by thinking she knows the answers. (Sometimes she does!) Keep your eyes peeled for new titles exploring the world around us.

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Emily StarrAs a former fourth grade teacher and founder of StarrMatica, a STEM publishing company, Emily Starr has developed award-winning K-5 science curriculumand professional learning materials for 20 years. She is a member of the Iowa State Science Leadership Team, a peer reviewer for the National Science Teaching Association’s journal Science and Children, and a frequent presenter at state and national education conferences. Her debut middle grade nonfiction book will be released in 2026 from the Iowa Ag Literacy Foundation.

End of the World Shenanigans and Adventures with Max Brallier

Today, we’re excited to host Max Brallier, author of a stupendous amount of books, including the wildly popular Last Kids on Earth middle grade series. The highly-anticipated tenth installment, The Last Kids on Earth and the Destructor’s Lair, is out now, and we had the chance to talk with Max about it as well as what’s up next for this prolific writer.

 

Cover of The Last Kids on Earth and the Destructor's Lair by Max Brallier and illustrated by Douglas Holgate

Thanks so much for joining us here at the Mixed-Up Files, Max. How exciting is it to be able to celebrate the release of the tenth book in the Last Kids on Earth series! As Quint says, that’s a lot of adventuring. This installment definitely doesn’t disappoint when it comes to shenanigans, superpowered boss fights, massive monsters, and an epic clash with Ŗeżżőcħ. It seems like the ultimate showdown is still yet to come, though. Can we expect even more adventuring with Jack and our other dauntless heroes?

Thanks for having me! Excited to chat. Super exciting to celebrate the release of the 10th book in the main series—although I have to admit it’s a confusing number, since there’s a 5.5 and a 7.5 and other ½ books that aren’t actually half books but kind of are. But it is, truly and really, the 10th anniversary for the series.

Friendship plays such a vital role in this series and in this book in particular. Though what a twist to have Jack and Quint fighting and not speaking for a big chunk of it! Quint is usually the man with the plan, and though he turns out to still be in the end in splendid fashion, Jack has to do a lot more on his own this time. How did you navigate having these two not communicating while still letting them explore the Monster Dimension and move closer to Ŗeżżőcħ?

It wasn’t easy! I’ve always resisted having the kids be locked in a fight for long periods of time; it never seemed like it would be fun to read or to write. But it made sense here. And I was able to do it in a way, I hope, that it won’t feel like a drag.

The Bewilderness was an exciting location to dive into (quite literally), and other places like BountyCon offered a lot of great visuals and details as well. Were there any places you would have liked to explore more in depth?

Lots more places! The Bewilderness sequence was initially a lot longer, and parts were very different. And the entire Hidden City itself was originally going to be more of a living, breathing creature-city.

 

It’s always struck me how fun and heartfelt these books are while there’s a lot of pretty serious stuff going on as well. In this story in particular, Jack is coming face to face with evil. How do you balance the lighthearted, funny tone with the more serious topics of loss and death that come with the apocalypse?

I find that to be the hardest thing about writing the series—and it has been, since book 1. I try to balance it by leaning into Jack’s 1st person POV and having him—usually—approach things in a way that’s lighthearted or wry.


The illustrations by Douglas Holgate are such a perfect match for the tone of the book, combining scale, energy, and cool monsters. At this point in the series, do you have a sense of which parts of the story would make for a good panel or aside in a dialogue bubble? Is that something you get to work on together?

Doug is incredible. More often than not, while writing the manuscript, I’ll call out which moments should be illustrated—stuff like cutaway gags or flashbacks or little asides. Or big action moments that I think we’ll really want to see. But then, when reading through the manuscript, Doug and the book’s designer, Jay, and editor, Dana, will often flag moments that they think would make for a good illustration.

Photo of Max Brallier
You’ve written several other series in addition to the Last Kids on Earth, like Eerie Elementary and Mister Shivers. With all of these great stories and characters, I’d love to ask a question you probably get all the time: Where do you get your ideas?

Sometimes an idea will just hit me when I’m sitting in my car or running errands, or lying on the couch. Other times it’s a real hunt, where I’m pacing around, trying to crack something, trying to find that idea that’s hopefully going to save the whole book at the last minute.


Can you tell us more about what you’re working on right now?

The next two Last Kids on Earth books, finishing up The Last Comics on Earth #4, and two new ideas—one middle grade, one very different.

 

Do you have any advice you’d give to writers who are interested in creating a series?

Start small! Beginning, middle, and end of one story first, while allowing for questions that the reader will hope to have answered, and places the readers will hope to visit.

 

And last but not least, if there’s an Order 72, are there 71 others?

I’m more worried about Orders 73 and beyond!

 

You can learn more about Max and his books at his website: https:www.maxbrallier.com

DOUBLE DOSE of WNDMG!!! Author Interviews with Raidah Shah Idil and Yxavel Magna Dino!

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WNDMG Reads

November’s typically filled with so much to do! Some households just finished celebrating Dia de Los Muertos, while others are saluting the veterans in their lives. Others are already planning Thanksgiving, Friendsgiving, or any other -Givings Day dinners!

Yet those in the bookish community simply wait for all the incredible new releases that embrace the family spirit. And what better way to celebrate family this month than with a double dose of WNDMG book releases!

We recognize that publishing is an incredibly difficult pursuit and that journey can be even harder for international authors. Yet, despite all odds, I have had the pleasure of sharing the virtual stage with not one, but two amazing MG authors who both have US/CANADA releases this month!

Without further ado, I present Raidah Shah Idil and Yxavel Magna Diño! Welcome ot the Mixed Up Files – We Need Diverse MG feature!

 

How to Free a Jinn book cover

How to Free a Jinn by Raidah Shah Idil

Raidah Shah Idil is the author of HOW TO FREE A JINN which released in the US and Canada on November 4! Here’s a summary of her Malaysian fantasy novel!

Insyirah’s calm, orderly world falls into chaos when her proud nenek (grandmother) has a bad fall, and Insyirah and her mother must move back to Malaysia to take care of her.

Her new home holds wild and dangerous mysteries, and while finding her feet, Insyirah discovers a shocking secret: the women in her family can control jinn—powerful, ancient jungle spirits—and, one day, she will inherit one of her own. What’s more, her new school is haunted by an evil spirit determined to force her out of Malaysia.

As Insyirah discovers the fascinating ways of the seen and unseen worlds, she finds danger around every corner. And when her family situation grows perilous, she must gather all her resilience to overcome unexpected obstacles and make a life-changing decision.

 

 

 

New Realeases Nov 2025

The Firefly Crown by Yxavel Magna Dino

Yxavel Magna Diño is the author of two amazing Filipino fantasy novels THE SERPENT RIDER (2024) and THE FIREFLY CROWN released in the states yesterday, November 11! Focusing on her sophomore novel for this interview, here’s the blurb for THE FIREFLY CROWN:

An unlucky sorcerer must learn to wield her insect magic in this charming middle grade fantasy that’s perfect for fans of Impossible Creatures and Witchlings.

In the empire, magic determines your fate. But Yumi is tired of being a failed Cricket. Their magic is lousy and boring. She dreams instead of the sparkling magic of Fireflies, whose powers rival the sun. If only she could harness her talents like other magicians . . . For now, Yumi is ignored by even the crickets who are supposed to follow her spells.

Then, Yumi gets a chance to prove herself sooner than expected when all sorcerers are summoned for the princess’s coronation. But everything falls apart when the Firefly Crown is stolen, leaving the empire defenseless against the Ghost Swarm, a horde of undead bugs. Worse, Yumi is blamed. Suddenly this lowly Cricket is the empire’s most wanted. To clear her name and protect her loved ones, Yumi must find the real thief. But can a Cricket really save the day?

 

Now enough with the pleasantries, let’s jump into this interview!

 

CHILDHOOD DREAMS

 

My first question for both of you: did you always want to become an author?

RAIDAH: Yes! I was always that kid who found socialization far too tricky, so I sought refuge in reading and writing books. I’ve lost track of the number of stories I’ve written, and all my unfinished manuscripts. I wrote fanfiction for years, too, which really helped me improve my writing craft.

YXAVEL: Yes! Ever since I was really young, “author” was always my answer whenever people asked me what I wanted to be when I grew up. I was the kid who would rather read books in the library at lunchtime rather than hang out with the other students (thank you to everyone who still talked to me even though I was super shy and quiet, haha!) I once told someone that if I could only publish one book, and have even just one person read and love it, I would be a very happy writer. So, I feel extremely blessed and lucky to be able to live out my dream of being a published author right now, and very grateful to all the family, friends, and industry professionals who made it possible.

So determined! This of course has me asking you to tell us a bit about your publication journey.

YXAVEL: Since fantasy novels were the books that first sparked my obsession with reading and writing, I knew I wanted to be a fantasy author first and foremost. However, when I started writing my own ideas, I struggled with discipline and sticking to a single idea. Back then it was super difficult for me to write a thousand words, let alone the tens of thousands that were needed for a full-length novel.

After high school, I decided to write a story that was truer to my identity than any of the Western fantasy-inspired novels I’d ever tried writing before: a story inspired by my Filipino heritage, its myths, and its folklore. In my first year of university, I started writing what would become my debut middle-grade fantasy novel, THE SERPENT RIDER. I finished the manuscript and started querying by the start of the following year and got an offer of representation, and my wonderful agent sold the book the year after that. After several rounds of edits, THE SERPENT RIDER released in September 2024 and my sophomore novel, THE FIREFLY CROWN, just landed this month!

RAIDAH: Buckle up, because it took YEARS! I had attended Hanna Alkaf’s author event, and her advice to me was to finish my first draft. I completed the first draft of HOW TO FREE A JINN while I was pregnant with my son. I knew I needed a solid draft before he was born, before I got swallowed up by the newborn haze all over again. My two daughters were both under 4 at the time, so while my oldest was in preschool and my middle daughter was with her grandmother, I’d go from restaurant to restaurant and write. It was such a fun process, especially because I’m a panster and had no idea where my story was going until I wrote THE END. I polished it as best I could, hired an editor to help me polish it even further, then started the arduous process of querying….two months after I gave birth to my son! I gave myself a deadline of a year – if I didn’t secure representation by then, I would shelve my book and write another. I had about 100 rejections by the time I secured a single agent offer. In October 2020, when my son was one year old, I signed with my agent, Alli Hellegers of Stimola Literary. After some edits with her, in 2021, she sent the then-YA version of my book to US editors, and we had a lot of complimentary rejections. I spent 2022 revising my book down from YA to MG. We finally landed my Australian book deal in late 2023, and then got published in Sept 2024!

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I’m not worthy to be in the presence of two agented international PHENOMES! Now, do you both strictly write fantasy? Or do you dabble across genres? Is there one genre you would (probably) NEVER try?

This image is a promotional poster for the 2018 Malaysian supernatural horror film, Munafik 2

 

RAIDAH: Not at all! I read very widely and reflect that in my own writing practice e.g. I also write non-fiction, poems, romance, mysteries, adventures….One genre I would probably never try is straight up horror. Suspense and psychological thrillers are something I’d love to experiment with, but I’m far too squeamish for gore and horror.

 

 

Fluffy cupid

 

YXAVEL: I’m a fantasy writer at heart, but I love consuming media in all different genres including sci-fi, horror, psychological thrillers, and literary! I’d love to be a multi-genre author one day. Although I don’t think I could ever write a purely romance-oriented book, as that requires a skillset which I doubt I currently have (for now at least … but hey maybe one day!)

REPRESENTATION GOALS

 

Diverse ReadsAs a Thai-American MG author, I personally love discovering the commonalities between different Southeast Asian cultures. What are some key cultural elements or traditions from Malaysia and the Philippines you knew you had to include in your stories?

RAIDAH: I wanted to include tasty Malaysian food and our obsession with jinn stories. I also wanted to include spiritual practices like reading Ayatul Kursi for protection. My intention was to always weave these seamlessly into my narrative, as a way to invite the reader into Insyirah’s lived experience.

YXAVEL: It’s super fascinating how Southeast Asia is so diverse yet there are so many values our cultures share! THE SERPENT RIDER features several mythical creatures from Filipino folklore, while THE FIREFLY CROWN’s magic system is inspired by the mambabarang, or traditional Filipino insect magicians. Aside from these aspects, one element of Philippine culture I knew I had to include in my stories is the concept of bayanihan: the deep bonds of family, friends, community, and the sense of “we’re all in this together” that permeates Filipino society even today. The importance of community and connection across Southeast Asian cultures is something you also explore very well in your own books, Patchree!

Thanks for kind words, Yxavel! Borrowing the sentiment from our colleague, Annie McCann, do you feel like a trailblazer for your culture when it comes to representation?

Southeast Asian MG Cover Banner

YXAVEL: In writing my novels, my goal was to spread the word about Filipino myths and hopefully encourage young readers to want to learn more about them! I’m so glad to be a fellow author alongside Annie, whose book MY HARIMAU KING does this with Indonesian legends; with Raidah Shah Idil whose novel HOW TO FREE A JINN explores Malaysian culture; and with you, who absolutely blew me away with your Thai-inspired SKYLIGHT! Since there’s an underrepresentation of Filipino-inspired books in the kidlit space, writing about our culture does make me feel like a trailblazer in that sense—although I’m definitely not the first person to do it!

An amazing writer-sister of mine, Caris Avendaño Cruz, wrote MARIKIT AND THE OCEAN OF STARS, as well as her second novel released earlier this year, THE BOY, THE MOUNTAIN, AND THE SERPENT WHO ATE THE MOON (which features the Filipino moon-eating sea serpent that also appears in my book THE SERPENT RIDER). Caris is a brilliant author who writes our myths with a poetry and charm I can only dream of. I’ll always recommend those books!

RAIDAH: I think so. I’d like to think that I’m building on the foundation set by Southeast Asian authors who have been published before me, like Hanna Alkaf and Jesse Sutanto. I admire Hanna Alkaf’s books, which reflect a deep love for Malaysian families, food and culture. My experience is different because of my returnee diaspora experience. I’m Malay, but not Malaysian. I’m Australian, but I’m definitely not white. I still occupy this liminal space of being between worlds. I wanted to emphasize the healing power of coming back to my ancestral home after struggling with a lot of anti-Islam, anti-Asian sentiment growing up as a minority in the West.

Representation matters so much and ALL children need to see themselves in the stories they read. We’ve still got a long way toward balancing our libraries, but at least we’re taking up the challenge to make our cultures present and accounted for!

Group of five chibis

Designed by FreePik

Now, I’ve got a question just for Raidah! While most writers feel like we can revise forever (some begrudgingly!), what did the revision process look like for you between the original version of HOW TO FREE A JINN and the upcoming US/Canadian release?

RAIDAH: Where do I even start? The original version of HOW TO FREE A JINN was actually a YA novel! Insyirah started off as being 16. One of my American beta readers said that she sounded closer to 12, and that was the winning tweak that I suggested to my agent, who enthusiastically agreed. I had to brutally cut out many subplots and characters (including Insyirah’s dad, stepmother and stepsister haha) to get to the heart of my story. That was the version that landed my first book deal with Allen and Unwin.

Once my book got acquired by my Australian publisher, I had a little bit more polishing to do with my Australian editor, Kate Whitcher. Once I got my American book deal with Salaam Reads (an imprint of Simon & Schuster), I fleshed out my story even more with my American editor, Deeba Zargapur. I hope to get a UK book deal too, and I’m looking forward to strengthening my book with my UK editor.

 

Who knew the process was so complicated! Now, Yxavel, here’s a question just for you! Since all writers dream of getting every story published, how did the publishing journey of THE FIREFLY CROWN differ from THE SERPENT RIDER? Did you experience any sophomore release nerves?

Mambabarang

YXAVEL: With THE SERPENT RIDER, I had all the time in the world to come up with the initial draft, but THE FIREFLY CROWN was the first book I’ve ever had to write on deadline and I really felt the challenge! It helped that I decided to write a main character who shares a lot of traits with me—Yumi is a quiet Cricket magician who comes from humble beginnings, but is forced to prove her innocence when the empire’s most treasured possession, the magical Firefly Crown, goes missing and the blame lands on her. My initial attempt at a manuscript was pretty messy, so I’m thankful to my editor for being very forgiving with the first draft, and for writing a brilliant edit letter that helped me improve the story so much!

A lot of people who enjoyed THE SERPENT RIDER are Filipino readers who know our myths exceptionally well, so I’m a little (read: EXTREMELY) nervous about what they will think of THE FIREFLY CROWN. Here’s hoping you all will enjoy it too!

 

My goodness! I am blown away but both of your journeys! Last question, what’s one key takeaway you want readers to take away from your work?

RAIDAH: I hope that Insyirah’s story, and all of my future stories, will show the complexity and humanity of Muslim families, and how we deserve to go on fun adventures too. The dehumanization and demonisation of Muslims in mainstream media has real-life harmful and often fatal consequences. Writing joyful Muslim stories is my resistance.

YXAVEL: A recurrent theme across both my novels is having the courage to forge your own path, no matter who or what may stand in your way. I sincerely hope that anyone who reads my work will feel inspired to do just that.

 

Here, here! I love these messages and agree with both of you wholeheartedly. Publishing takes courage and joy is resistance! Thank you both so much for sharing with us today! Be sure to support these amazing authors and grab their books today! Check out their socials and book links below!

Raidah Shah Idil

Raidah Shah Idil

 

Author Bio:Raidah Shah Idil was born in Singapore; grew up in Sydney, Australia; worked in Amman, Jordan; and now lives in Petaling Jaya, Malaysia, with her husband, three children, and mother-in-law. Raidah earned her BA in English and BSc in Psychology from the University of New South Wales and her Diploma of Counselling from the Australian Institute of Professional Counsellors. Raidah loves ginger tea and noodle soup and dreams of uninterrupted sleep. HOW TO FREE A JINN is her first book.

 

 

Yxavel Magna Dino

Yxavel Magna Dino

 

Author Bio: Yxavel Magno Diño is the author of The Serpent Rider and The Firefly Crown. She was born in the Philippines before moving to Australia at a young age, where she soon discovered that almost nobody there knew how to say her name. To make up for it, she spent her time daydreaming about fantasy worlds filled with characters who had more unusual names than she did. Now, she writes stories about her Filipino heritage and its fantastical folklore. When she’s not writing, you can find her drinking copious amounts of black tea or getting lost in the pages of a book.