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Meet Literary Agent Saritza Hernández

We’re thrilled to welcome agent Saritza Hernández of the Andrea Brown Literary Agency to  From The Mixed-Up Files of Middle-Grade Authors. Known as the first literary agent to represent marginalized creators in the digital publishing space, Saritza is a self-proclaimed geek who loves escaping into worlds and stories from all walks of life. She represents writers and illustrators for picture books, middle grade, young adult, and adult (fiction and nonfiction), and specializes in romance and young adult fiction by and for diverse audiences. Below, Saritza tells MUF contributor Andrea Pyros about her favorite — and least favorite — parts of being an agent, what a typical day is like, and her advice to “be the hero of your story and change the world in the process.”

Literary agent Saritza Hernández

Mixed Up Files: How did you become an agent? Were you always interested in the publishing industry?

Saritza Hernández: I am a lifelong student of literature. I’ve always gravitated towards books and as a child would have a book with me everywhere I went. My grandfather gave me a manual typewriter when I was 9 and I swore I was going to be a writer, a reporter (Boricua Lois Lane at your service) or a poet. But I had no idea that one could work IN publishing. I didn’t really understand what book publishing was until we moved to Orlando, Florida, and my sixth-grade class went on a field trip to tour the Harcourt Brace Jovanovich buildings. At the time, they had a giant press where books were being printed. I think they were workbooks, but it was such a cool process that when I got home, I told my mom I would one day work there. 20+ years later, I got my first job in publishing as an Administrative Assistant at Harcourt School Publishers and worked in almost every department at one point or another over the next 18 years, moving up and learning more with each job.

When a friend of mine was looking to get published, I helped her write a query letter. In the process of researching literary agents (and what they did), I found that there were only a few BIPOC literary agents and even fewer editors who identified with any marginalization. As ebooks became popular, many underrepresented voices opted to self-publish or were being relegated to micro-presses with very little support. I saw a need and decided to fill it by looking for mentorship. I sent out a tweet asking to connect with someone who would be willing to answer my questions. Lori Perkins of the L. Perkins Agency eventually responded and, after a 2-hour phone call, offered to mentor me remotely. I didn’t think I could be part of the publishing industry living in Orlando, Florida, but Lori saw something in me. Without the remote internship opportunity she created, I would not be here today.

MUF: Tell us about being “the first literary agent to represent marginalized creators in the digital publishing space.” How did that come about?

SA: As I mentioned earlier, I had a friend whose work wasn’t being seen by Traditional publishing because it featured a queer romance. Her work, she kept hearing, would be “better suited” for the digital publishing space. I soon learned that this was happening to many creators who were writing from their lived experiences. Black, Indigenous, People of Color, Queer, and Neurodivergent creators were often told that their work was “difficult” to connect with or that there wasn’t a readership for it (which we all know is not true), so they were going to small presses or micro presses to get published and were often signing away sub-rights that would never get exercised or being locked into option clauses that kept them from seeking traditional publishing models for future works. Very few agents were willing to take on clients working in these spaces because advances were very low (if any were offered) and the perceived return on investment was therefore low. Agents don’t make much money as it is, so I understood why many opted not to rep authors in this space, but it was perpetuating the lack of diversity in the industry by maintaining a white, cisgender, heteronormative, male-centric status quo. I decided to focus my attention on those missing voices and set out to be as successful as I could be for them and for me.

MUF: What is the day in the life of an agent like?

SA: Busy. It’s a busy day from the moment we roll out of bed with our phone in our hand to catch up on industry news to the moment we get back into bed to read queries and client manuscripts before going to sleep. (Or at least, that’s usually how my day starts and ends.)

A typical day for me may look like this:

Skim my email on my phone and star or mark important emails so I can tackle them when I get to my desk later in the morning. I’ll usually read Publishers Marketplace Deals and Publishers Weekly newsletters while eating/making breakfast and may copy/paste names of new editors or recent deals with editors I know that could prove useful as comps for works that my clients have into my Notes app. Sometimes, I’ll start my day by reading queries on my phone.

When I finally sit down at my desk, I’m usually tackling a contract or submission list for a client. I’ll respond to critical emails and check in on Slack conversations with clients and with colleagues. (I’m in several Slack workspaces, so I have started closing out the app when I need to concentrate on something like a contract or a manuscript.)

I’ll put together my submission list for client manuscripts, respond to client emails about their manuscript edits, or update illustrator tearsheets mid-day, or I may set aside a few hours to read and edit client manuscripts or respond to queries.

A good portion of my afternoon is spent nudging editors about submissions, payments, deadline updates, or contract negotiations. I’ll also work on reading client manuscripts and putting together my editorial notes. And, once or twice a week, I set aside some time to meet with editors virtually to get a sense of what they’re looking for or to catch up.

There are days when I also meet with clients, where we either brainstorm ideas for their next project, discuss the edits to their current manuscript before we submit it, or catch up.

At some point during the day, I also eat lunch, make dinner (or dinner plans) for the family (I am a caregiver to my parents), and play tabletop games with the family.

MUF: How much collaboration does the ABLA agent team have?  

SA: OMG, we are SUPER collaborative! We share our pitches and sublists with each other for suggestions and even workshop titles when needed. We have such a wealth of knowledge between all 15 of us that we tap into it daily. We have a Slack where we chat all day, and we reach out to each other via text or email when needed for support, encouragement, or to connect. It’s a sisterhood that I’m incredibly grateful to have.

MUF: What’s your least favorite part of your job as an agent?

SA: Letting clients go. I don’t like breaking up with anybody, but in this industry, it’s important to have the right partner to succeed, and sometimes, that means I am no longer the right partner for a writer or illustrator.

MUF: What’s your favorite?

SA: Notifying a client with an offer for their work. Especially for those projects that take a while to sell. The projects we revise, workshop, go on submission for a while, and eventually find the right editor to take on are super special.

MUF: Unlike some of your kidlit agent peers, you represent children’s books and books for adults. That sounds like it would be more work and that you’d have to have expertise across a wider spectrum of the industry. What makes you enjoy having a broader list?

SA: It DOES require that I create more connections across the industry, but I think it also gives me an opportunity to be highly selective about the work I take on. As a career agent, I get to work with my clients across the breadth of the work they want to write. So, if they want to write an adult romance novel while we go out on sub with their spooky middle grade, I get to be part of that journey.

MUF: We’d love to hear about a few kidlit books coming out soon (or just out!) from your clients that we should keep an eye out for.

SA: Ooh! I love talking about my client titles! Ok, so in September, Louangie Bou-Montes‘ debut YA Romantasy Till the Last Beat of My Heart releases from HarperTeen. What if your former friend, and crush is brought into your mortuary and you accidentally resurrect him? What would you do to make it right and can you do it before their time runs out?

Jen Bailey‘s Unexpecting is a contemporary YA novel that is as funny as it is heartwarming. When neurodivergent, openly gay Benjamin learns that he’s about to become a father with his best friend after an experiment gone wrong and that she plans to put the baby up for adoption, he sets out to prove that he can be a good father and high school student.

My client Mayra Cuevas co-wrote the contemporary YA novel Does My Body Offend You with Marie Marquardt, inspired by real events where a “Bra-bellion” starts at a high school after a student is told to put band-aids on her breasts when she’s not able to wear a bra to school.

My illustrator client Lisbeth Checo recently illustrated MzVee’s Natural Me picture book about the beauty of natural hair based on the African singer’s chart-topping song.

As the Seas Rise: Nicole Hernández Hammer and the Fight for Climate Justice

I also repped Angela Quezada Padron‘s debut author-illustrated picture book biography about climate activist Nicole Hernandez-Hammer, As the Seas Rise that is out now.

I’m also extremely proud to represent April DanielsDreadnought duology. It’s the trans superhero series you didn’t know you needed.

MUF: Any final thoughts? 

Read the books “they” try to keep from you. Ask your local library to carry books by BIPOC, queer, and neurodivergent authors. Build little lending libraries in your neighborhood and stuff them full of banned books. Vote! Especially for your local school board and county representatives. If you don’t see the candidate you need, run for office yourself. Read diversely. For every book written by a white, cisgender, male author, read three by diverse authors. Then, tell others to do the same. Be the hero of your story and change the world in the process.

Learn more about Saritza Hernández at the Andrea Brown Literary Agency website or on Twitter, Instagram, and Facebook.

Note: Saritza is currently closed to queries. 

In Honor of Memorial Day

Memorial Day roots were grown in the aftermath of the Civil War, in the late 1860’s. As the war claimed more lives than any other conflict in American history, it was necessary to establish national cemeteries. Many communities began honoring our fallen soldiers by decorating their graves with flowers on May 30. Decoration Day grew into Memorial Day, celebrated on the fourth Monday of May.

In recognition of this history, I thought it appropriate to share a handful of titles about the Civil War for middle-grade readers.

Bull Run written by Paul Fleischman

Winner of the Scott O’Dell Award for Historical Fiction * ALA Best Book for Young Adults * ALA Notable Children’s Book

In this brilliant fictional tour de force, which the New York Times called “a deft, poignant novel,” Newbery Medal-winning author Paul Fleischman re-creates the first great battle of the Civil War from the points of view of sixteen participants.

Northern and Southern, male and female, white and black.

Here are voices that tell of the dreams of glory, the grim reality, the hopes, horror, and folly of a nation discovering the true nature of war.

A Soldier’s Heart written by Gary Paulsen

 

In June 1861, when the Civil War began, Charley Goddard enlisted in the First Minnesota Volunteers. He was 15. He didn’t know what a “shooting war” meant or what he was fighting for. But he didn’t want to miss out on a great adventure.

The “shooting war” turned out to be the horror of combat and the wild luck of survival; how it feels to cross a field toward the enemy, waiting for fire. When he entered the service he was a boy. When he came back he was different; he was only 19, but he was a man with “soldier’s heart,” later known as “battle fatigue.”

 

Shades of Gray written by Carolyn Reeder

In the aftermath of the Civil War, recently orphaned Will must start a new life and overcome his prejudices.

Courage wears many faces…

The Civil War may be over, but for twelve-year-old Will Page, the pain and bitterness haven’t ended. How could they have, when the Yankees were responsible for the deaths of everyone in his entire immediate family?

And now Will has to leave his comfortable home in the Shenandoah Valley and live with relatives he has never met, people struggling to eke out a living on their farm in the war-torn Virginia Piedmont. But the worst of it is that Will’s uncle Jed had refused to fight for the Confederacy.

At first, Will regards his uncle as a traitor–or at least a coward.

But as they work side by side, Will begins to respect the man.

And when he sees his uncle stand up for what he believes in, Will realizes that he must rethink his definition of honor and courage.

Last in a Long Line of Rebels written by Lisa Lewis Tyre

Sheila Turnage meets Kate DiCamillo’s Because of Winn-Dixie in this debut about a small town and a young girl who discovers some old family secrets.

Lou might be only twelve, but she’s never been one to take things sitting down. So when her Civil War-era house is about to be condemned, she’s determined to save it—either by getting it deemed a historic landmark or by finding the stash of gold rumored to be hidden nearby during the war. As Lou digs into the past, her eyes are opened when she finds that her ancestors ran the gamut of slave owners, renegades, thieves and abolitionists. Meanwhile, some incidents in her town show her that many Civil War era prejudices still survive and that the past can keep repeating itself if we let it. Digging into her past shows Lou that it’s never too late to fight injustice, and she starts to see the real value of understanding and exploring her roots.

 

The Girls of Gettysburg written by Bobbi Miller

A gripping historical novel in which the fates of three young girls collide amidst the chaos of the American Civil War.

Disguised as a boy, thirteen-year-old Annie Gordon becomes a soldier and joins the Portsmouth Rifles of the 9th Virginia Infantry as they march north to Gettysburg.Tillie Pierce, the frivolous fourteen-year-old daughter of a wealthy merchant finds herself surrounded by a vicious battle, destroying her romanticized notion of war.Defiantly, Grace Bryan and her father refuse to flee with the other free black citizens of Gettysburg, who fear the rebels will arrest them as fugitive slaves, determined to help othersEverything comes to a head on the final day of the battle with Pickett’s Charge, the suicidal Confederate assault on Gettysburg, when the lives of the three girls–a Yankee, a rebel and a freed slave–are linked and forever changed.Bobbi Miller’s well-researched novel draws on actual accounts of the Battle of Gettysburg, weaving an unforgettable tale of the tragedies and triumphs, the humanity, heartache, and heroism of this Civil War battle. Told in fast-paced chapters with alternating points of view, The Girls of Gettysburg is a fascinating glimpse at the different worlds that existed, side by side, in this tumultuous moment. Perfect for introducing young readers to the complexities of the Civil War, and the ways in which our experiences shape our lives.

Dive Into Summer!

Summer is a magical time. As the weather warms up and the days grow longer, there’s nothing quite like diving into a great book that captures the good vibes of summer. Whether it’s the thrill of swimming, the magic of summer friendships, or the adventure of summer camp, middle grade novels have a special way of bringing these stories to life. Here are five recently published middle grade books that will make you want to grab your swimsuit and dive right in!

 

Flip Turns by Catherine Arguelles (2022)

Thirteen-year-old Maddie just wants her classmate Lucas to leave her alone. He keeps asking her out—as if she hasn’t already said no a thousand times! Focusing on her competitive swim team, the Electric Eels, Maddie tries to ignore him, hoping he’ll stop harassing her.

But then, when someone starts sabotaging Maddie’s family-owned pool—glass on the deck, ketchup in the pool, followed by a “code brown”—Maddie worries it’s her “admirer” trying to get even. After Maddie’s parents rule the problems at the pool just harmless pranks, Maddie and her best friend, Ez, decide to investigate on their own. Could it be Lucas? And how can Maddie get him to leave her alone once and for all? The future of the Electric Eels and Maddie’s family legacy are on the line.

 

Barely Floating by Lilliam Rivera (2023)

Natalia De La Cruz Rivera y Santiago, also known as Nat, was swimming neighborhood kids out of their money at the local Inglewood pool when her life changed. The LA Mermaids performed, emerging out of the water with matching sequined swimsuits, and it was then that synchronized swimming stole her heart.

The problem? Her activist mom and professor dad think it’s a sport with too much emphasis on looks–on being thin and white. Nat grew up the youngest in a house full of boys, so she knows how to fight for what she wants, often using her anger to fuel her. People often underestimate her swimming skills when they see her stomach rolls, but she knows better than to worry about what people think. Still, she feels more like a submarine than a mermaid, but she wonders if she might be both.

Barely Floating explores what it means to sparkle in your skin, build community with those who lift you up, and keep floating when waters get rough.

 

Camp QUILTBAG by Nicole Melleby & A. J. Sass (2023)

Twelve-year-old Abigail (she/her/hers) is so excited to spend her summer at Camp QUILTBAG, an inclusive retreat for queer and trans kids. She can’t wait to find a community where she can be herself—and, she hopes, admit her crush on that one hot older actress to kids who will understand.

Thirteen-year-old Kai (e/em/eir) is not as excited. E just wants to hang out with eir best friend and eir parkour team. And E definitely does not want to think about the incident that left eir arm in a sling—the incident that also made Kai’s parents determined to send em somewhere e can feel like emself.

After a bit of a rocky start at camp, Abigail and Kai make a pact: If Kai helps Abigail make new friends, Abigail will help Kai’s cabin with the all-camp competition. But as they navigate a summer full of crushes, queer identity exploration, and more, they learn what’s really important. Camp QUILTBAG is a heartfelt story full of the joy that comes from being and loving yourself.

 

The Firefly Summer by Morgan Matson (2024)

For as long as Ryanna Stuart can remember, her summers have been spent with her father and his new wife. Just the three of them, structured, planned, and quiet. But this summer is different. This summer, she’s received a letter from her grandparents—grandparents neither she nor her dad have spoken to since her mom’s death—inviting her to stay with them at an old summer camp in the Poconos.

Ryanna accepts. She wants to learn about her mom. She wants to uncover the mystery of why her father hasn’t spoken to her grandparents all these years. She’s even looking forward to a quiet summer by the lake. But what she finds are relatives…so many relatives! Aunts and uncles and cousins upon cousins—a motley, rambunctious crew of kids and eccentric, unconventional adults. People who have memories of her mom from when she was Ryanna’s age, clues to her past like a treasure map. Ryanna even finds an actual, real-life treasure map!

 

Camp Famous by Jennifer Blecher (2023)

Eleven-year-old Abby Herman is beyond excited that her parents are letting her go to summer camp for the first time ever. Maybe camp will be the place she’ll finally find what she’s always wanted: a best friend. But—surprise!—she’s not going to just any summer camp, she’s going to Camp Famous, the one exclusively for famous kids escaping the spotlight.

Desperate to fit in with the pop stars, princesses, and geniuses, Abby creates a fake identity as a famous author. Everything goes as planned: the other girls welcome her, she participates in camp activities, and she even inspires a pop star! But as camp comes to a close, Abby finds herself torn between who she has pretended to be and who she truly is.

These five middle grade novels beautifully capture the spirit of summer, the joy of swimming, and the importance of friendship. Whether you’re looking for adventure, inspiration, or just a good story to get lost in, these books are sure to make a splash! Happy reading!

 

Half Moon Summer by Elaine Vickers (2024)

Drew was never much of a runner. Until his dad’s unexpected diagnosis. Mia has nothing better to do. Until she realizes entering Half Moon Bay’s half-marathon could solve her family’s housing problems.

And just like that they decide to spend their entire summer training to run 13.1 miles. Drew and Mia have very different reasons for running, but these two twelve year olds have one crucial thing in common (besides sharing a birthday): Hope. For the future. For their families. And for each other.