Blog

When YA Authors Make the Switch to Middle Grade

I’ve been working on a YA for…way too long! I know, this is a blog about middle grade books. You don’t want to hear about my YA woes. But lately I’ve been thinking a lot about authors who are well published in one area and then start publishing in a whole new area. Authors such as:

Elana Arnold

Elana Arnold

Megan Frazer Blakemore

Megan Frazer Blakemore

Lisa Schroeder

Lisa Schroeder

Suzanne Selfors

Suzanne Selfors

Elana Arnold, Megan Frazer Blakemore, Lisa Schroeder and Suzanne Selfors are all authors who began their careers publishing YA, but now each of them has a new middle grade out. I was curious about that so I asked them a few questions:

1. Was there anything in particular that prompted you to write a middle grade when you’ve been publishing YA?

Elana: My literary agent is named Rubin Pfeffer. I always call him Rubin Pfeffer, not Rubin, because it is such a fabulous name. One day, Rubin Pfeffer said, “I’d like to see you try your hand at writing a middle grade.” And I thought, I am going to do it, and I am going to blow Rubin Pfeffer’s socks off. Now, this is not necessarily the best reason to write any book,  but it is a reason, and it was mine. Of course, as I delved into the manuscript that became THE QUESTION OF MIRACLES, I found many better reasons for moving forward and finishing–my love of the characters, my curiosity about the story, and, deep down and unrecognized to me at the time, my own struggles of coming to terms with the death of a friend, my own fear and anger about death.

Megan: My first book (Secrets of Truth & Beauty) was YA, and when I started working on The Water Castle, I thought it was going to be YA, too. But as the story developed I realized it made more sense for the characters to be younger. I think this is because of the magic and wonder of the story.

Lisa: I’ve always loved middle-grade books. When I think back to my childhood, those are the years I recall vividly, as far as books and reading goes. So I feel like in a way, it’s my first love. After publishing a few YA novels, I really just wanted to write something fun. That’s how IT’S RAINING CUPCAKES came about. It was late 2010, everyone was in a bad mood, it seemed, because the economy was failing, people were losing their jobs, and everywhere you looked it just seemed so gloomy. Since my first three YA novels were pretty sad, I felt like I needed a break from that. And I suppose I could have tried to write a fun YA, but I wanted to write something ten-year-old Lisa would have loved. And ten-year-old Lisa loved to bake!

Suzanne: The first book I published was a MG called To Catch a Mermaid. The deal was a two book contract, so I was supposed to begin writing the second MG, but I had this idea for a YA book and I couldn’t let it go. So before I began my second MG, I wrote Saving Juliet. For the next five years, I alternated – wrote an MG, then a YA, then an MG, etc.

2. Did you face unexpected challenges writing for a middle grade audience?

Elana:  Writing for a middle grade audience was not more challenging than writing for a young adult audience in that I try my best to not think about my audience at all when I am writing. I tell myself that it’s none of my business who will read my book. I don’t picture a reader; I write the story I can write. But for some reason, I did feel the need to write THE QUESTION OF MIRACLES in a close third person voice, while all my YA novels so far have been written in the first person.

Megan: At the time I had written only YA and was working in a high school library, so I hadn’t revisted middle grade in a long time and felt a little distant from it. I went back and read old favorites (like From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E.L. Konigsberg) to remind myself of the feeling of reading back then. I also read newer titles like When You Reach Me by Rebecca Stead so I knew more of the current landscape and what was possible.

Lisa: Writing IT’S RAINING CUPCAKES was like taking a deep breath of fresh air. It was just so fun and happy-making. It really wasn’t hard for me at all. I almost feel now, as I look back at the seven YA novels I’ve published and the eight MG novels I’ve published, that I’m probably better suited for MG. The voice, the conflict, the family and friend troubles that occur at that age group, it all comes pretty easily to me. Having said that, I have a strong desire to write a deeper kind of MG, now that I’ve done so many fun ones. I mean, they all have a bit of emotional heft, but I’d love to go deeper and do something more substantial as far as that goes. When I think of some of my favorite MG novels, there is a subtlety about them that is so beautiful in the theme(s) they explore, and when the tender moments happen, you really *feel* them. If that makes sense? I’m thinking of books like BECAUSE OF WINN DIXIE, RULES, and THE ONE AND ONLY IVAN. It is not easy to write a MG novel that kids can enjoy and relate to but is also one that makes you think and feel deeply. Moving forward, I want to try to do more of that. Maybe. Hopefully.

Suzanne: I have to say that middle grade is my sweet spot. I love writing for this age. I think I’m still 12 at heart. These are the most natural books for me and I’d be happy to write for this age for the rest of my life. I’m so proud to call myself a middle grade author.

YA, however, is not such a natural fit for me. I’m not drawn to edgy, or dark. I tend to write about magic and adventure.

3. What do you see as the primary difference(s) between writing for middle grade vs. writing for YA audiences?

Elana:  I don’t think there is any topic too big or too small for either a middle grade or a YA audience. The same questions that tugged at me when I was eleven haunted me through my teens and into adulthood. Those questions tug at me now, as a writer, whatever I am writing.  And I never try to teach a lesson or impart a moral code. My job–whatever the book, whomever the audience– is to tell the only stories I can tell, as clearly and truthfully as I know how.

Megan: For me, when I write MG I feel more free to follow ideas however magical or whimsical. Writing YA I tend to be more grounded. I must say that this is a personal distinction, and not anything I would consider a rule of YA vs. MG. It’s just what I’ve done so far. I would love to write gorgeous YA magical realism like Laura Ruby’s Bone Gap, but that type of idea hasn’t come to me yet.

Lisa: I think it’s a matter of keeping in mind the issues that those audiences are dealing with, as far as realistic fiction goes, and considering what the younger audience is equipped to handle. Middle-grade readers are just learning that they can have different thoughts, ideas, opinions, and wishes from their family members and friends, and that sometimes that can create conflict between people. It’s not easy trying to figure out how to get along with everyone, especially at school, where you have lots of different kinds of personalities. So it’s learning how to navigate their small world as they are becoming their own person. With YA, they are learning how to navigate the bigger world, the world at large, as they continue to grow and change. Family and friends still play a part in that, of course, but mistakes and/or disagreements usually have bigger consequences. I think there’s also this extreme need for teens to be independent, so when problems occur, they aren’t asking their parents about things, they’re trying to figure it out on their own, and that is not always easy to do.

Suzanne: For me, the biggest difference was….ROMANCE.

When I wrote Saving Juliet, my first YA, my editor called me after reading the first draft and said, “Suzanne, it’s good but where’s the romantic interest?” I was befuddled. The what? “You know, the cute guy. The one she’s in love with. You can’t write YA without some element of romance.” You can’t? Well, that sucks. I didn’t now the first thing about romantic tension. I figured it out, eventually, but it took time.

You don’t need romance in MG. Not one drop. Fourth graders are perfectly happy to read about traveling to an imaginary world and no one has to be crushing on anyone!

4. Do you plan to write more MG?

Elana:  Yes, I find that I love working on stories about younger people. My second middle grade novel, FAR FROM FAIR, will be published by Houghton Mifflin Harcourt in the spring of 2016, and I continue to develop ideas about middle grade people as well as teens.

Megan: Yes, definitely. I’m working on revisions for a MG project due out next year from Bloomsbury called The Firefly Five.

Lisa: Yes! I love it too much to stop anytime soon.

Suzanne: Yes. I just finished book #6, The Fairy Swarm, which will release in Oct, and I am under contract for three more Ever After High books. I’m working on a single title that I hope to sell, maybe this fall. I’m not sure if I’ll write another YA. I haven’t ruled it out entirely. If there’s a story that I can’t ignore, then I’ll write it. But at the moment, my heart and soul are in the middle grade world.

Check out these new middle grade books by Elana, Megan, Lisa and Suzanne!

Elana bookMegan book

lisa booksuzanne book1suzanne book2

 

Kitchen Chaos—a Yummy Giveaway

Kitchen Chaos is the first book in the fun new MG series, Saturday Cooking Class, by JillEllyn Riley and Deb Levine.

kitchen chaosThe authors stopped by to chat with the MUF. Here’s what they had to say:

Deb:

I love food. I love to read about it, think about it, shop for it, and–of course–eat it. But I don’t love to cook it. Oddly enough, it took me most of my adult life–that’s thousands of meals–to realize this about myself. The thing is, I love the idea of cooking–it’s the act of doing it I dislike. I don’t have the patience for all of the measuring and peeling and chopping and mixing and blanching…you get the idea. I’m a lazy chef, and an even lazier recipe follower–which drives my husband, who comes from a long line of Viennese bakers, absolutely crazy. If I don’t have an ingredient on hand, I’d rather skip it or improvise than run to the store and buy it. Sometimes, I’m lucky, and whatever I substituted actually works. Other times, my slacker tendencies are a recipe for disaster.

I’ve written about food from time to time throughout my career, for magazines and in a non-fiction book I authored about the history and traditions of Valentine’s Day (with recipes!). But before The Saturday Cooking Club  books ( The Icing on the Cake ,  the second in the series, hits shelves in September) , I’d never written so much about the act–or, as I now understand it, the art–of cooking. A few chapters into Kitchen Chaos,  I discovered that I have almost as little patience for writing about cooking as I have for, well, doing it.

Luckily, I have a co-author who understands that good food–and good food writing–can’t be rushed. JillEllyn’s instincts about how much detail and history to include in the chapters about cooking (which is most of them) made our books not only more authentic, but also more fun. With her help, as long as The Saturday Cooking Club series continues, I’m determined to keep fending off my impatience with the cooking scenes. I’m not quite as committed to self-improvement when it comes to actual cooking, however. So if you send me an invitation to a dinner party and I promise to make something, what I really mean is that my husband will bake.

JillEllyn:

Unlike my co-author Deb, I don’t get swept up in recipe reading or get excited walking through a farmer’s market imagining what we could eat for dinner. But as she would quickly point out, I do cook. I definitely cook. There is something about the chopping & the measuring, the pouring & the sifting, the folding & the beating, that feels like telling a story. It has a beginning, a middle, and an end. There is a journey from start to finish, an evolution. While I cook, I feel like I am telling a story, the story of my family. In our family, the food defines us, the food tells us who we are and where we came from — it describes the time of year, celebrates the occasion, sets the tone and reflects the atmosphere. Summer is here when a blueberry buckle emerges from the oven, with its cinnamon topping bubbling and crackling.  If not for the dozen different kinds of Christmas cookies–some requiring complicated steps over multiple days at a time–will the magic of Christmas really unfold?
Both of my grandmothers were excellent cooks. One grandmother relished the planning and the prep, she found the hours in the kitchen productive, nurturing, and necessary. For my other grandmother, there were books to be read, surfaces to be painted, ideas to be pondered. Still, she always cooked. They used their food to tell the story of our family. The treats on their tables showcased the eras that shaped them–the stringencies of the Depression or the conveniences of the 50s & 60s (Jello salad anyone?). Now, in the years since they died, great-grandchildren continue to ask for Nana’s fudge or apple sauce or wilted salad. Cooking their food brings them with us, keeps them in the ongoing story even as it writes itself in Brooklyn–years and miles away from where it started. So I may not love to cook, but I do love to keep telling the family story, through food.
Kitchen Chaos is  the story of three diverse, spunky seventh grade girls who discover that sometimes, you just have to stir things up. Their adventures mix friendship, family, food, and a pinch of romance. When they wind up taking a cooking class with their trio of strong-willed moms, well, things definitely get hot in the kitchen…
Thanks, you two! You’ve got our mouths watering. Deb and JillEllyn are giving away FIVE Copies of their new book. To be eligible, just leave a comment below.

Magic (Realism) for Muggles

My best friend since sophomore year of high school is still like the twin sister I never had twenty years later. Over the years, we’ve shared a love of music, cooking, gardening, and books. But where I go for anything with elves, wizards, mythology, or really anything magical, she remains grounded in the world of contemporary when it comes to books and movies. I mean seriously, I can tell you that she goes all Aunt Petunia when it comes to magic and she won’t even know what I’m talking about because she refuses to read Harry Potter (possibly just to spite me).

I still love her, even now that she’s passing her muggle ways on to her 10-year-old daughter.  And she forgives me my crazy love of reading and writing fantasy, even if she doesn’t understand it.

This does make recommending books harder, though, and seriously, what good is having an author for a best friend if she’s not constantly recommending books for you AND your kids?

So here is my book list of middle-grade magical realism for muggles like my best pal and her daughter who aren’t ready to embrace high fantasy, but need a snicker of magic on their bookshelf.

A Snicker of Magic by Natalie Lloyd

A Snicker of Magic by Natalie Lloyd

From IndieBound: Midnight Gulch used to be a magical place, a town where people could sing up thunderstorms and dance up sunflowers. But that was long ago, before a curse drove the magic away. Twelve-year-old Felicity knows all about things like that; her nomadic mother is cursed with a wandering heart.

But when she arrives in Midnight Gulch, Felicity thinks her luck’s about to change. A “word collector,” Felicity sees words everywhere—shining above strangers, tucked into church eves, and tangled up her dog’s floppy ears—but Midnight Gulch is the first place she’s ever seen the word “home.” And then there’s Jonah, a mysterious, spiky-haired do-gooder who shimmers with words Felicity’s never seen before, words that make Felicity’s heart beat a little faster.

Felicity wants to stay in Midnight Gulch more than anything, but first, she’ll need to figure out how to bring back the magic, breaking the spell that’s been cast over the town . . . and her mother’s broken heart.

El Deafo by Cece Bell

El Deaf by Cece Belle

From IndieBound: A 2015 Newbery Honor Book Going to school and making new friends can be tough. But going to school and making new friends while wearing a bulky hearing aid strapped to your chest? That requires superpowers In this funny, poignant graphic novel memoir, author/illustrator Cece Bell chronicles her hearing loss at a young age and her subsequent experiences with the Phonic Ear, a very powerful–and very awkward–hearing aid.

The Phonic Ear gives Cece the ability to hear–sometimes things she shouldn’t–but also isolates her from her classmates. She really just wants to fit in and find a true friend, someone who appreciates her as she is. After some trouble, she is finally able to harness the power of the Phonic Ear and become “El Deafo, Listener for All.” And more importantly, declare a place for herself in the world and find the friend she’s longed for.

Unusual Chickens for the Exceptional Poultry Farmer by Kelly Jones

Unusual Chickens for the Exceptional Poultry Farmer by Kelly Jones

From IndieBound: Fans of Polly Horvath or Roald Dahl will love this quirky story of a determined girl, and some extraordinary chickens.

Twelve-year-old Sophie Brown feels like a fish out of water when she and her parents move from Los Angeles to the farm they ve inherited from a great-uncle. But farm life gets more interesting when a cranky chicken appears and Sophie discovers the hen can move objects with the power of her little chicken brain: jam jars, the latch to her henhouse, the “entire” henhouse….

And then more of her great-uncle’s unusual chickens come home to roost. Determined, resourceful Sophie learns to care for her flock, earning money for chicken feed, collecting eggs. But when a respected local farmer tries to steal them, Sophie must find a way to keep them (and their superpowers) safe.
Told in letters to Sophie’s “abuela, ” quizzes, a chicken-care correspondence course, to-do lists, and more, “Unusual Chickens” is a quirky, clucky classic in the making.

The Great Unexpected by Sharon Creech

The Great Unexpected by Sharon Creech

From IndieBound: Humorous and heartfelt, this is a story of pairs–of young Naomi and Lizzie, both orphans in present-day Blackbird Tree, USA, and of Sybil and Nula, grown-up sisters from faraway Rook’s Orchard, Ireland, who have become estranged.

Young Naomi Deane is brimming with curiosity and her best friend, Lizzie Scatterding, could talk the ears off a cornfield. Naomi has a knack for being around when trouble happens. She knows all the peculiar people in town–like Crazy Cora and Witch Wiggins. But then, one day, a boy drops out of a tree. Just like that. A strangely charming Finn boy. And then the Dingle Dangle man appears, asking all kinds of questions. Curious surprises are revealed–three locked trunks, a pair of rooks, a crooked bridge, and that boy–and soon Naomi and Lizzie find their lives changed forever.

As two worlds are woven together, Creech reveals that hearts can be mended and that there is indeed a gossamer thread that connects us all.

The Fourteenth Goldfish by Jennifer L. Holm

The Fourteenth Goldfish by Jennifer L. Holm

From IndieBound: Galileo. Newton. Salk. Oppenheimer.
Science can change the world . . . but can it go too far?

Eleven-year-old Ellie has never liked change. She misses fifth grade. She misses her old best friend. She even misses her dearly departed goldfish. Then one day a strange boy shows up. He’s bossy. He’s cranky. And weirdly enough . . . he looks a lot like Ellie’s grandfather, a scientist who’s always been slightly obsessed with immortality. Could this pimply boy really be Grandpa Melvin? Has he finally found the secret to eternal youth?

With a lighthearted touch and plenty of humor, Jennifer Holm celebrates the wonder of science and explores fascinating questions about life and death, family and friendship, immortality . . . and possibility.

The Time of the Fireflies by MUF Contributor Kimberley Griffiths Little

The Time of the Fireflies by Kimberley Griffiths Little

From Kimberley‘s web site: When Larissa Renaud starts receiving eerie phone calls on a disconnected old phone in her family’s antique shop, she knows she’s in for a strange summer. A series of clues leads her to the muddy river banks, where clouds of fireflies dance among the cypress knees and cattails each evening at twilight. The fireflies are beautiful and mysterious, and they take her on a magical journey through time, where Larissa learns secrets about her family’s tragic past — deadly, curse-ridden secrets that could harm the future of her family as she knows it. It soon becomes clear that it is up to Larissa to prevent history from repeating itself and a fatal tragedy from striking the people she loves.

With her signature lyricism, Kimberley Griffiths Little weaves a thrilling tale filled with family secrets, haunting mystery, and dangerous adventure.

You Will Call Me Drog by MUF Contributor Sue Cowing

You Will Call Me Drog by Sue Cowing

From IndieBound: Parker is a normal sixth grader or he was normal before the puppet. It’s just an old hand puppet, sticking out of a garbage can, and even though Parker’s best friend says leave it, Parker brings the puppet home and tries it on. Or maybe it tries him on. “You will call me Drog ” the puppet commands once they’re alone. And now, no matter how hard Parker tries, he can’t get Drog off his hand.

Maybe the only way to get rid of Drog is to truly listen to him.

The Buddy Files series by MUF Contributor Dori Hillestad Butler

The Buddy Files by Dori Hillestad Butler

The Buddy Files series is a great choice for younger readers.

From IndieBound: There have always been rumors of a ghost at Four Lakes Elementary. On the night of the fourth grade sleepover, Mr. Poe, the custodian, tells the story of Agatha, the girl who haunts the school. Then secret notes, unusual banging, and a ghostly voice invade the sleepover. Buddy is determined to find out if there really is a ghost.

 

 

 

 

Seven Stories Up by Laurel Snyder

Seven Stories Up by Laurel Snyder

From IndieBound: In this companion to Laurel Snyder’s “Bigger than a Bread Box,” a leap back in time and an unlikely friendship change the future of one family forever.
Annie wants to meet her grandmother.

Molly wishes she had a friend.

A little magic brings them together in an almost-impossible friendship.

When Annie wakes up on her first morning at the Hotel Calvert, she’s in for a big surprise. There’s a girl named Molly in her bed who insists the year is 1937 and that this is “her” room Annie’s not sure what happened, but when she learns that Molly’s never been outside the hotel, she knows it’s time for an adventure. Magic, fortune-telling, some roller skates, a rescued kitten, and the best kind of friendship make up the unforgettable story of two girls destined to change each other’s lives.
Like Judy Blume before her, Laurel Snyder writes characters that feel like your best friend. Anne Ursu, author of “The Real Boy.”

What are your favorite middle-grade books with just a snicker of magic in them? Leave a comment with your own recommendations below!