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Visions of Gold and Silver

The milk and cookies are waiting by the fireplaces, stockings are hung, candles are lit in windows the world over and you know what that means? The book award fairies are on their way to spread holiday cheer and shiny gold and silver stickers as they do every year for a few very special books.
il_340x270.310268467It’s mock Newbery season and many library systems and bookstores around the country are posting the results from their hard working mock Newbery and mock Caldecott groups. Here are some links to the ones I know about.
If you’ve ever wondered how those sticker wearing books are chosen here are some links to the criterion for a few of the Middle Grade eligible awards.
If you like to follow the conversation about this years books, Heavy Medal provides lively and informative chat about this year’s crop of contenders.
And here’s the unsung part of the book award story. The librarians who serve on these book award committees usually do so without extra pay. They travel to several meetings in their award-choosing year. They spend countless hours on email communicating with committee members about the titles, and they read hundreds of books. Here’s the thing that surprised me most about the committee members. They often read books many times over. I heard from one committee member that she read a title eight times–a title that didn’t get a sticker in the end. The final winning books are sometimes read many more times than that.
As an author, it would be easy to be discouraged by how few books are singled out for award stickers each year. But here’s something that I have found very encouraging. Each award committee is made up of librarians from across the country and those librarians, following their year of service on an award committee, go back to their communities and advocate for the books they loved, but perhaps didn’t give a sticker to, to be included on state reading lists for children’s choice book awards and Battle of the Books lists.
These state level book awards, though they don’t get the fanfare of a national award are the engine that keeps literary fiction for children in print. Year after year, librarian’s around the country work very hard to choose a list of books for their local readers which are deep and diverse and have the potential to become classics. What I love is that these state reading lists are not the same fare being pushed at the local big box store. They are not always the books that are already best sellers or have a huge marketing push. They really look for those gems that will serve their children well. So if you’re looking for that next great read for a child in your life, look no further than your own state’s reading lists. These programs are generally found under

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your state library association, so for me that would be the Oregon Library Association, or the local Council of Teachers of English.  Battle of the Books is a reading incentive program worthy of a post all it’s own. Here’s a link to the one in my state. Oregon Battle of the Books
So for all you hard working librarians out there, thank you from all of us at the Mixed Up Files for your hard work in championing excellence in children’s books and for sharing your favorites far and wide. Joy and peaceful hours of good reading in your new year!
For all you teachers and parents and writers out there, is there a librarian who’s made a difference in your life? I’d love to hear about them in the comments.

A Lesson from Miracle on 34th Street

Building on TP Jagger’s fabulous post on what writers can learn from Christmas songs, today’s post will explore what writers can learn from the classic Christmas movie, Miracle on 34th Street.  In case you aren’t familiar with this gem, here’s a quick description: when no-nonsense Doris Walker hires  a man to play Santa for Macy’s department store, she quickly finds out that while he is the Best Santa Ever, the man also genuinely believes he is Kris Kringle.  Doris, once burned by love, does not believe in Santa or other fantasies, and does not allow her daughter, Susan, to believe in Santa, either.  Kris Kringle sets to work on changing Susan’s mind, while Doris’ neighbor, Fred Gailey, tries softening Doris’ hard worldview.   When Kris’ mental health is challenged in court, everyone involved finds that their views of Christmas have changed because of meeting Kris.  (Note: This movie is so popular that it has been remade several times; do yourself a favor and watch the original 1947 version.)

miracle on 34th

See this one first!

There are four main characters in the movie: Kris Kringle, Doris, Susan and Fred, but the movie is well-buttressed by several secondary but important characters.  There is RH Macy, Doris’ boss, who insists on keeping Kris In spite of his apparent delusions because he is so popular with the customers.  Granville Sawyer is the company psychologist who takes a disliking to Kris, and forces the mental health hearing.   We meet the prosecutor and his family, as well as the judge in charge of the hearing and his political advisor, who reminds the judge that finding against Kris could create a public backlash.

Write your secondary characters as if they are the main characters.

What’s remarkable about all the characters is that while they exist to move the story along, they are also handled with much care and detail.  When I watched the movie this year, I could not help but marvel at how fully developed they were.  Each one brings to life the writing advice, write your secondary characters as if they are the main characters.  We know what each character wants, whether it’s boss man Macy wanting to beat rival Gimbels, or the political advisor seeking a winning election for the judge.  We also get to meet their families and see others interact with them, not just for the purposes of the story, but for their own sake.  You even know the opinions of the district attorney’s wife and meet the judge’s grandchildren.  (My favorite family background moment is when Kris questions whether the twitchy company psychologist is happy at home.  Mr. Sawyer does not respond immediately, but eventually announces, with a bit too much protestation and much manic plucking at the eyebrow, that he has been happily married to Mrs. Sawyer for many years, thank you very much.)

The next time you’re adding a minor character to your story, consider whether he or she (or it!) can be more than a cardboard cog for the story.  Do they have their own motivations and backgrounds?  How would they tell the story from their point of view?  And then, if you like, add your own cinematically-inspired writing advice in the comments below!