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From the Classroom – Building Knowledge with Text Sets

By on December 23, 2024   /   For Teachers, From the Classroom  

Welcome to one of our newest features – From the Classroom – sharing tips and tricks for integrating a love of middle grade books and authors into your classroom. This month we are looking at using text sets to build knowledge.

What are Text Sets?

A text set is a collection of sources that support a common theme, issue, or topic. This can include fiction of all types (books, short stories, picture books, etc.), non-fiction titles, poetry, images, newspaper articles, songs, interviews, and other primary and secondary sources. The goal is to move from a textbook or one text only classroom to a multi-text classroom where the focus becomes studying concepts more in-depth to help build knowledge rather than the content of just one text. This always reminds me of the “if you liked this book, you would enjoy reading this book” lists and infographics you might see at the library or online, but instead the goal is to be deliberate about helping our students become mini-experts on a topic!

Mary Ann Cappiello and Erika Thulin Dawes recommend the following steps to build text sets:

  • Start with the content – What do the students need to know/what concept do you need to teach? It’s great to have a middle grade text serve as your anchor for the text set.
  • Build the text set – Find all sorts of material that will support the concept you will be teaching.
  • Organize the texts – What will you read first? Second? At the same time? Why?
  • Responding to the Text  – What will you have the students do before/during/after reading?

A great place to start is with your standards to figure out what topics or concepts to teach and what students should know and be able to do with these topics and concepts.

Sample Text Sets

Below are a fiction and a non-fiction text set for any middle grade classroom.

Fiction

Studying fictional characters in class? Why not change it up and study villains instead of the usual boring, goody two-shoes heroes! Think of all the conversations you could have about villain character motivations, villain character’s impacting the plot, irony, and more. You could probably build a villain text set around anything, but since it’s the holiday season, I thought a great picture book tie-in would be How the Grinch Stole Christmas. Use that in conjunction with a clip of Scar’s song “Be prepared” from the Lion King and examine the lyrics, specifically. Finally, read any great middle grade novel with a great villain (I chose Artemis Fowl by Eoin Colfer), and you have a high-interest text set about villains!

cover of How the grinch stole christmas by Dr. Suess

 

cover of artemis fowl by eoin colfer

Non-Fiction

I recently picked up Dan Sasuweh Jone’s latest Stealing Little Moon: The Legacy of the American Boarding Schools. What’s great about middle grade non-fiction books is they come complete with a well-researched bibliography which are perfect for creating text sets. Taking from this bibliography, a great text set could include reading portions if not all of the book, examining a picture of a student before and after they entered a school, and reading a newspaper article about the federal government’s response.

cover of Stealing little moon by Dan Sasuweh Jones

Main Text

picture of Hastiin To-Haali before he entered school and then tom torlino after being in schol

Picture of Hastiin To-Haali before entering school and as Tom Torlino after being in school

picture of chemawa cemetery in Oregon

Article: Interior Department leaders decry traumatic legacy of federal boarding schools for Native American children by Rob Manning

Don’t forget to check out the National Park Service’s amazing article for teaching ideas (complete with standards, objectives, and activities) about this topic!

Bonus: Need help with students who might not be reading at grade level? Check out the Middle School TopicReads at TextProject.org

Where to Start?

Take a look at some of the many books recommended here on the Mixed Up Files and then start finding other texts, resources, poetry, images, and primary and secondary sources to support your topic and standards.

In the comments, share your favorite text sets you already use in the classroom or are thinking about using in the future!

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Diversity in MG Lit #50 December 2024

By on December 18, 2024   /   Articles, Diversity, For Librarians, For Parents, For Teachers  
Friends, I started writing these Diversity in MG Lit posts six years ago in the fall of 2018. Today marks my 50th post. I wanted to reflect on how far we’ve come and where we might best spend our energy in support of diverse books in the future.
The Cooperative Children’s Book Center has been carefully and exhaustively compiling data on the racial and cultural composition of children’s book characters and children’s book authors and illustrators. Their data shows broad and consistent advances in the number of children’s books both by diverse creators and about diverse characters. The improvement has been particularly strong for Black, Asian, and Latine creators and characters. Each of those categories include more than 10% of the children’s books studied. Indigenous American, Pacific Islander and Arab titles saw a doubling over the last six years though the overall numbers are lower than 10%.
Equally encouraging is the recognition diverse titles receive.  Taking the window of 2018-2024, all the National Book Award winners but one were diverse. And in the ten years before that (2007-2017) six of the ten winners were Black, Indigenous, or Asian.
The American Library Association has many book awards meant to elevate diverse books and their creators. But if we only look at the Newbery Award which does not make race or ethnicity of the author a qualification, all but one of the Newbery medals from 2018 to 2024 went to diverse authors–86%. Each Newbery committee can select as many as 5 honor books in a year. There were 26 honor books and 77% of them went to diverse authors.
This is all very encouraging and has come about due to the efforts of groups like We Need Diverse Books which formed to address this issue in 2014. It’s worth remembering that teachers, librarians, and independent booksellers have been pushing for greater diversity for many decades before social media brought the issue to wider attention.
We have much to celebrate as we complete the circle of another year. And yet there has been a dramatic rise in book banning and virtually all of it targets books for young readers by diverse creators and about the diverse experience. The LGBT+ experience has been a particular target of book banning.
Many anticipate that these bans will increase as the Trump administration takes office. Some states, most recently New Jersey, have passed laws to prevent book bans. Local action does seem to be the most effective deterrent. Book banning is broadly unpopular even among conservatives. And most book banning attempts ultimately fail, though not without causing disruption and heart ache. For my part I plan to pay close attention to my local school board and encourage my state representatives to enact anti-book ban legislation.
I have a far bigger concern than the bans though. Most diverse books are bought by teachers for their in-class collection or by librarians for school and public libraries. The children who need diverse books the most rely almost entirely on these free access opportunities. However, school and library funding has been decreasing for years. The most diverse communities have little or no access to an independent bookstore leaving them only the smaller inventory at big box stores. For example, I work at a medium-sized indy in Portland. Our middle grade section holds hundreds of individual MG titles. By contrast the local Target typically has no more than 30 MG book choices.
In some ways because book bans are emotionally-laden events, they distract from a far more dangerous agenda. Project 2025 would destroy public education as we know it.  Among many objectives, it calls for the elimination of Title 1 funding and Head Start programs. Those programs make literacy possible for millions of low income and mostly diverse children. If those children never learn to read, it will not matter how many diverse books we create for them.
So although I will gladly continue to trumpet the arrival of new diverse books for middle grade readers, the lion’s share of my attention will go toward protecting public education and public libraries for all children. Our teachers and librarians and all of our children have never needed our support more.
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STEM Tuesday– Cryptography (Math)/Spy Science– Writing Tips & Resources

By on December 17, 2024   /   Cryptography/Spy Science, STEM Tuesday  

 

noun: cryptology

  1. the study of codes, or the art of writing and solving them.

As an advocate for STE(A)M, I want to connect cryptology to the arts. It may seem an unlikely connection, but there are many examples of hidden messages in literature, music, and visual art. I give examples below and include an art activity and a link to an article that gives examples of contemporary hidden messages.

Literature

For older readers, there is the classic THE DAVINCI CODE by Dan Brown. Many of you may have wondered (I sure did) how much was real and how much made up. But this post isn’t about the novel but using it as an example of code in literature. Middle grade writers like Blue Balliett and Ellen Raskin incorporate puzzles to solve and provide clues for an alert reader. I enjoy stories about secret messages and clues and it adds another level of mental activity to the reading.

Music

Music has provided opportunities as well for secret meanings. I’ve included classical examples here. And one of my favorite musical examples is in the Alfred Hitchcock film “The Lady Vanishes.” Miss Froy disappears but not before she entrusts Iris and Gilbert with a musical phrase that passes a secret message to the Foreign Office.

From the online article Musical Cryptography: Hiding Messages in the Music! (link below) from PuzzleNation Blog.

 This sort of musical wordplay appears in compositions by Ravel, Debussy, and Shostakovich among others. Johann Sebastian Bach did this often enough that the succession of notes B-A-C-H is now called a Bach motif.

The composer Dmitri Shostakovich lived under a very repressive regime in Russia. He included passages in his compositions that “critiqued” the government. However the members of the government didn’t know enough about music to see that. This was dangerous because penalties for speaking against the government were severe.

Visual art/graphic design

For an activity this month, I am looking at Secret Messages in a way we see every day. The opportunities to be a spy are few these days, but knowing how to spot messages coming to you is a good skill. According to John Hopkins Center for Talented Youth, Cryptology is the study of the codes and ciphers used to create secret writing. We usually think of spies and stories, but there is “secret writing” all over.

For instance, in the article 36 Hidden Messages in Company Logos You See All the Time, by Kelly Kuehn (link below) you can see how people are influenced without even realizing they are being influenced. Check out the article for other examples.

You may have thought the dot over the “i” was used to give the logo a pop of color, but it’s actually part of a hidden—and creative—message. The red dot is actually a bowl of salsa. The two T’s are people, and the yellow triangle in between them is a chip. It’s supposed to represent people coming together to share a tasty snack of chips and salsa.

Once you know that this is common, you can find examples of hidden messages all over.

When I was teaching graphic design in at university, I had the students make 50 (yes, 50) small logo sketches, known as thumbnails, with their initials. We used tracing paper and pencil and it was about ideas, not perfection. Then we could discuss the merits of some of the individual ideas and use them to move on to a more polished design. You can, of course, make fewer sketches – how many you need to get the idea you like.

There are two aspects to consider. One is the visual part. Is it attractive? Colorful? Compact? Attention getting?

The second aspect is the underlying meaning. Does it respond to the personality of the designer? And – does it say more than an initial quick glance would reveal? Here is where the hidden meaning comes in. This requires higher level thinking to manipulate the space to include a secret message.

It helps to have a plan.

  1. What is the overall spirit of the logo? Some possible answers are serious, playful, sporty, mysterious. Write it down to remind yourself.
  2. What is the secret message? Your answer to #1 might be sporty so somewhere there could be the shape of say, a soccer ball or a running shoe. Can you incorporate it into the design so that it isn’t immediately apparent, but is easily recognizable? There are many books on logo design, both how-to and the best-of.
  3. Try to make the final drawing clean and in black and white.

Yes, a challenge. Sometimes it helps to work with a partner or a team, the way a professional design studio would work.

After settling on an idea, then make a Very Clean drawing.  The drawings can be scanned (at 300dpi) as jpgs or pngs, for use on such documents as school assignments. For younger grades, a rubber stamp or stickers are fun for embellishments.

Have fun with your secret message logo!

 

Margo Lemieux is professor emerita at Lasell University and spent time in October doing plein air painting in cranberry bogs.

 

Hiding Messages in Music

Musical Cryptography: Hiding Messages in the Music!

 

More musical messages

https://www.atlasobscura.com/articles/musical-cryptography-codes?mc_cid=82ccbfcf25&mc_eid=d3196740af

 

Cryptology definition

https://cty.jhu.edu/programs/on-campus/courses/cryptology-code

 

Company Logos You See All the Time, by Kelly Kuehn

https://www.rd.com/list/secret-messages-company-logos/

 

 

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