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The Problem with (Too Many) Ideas

By on April 24, 2019   /   Articles, For Kids, For Librarians, For Parents, For Teachers, For Writers  

There are two kinds of people.

People who think like writers. And people who don’t.

Give a class of fifth graders blank paper and and tell them they can write about anything they choose. Those who don’t think like writers will stare at the page. They will fidget. They’ll gaze into the middle distance, as if to summon an idea from the atmosphere. Before long, the teacher will see the frustration begin to rise and she’ll remind them of the time the author came to school and talked about how ideas are all around us and we must only keep our eyes and ears open to find one.

But I want to talk about those who think like writers. Those students may also stare at the blank page, fidget, and appear filled with angst, but it’s for a different reason. Those who think like writers have no shortage of ideas. They have ideas stacked upon ideas stacked upon ideas. If they are hesitating, it’s because they can’t possibly choose between the many fabulous ideas they have swimming around in their brains.Image result for crossroads

Writers talk a lot about where to find ideas.  (Keep your eyes open. Keep a journal. Listen. Engage in the world around you. Observe the world around you. Read the newspaper. Ask questions. Etc. So on. You know.)

But we seldom discuss what to do about all of the ideas we have.

I’ve been struggling with too many ideas myself this past year. Some folks might be unsympathetic to this plight, especially those who feel challenged to come up with ideas. But, believe me, having too many ideas can be just as damaging to productivity.

That shiny new idea always seems better than the tired old one I’ve been working on for months years.

I bounce from project to project, working on many, completing none.

I can’t decide which idea to tackle today, so I flip through social media and waste a few minutes hours days while I consider which idea is the best one to work on.

When the going gets tough on WIP (Work In Progress) #1, I don’t stick it out. Why should I when I have WIP #2, #3,  and #4 through #47 to turn my attention to?

Let’s talk about what to do when we have TOO MANY ideas.

Triage. I love this word. And the first time I ever heard it applied to ideas was at Picture Book Boot Camp with Jane Yolen. Jane has TOO MANY ideas. You don’t publish over 365 books without having an abundance of ideas. But daily, Jane triages her ideas so that she can focus on THE ONE. She might do this several times a day, but that’s okay. We need to rank our ideas: those that will die without our immediate attention and those which can lounge around a while, waiting for us.

But by what criteria do we make these life-and-death decisions? I’ve identified five ways. Here they are, not necessarily in order of importance.

  1. The idea with a deadline. This is often a no-brainer. You work on the project that someone else is expecting. But just like a student with a homework assignment, it isn’t always what you’re excited about working on. Still, if an editor or agent is waiting, it makes sense to put this idea on the top of the stack.
  2. The idea that won’t leave you alone. These ideas don’t like to be pushed aside. They follow you home from work. They jump in the shower with you (of all the nerve!) They lay awake at night and make sure you do, too. If you have an idea following you around like a lost pup, then you might want to give it some attention. It will LOVE YOU for it.
  3. The idea that is new and exciting. Use caution here. Sometimes the idea that is new and exciting is nothing more than a distraction. But, once in a while, that new and exciting idea is one that can’t wait. To be honest, the idea probably can wait. But your enthusiasm carries some clout. If we’re really, really into something, we’re likely to give it our best attention. If you are passionate about a new idea, at least explore it a little. You’ll know soon enough whether it’s a distraction or your new WIP.
  4. The idea that is almost done. This idea used to be new and exciting. A long time ago. When it was new. And exciting. But now it’s the WIP that has been whipping you for months or years. The thing is, it’s still good, but you gave up too quickly (likely when Miss New and Exciting showed up) and now it feels like drudgery to return to the scene of the abandonment. But, consider the time and energy you’ve already invested. If you just put in a little more time, the results might be amazing. And, even if they aren’t quite amazing, you’ll have a completed manuscript. And that has much more potential than an incomplete one.
  5. The idea that is timely.  Sometimes an idea can’t wait. As I put the finishing touches on this post, which is scheduled for April 24th, I notice that today (April 22nd) is Earth Day. I also learned that this is the 49th anniversary of Earth Day. That means next year at this time, the world will celebrate the 50th anniversary of Earth Day. If I had a brilliant idea for a book plot that centered around Earth Day, next year would be the ideal time to get that book out into the world. If I had such an idea (I don’t), it would have been worth setting aside something else this past year to work on it. In fact, books that will release in the spring of 2020 have already been written, submitted, accepted, and are in the editing process right now. For some ideas, timing is everything.

Having  too many ideas may make it difficult to focus our energy on just one at a time, but look at the bright side. We’ll never run out of inspiration. We’ll write until we can’t write any longer and, perhaps, leave some ideas behind for others to explore. It’s a lovely problem to have.

If you have TOO MANY IDEAS, embrace them. And triage with confidence.

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STEM Tuesday– Mixing Science and Poetry/Verse — Writing Tips and Resources

By on April 23, 2019   /   Common Core & NGSS, Cross-Curricular, Poetry/Verse, STEM Tuesday  

There’s an old baseball saying that states, “The ball will find you.”

It’s based on this odd predisposition for a baseball to be hit right at you if:

  • You just entered the game cold (The closer and more intense the game, the more likely a screaming line drive will be soon be headed directly at your head.)
  • You’ve just made an error.
  • You have an injury but keep playing at less than 100%.
  • You’re playing a defensive position you don’t normally play.

“The ball will find you.” is a commentary on how a flaw or weakness in a system always seems to be exposed at a critical juncture. In baseball, we often attribute such a phenomenon to the wrath of the baseball gods.

The ball will find you.

I tell you this because there must also be a Mixed-up Files version of “The ball will find you.” that the middle grade, kidlit gods apparently have decided to haunt me with.

“Poetry will find you!”

Several months ago, after the STEM Tuesday leader supreme, Jen Swanson, emailed the group to announce she had posted the upcoming monthly STEM Tuesday themes. I rushed my mouse to the MUF bookmark, logged in, and scrolled to my assigned month of April.

Topic?

STEM Tuesday–  Mixing Science and Poetry/Verse.

I LOL’d

I rolled out of my desk chair to the office floor, laughing maniacally like the Joker after he’d just pulled one over on Batman. From the next room, my adult children expressed concern to my wife, who nonchalantly waved them off, “Just another of your father’s poetry fits. No worries.”

No worries. Here I am. Fully recovered. Poetry fit behind me? Well, let’s just say I’m ready to accept the sentence placed upon me by the MUF “Poetry will find you” curse.

Poetry will find me.

And you know what?

That’s not a bad thing.

I think I’ll give this poetry/science thing a go…

Roses are red

Violets are blue

When working with elephants

Don’t step in the doo-doo

 

Muses and Poets via Wikimedia Commons

Obviously, my poetry skills are lacking. I do, however, possess adequate mental faculties to observe poetry and STEM have quite a few similarities. We can even, for argument’s sake, go as far as to classify STEM and poetry as close relatives who manage to stay civil even outside of major holidays.

“What in the whiskers is he talking about this time?” you ask.

Poetry and STEM on level intellectual ground? Is this coming from a 30-year microbiologist? You must think this guy took way too many of those screaming baseball line drives to the head. (The answer is “No”. The majority of those screaming line drives went through my legs or off my kneecap, chest, shin, or various other body parts. Very few went off my noggin and even fewer went into my ball glove.)

Give me a chance to shine some light on this poetry/STEM connection with the following five points.

Both STEM and Poetry rely on elements that are quantifiable and measurable.

  • One can measure the beats in a couplet, a quatrain, or a septet just as one can measure the excitation and emission wavelength spectra of a fluorophore.
  • There are a definable rhythm and cadence to a poem just as there are for a parasite’s life cycle, embryo development, building a bridge, programming a robot, or quantum theory.

Both STEM and Poetry follow rules and formulas.

  • Just as we have theorems and equations to help define the physical world, poems have form, patterns of sound, meaning, and meter.

Both STEM and Poetry extract meaning from observation.

  • Poetry attempts to describe observations through words and form.
  • STEM attempts to describe observations with hypotheses, theories, laws, code, and blueprints to name a few.

Both STEM and Poetry are ways to look at the world around us in order to gain a greater understanding.

  • A poem has a thematic weight and uses figurative and connotative devices to deliver meaning.
  • STEM uses a device called the scientific method to better understand the natural phenomenon.

Both STEM and Poetry are organized by classifications according to certain properties and traits.

  • There are many types of poems.
    • Lyric poems, narrative poems, descriptive poems.
    • Odes, elegy, epic, sonnet, ballad, haiku, limerick, etc.
  • Mammals, bacteria, viruses, plants, insects, atoms, orbitals, planets, electrical systems, aeronautics, etc. are all STEM groups that we classify according to properties and traits.

 

Next time someone (especially your favorite STEM-crazed middle grader) poo-poo’s the poetry, remind them,

POETRY WILL FIND YOU!

When it does, show them the STEM Tuesday Mixing Science and Poetry/Verse book list and tell them to give it a chance. Even the most STEM-centric mind can benefit from the beauty of a poem.

Mike Hays has worked hard from a young age to be a well-rounded individual. A well-rounded, equal opportunity sports enthusiasts, that is. If they keep a score, he’ll either watch it, play it, or coach it. A molecular microbiologist by day, middle-grade author, sports coach, and general good citizen by night, he blogs about sports/training related topics at www.coachhays.com and writer stuff at www.mikehaysbooks.com. Two of his science essays, The Science of Jurassic Park and Zombie Microbiology 101,  are included in the Putting the Science in Fiction collection from Writer’s Digest Books. He can be found roaming around the Twitter-sphere under the guise of @coachhays64.

 

The O.O.L.F Files

The Out Of Left Field (O.O.L.F.) Files this month take a look at a connection between poetry and STEM.

Elements of Poetry

  • A nice overview of the nuts and bolts of poetry from Lexiconic Education Resources. Even I was able to understand and learn the fundamentals.

Science and Poetry: A View from the Divide

  • “What science-bashers fail to appreciate is that scientists, in their unflagging attraction to the unknown, love what they don’t know.  It guides and motivates their work; it keeps them up late at night; and it makes that work poetic.”  – from a beautiful 1998 essay by poet Alison Hawthorne Deming on the intersection of science and art.

‘Technimeric’ = Poetry + STEM

  • How about a STEM-focused Technimetric Poetry Slam? YES!!!

Poetry for Science, STEM & STEAM by Pomelo Books

  • A Pinterest page LOADED with STEM poems for kids. My kind of poetry!

Engineering the Perfect Poem by Using the Vocabulary of STEM

  • Lesson plans from ReadWriteThink all about how to engineer a poem about…engineering!

 

 

 

 

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The Most Important Thing that Beverly Cleary Taught Me About Writing

By on April 22, 2019   /   Articles  

When I was writing one of my middle grades, Queen of Likes, I momentarily forgot what it was like to be a tween. In that book, 12-year-old Karma Cooper gets her phone taken away. At first, I got right to this punishment and had Karma communicating her regret.

Wrong! I had forgotten what it felt like to be a seventh grader. How could this happen? After all, I teach an online course, Middle Grade Mastery with the Children’s Book Academy, and exhort my students to crawl into the head of a kid and stay there. Instead, I was writing the text like—gulp–a mom. I hate how my children and their friends are on the phone in the car and don’t talk to each other. I don’t allow phones at the kitchen table. I constantly make them put their phones away. But a kid might feel different. She might feel as though Mom is really patently unfair. In revision, I had to remember how Karma felt about her phone, not me, the Mom. When I had Karma name her phone Floyd, I got back into a child head space.

Let’s look in more detail how to do this. Beverly Cleary recently just celebrated her 103rd birthday, and I can think of no better middle grade mentor to learn from than her. Cleary clearly (I just have been waiting to put those two words together for a very long time), understands and remembers what it is like to be a child.

Cleary’s Ramona Quimby, Age 8, focuses on tension over a beloved eraser. As an adult it is too easy to forget the attachment that children have to small inanimate objects. Sometimes as grown-ups we see things merely as tools whereas to a child an eraser is an entire sensory experience and imbued with magic. When Ramona first receives her eraser this is how it is how her new treasure is described: “smooth, pearly pink, smelling softly of rubber, and just right for a racing pencil lines.”

Of course, this treasure is taken away from her on the bus by some boys. To an adult losing an eraser may seem minor, but to Ramona, it’s a catastrophe. From an eight-year-old perspective, it is not just an common school supply but a “beautiful pink eraser.”

And because the family is struggling financially, as Mr. Quimby has left his job to go back to school, it is even further appreciated.

I love how efficiently Cleary sets up the importance of the eraser. After its introduction, within a few page turns, the eraser is missing. This all happens on the first day of school. Not an ordinary day but one that is ritualized.

Try this exercise to get back to the child mindset:
1. Go back to being 8, 9, 10, 11 or 12. Think about an inanimate object.

2. Consider how much you love the object.

3. Name the object.

4. Touch it. Smell it, feel it. Using your senses describe it.

5. Write down why it is so important to you.

6. Why do you have such strong feelings?

7. Not consider how you would feel if that object were taken from you!

If you’re getting all the feels—then pat yourself on the back. You’re remembering the magic of childhood. Let’s all celebrate the master of understanding children, Beverly Cleary.

Hillary Homzie is the author of Ellie May chapter book series (Charlesbridge, Dec 18, 2018), as well as Apple Pie Promises (Sky Pony/Swirl, October 2018), Pumpkin Spice Secrets (Sky Pony/Swirl, October 2017), Queen of Likes (Simon & Schuster MIX 2016), The Hot List (Simon & Schuster MIX 2011) and Things Are Gonna Be Ugly (Simon & Schuster, 2009) as well as the Alien Clones From Outer Space (Simon & Schuster Aladdin 2002) chapter book series. She teaches at Hollins University Graduate Program in Children’s Literature, Writing and Illustration and at the Children’s Book Academy. She can be found at hillaryhomzie.com and on her Facebook page as well as on Twitter.

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