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STEM Tuesday–Dinosaurs/Paleontology– Writing Tips & Resources

 

Backmatter Matters

Imagine you wake up in a strange place. Although the place does not feel threatening, just being there is jarring because you don’t know why you are there, or how you got there. You don’t know what to do or how to interact. That’s what reading a nonfiction book might be like, if it weren’t for the mighty powers of peritext.

Peritext? What’s that? All of the elements in a book that are not in the main body of text. In STEM nonfiction books, peritext can be paramount.

Pick up a nonfiction book from this month’s list and search out those elements. There’s the cover (front and back) and maybe some flap or cover copy; these introduce you to the book and give you a preview of the author’s “take” on the topic. There’s a copyright page and, most likely, other standard elements such as a table of contents, glossary, and index; these give you context, a map to guide your journey, and help when needed. But there may be more—much, much more.

Consider how different the book would be without all of that. What would the reader miss? What do each of those elements actually do for the book? 

Before I began writing professionally, I essentially ignored peritext. I rarely read any portion of the backmatter (everything after the main body of text). One day, a writer friend told me she reads every word of the endnotes—I was astounded. Who would do that?

Then I tried it with a book I loved and realized just how much I had been missing. These elements are designed for the inquiring mind! As a reader and writer, it is worth studying the peritext and pondering its value. Peritext invites us into the reading experience and launches us into the next one.

Try this:

1. Ask a friend to select a nonfiction book that you have never seen. Have them binder clip together the pages that contain the main text. (Note: peritext includes illustrations and chapter titles, etc, but let’s focus on the frontmatter and backmatter for now.)

2. Study the peritext (no peeking at the main text). Jot down a list of what’s there.

      • Is there a table contents? An index? What about a timeline? Anything interesting about the endpapers?
      • Ask yourself: Who uses each of these elements? Who creates them? Do any serve multiple purposes?
      • Now, read the material. From the peritext, what impression do you get about the book?
      • What questions are sparked in your mind?
      • If these elements are illustrated, jot down notes about them as well.

3. Skim the glossary or index.

      • Do some entries surprise you?
      • What questions do you now have? Are you now more, or less, eager to read the book? To read other material on the topic?
      • Search for clues to the core of the book. Not the topics covered, but the theme, the big ideas, the conclusions. (Don’t forget the covers.)

4. Finally, read the entire book.

      • Consider how well the elements in the peritext support the main text.
      • If you were the author, illustrator, editor, etc. would you have done things differently?
      • What factors might impact what’s included in the backmatter? (FYI, typically the author creates most of the backmatter and other publishing professionals create most of the frontmatter and covers.)

As an author, this is how I look at books. I want to know what is there, why it is there, and how it is used. To help me inquire, I started a running list of the elements in various books. Just off the top of your head, you might remember books with recipes, timelines, acknowledgments, bibliographies, or an author’s note, but you would be amazed at the variety. And think how much each of those elements can vary, not only in content, but also in presentation. In some books, the backmatter was even more interesting to me than the main text. 

Backmatter isn’t limited to nonfiction; however, it seems to be more common and extensive in nonfiction. Why? What types of fiction include extensive backmatter? What if more fiction included backmatter?

Try this:

1. Read a book that has limited backmatter.

2. List at least 3 elements which could have been included.

3. Create 1 of those elements for the book. (You might have to make something up for the sake of the exercise.)

4. Share it with a friend and ask if the added element is valuable.

If you’re not careful, you will now find yourself picking up books and flipping to the backmatter before you read the frontmatter. You’ll be noticing how cool it is that the glossary of Dining With Dinosaurs only includes words not already defined in the main text. (So smart—those are the only ones a reader should need in the glossary!) You might start wishing every historical text included a visual timeline like Dinosaurs: Fossils and Feathers (Science Comic Series). And when you begin to write your next piece, you might start thinking about the backmatter before the front matter. This is what reading like a writer will do to you!

 

Heather L. Montgomery can’t resist writing backmatter–the ulimate playground for a nonfiction writer. She almost let it take over her upcoming book, Who Gives a Poop? The Surprising Science Behind Scat (Bloomsbury, September 2020). Aren’t you eager to dive into that? For now, you’ll have to be satisfied with the perimatter in her 15 other STEM titles. www.HeatherLMontgomery.com 


The O.O.L.F Files

Just a few more dino books because you can never have too many…

The First Dinosaur: How Science Solved the Greatest Mystery on Earth, written by Ian Lendler, illustrated by C. M. Butzer. In this 220-pager, Lendler carefully lays out how the idea of dinosaurs came to be. Beginning with a bone discovered before the concept of dinosaurs—or even fossils—existed, Lendler walks readers through a wealth of scientific studies to share a story you want to know. This book is likely to blow young minds (and yours).

Dinosaurs By the Numbers (A Book of Infographics), written and illustrated by Steve Jenkins. In classic Jenkins style, this fact-packed book is sure to please dino lovers. Maps, graphs, size-comparisons, all formatted on clean white space do an excellent job of accentuating dinosaur facts and extremes. And, there’s an illustrated table of contents–such tantalizing peritext!

When Sue Found Sue: Sue Hendrickson Discovers Her T. Rex, written by Toni Buzzeo, illustrated by Diana Sudyka. This picture book tells how a curious girl grew to be an inquisitive scientist who discovered the most complete (and likely the most famous) Tyrannasoarus rex fossil ever found (so far). Perfect for kids who are collectors and those who yearn to make their own discoveries.

Say Hello to STEAMTeam2020!

The Mixed Up Files blog is excited to help the get word out about this New Release group, STEAMTeam2020

 

Looking for some great new STEM/STEAM (Science, Technoloy, Engineering, Art and Math) and titles to add to your classroom or library this year? Look no further than STEAMTeam2020.

What is STEAMTeam2020? A group of 40+ children’s authors who are passionate about all things science and technology and have new books releasing in 2020– both nonfiction and fiction!

Why create STEAMTeam2020?  It’s sometimes tough to get the word out about new books and even more difficult for teachers and librarians to discover them. That is why a lot of authors are teaming up to create debut groups, like this one. There are groups that highlight picture books and middle grade, but until now there hasn’t been a new release group dedicated solely to STEM and STEAM books.

Why are STEAM books so important?  STEAM-related books bring the spirit of inquiry, discovery, and creative problem-solving to your learners while engaging them in rich literacy experiences. ​

Who is part of STEAMTeam2020?

 

Jennifer Swanson                            Carrie Pearson                  Nancy Castaldo

Kelly Starling Lyons                         Lisa Amstutz                       Sarah Albee

Marie-Therese Miller                     Buffy Silverman                 Michelle Lord

Laurie Wallmark                              Tonya Bolden                    Kate Messner

Steve Swinburne                              Randi Sonenshine             Kirsten W. Larson

Jen Malia                                           Loree Griffin Burns          Marta Magellan

Pat Zietlow Miller                            Stacy McAnulty                 Alexis O’Neill

Vicky Fang                                         Darcy Pattison                  Julie K. Rubini

Melissa Stewart                               Rajani LaRocca                 Ruth Spiro

Jenna Grodzicki                              Lindsay H. Metcalf           Heather L. Montgomery

Elizabeth Pagel-Hogan                   Aneta Cruz                         Patricia Newman

Linda Zajac                                       Sue Heavenrich                 Janet Slingerland

Lynn Huggins-Cooper                    Danielle Dufayat               Ella Schwartz

Laurel Neme                                     Gillian McDunn                Kourtney LaFavre

Maria C. Marshall                            Maria Gianferrari             Angie Smibert

 

 

What are some of the books you can look forward to seeing? 

Here is a preview. These are the books from STEAMTeam2020 authors that are releasing in January 2020.

 

 To see more, visit the website www.STEAMTeamBooks.com 

Follow us on Twitter and Instagram at #STEAMTeam2020

  Join us on #MGBookChat on January 27th on Twitter. Look for us at many upcoming conferences (NSTA, ALA, ILA, NCTE, etc.)

Help us get the word out about STEAM/STEM books!

(And don’t forget to check out the Mixed Up Files very own STEMTuesday blog which will give you tips on how to use STEM/STEAM books in your classroom!) 

A tribute to E.L. Konigsburg

The eyes of the children’s literature world will be on Philadelphia on Monday, January 27 as the year’s most outstanding books for children are recognized at the American Library Association’s annual Midwinter Meeting.

Beginning at 8 a.m., more than 20 awards will be announced, including the Newbery, Caldecott, Coretta Scott King, Printz, Schneider Family, Pura Belpre and Stonewall awards.

The eyes of the authors and illustrators whose works are in contention will be on their phones, waiting for that predawn phone call, from one of the committee members involved in this momentous decision.

According to Newbery Medal winner Linda Sue Park, who received the award in 2002 for her beautiful story, A Single Shard, there are only five authors who have received that life-altering phone call twice. Yep, you read that right. Twice.

They are;

Joseph Krumgold, And Now Miguel, (1954) and Onion John (1960)

Elizabeth George Speare, The Witch of Blackbird Pond (1959) and The Bronze Bow (1962)

E.L. Konigsburg, From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1968) and The View from Saturday (1997)

Katherine Paterson, Bridge to Terabithia (1978) and Jacob Have I Loved (1981)

Lois Lowry, Number the Stars (1990) and The Giver (1994)

And, there is just one author who, when she picked up the phone in 1968, learned that she was not only the Newbery Medal winner, but also a recipient of the Newbery Honor book award as well for her title, Jennifer, Hecate, Macbeth, William McKinley and Me, Elizabeth.

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That person is none other than the author who inspired and continues to inspire this group of middle-grade authors, E.L. Konigsburg.

She was born Elaine Lobl in New York City, one of three daughters. The family moved to various mill towns in western Pennsylvania. Elaine, who graduated at the top of her high school class, made a nontraditional choice (for women of that time) and attended the Carnegie Institute of Technology (now Carnegie Mellon) and studied chemistry. She continued her graduate studies at the University of Pittsburgh. A job opportunity in Florida for her husband led to a science teaching position at a private school. The nature of her career path changed as she both became a mother to three children, born between 1955 and 1959, and her growing family moved to Port Chester, N.Y. Elaine felt inspired to pursue a more creative path, revisiting her childhood passions for writing and painting. As Elaine offered in an interview in a piece in Reading Teacher in 1998, she wanted to “write something that reflected my own children’s growing up.”

The rest is history.

In The Mixed-Up Files of Mrs. Basil E. Frankweiler, Claudia says to Mrs. Frankweiler that “you should want to learn one new thing every day.”

Mrs. Frankweiler responds, “I think you should learn, of course, and some days you must learn a great deal. But you should also have days when you allow what is already in you to swell up inside of you until it touches everything. And you can feel it inside of you. If you never take time out to let that happen, then you accumulate facts, and they begin to rattle around inside of you. You can make noise with them, but never really feel anything with them. It’s hollow.”

Here’s to allowing all that we know to swell up inside of us until it touches everything.

As a side note, having written, Virginia Hamilton: America’s Storyteller, note that this year marks the 10th anniversary of the Virginia Hamilton Award for Lifetime Achievement.

Mark your calendar to follow the ALA’s awards via live webcast on Facebook or by following #alayma on Twitter.