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Interview with Jess Redman, debut author of The Miraculous

There were times when I had to set The Miraculous aside as author Jess Redman’s prose addressed death, grief and the belief that joy exists in the midst of, and often as a result of loss.

We meet eleven-year-old Wunder on the eve before his little eight-day old sister’s funeral. Wunder is a self-proclaimed miracologist. As in, he records stories about residents of his little town with miraculous outcomes. But after the loss of his baby sister, Wunder doesn’t believe in miracles any longer.

Faye, a cape-wearing mascara-making-raccoon-eyes member of Wunder’s Unexplainable and Inexplicable Phenomenon Society swoops into his life. Together they discover a mysterious woman (who just might be a witch) living in an abandoned house near the cemetery. The old woman asks Wunder and Faye for help. She sends them on a mission that leads them to adventure, healing, friendship and a renewed belief in miracles.

Ultimately, Jess Redman’s debut offers “Because there can be miracles even in the midst of unfathomable sadness and anger, even in the depths of grief and confusion. And these, these are the hidden ones, the ones we must search for.”

Jess Redman is a therapist and an adjunct professor of psychology. She currently lives in Florida with her husband, two young children, and an old cat named Soul Pie. The Miraculous is her debut novel.

To learn more about Jess, visit her website, www.jessredman.com

JKR: Thank you so much Jess for your time. I understand you are a fan of the Mixed-Up Files of Middle Grade Authors! Welcome!

The Miraculous openly addresses death and grief. What have you learned through your experiences as a therapist that you felt were really important for young children to understand through your book?

JR: As a therapist, I think that the middle-grade years—ages 9 to 13—are a very special time. These are the years when kids are beginning to look out and beyond for the first time, years when they are starting to ask big questions and to develop a more nuanced understanding of emotions and life—and death.

By this age, most kids know someone who has died, even if it isn’t a family member or close friend. Yet, many adults are hesitant to discuss grief, and death is frequently seen as scary, forbidden, too intense, and too painful to even bring up. But kids are thinking about and worrying about and trying to figure out these topics anyway.

With The Miraculous, I wanted to tell the story of one young person’s thoughts and feelings and experiences coping with death. I wanted it to be an honest and open look at how the main character, Wunder, moves through grief, while still telling a story full of mystery and magic.

It was important to me that young readers hear that there are many ways to grieve and many ways to express emotions and that their questions, no matter how big or overwhelming, are valid and important. It was also important to me that the story show the power of friendship and community in coping with loss.

JKR: You offered that after sending out ARCs to readers that it was suggested that The Miraculous might help both children working through grief as well as adults. How does this make you feel?

JR: When I wrote The Miraculous, I was very aware of my young audience. I wanted to tell a story that was honest about grief and loss but was also gentle and hopeful and magical. The book has only been in the world for a few weeks, but already I have heard from young readers who have experienced losses of many kinds and who have connected with the story, and that brings me so much joy. When I do school or library visits, young readers will talk with me about their losses because The Miraculous opens the door for that conversation, and it’s an honor to hear those stories.

But what I feel about The Miraculous is what I feel about many middle-grade stories: they are for everyone. Since ARCs started going out, I’ve also heard from many adult readers who have lost siblings, parents, and spouses, and from those who have lost precious children, from devastating miscarriages to the unexpected death of an adult child. It has been an incredible privilege to hear these stories as well and to know that The Miraculous has contributed healing and hope. Adults, I believe, also need stories about grief and loss that are gentle and hopeful and magical.

So to the adult readers of this story who have lost a loved one, I want to say:

I see you.

You are not alone.

And yes, this story is for you too.

JKR: As a bereaved parent, I could so relate to topics including “the wrong things people say but they really just don’t know how to say I’m sorry,” and how we all grieve differently. I can only imagine that children, especially those who have experienced death within their circles, will relate to these passages as well. Can you offer anything on this?

JR: One of my best friends lost her father when we were nine. It was one of the first deaths I really understood, and I remember vividly my own uncertainty when I watched my friend board the bus on her first day back at school. How would she behave? Would she cry? What would I say? How would I comfort her?

I think it’s so important for kids to learn that grieving, like many emotional experiences, is a complex and individual process. There isn’t a wrong way to grieve, and in The Miraculous, characters grieve in many different ways.

I think it’s also important that kids learn how to support a friend who is grieving. In The Miraculous, Wunder’s parents do not talk to him very much about his sister’s death. His best friends don’t know what to say, so they don’t say anything. Wunder’s loss is compounded by these additional losses until he finds support in new, unexpected places.

To be able to accept someone else’s emotions, to say, “I’m so sorry this has happened” and then to sit with them and allow them to feel without trying to change or fix or explain—that can be really hard. Hard for kids, hard for adults. Yet, it’s what we so often need when we’re hurting.

JKR: I love the term miracologist. How did you come up with this?

JR: When I first started thinking about Wunder, I knew that he would be someone who believed in impossible and magical things, but I wasn’t sure how that would work out on the page exactly. It slowly came to me that what Wunder really believed in was miracles—miracles of all types, from the everyday miracle of sunrise to the inexplicable miracle of a loved one healed from an illness. I love stories that are infused with a little bit of magic, and I love characters that have quirks and unusual hobbies, so miracle-collecting was perfect. And who better to collect and study miracles than a miracologist?  Although I, like Wunder in the first chapter of the story, did try terms like miracler and miraclist before settling on miracologist.

You address friendships, and the challenges one faces as being both an older friend to someone who has experienced loss, as well as a new friend. Can you expand on this theme?

Yes, themes of friendship and community are very important in this story. Wunder has two best friends. Neither are sure how to respond when Wunder returns to school after his sister’s death. Tomas acts as if nothing has happened, while Davy is too nervous to say anything at all. Wunder is left feeling more isolated and confused.

Then he meets a new friend, Faye, who has just lost her grandfather. Faye isn’t the most cuddly, touchy-feely of souls, but she talks to Wunder about his sister. She acknowledges his sadness. As the book progresses, Wunder and Faye’s friendship deepens. It is a friendship forged in mutual vulnerability and shared emotional experiences, which is something I see happen often for clients who are in the midst of loss.

In the end, Wunder’s old relationships shift and change too. Having relationships, old or new, where you can safely and fully express your emotions is so important to mental health, and I hope kids see that in Wunder’s relationships with his friends.

JKR: Finally, what was the greatest takeaway that you hope your readers will experience through reading of Wunder’s journey?

JR:In the story, Faye says something to Wunder that I think sums up the message of the story: “Sometimes the brightest miracles are hidden in the darkest moments…but you have to search for them. You can’t be afraid of the dark.”

I don’t believe in glossing over sadness or just looking on the bright side or forcing ourselves to see the silver lining. But I do believe that we can find joy and meaning and deep relationships and new purpose after and even within great loss. I believe that our pain can be transformative. I believe that there is always light, no matter how dark the darkness. The path to that light is very personal and cannot be rushed or forced, but I believe we can get there, and that we can help one another along.

I understand you have another work coming out next spring. Can you share a bit about your next book?

My second middle-grade book, QUINTESSENCE, comes out on July 28, 2020. In the story, 12-year-old Alma Lucas moves to a new town. She’s lonely and friendless and she begins experiencing panic attacks. And then she sees a star—a star that looks like a child—fall into her backyard. With help from her school Astronomy Club and a mysterious shopkeeper, she goes on a sometimes-magical quest to get the star home—and to find home within herself.

It’s a story I’m so excited about, full of science and mystery and, of course, light and dark. It’s here on Goodreads: https://www.goodreads.com/book/show/46223313-quintessence

JKR: Is there anything else you care to add?

If you’ve read The Miraculous, thank you so much! It has meant so much to me to have this story that holds so much of my heart out in the world and to know that it’s being read.

JKR: Thank you so much Jess for your time!  Jess has kindly offered a copy of The Miraculous to one lucky reader. For a chance to win,  enter using the Rafflecopter widget below.(For U.S. readers only please!) The winner will be announced August 30. Good luck!

 
a Rafflecopter giveaway

Interview with Heidi Lang: Drawing from Personal Experience

Imagine packing up all of your belongings and living in a van. Do you think you could do it? Author Heidi Lang did. And she used her own experience as inspiration for her upcoming novel, Wrong Way Summer. After enjoying this read myself, I had the opportunity to interview her and learn more about how her own life (including her own #vanlife) helped shape this book.

Thank you for sharing Wrong Way Summer with me. Can you give a short summary about the book?

Claire used to love her dad’s fantastical stories, especially tales about her absent mom—who could have been off with the circus or stolen by the troll king, depending on the day. But now that she’s 12, Claire thinks she’s old enough to know the truth. When her dad sells the house and moves her and her brother into a converted van, she’s tired of the tall tales and refuses to pretend it’s all some grand adventure, despite how enthusiastically her little brother embraces this newest adventure. Claire is faced with a choice: Will she play along with the stories her dad is spinning for her little brother, or will she force her family to face reality once and for all? Equal parts heartwarming and heartbreaking, Wrong Way Summer is a road-trip journey and coming-of-age story about one girl’s struggle to understand when a lie is really a lie and when it’s something more: hope.

A moving summer road-trip story for fans of Crenshaw and The Someday Birds.

What would you say was the spark for Wrong Way Summer? What came next? And what component organically fell into place later on?

There were a few sparks. For instance, I’ve always wanted to write a story about stories, something to explore my grandfather’s favorite motto. And then, of course, I fell in love with the idea of living in a van. But I’d say the real spark for this story actually happened before I ever heard of #vanlife. This spark hit me while I was listening to an episode of “This American Life,” where a woman recounted a childhood memory.

In this episode, the narrator talks about the day her parents gave her and her older sister painted metal tissue boxes for Christmas. At first she was devastated, until her older sister said the boxes had been painted by trained gorillas. And suddenly her gift went from being a terrible disappointment to becoming one of her prized possessions. Much later, the narrator found an old school report her sister had written where she’d talked about that gift. Only in that report, the sister said she’d made up the origin story of the tissue boxes because she knew her parents couldn’t afford gifts, and knew the boxes were something her dad’s friend had given as charity, and also knew what it had cost her parents to ask for that charity. And as she looked at her little sister’s tear-filled face, and looked up at her mom, and knew she was about to cry, too, this story about trained gorillas just spilled out of her. It saved the day, and everyone was happy. Except for this older sister, who went upstairs to her room and cried and cried. She wasn’t crying because of the gift, or even because of their financial situation. She was crying because she felt like, in that moment, she’d chosen to grow up before she was really ready for it.

That episode stuck with me. And I knew someday I wanted to write a story where a character is put in a similar position of “choosing” adulthood and all it entails in order to protect a younger sibling. But it took many years before I found the right way to tell that story.

You mention in your Author’s Note how you also lived the #vanlife. Did you know at the time that a story/book would form from your own Grand Adventure? If so, did you struggle at how to pursue it or was it obvious to you?

I actually became interested in #vanlife back in 2012, before I’d thought of writing Wrong Way Summer or even published my first book. My husband and I needed to get another vehicle for our dog walking business and started looking at Sprinter vans. From there, we discovered this whole world of people traveling, and even living full-time in their vans. I got caught up in watching youtube vidoes of DIY van conversions and reading blogs about boondocking, and when we bought our own Sprinter, we talked about converting it ourselves someday in the future.

But as we all know when it comes to social media, it only paints part of the picture. The romantic pictures I saw and the exciting posts I read were very different from what I began to notice right there in front of me: a lot of people living in their vehicles, just to get by. Most of them hadn’t chosen #vanlife for the fun of it. It was just the only way they could afford to stay in the area for school, or work, or family. And as rent in our area climbed higher, we realized there was a good possibility that if our landlord ever sold our place, we wouldn’t be able to find something affordable right away that would take our dogs. So the van went from exciting future travel vehicle to back-up home safety net.

When we sold our dog walking business in 2017 so I could try to write full-time, we decided the best way to afford that would be to actually try #vanlife living. So we moved in with my in-laws and began working on the van conversion. By that point, I did know I wanted to write a story about the experience, and I knew I wanted it to highlight both the good and bad of #vanlife living: the glamor and romanticism of being able to get away from it all and live a more free life on the road, as well as the desperation that often underlays that choice. The rest of the story formed pretty organically from my desire to show both of these aspects.

What is your connection with the dad’s storytelling? Are you a storyteller?

I would love to be a good storyteller! But I’m definitely much better at writing stories than I am at speaking them. However, I was fortunate to grow up around storytellers. My grandpep was actually the first person who ever told me, “Never let the facts get in the way of a good story.” I guess it was something his older brother used to say all the time, too, and when I was a kid, I soaked it in as our family motto. Maybe that’s why I decided to become a fiction writer.

I enjoyed traveling with Claire, Patrick, and their dad. How did you choose the locations where they stopped?

That was definitely the hardest part of writing this book! There are so many cool places to see, I could have written about a hundred more pages, so narrowing it down was really tricky. I wanted to have a variety of experiences for the characters in my book, but I also needed them to stop at locations that would make sense for a family on a limited budget. In the end, I picked places that I’d been to that were meaningful to me, as well as places that I wanted to go to, so I could live vicariously through Claire and her family. I also ended up taking a solo train trip back and forth across the country before I started drafting Wrong Way Summer as a way to really get a feel for the changing landscape and see more areas than I might otherwise have had time to cover.

How much of Claire do you see in yourself?

Originally when I sat down to write Claire, I thought about one of my cousins, and what she was like at twelve years old. Her personality became the foundation of Claire, but as with every character I write, Claire also reflects different aspects of my own personality. For instance, I’m definitely a rule follower. Even if it’s a rule no one else is following, I feel anxious breaking it. And like Claire, I’m also trying to figure out that line between fact and fiction, and I’m very interested in the different ways a story can be used to hide or reveal the truth, and to inspire or manipulate other people. But one of the wonderful things about writing is how characters take on their own life, and I definitely feel that Claire evolved away from my cousin, and from me, to become someone all her own.

What ended up taking more time that you anticipated when researching/writing/revising?

Definitely planning Claire’s route and deciding on her family’s stops along the way. But part of that was because I was having a little too much fun researching and revisiting these places vicariously, so I took my time with it.

How can teachers use this book in their classrooms?

When I was young I basically assumed everyone’s lives were more or less just like mine. Just as I thought something was either true or false, right or wrong. I was very much a kid with well-defined edges. It was only as I slowly wandered into adulthood that I became aware of all those spaces in between, and how different everyone’s personal experiences can be. I think that it’s in middle school when kids start to become aware of those gray areas, and from there that they start to question the beliefs they always took for granted. To me, that’s the most important use of any book: the ability to open minds and make the reader ask questions. I’m hoping this book can do a little of that.

When does Wrong Way Summer come out?

This book will be out in the world on April 21st, 2020.

How can we learn more about you? 

Devi Pride Photography

I share a website with my sometime co-writer Kati Bartkowski at www.HeidiandKatibooks.com, or you can find me on Instagram and on twitter at the same handle, @hidlang.

 

Wow, so fascinating. And can you imagine how intriguing this book will be for kids? It is such a great example of using life to write a story.

And if you can’t wait for the release of her new book Wrong Way Summer, check out her other books, including Rules of the Ruff, which is also inspired by her life as a dog walker.