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STEM Tuesday — Animal Superpowers — In the Classroom

By on October 12, 2021   /   Animal Superpowers, STEM Tuesday  

Kids love learning about animals—especially ones with superpowers! Use these books from the STEM Tuesday list along with their classroom ideas to let students explore how animals use their amazing skills to survive in nature and help humans too.  

Stronger Than Steel: Spider Silk DNA and the Quest for Better Bulletproof Vests, Sutures, and Parachute Rope by Bridget Heos, photographs by Andy Comins

Can you believe that delicate little spiders can create something with such amazing strength that might someday be used to repair or replace human ligaments? Read all-about it in Heos’ Scientists in the Field title.  

 

Activity

Experiment with different kinds of materials to see which makes the strongest web!

Materials:

  • thread, yarn, or thin stretchy cord
  • bowl
  • objects to put on top of your web (rocks, sticks, fake bugs)

Steps:

  1. Have groups of students choose a type of string to use. Then ask them to wrap the string around the bowl to make a web over the open side. They should think about the pattern of their web as they wrap.
  2. Next tell students to test the strength of their web. Put objects all over their web. Are certain areas stringer than others? How many objects can it hold?
  3. Then ask students to test out a different kinds of string to make a new web. After testing its strength with different objects, ask them: Which web was stronger? Why do you think it was stronger?

 

Check this out!

The author’s classroom discussion and activity guide: https://www.scribd.com/document/135393652/Stronger-than-Steel-Discussion-Guide.  

Super Sniffers: Dog Detectives on the Job by Dorothy Hinshaw Patent  

Explore how dogs use their super sniffing detection skills to help humans.      

 

 

 

Activity

Dogs can smell scents from much farther away than humans. See how close you have to be to detect a certain smell.

Materials:

  • jars with lids
  • cotton balls
  • strong scents (such as perfume, vinegar, coffee, onions, or vanilla extract)
  • measuring tape

Steps:

  1. Soak some cotton balls with strong smelling liquid or cut up onions or other foods that have a strong smell.
  2. Put the stinky cotton balls or food in a jar—one smelly item per jar—and close the lids.
  3. Ask a friend to stand 15 feet away and then open a jar. Can your friend identify what the smell is?
  4. If not, ask your friend to slowly step forward, still smelling, until they can tell you what the scent is. Measure how far away your friend was before identifying the smell.
  5. Repeat with the other jars. Were some smells easier to identify from far away? Were some smells especially difficult?

 

Check this out!

TedEd video about how dogs “see” with their noses: https://www.brainpickings.org/2015/02/17/alexandra-horowitz-dog-animation/.  

 

Superpower Field Guide: Moles and Superpower Field Guide: Eels by Rachel Poliquin, illustrated by Nicholas John Firth

Discover the extraordinary skills of moles and eels in these two guides. Then explore the rest of the series. Poliquin and Firth have two other titles about beavers and ostriches.      

 

 

Activity

Some superpowers are hard to believe–like the eel’s ability to store and discharge electricity! They store electricity like a battery, so try making this battery with a lemon.

Materials:

  • 4 lemons
  • 4 pieces of copper
  • 4 galvanized nails
  • 5 alligator clip wires
  • a light to power

Steps:

  1. Roll lemons on countertop with your hand  to release the juice inside.
  2. Stick one nail and one piece of copper into each lemon.
  3. Use the alligator wire clip next. Attach one wire from an alligator clip to a nail in a lemon and the other wire to a copper piece in another lemon. Continue until all the lemons are connected.
  4. You should have one piece of copper and one nail that are not connected to wires. Connect the copper piece to the positive connection on the light. Connect the galvanized nail to the negative connection.
  5. Turn on the light and it should work with your lemon battery.

 

Check this out!

Superpowered Creature Creator post on the author’s website: http://www.rachelpoliquin.com/superpowered-creature.

 

Further Resources

Check out these sites for more fascinating and fun STEM animal superpower resources:

Hope these activities and resources get your students excited to learn more about animal superpowers!

 

     

 

Karen Latchana Kenney loves to write books about animals, and looks for them wherever she goes—from leafcutter ants trailing through the Amazon rain forest in Guyana, where she was born, to puffins in cliff-side burrows on the Irish island of Skellig Michael. She especially enjoys creating books about nature, biodiversity, conservation, and groundbreaking scientific discoveries—but also writes about civil rights, astronomy, historical moments, and many other topics. She lives in Minnesota with her husband and son, and bikes, hikes, and gazes at the night sky in northern Minnesota any moment she can. Visit her at https://latchanakenney.wordpress.com.

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South Asian Picture Book Biography: Meera Sriram talks about BETWEEN TWO WORLDS: THE ART & LIFE OF AMRITA SHER-GIL

By on October 8, 2021   /   Author Interviews, Diversity, WNDMG  

Hello Mixed-Up Filers! I’m pleased to welcome Meera Sriram, author of BETWEEN TWO WORLDS: THE ART & LIFE OF AMRITA SHER-GIL (Penny Candy Books, 2021), illustrated by Ruchi Bakshi Sharma,  and other titles for an interview at Mixed-Up Files today.

Hi Meera, thanks for joining us today at Mixed-Up Files.

About BETWEEN TWO WORLDS: THE ART & LIFE OF AMRITA SHER-GIL

BETWEEN TWO WORLDS is a non-fiction picture book for children (6-11 years). It is  illustrated beautifully by Mumbai-based artist Ruchi Bakshi Sharma. This book is a biography of Amrita Sher-Gil, a remarkable painter and a pioneer of early 20th century modern art. Amrita lived and created art on her own terms. Her father was a Sikh scholar from India and her mother was a Hungarian Jewish opera singer. Throughout her life, Amrita traveled between Europe and India. She was also a woman ahead of her times in a male dominated art world. This story layers Amrita’s journey navigating cultures over her artistic journey trying to discover where her art belonged.

On Amrita being a rebellious artist

Even as a little girl, Amrita hated being taught art. She always believed art came from the heart. Growing up, her art reflected her bicultural identity. While in Paris, she learned a great deal about European art. She painted many portraits of herself, her family members, friends, and lovers of both sexes. And she did this unabashedly. During this time, she also longed to paint what she’d experienced in India. Eventually, she found her “voice” by fusing western techniques and Indian subjects – something that was ground-breaking in the artistic world during that period. Amrita also pushed boundaries in how she centered women in her paintings. As a feminist, her art was unapologetic about brown female nudity, and her work celebrated ordinary, less privileged women at a time when women were mostly objectified in art.

On reading and writing picture books and how they are an integral part of your writing career

I did not read picture books as a child growing up in India. I fell in love with them when I started reading them to my daughter many years ago. I was blown away by the themes, aesthetics, and more importantly, the impact they can have on children. I believe they are an intensely powerful medium as they have the ability to influence young minds. When I noticed the invisibility of children of color as well as the entire gamut of immigrant experiences, I decided to tell our stories. I hope to continue to write about people, places, and experiences less commonly seen in stories for children.

On a moment in your life that inspired this story

I was sitting on my bed in my parents’ home on a summer night in India. Someone sent me a New York Times article on Amrita Sher-Gil pointing out what an incredible story it would make. I’d known about Amrita Sher-Gil. In fact we’d picked up a picture book for my daughter a few years before that. However, the article prompted me to dig deeper. I sat there obsessed for several hours reading up on the internet. During this time I made a small but striking personal connection with some of her experiences, especially around identity, life across continents, and blending cultures while creating. In those wee hours, I found the inspiration to tell her story.

On the process of immersing yourself in Amrita’s story and writing it for children

Initially, I was reading up every news bit, essay, and article I could find on the internet. Later, I managed to lay my hands on an important primary source, two volumes of AMRITA SHER-GIL: A SELF-PORTRAIT IN LETTERS AND WRITINGS (Tulika Books, 2010) by Amrita’s nephew Vivan Sundaram. This is a compilation of Amrita’s letters and writings along with notes by the author offering chronology and context. It also includes over a hundred reproductions of Amrita’s paintings and many amazing photographs. I researched and made notes for months. The narrative flowed out lyrically in my first draft and stayed that way. However, it took me many revisions and ample aid from critique partners to weed out details and extract the essence for her emotional trajectory as she tried to find out where she and her art belonged.

As an Indian American, Meera has lived equal parts of her life in both countries. Previously an electrical engineer, she now writes for children and advocates for diversifying bookshelves. Meera is the author of several picture books including THE YELLOW SUITCASE (Penny Candy Books, 2019), illustrated by Meera Sethi, BETWEEN TWO WORLDS (Penny Candy Books, 2021), illustrated by Ruchi Bakshi Sharma and DUMPLING DAY (Barefoot Books, 2021), illustrated by Inés de Antuñano. Her book, A GIFT FOR AMMA (Barefoot Books, 2020), illustrated by Mariona Cabassa, is the winner of the 2021 South Asia Book Award and the Foreword Reviews Indies Silver Award. She has also co-authored several kids’ books published in India. Meera believes in the transformative power of stories and likes to write about people, places, and experiences less visible in children’s literature. For more information, please visit: http://www.meerasriram.com.
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WNDMG Wednesday – Tracey Baptiste on AFRICAN ICONS

By on October 6, 2021   /   Articles, WNDMG  
We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around
We Need Diverse MG Logo

Illustration by: Aixa Perez-Prado

AFRICAN ICONS on WNDMG Wednesday

Welcome to WNDMG Wednesday–we have quite a treat for you.  New York Times bestselling author Tracey Baptiste is here to talk about her newest book, AFRICAN ICONS, (Algonquin Books, October 2021) which has already garnered a Kirkus Reviews star: “empowering, necessary, required reading for all” and “game-changing.”   AFRICAN ICONS expands how Black History is presented by spotlighting the incredible achievements of ten awe-inspiring African innovators who have been too often ignored by history books.

“In African Icons: Ten People Who Shaped History, Baptiste engages in the hard work of unveiling the myths about the African continent to young readers. She pieces together the stories of ten people in a continent that fueled the world. This is a great beginner’s guide to pre-colonial Africa.”

–Dr. Ibram X. Kendi

(Kendi quote sourced from author’s website) Cover for African Icons book by Tracey Baptiste

AFRICAN ICONS Origin Story

MUF: We’re so excited about your new book …. Can you tell us a little bit about the origin story for AFRICAN ICONS?

TB: This started as a blog post called “Africans Before Slavery” which I wrote in February 2017 Africans before slavery – Tracey Baptiste (wordpress.com). It was a response to the then president of the United States saying some embarrassingly ignorant things at a Black History Month breakfast. A few kidlit writers responded with a series of posts directing educators to better resources about Black people in history. All of their posts though, highlighted Abolition, Freed Slaves, or the Civil Rights movement. This has long been a source of aggravation for me from when my kids would come home with their Black History Month projects and nothing pre-slavery was ever mentioned. So I did some quick research and posted it. My editor, Elise Howard, saw the post and asked if I would like to write an entire book about pre-slavery Black history. Of course, I said yes.

The Research Journey

MUF: Where did you do your research?

TB: I did most of my research in libraries and museums and using online searches for articles. Academia.edu was particularly helpful, but most helpful were professors in African studies, museum curators, librarians at African library collections. Most of my physical searches were in New York City, Boston, and Cambridge, MA.

Illustration from Tracey Baptiste Website

Illustration Sourced from Tracey Baptiste Website: traceybaptiste.com

MUF: Following up on the research question: one of the most exciting/challenging parts of research is following threads of information to unearth new details and source material. Do you have any fun stories that illustrate this part of the journey? Were there any surprises?

TB: One of my favorite research trips was to the Metropolitan Museum of Art, where I met with one of the curators, Yaëlle Biro. She walked me through several pieces of art in the Arts of Africa, Oceania, and the Americas exhibits which is where I got my first introduction to Queen Mother Idia of Benin. She brought many of the pieces alive for me, and I started to see the real people behind the artworks. The big surprise came with one of the pieces which was covered in Venetian glass beads. It was the first time I saw the real connection in trade between Africa and Europe. I had been looking to find the long-established relationships between the two continents, and it was right there in front of me. I was really excited about that. Then when I left the museum, there was a west African woman selling beaded wire sculptures on the street on the sidewalk. It was exactly in the tradition of the artwork I had just seen behind glass at the Met. So revered inside, but outside, this was street art. A total discard. There weren’t even reproductions of any of the African art pieces at the gift shop. It laid bare for me that despite the displays, African art isn’t valued.

Illustration from AFRICAN ICONS

Illustration sourced from Tracey Baptiste Website: traceybaptiste.com

((Enjoying this interview? Read this archived MUF interview with Tracey about her book THE JUMBIES))

Favorite Icon

MUF: Do you have a favorite icon or part of the book?

TB: My favorite section is probably “Across the Golden Sand.” It was also one of the earliest pieces I wrote for the book. I can see the Berbers lined up and the caravans secured as they cross the dunes. It’s an exciting visual and was a lot of fun to write.

My favorite icon is probably Amanirenas. Imagine going toe to toe with a Caesar and winning! I had never thought of an African Queen being so formidable as to defeat Rome, because it was never in any of my history books. As far as I knew from what I’d read growing up, when Rome was in its heyday, Africans didn’t have anything at all, let alone kingdoms with warriors who would defend their borders against Rome, and diplomats who would negotiate with Caesar himself.

MUF: How did you narrow your list of icons to write about?

TB: The book started with a set of kingdoms and circumstances. When Elise read the first draft, she saw that there were ten icons, and asked me to focus on them. (Actually, there were eleven. We left off one, Prince Alemayehu of Ethiopia, because it was after the period we wanted to cover, and because he didn’t have a lot of agency in his life.)

Biased and Incomplete Records

MUF: Is there anything else I haven’t asked that you want to share with us?

TB: The research was incredibly difficult in large part because of the bias and racism in the written records, and the bias and racism that kept things out of the written records. Often, I would go down rabbit holes of research and find dead ends because no one bothered to follow up on threads. There was one story about a European king who tried to marry his daughter off to an African king because of the wealth coming out of the country, but I could never find anything to verify that story, who the players might have been, or what eventually happened. It was one offhand remark. Maybe it was true, maybe it wasn’t. It’s frustrating not to know for sure.

MUF: We’re grateful that AFRICAN ICONS will now be available to other researchers to fill in the blanks you found. Thank you for your time and many congratulations!

 

Tracey Baptiste Author Photo

Photo Credit: Latifah Abdur Photography

About Tracey Baptiste:

I am the New York Times bestselling author of Minecraft: The Crash, as well as the creepy Caribbean series The  Jumbies, which includes The Jumbies (2015), Rise of the Jumbies (2017), and The Jumbie God’s Revenge (scheduled for 2019). I’ve also written the contemporary YA novel Angel’s Grace and 9  non-fiction books for kids in elementary through high school.

I’m a former elementary school teacher, I do lots of author visits, and I’m on the faculty at Lesley University’s Creative Writing MFA program.

My name is pronounced buhTEEST.

How to stay in touch:

Twitter: @TraceyBaptiste

Instagram: @TraceyBaptisteWrites

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