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Diversity in MG Lit #33 February 2022

 

Book cover Word TravelersKicking off the month with a new MG chapter book series somewhat in the vein of Magic Treehouse.    Word Travelers & the Taj Mahal Mystery (10/2021) and Word Travelers & the Missing Mexican Mole (2/2022) (Random House). It is written by rapper and wordsmith Raj Halder and illustrated by Neha Rawat. A diverse trio of word sleuths magically travels the world uncovering linguistic connections in words that came to English from around the world. This one is on the young side with an engaging pace and a glossary at the back. I hope we see many more of these in the future.
book cover Just Right JillianHere is a trio of MG friendship stories. Just Right Jillian is the debut novel of Nicole D. Collier. It’s about overcoming shyness and finding your voice. Wishing Upon the Same Stars is the debut novel of Jacquetta Nammar Feldman. It explores the challenges in moving from a community where everyone practices the same faith to a more diverse neighborhood. It features a friendship between an Arab and an Israeli girl. Reem Faruqui’s fifth book Golden Girl, is a novel in verse celebrating Pakistani culture. It has a glossary and an Aloo Gosht recipe which could not be more simple or delicious!book cover Wishing Upon the Same Stars
book cover Anybody Seen Frenchie?Good books about neurodiverse children are rare.  Here’s a title that includes two kids in Maine with divergent aspects of autism who form an enduring friendship, in spite of their differences.  Anybody Here Seen Frenchie? is written by Schneider Family Book Award winning author Leslie Connor
book cover Comb of WishesHere are two diverse fantasy titles for February: A Comb of Wishes by debut author Lisa Stringfellow  is about a mermaid-summoning girl who learns the price of wishes. Master storyweaver Pam Muñoz Ryan has a new tale, Solimar: the sword of the monarchs, a story full of magic and danger with the fate of a kingdom and of monarch butterflies in the balance.
book cover Rima's RebellionFans of historical fiction will find Rima’s Rebellion by Margarita Engle a fascinating journey to Cuba’s wars for independence in the 1920s.  And on a personal note I am particularly delighted to see a biography of Lise Meitner for young readers. book cover Hidden PowersMy grandfather’s cousin worked with Werner Von Braun and Enrico Fermi so I had heard a little bit about her life but I’m dazzled by Jeannine Atkins biography in verse which brings to life the work of the woman who got a PhD in physics in 1906, became a professor, engaged in ground breaking research, and discovered nuclear fission, all while struggling to survive as a Jewish woman in Nazi Germany. Hidden Powers: Lise Meitner’s Call to Science is riveting and accessible. It contains a bibliography, a timeline, and an impressive list of international scientists that Meitner worked with and mentored in her long and productive life.
As always this is only a fraction of the wonderful diverse books being published in February. My selection is strongly influenced by the ARCs that come to my at my independent bookstore. Please add any titles I’ve missed this month in the comments. If you have a diverse MG title coming out this year, please encourage your publicist to send me an ARC at. Annie Blooms in Portland Oregon.

STEM Tuesday– The Impacts of Our Changing Climate– Writing Tips & Resources

Our Changing Climate: A Personal Narrative Prompt

In the eye of the storm book cover

In her acknowledgements, Amy Cherrix, author of IN THE EYE OF THE STORM, shares what motivated her to write her book about hurricanes. As she notes: “I undertook this journey to understand hurricanes because I am no stranger to these storms.” In her author bio she writes that she and her family have lived through “six hurricanes, two floods, a desert sandstorm, and more blizzards than she cares to count.” Reflecting on Amy’s comments, and reading through this month’s book list made me realize that all of us have a story to tell when it comes to the impacts of our changing climate.

Like Amy, my family has been affected by climate change. Southern California, where I live, is facing intense wildfires and extreme drought. In the past few years, we’ve seen one of our Scouts’ favorite backpacking trails destroyed, the nature center at a favorite hiking spot burned down, and we were forced to stay inside many days because of wildfire smoke and poor air quality. Not to mention, we have been asked to conserve water because of our ongoing drought.

From  floods to blizzards, and increasingly hot summers, climate change is affecting all of us. This shared experience could be a powerful prompt for a personal narrative assignment. Let’s dive in.

The Personal Narrative Process

There are so many wonderful resources and free lesson plans for crafting personal narratives, and I’ve included links to many of these below. Here are some key steps in the process.

  1. Read and study personal narratives. All good writing starts with mentor texts. The New York Times offers a free personal narrative writing unit for students, which includes links to personal narratives written by Times columnists. Study them to discover the elements of good narrative writing, like the role of setting or using dialog. Or better yet, read some of the personal accounts captures in our books this month, like IN THE EYE OF THE STORM.
  2. Brainstorm your topics. How have you experienced climate change? Read some of the books on this month’s book list to learn about climate change and its various impacts. You might look closely at a book like HOW TO CHANGE EVERYTHING, which includes first-hand interviews with many young activists, who talk about how changing climate is affecting their communities. In the classroom, you can brainstorm impacts of climate change in small groups or with the whole class. Once you have a list, pick a topic that’s affected you personally.
  3. Write down everything you can recall about your specific experience. What happened on that day it was too hot to play soccer outside or that day you had to evacuate for a hurricane? Remember, for a personal narrative, you are your own best source. For your chosen event, think about where you were (setting). Who were you with (characters)? What happened (conflict)? How did it feel? Think about details that speak to all five senses, not just what you saw, but what you heard, felt, smelled, tasted.
  4. Shape your narrative arc, making sure to include:
    • Exposition – the setup where your setting and characters are introduced
    • Rising action – where the action starts happening and events escalate
    • Climax – the final showdown, the moment of greatest conflict
    • Falling action – the events after the climax where tension is falling and the plot events are being wrapped up.
    • Resolution (or dénouement) – that final, satisfying moment, like “they all lived happily ever after.”
  5. After you’ve finished your first draft, revise. After you’ve revised on your own, share with a writing partner (or two) for feedback. I often like to ask my writing partners specific questions, especially about areas I might be struggling with. For example, I might ask “What did you think of the opening? Did it grab your attention?” or “Was the ending satisfying?”

I found some wonderful resources for narrative writing and personal narratives (including mini lesson plans), which I’ll include below. Happy drafting!

O.O.L.F.

Kirsten Williams Larson author

Kirsten W. Larson

Websitekirsten-w-larson.com

Biography

Kirsten used to work with rocket scientists at NASA. Now she writes books for curious kids. She is the author of  WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek), an NSTA Best STEM BOOK, A TRUE WONDER: The Comic Book Hero Who Changed Everything, illustrated by Katy Wu (Clarion), which earned two starred reviews, and the forthcoming, THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by Katherine Roy (Chronicle, 2023), and the middle grade graphic novel, THE LIGHT OF RESISTANCE illustrated by Barbara McClintock (Roaring Brook, 2023), as well as 25 nonfiction books for the school and library market. Find her at kirsten-w-larson.com or on Twitter and Instagram @KirstenWLarson.

Announcing the #KidsLoveNonfiction Campaign

 

Announcing the #KidsLoveNonfiction Campaign
This morning, Mary Ann Cappiello, Professor of Language and Literacy at Lesley University, and Xenia Hadjioannou, Associate Professor of Language and Literacy Education at the Harrisburg campus of Penn State University, sent the letter below to The New York Times requesting that the paper add three children’s nonfiction bestseller lists to parallel the existing picture book, middle grade, and young adult lists, which focus on fiction.

This change will align the children’s lists with the adult bestseller lists, which separate nonfiction and fiction. It will also acknowledge the incredible vibrancy of children’s nonfiction available today and support the substantial body of research showing that many children prefer nonfiction and still others enjoy fiction and nonfiction equally.

If you support this request, please follow the signature collection form link to add your name and affiliation to the more than 200 educators and librarians who have already endorsed the effort. Your information will be added to the letter but your email address will remain private.

LETTER TO THE NEW YORK TIMES

Nonfiction books for young people are in a golden age of creativity, information-sharing, and reader-appeal. But the genre suffers from an image problem and an awareness problem. The New York Times can play a role in changing that by adding a set of Nonfiction Best Seller lists for young people: one for picture books, one for middle grade literature, and one for young adult literature.

Today’s nonfiction authors and illustrators are depicting marginalized and minority communities throughout history and in our current moment. They are sharing scientific phenomena and cutting-edge discoveries. They are bearing witness to how art forms shift and transform, and illuminating historical documents and artifacts long ignored. Some of these book creators are themselves scientists or historians, journalists or jurists, athletes or artists, models of active learning and agency for young people passionate about specific topics and subject areas. Today’s nonfiction continues to push boundaries in form and function. These innovative titles engage, inform, and inspire readers from birth to high school.

Babies delight in board books that offer them photographs of other babies’ faces. Toddlers and preschoolers fascinated by the world around them pore over books about insects, animals, and the seasons. Children, tweens, and teens are hungry for titles about real people that look like them and share their religion, cultural background, or geographical location, and they devour books about people living different lives at different times and in different places. Info-loving kids are captivated by fact books and field guides that fuel their passions. Young tinkerers, inventors, and creators seek out how-to books that guide them in making meals, building models, knitting garments, and more. Numerous studies have described such readers and their passionate interest in nonfiction (Jobe & Dayton-Sakari, 2002; Moss and Hendershot, 2002; Mohr, 2006). Young people are naturally curious about their world. When they are allowed to follow their passions and explore what interests them, it bolsters their overall wellbeing. And the more young people read, the more they grow as readers, writers, and critical thinkers (Allington & McGill-Franzen, 2021; Van Bergen et al., 2021).

Research provides clear evidence that many children prefer nonfiction for their independent reading, and many more select it to pursue information about their particular interests (Doiron, 2003; Repaskey et al., 2017; Robertson & Reese, 2017; Kotaman & Tekin, 2017). Creative and engaging nonfiction titles can also enhance and support science, social studies, and language arts curricula. And yet, all too often, children, parents, and teachers do not know about recently published nonfiction books. Bookstores generally have only a few shelves devoted to the genre. And classroom and school library book collections remain dominated by fiction. If families, caregivers, and educators were aware of the high-quality nonfiction that is published for children every year, the reading lives of children and their educational experiences could be significantly enriched.

How can The New York Times help resolve the gap between readers’ yearning for engaging nonfiction, on the one hand, and their lack of knowledge of its existence, on the other? By maintaining separate fiction and nonfiction best seller lists for young readers just as the Book Review does for adults.

The New York Times Best Sellers lists constitute a vital cultural touchstone, capturing the interests of readers and trends in the publishing world. Since their debut in October of 1931, these lists have evolved to reflect changing trends in publishing and to better inform the public about readers’ habits. We value the addition of the multi-format Children’s Best Seller list in July 2000 and subsequent lists organized by format in October 2004. Though the primary purpose of these lists is to inform, they undeniably play an important role in shaping what publishers publish and what children read.

Adding children’s nonfiction best-seller lists would:

  • Help family members, caregivers, and educators identify worthy nonfiction titles.
  • Provide a resource for bibliophiles—including book-loving children—of materials that satisfy their curiosity.
  • Influence publishers’ decision-making.
  • Inform the public about innovative ways to convey information and ideas through words and images.
  • Inspire schools and public libraries to showcase nonfiction, broadening its appeal and deepening respect for truth.

We, the undersigned, strongly believe that by adding a set of nonfiction best-seller lists for young people, The New York Times can help ensure that more children, tweens, and teens have access to books they love. Thank you for considering our request.

Dr. Mary Ann Cappiello

Professor, Language and Literacy

Graduate School of Education, Lesley University

Cambridge, Massachusetts

Former Chair, National Council of Teachers of English (NCTE) Orbis Pictus Award for Outstanding Nonfiction Committee

 

Dr. Xenia Hadjioannou

Associate Professor, Language and Literacy Education

Penn State University, Harrisburg Campus

Harrisburg, PA

Vice President of the Children’s Literature Assembly (CLA) of the National Council of Teachers of English (NCTE).

 

 

 

References

Allington, R. L., & McGill-Franzen, A. M. (2021). Reading volume and reading achievement: A review of recent research. Reading Research Quarterly, 56(S1), S231–S238. https://doi.org/10.1002/rrq.404

Correia, M. (2011). Fiction vs. informational texts: Which will your kindergarteners choose? Young Children, 66(6), 100-104.

Doiron, R. (2003). Boy Books, Girl Books: Should We Re-organize our School Library Collections? Teacher Librarian, 14-16.

Kotaman H. & Tekin A.K. (2017). Informational and fictional books: young children’s book preferences and teachers’ perspectives. Early Child Development and Care, 187(3-4), 600-614, DOI: 10.1080/03004430.2016.1236092

Jobe, R., & Dayton-Sakari, M. (2002). Infokids: How to use nonfiction to turn reluctant readers into enthusiastic learners. Markham, Ontario, Canada: Pembroke.

Mohr, K. A. J. (2006). Children’s choices for recreational reading: A three-part investigation of selection preferences, rationales, and processes. Journal of Literacy Research, 38(1), 81–104. https://doi.org/10.1207/s15548430jlr3801_4

Moss, B. &  Hendershot, J. (2002). Exploring sixth graders’ selection of nonfiction trade books: when students are given the opportunity to select nonfiction books, motivation for reading improves. The Reading Teacher, vol. 56 (1), 6+.

Repaskey, L., Schumm, J. & Johnson, J. (2017). First and fourth grade boys’ and girls’ preferences for and perceptions about narrative and expository text. Reading Psychology, 38, 808-847.

Robertson, Sarah-Jane L. & Reese, Elaine. (Mar 2017). The very hungry caterpillar turned into a butterfly: Children’s and parents’ enjoyment of different book genres. Journal of Early Childhood Literacy, 17(1), 3-25.

Van Bergen, E., Vasalampi, K., & Torppa, M. (2021). How are practice and performance related? Development of reading from age 5 to 15. Reading Research Quarterly, 56(3), 415–434. https://doi.org/10.1002/rrq.309

If you support the request to add three children’s nonfiction bestseller lists to parallel the existing lists, which focus on fiction, please add your name and affiliation to the signature collection form.