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STEM Tuesday — A River Runs Through It– Author Interview

Welcome to STEM Tuesday: Author Interview, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Patricia Newman, author of the new book A RIVER’S GIFTS: THE MIGHTY ELWHA ROVER REBORN, illustrated by Natasha Donovan. “An illuminating glimpse at the Elwha River and its gifts…Beautifully illustrated and informative,” says Kirkus in a starred review.

Andi Diehn: I love how this is a story of scientific progress told alongside the story of a culture, the Strong People, who witness the destruction of their river and work for its return. How did you find a balance between discussing the engineering of the dams and story of a people?

Patricia Newman: When I write about the environment, I always discover a wonderful overlap between science, history, culture, and current events. This connection to all parts of our lives draws me to nature writing. That said, I do have to make some decisions regarding the pacing of the story—some details are omitted while others are expanded upon. During the research phase of A RIVER’S GIFTS, I took my lead from my experts who co-mingled science and culture. In this region, it is impossible to talk about the Elwha River without also considering its cultural significance.

AD: What inspired you to write this particular story?

PN: My husband came home from work one day with a book idea after a conversation with one of his colleagues. After 38 years of marriage, my husband has developed exceptional book-idea antennae! The story had it all. Nature. Environmental justice. Water (a happy place for me). A conservation success story. All those pieces and their assorted layers made this idea a go.

AD: You do a great job describing the tension between some forms of progress – such as electric lights in homes and businesses – and the adverse effect of that progress on the natural world. What are some other examples of progress versus environmental health?

PN: I remember an economics professor in college explaining the term “opportunity cost”—what we give up by choosing one thing over another. Life is filled with opportunity costs. I don’t blame the early Elwha River settlers one bit for preferring a life with electricity over a life without it. I grumble when my electricity goes down for a few hours! But we also need to include nature into our calculations when we make decisions.

For instance, at the time the Elwha Dam was built, Washington had a law stating all dams must include fish ladders to allow salmon to pass. For some reason, government officials waived this law for Thomas Aldwell, builder of the Elwha Dam. Why? No one knows. And in hindsight, this waiver is particularly maddening because the law was written with consideration for nature.

Including nature in our plans probably won’t be the easiest or cheapest solution. Look at gas-powered vehicles. They’re convenient. They’re fast. But they come with an enormous opportunity cost. We’re sacrificing clean air and clean water. Our temperature is rising because excess CO2 left over from burning fossil fuels clogs the atmosphere. Arctic ice is melting as the ocean warms. Heat waves, fires, and droughts dominate the news.

Way back, we chose leaders who prioritized progress over nature. Now, when we elect new leaders, we need to consider balancing progress and nature to live more sustainably.

Patricia Newman

AD: Are there other dam dismantling success stories? Any examples of dam dismantling gone wrong?

PN: Dams themselves aren’t evil. They provide a clean source of energy for millions of people, but they do come with consequences. River flow and flood patterns change. Fish populations change. Changes in the river channel change the surrounding forest. Dams are man-made structures that interfere with the natural functions of nature, functions we often don’t fully understand.

Every dam removal is a success story because we return a river to its free-flowing state to manage flooding, resupply the water table, manage wildlife populations, and nourish the ecosystem. Nearly 1,800 dams have been removed in the U.S. since 1912. I don’t know of any dam removals gone bad, but I do know of several projects that, like the Elwha River Restoration, are taking years of legal wrangling and governmental maneuvering.

AD: These illustrations are both gorgeous and scientifically fascinating! Why did the team think it important to add labels to the different species?

PN: I’m glad you like Natasha Donovan’s work. She is Métis and lives in the general area of the Elwha River, so she was able to create from her heart. In her art I can hear the river flow and feel its power.

In my original proposal, I provided lists of trees, plants, and wildlife for possible spot illustrations in the margins. I thought readers would feel the scope of this project if they knew about the vast array of biodiversity being saved. Art Director Danielle Carnito had the brilliant idea to add the labels directly to Natasha’s illustrations. The small but informative labels gave Natasha a lot more room for her gorgeous art.

spread from A River's Gift

AD: Why include real photographs of the dam being built and dismantled, not just illustrations?

PN: As a nonfiction author, “real” is important to me. Illustrations seemed a better fit for A RIVER’S GIFTS overall because the book begins back when the river first formed tens of thousands of years ago. But I worked from photographs. My research files are loaded with photos that show a sense of time and place. I think the photos provide a telling look at the size of these dams and the engineering magic that occurred to build them.

AD: One of the takeaway lessons from this book is that it’s never too late. We can undo past mistakes once we know better, such as dismantling dams. Why is this important to explore in children’s literature?

PN: We are all under attack by environmental headlines that spew gloom and doom. That’s why I write about our CONNECTION to nature. I want my readers to understand how it sustains us and how our habits affect it. With understanding, comes a sense of gratitude for nature and all its gifts. With gratitude comes action. And with action comes hope. Nature will heal itself if we move out of the way. We just need to learn which way to jump.

 

Patricia Newman is an award-winning author of nonfiction books for children.

Natasha Donovan is an illustrator with a focus on comics and children’s illustration.

Today’s host, And Diehn, is an editor at Nomad Press and has published 11 nonfiction books for kids.

Books & Cats: A Unique Bookstore

Have you ever visited a bookstore where you can buy books and adopt a cat? Cupboard Maker Books in Enola, PA, is a unique indie bookstore where you can do both. It’s a cat lover’s and a book lover’s dream. In addition to three resident cats, the store always has several adorable cats and kittens looking for Furever homes.

First, let’s meet the resident cats with their unique personalities:

My favorite is Annika. I’d never seen a grumpy-looking cat before, but Annika looks annoyed when you meet her. Maybe she didn’t like posing as a unicorn when she has a dragon-cut fur, or else she wants to look fierce when she guards the books. Don’t let her expression fool you, though. She’ll warm up if you offer her a treat. And she loves books.

grumpy catcat with dragon cut

 

 

 

 

 

 

 

Next is Mouse, a cuddly gray and white cat, who was born in the bookstore during the COVID-19 shutdown in Spring 2020.

cat

If you want to hold or pet a cat, Mouse’s buddy, Zak, loves attention. The two of them also enjoy helping each new foster cat feel at home.

siamese cat

In addition to these three lovable felines and about 130,000 books at Cupboard Maker Books, you’ll also find cats to take home. The bookstore partners with Castaway Critters, a local rescue organization, to find foster homes for abandoned cats.

When you enter the store, go on a cat hunt. Some of the cats will seek you out. You’ll find others on the yellow brick road to the children’s section. . .

yellow brick road

sitting on stools or ladders. . .

cat on stoolcat on ladder

 

 

 

 

 

 

 

lounging atop cages. . .

cats on cages

snuggling in baskets. . .

cats in basket

peeking out from behind chairs. . .

cat behind chair

sauntering down aisles. . .

cats walking

or hanging out at the inspiration wall, where cats and people can get their pictures taken with butterfly wings.

butterfly wallcat with wings

 

 

 

 

 

 

 

 

 

 

Don’t forget to check out the book arch. . .

book arch

High overhead, the cats also like to strut along the ramps above the bookshelves. But they can always be lured down by treats. (The pictures on the ramps represent the more than 170 cats who’ve found their special homes.)

Cats on Ramp video

The bookstore has an interesting history. You might wonder how it got its name. When it opened in 1998, the store was called the Cupboard Maker, and they sold hand-crafted cupboards. Back then, the store had only one bookshelf. But the book collection grew and grew and grew until it moved to its present location at 157 N Enola Rd (Routes 11/15), Enola, PA 17025.

logo

So would you rather buy a book or adopt a cat? If your answer is either or both, you’ll want to visit Cupboard Maker Books in Enola, PA. Owner Michelle Mioff-Haring and her book-loving (and cat-loving) staff love matching readers with great books and special pets. They also host multiple book clubs and author visits. You can check them out online, see the most recent foster cats on Facebook, or call (717) 732-7288.

Bookstore Hours:

Mon-Sat 10 am – 8 pm

Sundays 11 to 5

(Closed Easter, Thanksgiving, and Christmas)

cat car

Hop Down the Rabbit Hole

Writing is tough.

Writing is tough. At any level. From learning to put one word after another (and in order!) to construct one meaningful sentence to the classic high school essay to writing award-winning books, it isn’t easy. It’s a rewarding kind of tough, though. Challenging but rewarding as most creative ventures tend to be.

The blank page can be a fearsome opponent. The nothingness intimidates. One of the magical rewards of writing is overcoming the mountain of blank space with a word or an idea. The breakthrough lets the creative gears fall in place and allows the river to flow. 

Perhaps as daunting as the blank page is a second barrier to writing. Its roots lie in the way we are taught to write from day one in elementary school. It’s constrained, tightly-focused writing. The expectation a well-written sentence has to come out of the gate and hit the center target with great precision using a minimum of words. Don’t get me wrong, focus is an absolute in teaching beginning writers. What would written communication be like if we all wrote exactly like your favorite five-year-old breathlessly telling the story of how the clown at the birthday party tripped and popped the balloon elephant he was making which scared the magician’s rabbit who escaped and pooped while hopping across the birthday cake? 

So, out of necessity, we are taught to write tight from the beginning. We are taught we must not take a false step off the path or else, like in Bradbury’s A Sound of Thunder, we crush a butterfly and scramble the entire space-time continuum. But what happens when we’re ready to take a step and can’t see even a hint of a path? Like with the blank page, we can get stuck. Paralysis by analysis. 

See? Writing is tough.

So, what’s the remedy?

Well, we first need to loosen the thumbscrews of the deeply ingrained idea of user-focused writing. We need a distraction to help us step back and attack the blank page and/or the paralysis of a constrictive focus. Pull back and give yourself some space. That’s what drafting is. It’s finding your way but on a wide and sometimes rambling path.

(Psst, come closer. I don’t want the writing police or your high school English teacher to hear this.) There are also rabbit holes! Yes! The dreaded rabbit hole can help your writing in more ways than you think if you use them with discipline and measure. 

This image has an empty alt attribute; its file name is 640px-Down_the_Rabbit_Hole.png

John Tenniel, Public domain, via Wikimedia Commons

The rabbit hole of research is one of my personal favorite places to hang out as a writer. It’s part of what brings me joy as an ever-curious 58-year-old writer. I used to feel guilty about this research rabbit hole obsession until I discovered that, while the rabbit hole can be a distraction if entered unchecked, it was creating path after path after path for my writing. Paths forward, new paths, paths that veered away from dead ends on discarded writing projects. What has always been considered a waste of time and focus became a great creative tool for me. 

The rabbit hole has become a way to fight through blank page syndrome and break the shackles of tight, and often restrictive, focus that is still ingrained in my brain from elementary school. It’s an idea generator, a brainstorming tool, and a source of necessary or (often at the time) obscure facts which may worm their way into future stories. Out of chaos comes order.

Chaos into order.

The tricks to making the rabbit hole work for you as a writer are simple but can be difficult in execution. The first trick is to stay the master of the rabbit hole, whether it’s the internet, the library, a stack of articles, or books. You can’t turn yourself over completely to it and tumble endlessly from researching what kids might have eaten on the banks of the Nile in the Old Kingdom period to find yourself 45 minutes later checking out the latest Beyonce videos and fashions. 

The second trick is a very useful skill. The beauty of a skill is it can be learned, practiced, and mastered. It’s the ability to look at the chaos, organize it into a fashion that makes sense to you, and store the organized pieces for later. It’s like being a sculptor. Take a block of stone, wood, or clay and remove the pieces that don’t belong in the composition. The skill is the ability to manage information. The skill to find the gold hidden deep within the rabbit hole and then establish order from chaos.

As you can see, rabbit holes can be a writer’s friend and a valuable tool in the writer’s toolbox. Writing is tough. Any tools we acquire to help us over the hills and humps that stand in our way are more valuable than gold. Because, in the end, the most important thing in writing is writing that next word and building our stories one word at a time, brick by brick.

The moral of the story.

Find what works for you. 

Find what brings you joy in doing creative things. 

Do those things. 

Repeat.

 

Alex Lehner, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons