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STEM Tuesday — Renewable Energy — Writing Tips & Resources

By on May 21, 2024   /   Renewable Energy, STEM Tuesday  

Renewable Creative Energy

STEM Tuesday friends, I was creatively tired. Drained. The well was dry. Etc., etc., etc. It’s been a wild couple of months in which I feel I’ve been running full tilt on a treadmill not going anywhere. The battery was drained. 

There’s a definition of energy derived from Aristotle and his concept of enérgeia.

Energy is a condition that allows the capacity to do work.

I needed some renewable energy. I need the capacity to do my work.

Energy cannot be created or destroyed; it can only be transformed from one form to another.

This little nugget is the Law of Conservation of Energy. 

Ah, but since energy cannot be created or destroyed, only transformed from one form to another, I couldn’t just wave a magic wand and create the “Best STEM Tuesday Post of All Time” I dreamt of making. 

I needed some renewable energy. But how? There’s no Creative Energy section in any of my local stores, there were a few TikToks that were of no help at all, and, unbelievably, Amazon doesn’t list anything relevant to my problem. 

I was at a loss.

In utter creative despair, I snapped the laptop lid closed, fell to my knees, and reached, like Tim Robbins after his escape in The Shawshank Redemption, to the creative spirits of the universe in a plea for help. Sadly, the creative spirits of the universe did not answer. So I got off the office floor, went outside to fill the bird feeders, and then took the dog for a walk. Signs of early spring were everywhere. Birds, buds, and lilacs. Daffodils, tulips, and a soft breeze. 

The creative battery notched a level up. 

I felt a thaw in the ice floe jamming my creative brain (For a little brain science, here’s a link to my post, Creative Braining). I had an urge to go to the library. I picked up my two grandsons (5 and 3 years old, respectively) and we descended with great enthusiasm to the children’s floor in the basement of our library. Their energy was contagious. I scoured the shelves and found a half dozen awesome picture books to use for illustrator studies. 

With great excitement, we hauled our stacks of books from the library and to the truck to take home. I was fired up to return to my office, read the books I’d checked out, and then add sticky notes to mark the illustrations I wanted to draw for illustrator studies.

With little effort, the creative battery reached an almost full charge. Turns out, all I needed was to take a step back from the work and redirect to a renewable creative energy source. Nature and libraries. Two great sources of renewable creative energy. Bingo!

Energy cannot be created or destroyed; it can only be transformed from one form to another.

The Law of Conservation of Energy. 

It means energy comes at a price, even the forms of renewable energy listed in this month’s fabulous STEM Tuesday Renewable Energy book list. The trick for humanity at this critical point in environmental history is to transition to creating energy that minimizes the negative impact on the environment while still providing the energy to fuel our lifestyles.

We all know it’s important to develop renewable energy strategies for the environment. It’s also vital to develop strategies to renew creative energy. Find what works and when that doesn’t work, try something different. Expand the lens that feeds your creative brain. Be curious. 

As for that Best STEM Tuesday Post of All Time? You might have to wait on that one for a while longer. 

 

Bellatheblond, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons

 

Mike Hays has worked hard from a young age to be a well-rounded individual. A well-rounded, equal-opportunity sports enthusiast, that is. If they keep a score, he’ll either watch it, play it, or coach it. A molecular microbiologist by day, middle-grade author, sports coach, and general good citizen by night, he blogs about sports/training-related topics at  www.coachhays.com and writer stuff at  www.mikehaysbooks.com. Two of his science essays, The Science of Jurassic Park and Zombie Microbiology 101, are included in the Putting the Science in Fiction collection from Writer’s Digest Books. He can be found roaming around the X under the guise of @coachhays64 and on Instagram at @mikehays64.

 

The O.O.L.F Files

This month’s version of the O.O.L.F.(Out of Left Field) Files explores a spectrum of renewable energy information. From DIY to corporate plans to how the word “energy” came to be, you can check it all out at the links below.

Renewable Energy (Office of Energy Efficiency & Renewable Energy)

Microsoft’s Emissions and Water Use Shoot Up As It Goes All In on AI (via Futurism)

What is renewable energy? (kids.earth.org)

The renewable energy movement must have corporate involvement. This may take time and involve the consumer holding them accountable for their promises and PR on renewable energy.

Natural Resource Distribution Video for Kids (GenerationGenius) 

DIY Renewable Energy

The History of the Word “Energy” (Energy Fundamentals from the University of Leipzig)

 

Florian Gerlach (Nawaro), CC BY-SA 3.0 <https://creativecommons.org/licenses/by-sa/3.0>, via Wikimedia Commons

 

 

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Middle Grade Voice: Speaking the Joyous/Painful/Ironic/Perfect Truth

By on May 20, 2024   /   For Teachers  

Happy almost-summer to everyone! I love writing May posts for From the Mixed-Up Files of Middle Grade Authors because it calls to mind the excitement and fulfillment of the end of the school year. For teachers, parents, students, public or school librarians, and MG writers alike, the advent of summer is a time heady with the potential adventure, change, and insights of the coming months. New, thrilling stories are practically a guarantee. Whether you read them, write them, offer them to readers, or watch them inspire your own kids on breezy summer days, middle grade works can add a lot to  your summer season.

We often discuss on this site how various elements of a story impact readers in different ways. For example, a historical setting teaches readers about an era or event. Sci-fi and fantasy genre scenarios engage the imagination in a rigorous workout. A coming-of-age theme offers a hook almost all readers can relate to. Another important, impactful fiction factor is voice.

Voice is an element of fiction that can impact readers in several ways. So much more than point of view or perspective, a character’s voice ticks many boxes: It indirectly characterizes. It engages readers and controls the mood and pace. And it delivers thematic messages about life in ways that connect to our experiences and emotions—in other words, the truth.

Strong voice is particularly effective in MG fiction. There’s this interesting paradox that occurs with MG characters in “voicey” works: Though their world view may be limited by young age and lack of independence and experience, MG characters are often highly effective at revealing the truth. They might comment as an afterthought or make a passing observance… and ironically, that offhand remark is both significant and revelatory. Or, they share a just-learned lesson in their coming-of-age, but as it is communicated by their voice, additional ideas and truths are conveyed.

Summer, with its reduced emphasis on structured lessons, is the perfect time to think about this somewhat nebulous story trait. Gathered below are some examples of voice in MG fiction, a few writing projects for students experimenting with voice in their own writing, and (for writers of MG) a brief list of tips for “turning up” your story’s voice.

Middle Grade Voice Examples

Strong voice can seem like a you-know-it-when-you-read-it element. For practice in recognizing voice, study some examples before assigning yourself a search-and-find mission in some favorite and some brand-new titles. Here are a few handy examples of MG voice:

  • Jessica Vitalis’s self-assured protagonist Fud in Coyote Queen:

“That doesn’t mean I sat around crying about how things were, because I didn’t. And I certainly didn’t think twice about magic. I was too practical for that.”

  • Jennifer L. Holm’s witty main character Beans in Full of Beans:

“When someone says they’re gonna help you, they’re just waiting to stick their hand in your pocket and take your last penny. I should know. I got relatives.”

  • Any characters from Christopher Paul Curtis. Here’s Elijah speaking certain truth in Elijah of Buxton: 

“But classroom learning just don’t work the same as when something happens to you personal.”

Voice Activities in the Classroom

As the school year winds down, consider having your MG students experiment with the concept of voice in their own writing. You might begin by having readers search for examples in novels they read throughout the year. Introduce the idea of voice with some focusing questions: What line or lines have vocabulary, word choice, and phrasing that tell you right away what kind of a person this character is? What line would be spoken only by this protagonist? Where is a question or an exclamatory remark that highlights the voice?

With some examples at their side, students can then try their hand at voice by writing a real-time scene from the viewpoint of a selected, existing protagonist.  Writers already may be savvy with writing from a character’s perspective; try to direct their focus on the voice of the character through word choice, vocabulary, cadence, pace, and sentence length. For a scenario that also boosts excitement for the end of the school year, students might place their protagonist in a “summer vacation” scenario.

How Writers of MG Achieve Voice

These are some common strategies for practicing and assessing voice in your MG writing.

  • While middle grade characters certainly keep secrets and remain private about some things, they typically are more open with emotion than teen characters.
  • Defy stereotypes. Offer your characters traits that conflict with common assumptions.
  • Focus on the foundational blocks of a good story: themes, plot, detail, description, characterization. Voice is the conveyance system that communicates the story to the reader in the most effective, most “hearable” way.
  • Don’t allow the writer’s goals for sharing pithy truths to become the character’s goals. The character’s goal is to pursue their objective and resolve their conflict.
  • Stick with on-level vocabulary choices.
  • Who are your beta readers? Have a few middle graders in the mix to comment on MG characters’ believability.

Thanks for reading, and have a story-filled summer!

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Interview with Author Leah Cypess

By on May 16, 2024   /   Articles, Author Interviews  

I’m a huge fairy tale lover, and I just discovered Leah Cypess’s Sisters Ever After series. How did I miss this?! Her latest book in the series, BRAIDED, is coming out May 28. I’m so excited that I got to interview her for our Mixed-Up Files readers!

Please tell us a little bit about your upcoming novel, BRAIDED?

BRAIDED is the story of Rapunzel’s little sister, Cinna, who grew up longing for the return of her kidnapped older sister. The book starts right after Rapunzel’s rescue from the tower. Cinna can’t wait to help her sister take her rightful place as the heir to the throne. But Rapunzel is not what anyone—including Cinna—expected. And whoever took her might still be lurking in the castle…

I’ve always loved the story of Rapunzel (and have recently been looking at some of the origins of it myself). What kind of research has gone into writing this book (and your others)? Have you fallen down any interesting rabbit holes?

I started out by reading The Rebirth of Rapunzel by Kate Forsyth, which you’ve probably come across if you’ve been looking into the origins of Rapunzel! I found the book fascinating, but ultimately I decided to make BRAIDED more of its own story (and more related to TANGLED, despite Forsyth’s dislike of that movie). The previous book in the Sisters Ever After series, THE LAST ROSE, got about as dark as I want to go with these retellings; for BRAIDED I focused heavily on the question of, “What would make this story fun for my readers?”

I ended up doing a lot of research to flesh out the magical system in BRAIDED, since Rapunzel and her sister do magic by braiding spells into their hair. And that let me down a pretty intense rabbit hole about braids and hairstyles. For a while, Instagram was showing me nothing but hair reels all the time. And for a while, my youngest daughter’s hair was very fancy every day.

I’ve found myself drawn to fairy tales these last couple of years, and I absolutely love the idea of looking at the stories from the point of view of the siblings. Can you tell us what inspired you to write fairy tale retellings, and how these unique points of view came about?

I have always loved fairy tale retellings. There’s something about playing with a very familiar story, one baked into our cultural memory, that is both incredibly fun and enormously satisfying. Ideally, you create a twist that draws on the power of that original story while simultaneously examining and/or subverting it.

One way to do that is to tell the story from a different perspective – from the point of view of someone the original fairy tale didn’t consider important or didn’t include at all. With the Sisters Ever After series, that approach is baked into the way I tell the story. But because sibling relationships are so varied, but it still allows me many different ways to use that new point of view. I’ve been having so much fun with it.

You’ve written novels centered on Sleeping Beauty, Cinderella, The Pied Piper, Beauty and the Beast, and, now, Rapunzel. (And, I believe The Little Mermaid is up next). Did you have a favorite fairy tale as a kid? What about it did you love?

My favorite fairy tale growing up was The Twelve Dancing Princesses, about princesses who wear out their dancing shoes every night in a secret faerie realm. I think what I love about that story is how complex it is about what the princesses are doing and why. The story is pretty clear that the princesses are not being forced to dance—they are actively sneaking away and deceiving everyone around them—and yet, in the end, the dancing is what they have to be saved from. Obviously, that’s an easy story to turn on its head, but I like the tension in the fact that the faerie dancing is both fun and dangerous.

Originally, I was going to do The Twelve Dancing Princesses as one of the Sisters Ever After books! But everyone I told about the idea was confused by why on earth that story would need a thirteenth princess. In the end, I wrote two short story retellings of the Twelve Dancing Princesses but never a book. Yet.)

We’re big fans of teachers and librarians here at From the Mixed-Up Files. Could you tell our readers about a teacher or a librarian who had an effect on your reading or writing life?

I’ve been lucky to have a number of teachers who encouraged my interest in reading and writing. My first “publisher” was my first grade teacher, who compiled a booklet of students’ stories. (My story was written from the point of view of an ice cream cone.) In fourth grade, I used to sneak books into class and read them under my desk during math class. My parents told me years later that my teacher knew perfectly well what I was doing but decided to let me get away with it.

Libraries have been a huge influence on me since before I was born. My father grew up very poor, and his family could barely afford enough food; they certainly didn’t buy books. The fact that he could go to the public library and read as many books as he wanted was part of what transformed him into a reader, and the fact that he was a reader was part of what made me into a reader. I am hugely grateful to libraries.

You’ve been writing since first grade, and sold your first story while still in high school. Do you have any advice for our middle grade readers about getting started on a writing life?

Shortly after I got my first publishing contract, I saw this quote on Mandy Hubbard’s blog: “A published author is an amateur who didn’t quit. Don’t quit.” I think that’s the best advice I can give!  I would also suggest that you pace yourself in your writing development… first find your own voice and style, then find a critique group to polish it, and only then should you start worrying about publication.

Where can our readers find you?

My website is www.leahcypess.com. The place where I most reliably post writing news these days is on my Instagram, Leah Cypess. And if anyone is interested in getting a personalized signed copy of BRAIDED, I am running a preorder campaign through a local independent bookstore, People’s Book.

 

Thanks so much for visiting with us, Leah.

Readers, be sure to check out BRAIDED and the other books in Leah’s Sisters Ever After series. Do you have a favorite fairy tale? Let us know in the comments.

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