Posts Tagged writing

STEM Tuesday– Nuclear/Atomic Science– Writing Tips & Resources

 

This month’s theme is nuclear/atomic energy. In searching for ways to bring the arts into STE(A)M, I found books for older readers that focus on the “politics” of energy and offer opportunities for activities. Certainly that is relevant in today’s world where what we know as good science is being questioned. It’s not new. Galileo went to prison because he said the earth rotates around the sun. Scientists make discoveries and then those discoveries go out into the world in various ways. Politics, religion, culture, and economics can influence their uses and interpretations.

Each book here focuses on past consequences of scientific discoveries. My books this month are for older readers and the STEAM activities are ones which would require the students to have research, writing, and visual communication skills.

 

 

 

Radium girls coverThe first is The Radium Girls: The Scary But True Story Of The Poison That Made People Glow In The Dark (Young Readers’ Edition 2020, Sourcebooks Explore) by Kate Moore. This book is not for the faint of heart, with archival photos and heart-rending accounts. It is rich with content, bibliography, and story. While the discovery of radium was useful to mankind, abuse of the substance led to tragedy.archival photos

In 1917, there was competition for the jobs at the Radium Luminous Materials Corporation in Newark, New Jersey, where the girls who worked in the watch studio made good money. They painted the numbers on watch faces with paint that glowed in the dark. Radium, discovered by Marie Curie, was a miracle of new technology. It was especially important because the watch dials could be seen by soldiers fighting in World War I.

In order to get a good point on the paint brush, so as to paint the tiny numbers, the girls used their lips to make a fine point on the brush. Some of the girls were concerned. Their clothes glowed in the dark. They got sores in their mouths and acne.

The personal stories in the book are engaging and thought provoking. Also sad and direct. Some of the photos are shocking. At over 700 pages, the book is a comprehensive collection of materials, including bibliography, archival photos, and reading group guide.

 

 

 

Radium Girls play cover

I first heard of the Radium Girls when I attended the play in 2018 at Lasell University. The young actors performed the sad and informative story with deep feeling. (https://the1851chronicle.org/2018/04/26/radium-girls-turns-the-dial-towards-feminism/).

In order to bring the A into STEAM, writing or performing a play is a great way to create a multidisciplinary educational experience for any topic. Having to explain a concept to others always helps students to a better understanding of a topic themselves. A full length script for Radium Girls is available through Dramatic Publishing.( by D.W. Gregory https://www.dramaticpublishing.com/radium-girls)

If you think of writing a play and that intimidates you (it would me!), I found a number of resources on the Teachers Pay Teachers website (https://www.teacherspayteachers.com). You can search for “writing a play” and you have many options. I haven’t used any of these but the materials I have ordered from them in the past have been useful in my teaching.

 

 

Fallout coverAnd looking to continue the theme of including art, it amused me to think of atomic rhyming with comic. So I selected Fallout: J. Robert Oppenheimer, Leo Slizard, and the Policial Science of the Atomic Bomb ( Jim Ottaviani (Author), Janine Johnston (Illustrator), Steve Lieber (Illustrator), Vince Locke (Illustrator), Bernie Mireault (Illustrator), Jeff Parker (Illustrator), Jeffrey Jones (Illustrator) by GT Labs. This is for older readers and I think some previous knowledge of the development of the atomic bomb will help the reader to follow the story.

The comic platform, with its countless illustrations, brings the characters to life. We can feel the emotional conflicts of the scientists, especially facing the demands of the war interests. To me, the black and white drawings were reminiscent of film noir and helped to place the time frame pre-1960. It is especially valuable for reluctant readers who can get visual cues from the pictures.

To be clear, the book is more about political science (a branch of social science) and it does include information about the development of the bomb. It’s always good to bring in the humanity aspects of science to keep it in perspective.

 

 

 

There are studies about the effectiveness of comics in education. Comparing Effectiveness and Engagement of Data Comics and Infographics, downloadable from https://dl.acm.org/doi/10.1145/3290605.3300483. They say Our results suggest participants largely prefer data comics in terms of enjoyment, focus, and overall engagement and that comics improve understanding and recall of information in the stories. (by Zezhong Wang, Shunming Wang, Matteo Farinella, Dave Murray-Rust, Nathalie Henry Riche, Benjamin Bach).

free downloadThe Center for Cartoon Studies (https://www.cartoonstudies.org/) offers a free downloadable book called The World is Made of Cheese, The Applied Cartooning Manifesto, as well as other materials on comics. The materials are user friendly and you don’t have to be an “artist” to make a comic. Most published comics are collaborations anyway, so find a partner. And the goal is to create a page or book that tells a story (fiction or nonfiction) communicates ideas, and provides the satisfaction of being creative. In my experience, students enjoy making (and reading) comics and there are more choices available every day.

 

 

 

 


Kaleidoscope front cover

Margo Lemieux draws, paints, reads, and writes all the time. And, following her own advice, she is doing a cartoon assignment in the spring for her university class. She also does editing and publishing. Her most recent project is an anthology for her long-time witers’ group, The Magic Storymakers, titled Kaleidoscope.

Beyond Personification – Using (and Teaching) More Complex Literary Devices in MG Writing

I hope everyone’s year is off to good start!  Depending on your climate and interests, hopefully you are getting just the right amount of snow, rain, sun, or beach days. No matter the conditions, winter is a good time for bringing newness—new year, new plans, new lessons, new pages. I’m happily revising a MG historical right now and looking for new ways to enliven the narrative while staying true to plot and character. At the same time, I’m analyzing some new-to-me MG books for my editing job, and I thought I’d share some (hopefully) useful insights on three literary devices you might not immediately associate with MG writing.

You probably know these devices well, but since they don’t necessarily go hand in hand with middle grade curricula, you might not think of them in connection with MG. Generally, middle grades get a fair amount of similes and metaphors, imagery, personification, foreshadowing, and maybe a little situational irony; beyond those, many other literary techniques may not be covered in depth until later junior high/high school, even though examples appear in MG literature all the time.

You probably are already including the following lit devices in your MG writing because they are naturally graspable concepts for most middle grade readers—even though readers may not know the names. Recognizing these literary devices and elevating them as a strategy for revision might bring some fine, original moments to your MG writing—along with a breath of that newness we tend to crave in a project we seek to improve.

Vignettes

A vignette can refer to a short, standalone piece of writing; it can also mean a standalone performance, like one of a series of monologues or scenes in a nonlinear play. But vignettes appear all the time in narrative storytelling as well; look for them as brief sketches or descriptions that don’t contribute to the plot directly but work to more fully convey characterization, setting, or mood.

Vignette derives from the French word vigne (vineyard), which probably brings images of connected, trailing, spreading vines. MG vignettes, like literary sketches, are all of those: connected to the story, but leading the reader’s imagination a few steps down a path for a quick glimpse from a new perspective, like in this moment from Lisa Yee’s Maizy Chen’s Last Chance:

The Ben Franklin Five and Dime smells like apples. The handcrafted jewelry and glass jars crammed with colorful candies make me feel like I’ve walked into a treasure chest. A dig bald man in a nubby orange sweater sits at the soda fountain counter. He looks up from his banana split, but when our eyes meet, he turns away, almost shyly. (Chapter 6)

The lens on the story or character (or both) is adjusted and refocused with this descriptive little sketch, but no passage of time or plot event occurs. Think of a vignette as a time-standing-still moment in which you get to take a good look around. Sometimes the author stops time to build suspense or prolong and heighten emotion, like in this moment early in Sharon M. Draper’s Stella by Starlight:

Besides the traitorous leaves, Stella could hear a pair of bullfrogs ba-rupping to each other, but nothing, not a single human voice from across the pond. She could, however, smell the charring pine, tinged with …what? She sniffed deeper. It was acid, harsh. Kerosene. A trail of gray smoke snaked up to the sky, merging with the clouds. (Chapter 1)

In the time it takes to sniff the air, the author fills the moment with tone, sensory imagery, foreshadowing, and the hint of danger. Vignettes are powerful, swift tools in MG.

Allusions

Allusions are brief references to something that exists outside the scene, typically calling to mind some recognizable name or element from mythology, history, religion, culture, or another story. They are layered with meaning and rely on the reader “getting” the content based on their general familiarity with the topic. They are a quick and punchy shot-in-the-arm of interest for the reader who recognizes them, too, making them perfect for MG—middle graders enjoy coming across an unexpected mention of some bit of knowledge they already know. And you can communicate a complex idea with just a mention of an allusion—sometimes more easily than in explanation.

Think younger with MG allusions; favorite childhood characters, fairy tales, ideas, and stories that have stood the test of time and appear across multiple works or iterations might work well. If you want to get across the idea of an overbearing, oppressive, authoritative character, don’t call them a Big Brother; maybe call them an Umbridge. Ask if your allusions represent only one time period, culture, religion, or group. Consider cultural figures whose renown has crossed cultural divides.

Of course, allusions also offer a great opportunity for an MG writer to sneak-teach readers a new bit of history or culture when the reference might be not-so-recognizable. In Jennifer L. Holm’s Full of Beans (which takes place in Key West in the 1930s), the allusion to the town’s “resident writer” offers the chance to investigate Ernest Hemingway; and in Brenda Woods’s When Winter Robeson Came (set in 1965), protagonist Eden’s piano teacher mentions Margaret Bonds and Julia Perry, Black female composers.

Juxtaposition

The tricky-sounding word belies its simplicity. Juxtaposition is simply the setting up of contrast between two elements (characters, settings, ideas, emotions, really anything) for the sake of highlighting one or both involved. Middle graders are keen on comparison (this is why we introduce and review metaphor and simile so frequently at early middle grades) and with juxtaposition, the meaningfulness is simple and elemental—thinking about what’s dissimilar between two sides speaks to just the right developmental skills of middle grade.

Many MG novels start off with a juxtaposition between the way the protagonist thinks the week (holiday, school day, morning, etc.) will go and the strange, unexpected, or shocking events that really occur. Juxtaposed characters can show a host of contrasts; opposing traits might appear in dramatic foils.

Juxtaposition of setting is key if a protagonist leaves their Ordinary World for another place. Think of how effectively Neil Gaiman sets up the difference between Coraline’s real home and the otherworldly home of her “other mother.”

In a more recent example, Brian Young uses juxtaposition to set the stage in his Healer of the Water Monster, starting with the Navajo legend revealed in the Prologue (the gentle Water Monsters who keep the waters “tranquil” and “nourishing” become violent and destructive when Coyote kidnaps one of their infants) and continuing with protagonist Nathan’s big change in summer plans from bonding time with his father on a trip to Las Vegas to—instead—a long stay with his grandmother Nali in her mobile home in the desert. Even the chapter headings show juxtaposition of language with the number first in Navajo, then in English.

If you teach middle graders, they might be ready for some brief introduction to these and other lit devices that go beyond the usual study of personification and foreshadowing. They might look for examples of allusions in their class novels, and talk about why the author chose the reference they did. A handy chart or table in their reading journal can be used to compile examples of juxtaposition. And vignettes present an excellent opportunity for creative writing in the classroom; students might try their hand at short character sketches when a “walk-on” character in a class novel inspires description.

Happy writing in this year – I wish you all the best with everything new!

 

 

STEM Tuesday– Nuclear/Atomic Science– In the Classroom

 

 

Nuclear science is the study of the atomic world. Atoms are the building blocks of all matter, and everything around us, including our bodies, is made of atoms.

Students can explore the ways nuclear science impacts our world in these books:

Who Split The Atom? by Anna Claybourne  Using a DK-like format, it explores the early history and research into the structure of atoms, the periodic table, radioactivity, and atomic science. Loaded with photographs, graphics, “That’s A Fact!,” “Breakthrough,” and scientific sidebars, as well as vignettes of scientists, it is an accessible and engaging introduction to radioactivity.

 

Atomic Universe: The Quest To Discover Radioactivity by Kate Boehm Jerome  This National Geographic book uses a running timeline across the top of the pages (from 1800 to 1971), photographs, mini-biographies, and “science booster” sidebars to interest high-low readers in an introductory overview of radioactivity, atomic science, and nuclear reactors.

 

Activity

How is nuclear energy produced? In nuclear fission, the nucleus of a uranium atom splits into tiny atoms. The splitting produces two or three free neutrons and releases a large amount of energy. In a nuclear reactor, fission is used to make atomic energy. Divide students into groups and have each group research the process of nuclear fission. Each group should create a visual demonstration of nuclear fission and present it to the class. Get creative! 

 

Meltdown: Earthquake, Tsunami, and Nuclear Disaster in Fukushima by Deirdre Langeland On March 11, 2011, the largest earthquake ever measured in Japan occurred off the northeast coast. It triggered a tsunami with a wall of water 128 feet high that ripped apart homes and schools, damaging Fukushima’s nuclear power plant and causing a nuclear meltdown. Chapters describe the events as well as the science of nuclear reactors. Each section begins with a readout of reactor status, from “offline” to “meltdown” with the last chapter exploring lessons learned.

 

Activity

Nuclear energy is a much-debated topic. In this activity, students will decide whether or not to support building a nuclear power plant in their town to provide electricity and replace fossil fuel-generated electricity. Divide the class into two groups – one group will support the building of the nuclear power plant, while the other group will oppose it. Have each group research nuclear energy and power and find facts and arguments to support their point of view. Hold a classroom debate and have each side present their strongest arguments for and against the nuclear power plant.

 

Radioactive!: How Irène Curie and Lise Meitner Revolutionized Science and Changed the World by Winifred Conkling  This gripping dual biography provides an in-depth look at the discoveries, life-long personal sacrifices, and professional struggles that Irène Curie and her husband Frédéric Joliot-Curie made in discovering artificial radiation and Lise Meitner made in discovering nuclear fission. It also touches on Marie and Pierre Curie’s discovery of natural radiation, society’s grappling with radiation, World War II, and the atomic bomb. Includes a timeline, Who’s Who section, black and white photos, and fascinating sidebars further explaining the science.

Activity

Radiation exists all around us. It is produced as unstable atoms undergo radioactive decay, and travels as energy waves or energized particles. There are many different forms of radiation, each with its own properties and effects. What sources of radiation are you exposed to in your daily life? Have students research radiation sources and create a list of exposures. They can use this calculator from the Environmental Protection Agency to calculate their annual radiation dose.  What can students do to reduce or limit radiation exposure in their lives?

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Carla Mooney loves to explore the world around us and discover the details about how it works. An award-winning author of numerous nonfiction science books for kids and teens, she hopes to spark a healthy curiosity and love of science in today’s young people. She lives in Pennsylvania with her husband, three kids, and a dog. When not writing, she can often be spotted at a hockey rink for one of her kids’ games. Find her online at http://www.carlamooney.com, on Facebook @carlamooneyauthor, Instagram @moonwriter25, and Twitter @carlawrites.