Posts Tagged We Need Diverse Books

A Story’s A Story, No Matter How Small

In recent news, the Guiness Book of World Records just named Advay Jain as the youngest person to publish a book at the tender age of 3 years and 345 days old! This news caught my eye since it takes me longer than that to simply finish a draft for my novels. However, this record-breaking news had me thinking about what makes an author an author and what makes a story a story. 

 

We all have narratives to share and everyone has the ability to write. With busy schedules and shrinking attention spans, readers may turn to short stories instead of full length novels. So this month’s post highlights some notable anthologies from recent years that put diverse authors at the forefront. Reluctant readers and busy bibliophiles alike can find themselves within the pages of these anthologies. 

 

LKM 2024 Anthology

Lit Kids Magazine 2024 Anthology

 

LitKids Magazine 2024 Anthology  Edited by Rebecca Weber. Lit Kids Magazine 2024 Anthology is filled with stories, poetry, art, and photography made by children who noticed something, wondered about it, and shaped it into their own creation. Inside, you’ll find small things and big things, funny things and serious things, imaginative things and thoughtful things. Each piece is proof that creating is an adventure, full of risks, surprises, and discoveries. Together, these pieces tell an important story: creativity is alive, powerful, and worth nurturing, especially in childhood.

 

Ancestor Approved: Intertribal Stories for Kids  Edited by Cynthia Leitich Smith and published in partnership with We Need Diverse Books. Featuring sixteen Native American authors—including Joseph Bruchac and Traci Sorell— this anthology weaves fantastic stories centered around a single intertribal powwow in Michigan. An incredible celebration of stories and poetry filled with humor, family joy, and contemporary Indigenous resilience.

 

 

 

 

 

The Door Is Open  Edited by Hena Khan. This anthology includes delightful stories written entirely by South Asian and Desi-American voices. Focusing on the diversity and of South Asian American experiences in a bustling community center in a fictional New Jersey town, your reader will love this exploration of  identity, new crushes, and cultural pride.

 

Once Upon an Eid: Stories of Hope and Joy by 15 Muslim Voices

 

Once Upon an Eid: Stories of Hope and Joy by 15 Muslim Voices  Edited by S.K. Ali and Aisha Saeed. The more we read, the more we know and what better way to experience the joy of Eid al-Fitr than with this incredible anthology. Showcasing fifteen different Muslim authors writing about the universal spirit of this holiday, this collection highlights a massive spectrum of global cultures, covering Shia and Sunni traditions, West African perspectives, and convert experiences. 

 

Black Boy Joy Cover

Black Boy Joy: 17 Stories Celebrating Black Boyhood  Edited by Kwame Mbalia. If you’ve never heard of this uplifting collection of sci-fi, fantasy, and realistic stories, you are missing out! Seventeen Black male and non-binary authors (including Jason Reynolds and Jerry Craft) share moving stories that celebrate triumph and happiness to challenge heavy media stereotypes.

 

 

On the Block  Edited by Ellen Oh (published October 2024). This anthology explores the lives of immigrant families living in a single apartment building. From beautifully honest looks at culture and family structures, this collection features twelve stories from authors like Jasmine Warga, Erin Entrada Kelly, Debbi Michiko Florence, Minh Le, and so many more!

 

 

 

You Are Here

You Are Here: Connecting Flights  Edited by Ellen Oh (published March 2023). A star-studded anthology of concurrent, interwoven stories following twelve Asian American kids embarking on a massive international airport terminal during a single incident. What could possibly go wrong? Find out through the work of Linda Sue Park, Grace Lin, Traci Chee, and Christina Soontornvat.

 

Black Girl Power

 

Black Girl Power  Edited by Leah Johnson (published 2024). A vibrant, heartwarming collection of 15 middle grade stories and poems that celebrates the joy, strength, and experience of Black girlhood, including stories from Ibi Zoboi, Sharon M. Draper, and Leah Johnson, as well as cover art from Caldecott winner Vashti Harrison.

October 4-10 is Banned Books Week!

Red book wrapped in yellow caution tape that says "Banned Books Week"

“Let Books Be. Protect the Freedom to Read.” That’s the theme of this year’s Banned Books Week. A joint effort by the American Library Association (ALA) and the Banned Books Week Coalition, this annual week of focus provides the opportunity to make a bold, collective statement about the freedom to read. 

 

This year’s campaign features three separate illustrations that highlight the importance of libraries. According to the ALA, award-winning illustrators Hyesu Lee, Loveis Wise, and Mikey Burton created artwork that “embraces joy and creativity as acts of resilience, reminding our communities that a handful of people running organized censorship campaigns should not be allowed to dictate what the rest of us can read.” Posters and other promotional materials are available from the ALA Store.

Three posters that represent Banned Books Week 2026

Two award-winning authors have been selected to headline this year’s event:  Bess Kalb (Buffalo Fluffalo series) and Tony Weaver, Jr. (Weirdo). Joining them will be youth honorary chairs Marshall Romero and Azeemah Sadiq.  

Why does this issue matter?

In the 2024-2025 school year, Pen America recorded 6,870 instances of book bans. These bans have occurred in 23 states and 87 public school districts, affecting “the works of 2,308 authors, 243 illustrators, and 38 translators.”

Book bans exploit fears and pose a threat to First Amendment rights. Books that are most often challenged tend to feature Black and LGBTQ+ characters. They deny access, limit choice, and stigmatize literature at a time when we are seeing notable declines in students’ reading proficiency and time spent reading.

Essential Resources:

Red book cover by yellow tape, text "Banned Books Week"

WNDMG Author Interview with Meg Eden Kuyatt

WNDMG Author Interview with Meg Eden Kuyatt

We’ve got an author here today! And I had the esteemed pleasure of sitting down with MG Novel-in-Verse author Meg Eden Kuyatt. So, without further ado…

KATE: Our Mixed-Up-Files readers would love the inside scoop on your latest novel-in-verse, Perfect Enough. With the school year behind her, Selah is looking forward to a drama-free summer. (Spoiler alert – it won’t be as carefree as she’d like). Can you share with readers a bit about what Selah gets up to in summer?

MEG: Selah wants to prove to her mom–and herself–that she’ll be fine at summer camp, that she can do the same as any neurotypical kid if she has her tools. She wants to connect with her new dragon-loving friends. She wants to write, publish in the summer camp journal, and become a “real writer” (spoiler: she’s already a writer). Even though she has fun, that doesn’t mean she won’t have challenges–you’ll have to read more to find out!

KATE: I fell in love with Selah in Good Different and was naturally excited to see you were returning to her world in Perfect Enough. Did you always have plans to extend her story? And if so, in what ways did it shape how you’d end the first story?

MEG: No, actually! It’s funny. I was trying to write this summer camp story about learning to accept your limitations and ableism, but I kept getting stuck. I realized part of that might be that the main character was basically Selah with a different name. So I asked: what if it was Selah’s story? And the pieces began to click together!

KATE: Perfect Enough takes place the summer after book one. Here, we follow Selah at camp. How did you decide upon that timeline vs, say the start of a new school year?

MEG: Part of that is because I want to follow up on a well-meaning but troubling response I’ll get to Good Different that only focuses on Selah’s “superpowers” as an autistic person. I wanted to say, yes, there is great strength and joy in autism, but there are also challenges–let’s not forget both. Argument-wise, that really follows from Good Different. Plus, if I get to tell future stories with Selah, I think we’d need a whole separate book for that transition to public school. I know for me, the transition from private to public school was very hard. 

KATE: I love how you find ways to advocate for readers by giving them diverse characters to fall in love with and see themselves in. Followers of Selah know she is autistic, and we’ve witnessed how she navigates the world. In Perfect Enough we get to see her understanding of how others navigate the world – in particular through the lens of a character with ADHD. What inspired you to bring this storyline into your novel?

MEG: My husband is ADHD (or possibly AuDHD, we’re not sure) and that camp story I mentioned earlier, I knew a big part to me was about this autistic girl and ADHD boy learning to work together on a group project. My husband and I, we make a great team. In many ways we sync well. But in others, we are total opposites, and know how to get on each others’ nerves! We’ve only gotten to see Selah’s perspective so far, so I wanted to show that she’s only one neurodivergent person. In the story, we meet lots of neurodivergent folks, and see how we can have competing access needs–sometimes two people will need the complete opposite things! How do we navigate that? I don’t think there’s a simple answer, but I want all of us to think more about that question, and how we can all bend a little to make room so that everyone feels safe.

KATE: At Writer’s Camp, attendees are invited to team up for group projects. I’m not going to lie – I was reliving every anxiety and stress Selah was, thanks to past projects of my own childhood, lol. What a great universal idea for your school-aged characters to be put through. So, I’m super curious how easy it was for you to write the tension in these scenes? Were you tapping into your own experiences, or was this pure fiction for you?

MEG: Ha! Me too. Group projects can be quite unpleasant. I think that was part of why I wanted to write about it, because I’m so bad at plot, and that would create a great tension-generator! Writing Selah’s stories has been so easy. I know I mined lots of experiences with my husband, as well as roommates with college. 

KATE: Please tell us more about this writer’s camp. Is this something you had once attended, taught at, or always dreamed of being part of?

MEG: In high school, my friend attended Duke’s Young Writers Camp. I was so jealous! That was the starting inspiration. But I also sometimes teach at the Jimenez-Porter Writers House at the University of Maryland College Park, which offers a sort of summer program. Since I know the campus and the dormitories well, I sort of mixed the two in my imagination to make a writer’s camp where I could really feel the space like I was right there as Selah. 

KATE: Your dialogue exercise is one of my favorites. It starts off fun and silly, then Selah reveals how the other character makes her feel. The scene feels so effortless. I’m curious if this is something that got edited and edited, or if it simply wrote itself.

MEG: Nope, this was one of those things that wrote itself! I think that’s why it’s such a good exercise.

KATE: One of the camp teachers, Mr. Yi, discusses with Selah how poems are her voice. Selah responds by answering that poems give her courage to say things off the page too. I have witnessed you teach poetry to students, and love how you make it so easy to understand. What advice do you have for kids inspired by Selah who either currently write poetry or who wish to start writing it?

MEG: Thank you so much for your kind words, Kate! The biggest advice I give is to persist. Write, give yourself permission to take you and your writing seriously (you ARE a writer!), and if you want to, send out your work–but there’ll be rejection, so don’t lose heart! Just keep sending, writing, learning and growing!

KATE: Without revealing spoilers, can you describe your writing process and, can you give us an example of something you cut, changed, or reworked from draft to publication?

MEG: I’ll say generally, this idea was it’s own summer camp story at first, in dual POV, and more about combating ableism. But I kept getting stuck, until I realized–one of the main characters was basically Selah! So when I put Selah as the MC, everything came together perfectly. I know we did some changes between drafts, but I’m having trouble remembering anything too huge or radical. 

KATE: Thank you for taking the time to share the inside scoop on Perfect Enough. Is there something beyond Selah’s world you can hint at? Perhaps a new project in the works?

MEG: I have a YA with two autistic protagonists coming out from Scholastic in 2027–more soon! I’ve sent in some middle grade proposals to Scholastic, including an idea for a third Selah book. Fingers crossed to see what happens!

KATE: Where can readers best find you if they want to reach out?

MEG: I tend to not be on social media much anymore, to be honest. These companies have all proven to be exploitative and gross, and I’m wrestling with: is this edifying? Is it good for me or others? Do I want to be complicit in this system? I still haven’t fully let go, so you might see me occasionally on Instagram or updating my Facebook page, but the best ways to keep in touch with me are through my website and newsletter:

http://eepurl.com/buwBXX

www.megedenbooks.com