Posts Tagged We Need Diverse Books

WNDMG Wednesday: A Celebration of Jewish American Heritage Month

In commemoration of Jewish American Heritage Month–and recognizing the importance of diversity in middle-grade literature–please enjoy this carefully curated collection of 26 middle-grade books that feature Jewish themes and characters, including contemporary and historical fiction, fantasy and magic realism, graphic novels, and anthologies.

Plus…

A GIVEAWAY!

Don’t miss a chance to win not one but TWO books on this oh-so fabulous list: Coming of Age: 13 B’nai Mitzvah Stories, edited by Henry Herz and Jonathan Rosen, and Kat Greene Comes Clean by Melissa Roske. Scroll down for details!

MG BOOKS WITH JEWISH THEMES & CHARACTERS

Contemporary Fiction

Not So Shy

Noa Nimrodi

Shai, 12, hates everything about moving to America from Israel. Determined to get back home, she starts weighing her options, including living with her grandparents or winning a drawing competition that offers a plane ticket to anywhere in the world as the grand prize. Meanwhile, Shai is forced to navigate seventh grade in an unfamiliar language. She also faces antisemitism but gains support from unexpected sources.

The Dubious Pranks of Shaindy Goodman

Mari Lowe

Twelve-year-old Shaindy, an Orthodox Jewish girl who struggles academically and has few friends at school, is jealous of Gayil, a popular classmate who lives next door. Shaindy and Gayil have little to do with each other, until one evening when Shaindy looks out her window and sees Gayil holding up a sign that reads: “Want to know a secret?” It turns out that Gayil has a key fob that allows after-hours access to their school. Before long, the girls are scheming harmless pranks. But under Gayil’s leadership, the mischief turns malicious, with the pranks targeted at specific girls. Shaindy is desperate to stop Gayil from terrorizing their classmates, but if she does, could she be the next target?

Honey and Me

Meira Drazin

Honey and Milla, who live in close-knit Jewish community, have been best friends for as long as Milla can remember. The girls do everything together, including delivering meals to their elderly neighbor, shopping at a local thrift store, celebrating the holidays, and going to their first Bat Mitzvahs while studying for their own. But when Honey enrolls in Milla’s school for sixth grade, it’s not as great as Milla expected. Not only does Milla feel overshadowed by her charismatic friend, she’s also worried that their friendship won’t be able to survive the ups and downs the year has in store for them. Will Milla find the courage to step out of Honey’s shadow and into her own spotlight—or will jealousy and fear get the better of her?

Repairing the World

Linda Epstein

Twelve-year-old Daisy’s life is shattered when her best friend, Ruby, is killed in a tragic accident. Now Daisy finds herself having to face the major challenges in her life, like starting middle school and becoming a big sister, without Ruby by her side. Despite her sadness—and thanks to new friends, new insights, and supportive family members—Daisy is able to see what life after Ruby can look like, and that friendship is eternal.

Ellen Outside the Lines

A.J. Sass

Thirteen-year-old Ellen Katz is neurodivergent and feels most comfortable when her life is well planned out. She attends temple with her parents every Friday and Saturday, and relies on her best friend, Laurel, to help her navigate social situations at school. Laurel has always made Ellen feel like being autistic, and liking girls, is no big deal, but lately Laurel has started making new friends and cancelling weekend plans with Ellen. A school trip to Barcelona seems like the perfect opportunity for Ellen to reconnect with Laurel, but it doesn’t—especially when a nonbinary classmate makes Ellen question her own, very binary way of seeing the world.

The Magical Imperfect

Chris Baron

Etan stopped speaking when his mother went away, and his father and grandfather don’t know how to help him. Neither do his friends, who have given up on him. And then Etan meets Malia Agbayani, known as “The Creature,” due to her acute eczema. Malia stopped going to school when the bullying became too much. As the pair become friends, Etan believes he might have a cure for Malia’s condition—if only he can convince his family, and hers, to believe it, too.

Sorry for Your Loss

Joanne Levy

Twelve-year-old Evie Walman’s family runs a Jewish funeral home, and she knows she’ll be a funeral director when she grows up. She loves dusting caskets, polishing pews, and offering her condolences to mourners. Evie doesn’t deal with the grieving families directly, until one day when her parents ask her to help with Oren, a boy who was in a car accident that killed both his parents. Although Oren refuses to speak and Evie, who is dealing her own private grief, Evie is determined to find a way to help her new friend deal with his loss.

Going Rogue (at Hebrew School)

Casey Breton

Ten-year-old Avery Green loves science, football, and Star Wars, which he’s seen 400 times. What he’s not so crazy about? Hebrew school. He’s asked his parents a million times why he has to go, but they haven’t managed to convince him. (“It’s tradition” just doesn’t cut it.) And then one day, Rabbi Bob shows up. Piecing together some unusual clues, Avery begins to suspect that this new rabbi might be a Jedi master.

Kat Greene Comes Clean

Melissa Roske

Eleven-year-old Kat Greene attends fifth grade at the Village Humanity school, a hippie-dippy progressive school in New York’s Greenwich Village. At the moment, Kat has three major problems: dealing with her boy-crazy best friend, Halle; partnering with the overzealous Sam in the class production of Harriet the Spy; and coping with her mother’s preoccupation with cleanliness, a symptom of her worsening OCD. With nowhere to turn–and hesitant to tell her dad, who’s busy with his new family uptown–Kat reaches out to Olympia Rabinowitz, the free-spirited psychologist at her school. Later, after many  soul-searching sessions with Olympia, Kat realizes that asking for help is the best way to clean up life’s messes.

Fantasy and Magic Realsm

Finn and Ezra’s Bar Mitzvah Time Loop

Joshua S. Levy

Finn and Ezra are trapped in a bar mitzvah time loop, reliving their celebrations in the same New Jersey hotel, over and over (and over) again. Ezra comes from a big family, with four siblings who seem to get all the attention, and Finn is an only child who’s tired of his parents’ constant focus, particularly on his bar mitzvah weekend. Teaming up, the boys try to break the loop, but nothing works. As their frustrations mount, real-life problems start to seep through the cracks. With all the time in the world, can Finn and Ezra figure out how to finally move forward?

The Color of Sound

Emily Barth Isler

Rosie Solomon, 12, is a musical prodigy whose synesthesia allows her to see music in colors. Her mom has always pushed her to become a concert violinist, but this summer Rosie wants a “normal” life and is sent to stay with her grandparents. While there, Rosie meets another girl her age–a girl who seems awfully familiar. Rosie quickly pieces it together and realizes that somehow, this girl is her mother, when she was twelve. Thanks to this glitch in time–plus her grandparents’ love, an improv group, and a new instrument–Rosie comes to understand her mother, herself, and her love of music.

Rebecca Reznik Reboots The Universe

Samara Shanker

Rebecca Reznik, 13, is knee deep in family drama. Her dad lost his job, her parents are fighting all the time, and her annoying brother, Jake, is acting out more than usual. Then, when a goblin turns her bedroom upside down—literally—Becca realizes that the bad juju in her house is more sinister, and more complicated, than she had first imagined. With her best friends, Naomi and Eitan, by her side—and armed with the lessons she learned from her last tussle with mythological creatures from Jewish lore in the 2022 sequel, Naomi Teitelbaum Ends the World—Becca will do whatever it takes to defend her family and save the Hanukkah.

Shira and Esther’s Double Dream Debut

Anna E. Jordan

Shira and Esther are shocked when they first meet: It’s like looking in a mirror! Despite the girls’ identical appearance, they couldn’t be more different. Shira dreams of singing and dancing onstage, but her father, a stern and pious rabbi, wants Shira to focus on her religious studies. Esther, on the other hand, dreams of studying Torah, but her glamorous, stage-performer mom, frowns on Esther’s studious ways. Then, thanks to Benny, a 14-year-old bellhop at Scheinfeld’s Resort and Cottages, the girls plan a Parent Trap-style switcheroo, to help the Shira and Esther make their dreams come true. Or sort of true…

Don’t Want to Be Your Monster

Deke Moulton

Adam and Victor are your average tweens… who happen to be vampires. Although Adam, 10, knows he has a higher purpose in life than drinking blood, his 14-year-old brother, Victor, enthusiastically accepts his vampirism. This is all well and good until bodies start appearing all over town, and the brothers realize that a vampire hunter may be on the lookout for their family. Can Adam and Victor work together to stop the killer before it’s too late—or will their differences get in the way?

The Witch of Woodland

Laurel Snyder

Life used to be simple for Zipporah “Zippy” Chava McConnell, a 13-year-old witch—that is, before her best friend, Bea, started acting funny and everyone at school thought she was weird. And to make matters worse, Zippy’s mom is making her prepare for a bat mitzvah, even though Zippy’s family barely goes to synagogue. But then one day Zippy finds a strange red book at the library and conjures a girl—a beautiful girl named Miriam, with no memory, and wings like an angel. Now it’s up to Zippy to help Miriam figure out what she is, and where she came from. And if can do that, maybe everything else in her life will make sense, too.

Black Bird, Blue Road

Sofiya Pasternack

Pesah has lived with leprosy for years, and he and his twin sister, Ziva, have spent most of that time working on a cure. Then Pesah has a vision: The Angel of Death will come for him on Rosh Hashanah, just one month away. So Ziva takes her brother and runs away to find doctors who can cure him. But when the twins meet and accidentally free a half-demon boy, he suggests paying his debt by leading them to the fabled city of Luz, where no one ever dies. It’s the one place Pesah will be safe. But can the twins run faster than The Angel of Death can fly?

The Button Box

Bridget Hodder and Fawzia Gilani-Williams; Harshad Marathe (illustrator)

In the aftermath of a bullying incident at school, where Jewish fifth-grader Ava and her cousin Nadeem, are called hateful names, the cousins’ Granny Buena shares with them a glittering crystal button box, packed with buttons that generations of Ava’s Sephardic ancestors have cherished. With the help of Granny’s mysterious cat, Sheba, the cousins discover that a button from the button box will take them back in time. Suddenly, they are in ancient Morocco, where Nadeem’s ancestor, Prince Abdur Rahman, is running for his life. Can the cousins help the prince escape to Spain and fulfill his destiny, creating a Golden Age for Muslims, Jews and Christians?

Historical Fiction

Code Name Kingfisher

Liz Kessler

When Liv finds a box hidden in her grandmother’s attic, saved from her childhood in Nazi-occupied Holland, circa 1943, she unearths a trove of family secrets—including the extraordinary story of her great-aunt Hannie, a Jewish undercover agent in the Dutch resistance. It’s a tale of bravery, betrayal, and daring defiance, and Liv wants to know more—starting with why her grandmother has kept Hannie a secret for so many years. (For more on Code Name KingFisher, check out Melissa Roske’s interview with Liz Kessler here.)

A Sky Full of Song

Susan Lynn Meyer

Eleven-year-old Shoshana and her family, Jewish immigrants who have fled persecution in the Russian Empire, start a new life on the North Dakota prairie. Shoshana is thrilled to forge a new American identity and hides her Jewish identity in the face of prejudice—unlike her older sister, Libke, who misses their Ukrainian village and insists they preserve their heritage. For the first time, Shoshana is at odds with her sister. But by listening to the music that lives in her heart, she finds new meaning in the Jewish expression, All beginnings are difficult.

The Summer We Found the Baby 

Amy Hest

In Belle Beach, Long Island, during World War Two, eleven-year-old Julie Sweet and her six-year-old sister, Martha, find a baby in a basket on the library steps. Meanwhile, Julie’s friend Bruno Ben-Eli, 12, is heading to the train station to catch a train to New York City, to carry out an important errand for his brother who is a soldier stationed overseas. When Bruno spies Julie leaving the library with a baby in her arms, he assumes she’s a kidnapper. But the truth is more complicated than what Bruno, Julie, or Martha know.

Anthologies

On All Other Nights: A Passover Celebration in 14 Stories

Edited by Chris Baron, Joshua S. Levy, and Naomi Milliner, with stories by Chris Baron, Ruth Behar, Adam Gidwitz, Veera Hiranandani, Amy Ignatow, Sarah Kapit, Joshua S. Levy, Mari Lowe, Naomi Milliner, Soifya Pasternack, R. M. Romero, A. J. Sass Laura Shovan, and Laurel Snyder

Passover, a Jewish holiday that has been celebrated for thousands of years, features the seder; a meal filled with rituals, special foods, and songs, where celebrants gather together to retell the story of the Exodus, when the Jewish people achieved freedom from Egypt. Yet the seder is about more than the ancient past. Its themes of freedom, joy, and tradition are timeless and universal. In this collection of short stories, 14 award-winning authors each reimagine a different step of the seder through historical and contemporary fiction, verse and prose, fiction and nonfiction.

Coming of Age: 13 B’Nai Mitzvah Stories

Edited by Jonathan Rosen & Henry Herz, with stories by Sarah Aronsohn, Nora Raleigh Baskin, Barbara Bottner, Stacia Deutsch, Debbie Reed Fischer, Debra Green, Henry Herz, Alan Katz, Nancy Krulik, Stacie Ramey, Jonathan Rosen, Melissa Roske, Laura Shovan, and a poem by Jane Yolen

Join thirteen diverse characters as they experience anxiety, doubt, and self-discovery while preparing for their B’nai Mitzvah, the ceremony in which they become adults in their faith. whether celebrating with a lavish party or in a rabbi’s study, the Jewish rite of passage remains the same. Filled with humor, hope, and history, there’s something in this anthology for every reader.

Graphic Novels and Adaptations

Two Tribes

Emily Bowen Cohen

Mia is still adjusting to life with her mom and stepfather, whose Jewish identity plays a strong role in their home. She’s also struggling to adjust at her Jewish day school, where she feels like she doesn’t fit in. Meanwhile, Mia yearns for a deeper connection with her Muscogee father, who lives with his new family in Oklahoma. Her mom doesn’t want to talk about him, but Mia can’t help but feel like she’s missing a part of herself without him. Because of this, Mia uses her Bat Mitzvah money to take a bus to Oklahoma—without telling her mom—to visit her dad and find the connection to her Muscogee side, which she knows is just as important as her Jewish side.

The Unfinished Corner

Dani Colman (author); Whitney Cogar (colorist); Rachel Tuna Petrovicz (illustrator); Jim Campbell (letterer)

In Jewish mythology, God created the universe and left one corner unfinished. It’s unclear why, but the Unfinished Corner is dangerous, and filled with monsters. Twelve-year-old Miriam doesn’t know about the Unfinished Corner—she’s too busy preparing for her Bat Mitzvah and wrestling with whether she even wants to be Jewish–until an angel appears, whisking Miriam, her two best friends, and her worst frenemy off to this monstrous land, with one mission: finish the Unfinished Corner.

Lauren Tarshis; Alvaro Sarraseca (illustrator)

When the Nazis invaded Max Rosen’s home country of Poland, all the Jewish people–including Max, his sister, Zena, and their papa–were forced to live in a ghetto. But two months ago, the Nazis took Pap away and now Max and Zena are on their own, with barely enough food to survive. Out of desperation, the siblings escape from Nazi soldiers into the nearby forest, where they are taken to a safe camp by Jewish resistance fighters. Soon, grenades are falling all around them. Can Max and Zena survive the fallout of the Nazi invasion?

Anne Frank’s Diary: The Graphic Adaptation

Anne Frank; adapted by Ari Folman; illustrated by David Polonsky

Authorized by the Anne Frank Foundation in Basel, Anne Frank’s Diary captures the remarkable spirit of Anne Frank, who for a time survived the worst horror the modern world has seen yet remained heartbreakingly human, and remarkably optimistic, throughout her ordeal. Includes extensive quotations directly from the definitive edition.

GIVEAWAY!

 

For a chance to win Coming of Age: 13 B’Nai Mitzvah Stories, edited by Jonathan Rosen & Henry Herz, PLUS a copy of Melissa Roske’s Kat Greene Comes Clean, comment on the blog–and, if you’re on X, on the Mixed-Up Files X account for an extra chance to win! (Giveaway ends May 28, 2024, at midnight. U.S. only, please.)

Melissa Roske is a writer of middle-grade fiction. Before spending her days with imaginary people, she interviewed real ones as a journalist in Europe. In London she landed a job as an advice columnist for Just Seventeen magazine. Upon returning to her native New York, Melissa contributed to several books and magazines, selected jokes for Reader’s Digest (just the funny ones), and received certification as a life coach. In addition to her debut novel Kat Greene Comes Clean (Charlesbridge), Melissa’s short story “Grandma Merle’s Last Wish” appears in the Jewish middle-grade anthology, Coming of Age: 13 B’Nai Mitzvah Stories (Albert Whitman). Learn more about Melissa on her Website and follow her on  TwitterFacebook, and Instagram.

From the Mixed-Up Files Gets Recognized for Dedication to Diverse Books

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Are you looking for some good news to cheer about? Well, here you go: From the Mixed-Up Files of Middle Grade Authors is receiving some love!

What’s this about?

We all know that there are many reasons to love the Mixed-Up Files, and one big reason is our effort to put a spotlight on diverse books. Just check out our WNDMG Wednesday blog posts!

Well, it turns out a lot of people have been noticing our dedication to diverse books, and our blog is getting some love from Feedspot. Feedspot chose Mixed-Up Files as one of the 80 Best Diverse Book Blogs and Websites for 2024! That’s something to celebrate!

Here’s what Feedspot has to say about us: “Read special intros, summaries, and extracts from books and novels that revolve around the theme of Diversity and Inclusion. From the Mixed-Up Files of Middle-Grade Authors is a team of writers and readers of middle-grade books, and their goal is to celebrate and generate enthusiasm about books for 8-12-year-olds.”

 

So, what is Feedspot, you might ask?

Feedspot is a content reader that can help you keep up with multiple websites all in one place. That way, you don’t have to visit each website separately to find out what’s new. With this recognition, Feedspot acknowledges the contribution of websites and blogs that recognize the importance of putting more books with diverse characters in the hands of children.  

The goal of this list is to recognize and bring more traffic to websites and blogs that are dedicated to the promotion and growth of inclusive literature. In addition to From the Mixed-Up Files, their list of 80 websites and blogs includes standouts like the Lee and Low Books blog, Multicultural Kid Blogs, and KidLit TV.

 

Why is this important?

You know the saying: Energy flows where attention goes. Publishers Weekly recently reported findings from the University of Wisconsin’s Cooperative Children’s Book Center (CCBC) regarding diversity in children’s books. The good new is that “the number of books received by the CCBC that have BIPOC authors, illustrators, or compilers has tripled since 2015.” They expect this trend to continue with BIPOC representation and to expand to a broader range identities, including differing abilities, LGBTQ+, and religious diversity.

 As you’ll find on our WNDMG page, our mission is to “celebrate and promote diversity in middle-grade books, and we examine the issues preventing better equity and inclusion on the middle-grade bookshelf. We intend to amplify and honor all diverse voices.” If you’re like us, and you have a passion for making sure that all children see themselves represented in books, check out Feedspot’s 80 Best Diverse Book Blogs and Websites and make sure to follow From the Mixed-Up Files of Middle Grade Authors!

Author/Illustrator Spotlight: Carole and Jeffery Boston Weatherford

You’ve in for a special treat, Mixed-Up friends! Joining us on the blog today are Carole Boston Weatherford and Jeffery Weatherford, the author-illustrator/mother-son duo behind the middle-grade verse novel, Kin: Rooted in Hope. The novel, which explores the history of Carol and Jeffery’s family tree, shaped by enslavement and freedom, has been hailed by Publisher’s Weekly as “a layered text that highlights the perseverance of the Weatherfords’ ancestors and the horrors that they endured,” and by Kirkus as “a striking work that reshapes the narrative around enslavement.” It’s out tomorrow, September 19, from Simon & Schuster.

A Summary of Kin: Rooted in Hope

Carole and Jeffery Boston Weatherford’s ancestors are among the founders of Maryland. Their family history there extends more than three hundred years, but as with the genealogical searches of many African Americans with roots in slavery, their family tree can only be traced back five generations before going dark. And so from scraps of history, Carole and Jeffery have conjured the voices of their kin, creating an often painful but ultimately empowering story of who their people were in a breathtaking book that is at once deeply personal yet all too universal.

Carole’s poems capture voices ranging from her ancestors to Frederick Douglass to Harriet Tubman to the plantation house and land itself that connects them all, and Jeffery’s evocative illustrations help carry the story from the first mention of a forebear listed as property in a 1781 ledger to he and his mother’s homegoing trip to Africa in 2016. Shaped by loss, erasure, and ultimate reclamation, this is the story of not only Carole and Jeffery’s family, but of countless other Black families in America.

Carole and Jeffery Boston Weatherford: The Interview

Carole and Jeffery… Welcome to the Mixed-Up Files. It’s honor to have you here! Carole: Kin is told from a fascinating array of perspectives. In addition to accounts from your ancestors, the Copper family, key figures include: Frederick Douglass and Harriet Tubman; your ancestors’ enslavers, the Lloyd family; an archeologist; Francis Scott Key, who wrote “The Star-Spangled Banner.” Non-human narrators are represented, too: Wye House; the Chesapeake Bay; a cemetery. How did you inhabit each character as deeply, and as authentically, as you did?

CBW: I realized after writing my first verse novel, Becoming Billie Holiday, which was in first person, that I had this ability to channel the voices of my subjects. I ask my characters to speak to and through me. It helped that I grew up visiting my great-grandparents’ house in the area. So, I was already rooted in the land long before writing Kin.

The Magic of Scratchboard Art

Jeffery: While we’re on the subject of illustrations, Kin features more than 40 black-and-white pieces of scratchboard art. Can you tell Mixed-Up Files readers more about this medium? What made you choose scratchboard for this particular book?

JBW: Certainly! Scratchboard art is a distinctive and evocative medium, offering a visual dance between darkness and light. At its core, scratchboard is a form of direct engraving where the artist scratches off dark ink to reveal a white or light-colored layer beneath. It’s a medium that requires precision, foresight, and an intimate understanding of light and shadow.

For Kin, I felt that scratchboard was the perfect choice because it mirrored the book’s underlying themes—the contrasting narratives of hardship and hope, of oppression and freedom, of the dark past and the light of progress. Much like our own stories where we strive to find clarity amidst confusion, scratchboard art involves meticulously carving out light from the darkness. It’s about finding and showcasing beauty, no matter how deeply it’s buried. The medium’s inherent contrasts and textures brought depth to the narrative, providing readers with not just a story to read, but an experience to feel.

Additionally, the tactile nature of scratchboard echoes the raw, visceral emotions and historical touchpoints present in Kin. Just as the book delves into the intricate tapestry of ancestry and legacy, the scratchboard technique, with its layers and intricacies, became a metaphor for the multifaceted journey of discovery and understanding.

(For more on the fascinating medium of scratchboard art, click here.)

I Call Their Names

Carole: Much of the material for Kin came from the Lloyd family’s ledgers, including the names of your ancestors, which you call out frequently—almost like an incantation: Yellow Molly; Chicken Sue; Prissy; Daphne; Old Suckey; Charity; Nurse Henny; Barnett; Peg Shaw… How do these names resonate with you? 

CBW: Wye House, the Lloyd’s flagship plantation, was once home to more than three hundred enslaved people. Their marginalized voices begged to be amplified and their stories to be told. I invoked the names of the enslaved residents of Wye House. Perhaps that was my way of asking their permission to channel their voices and conjure their stories.

Remembering… And Forgetting

Carole: Early on in the book, you reveal that your great grandfather never talked about his father-in-law, Isaac Copper, who fought in the Civil War after his enslavement at Wye House. You then pose the question: “Was forgetting less painful than remembering?” Could you elaborate on this?

CBW: I don’t know whether my great-great-grandfathers told my great grandparents about enslavement. History can be heart-rending—even traumatizing—especially when it comes to enslavement. As one formerly enslaved woman said in the 1930s, “My folks don’t want me to talk about slavery.” Sadly, many firsthand recollections of enslavement vanished before ever being passed down. On one hand is a reluctance to recall painful memories; on the other, the grief over what is forgotten or unknown. I wish I had inherited more stories.

Poetry in Motion

Jeffery: In addition to being a children’s book illustrator, you’re a performance poet. How has your experience as a poet guided your work as an illustrator—and vice-versa?

JBW: My journey as a performance poet has deeply enriched my perspective as an illustrator. Engaging in spoken word and poetry, I’ve been exposed to the raw, unfiltered emotions of an audience, and I’ve felt the weight of words in a room—the palpable tension, the riveting silences, and the roaring applause. This intimate dance with emotions and public vulnerability has emboldened me in my artistry.

It’s often said that public speaking is a fear greater than death, and if that’s true, then through my countless performances, I’ve confronted and embraced that fear many times over. This recurrent act of braving the stage has translated into an audacious spirit in my illustrations.

Art, much like poetry, is an act of audacious vulnerability. It necessitates the courage to mar a pristine canvas, to take risks, and to lay one’s soul bare for the world to witness. My poetry has taught me to speak, while my illustrations have taught me to visualize; and together, they’ve allowed me to weave narratives that are both visually and emotionally resonant. The synergy between both realms is profound—while my poetry gives voice to my emotions, my illustrations provide them a visual stage.

Fertile Ground for Creativity

Carole: You wrote many of the poems for Kin on your family’s farmstead in Copperville, Maryland. What was this experience like for you? Did this rural location help you feel connected to your ancestors in any way?

CBW: I sense ancestral spirits there. My great-great grandfather Phillip Moaney co-founded Copperville during the Reconstruction. The village is less than two miles from Wye House where my forebears were enslaved. My family’s small farm in Copperville is fertile ground not only for agriculture but also for creativity.

African Homecoming

Carole and Jeffery: In 2016, you travelled to Africa to learn more about your ancestors—some of whom descended from royalty. How did this trip deepen your understanding of your family’s history? How did it affect you personally?

CBW: The purpose of our African homecoming was to share our debut collaboration, You Can Fly: The Tuskegee Airmen. At the time, we had not begun work on Kin. Off the coast of Dakar, Senegal on Goree Island, we toured Maison des Esclaves (The House of Slaves). Shortly after our return, I learned from an art exhibition that my great-great grandfather descended from royalty and was known as the Royal Black. That knowledge filled me with pride and inspired me to research our roots.

JBW: The trip was NWA NWA, which means incredible, amazing, magnificent!  I felt like I was returning home. Getting to stand on the Goree Island I could feel the power of my ancestors and the light of their smiles. It returned something to me that I cannot explain.

It’s All in the Research

Carole: As a follow-up, what sort of research did you do for Kin? Without birth records, marriage licenses, and death certificates available to trace your family’s genealogy, it must have required a tremendous amount of time, patience, and skillful detective work.

CBW: I was researching family history long before I envisioned Kin. Once, I began work on the book, I studied plantation ledgers, letters, military records  archeological reports, the landscape and material culture to reconstruct my ancestors’ milieu. I also read Frederick Douglass’s firsthand account of enslavement at Wye House. Last but not least, I visited the burial ground for the plantation’s enslaved residents. Amidst unmarked graves in a grove of trees, I broke down and cried.

Jeffery: How did the research affect, and enrich, your artwork?

JBW: The research process has been instrumental in shaping the authenticity and depth of my artwork. By delving deep into historical accounts, personal narratives, and cultural contexts, I’ve been able to tap into a reservoir of emotions, experiences, and textures that might have otherwise remained elusive.

Family Affair

Carole and Jeffery: This isn’t your first children’s book collaboration, but I suspect it’s the most meaningful. How has Kin brought you closer, both as collaborators and mother and son? Also, how has this project differed from other books you’ve created together?

CBW: Kin was truly a family affair, conceived with collaboration in mind. Kin is the book of our hearts, an offering to our ancestors and to our offspring, born and unborn.

JBW: We have been working together for a long time, this book has allowed us to dive into family history on an entirely different level and share that experience with the rest of the family.

On the flip side, how do you handle disagreements when it comes to creative decisions? Does the mother-son dynamic ever get in the way? When it does, what are your strategies to resolve the problem?

CBW: I can’t recall a disagreement, maybe because I’m the boss. Joking! Seriously, I consider myself an illustrator’s author. My words are evocative enough for illustrators to express their vision for the art. I was blown away when I saw Jeffery’s art for Kin.

JBW: We don’t particularly argue about the process, to be honest–just about chores that need to be done for tidying up spaces. Kidding. I don’t have many chores from my mom anymore. All jokes aside, it’s been a wonderful experience working with her, and going all over the world to enrich the youth.

It’s Personal

Carole: You have written more than 70 award-winning books, but my research reveals that Kin is your most personal one yet. Was there a watershed moment, or inner force, that impelled you to share your family’s history?

CBW: In late 2016, I went to an exhibition of Depression-era paintings by Ruth Starr Rose, a white artist who came of age at Hope House, the former plantation where my great-great grandfather was the gardener. I was awestruck that Rose’s paintings depicted my relatives, whom the curator referred to as Maryland’s founding families. I suspect that one painting shows my father as a boy. The exhibition also featured a photograph of my great-great grandfather, whose face I had never before seen. The exhibition underscored for me the significance of my family’s history.

Carole and Jeffery: Thank you for chatting about KIN today. I know your book will resonate with readers as much as it did with me.

Bios

Carole Boston Weatherford

Carole has written many award-winning books for children, including You Can Fly, illustrated by her son Jeffery; Box, which won a Newbery Honor; Unspeakable, which won the Coretta Scott King award, a Caldecott honor, and was a finalist for the National Book Award finalist; Respect: Aretha Franklin, the Queen of Soul, winner of the Coretta Scott King Illustrator Award; and Caldecott Honor winners Freedom in Congo SquareVoice of Freedom: Fannie Lou Hamer, Spirit of the Civil Rights Movement; and Moses: When Harriet Tubman Led Her People to Freedom. Carole lives in North Carolina. Visit her at CBWeatherford.com.

Jeffery Boston Weatherford

Jeffery is an award-winning children’s book illustrator and a performance poet. He has lectured, performed, and led art and writing workshops in the US, the Middle East, and West Africa. Jeffery was a Romare Bearden Scholar at Howard University, where he earned an MFA in painting and studied under members of the Black Arts Movement collective AfriCobra. A North Carolina native and resident, Jeffery has exhibited his art in North Carolina, Georgia, Maryland, and Washington, DC. Visit him at CBWeatherford.com.