Posts Tagged representation

WNDMG Wednesday – Guest Post by Jorrel Brinkley

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around
We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around

Illustration by: Aixa Perez-Prado

WNDMG Wednesday Guest Post by Jorrel Brinkely

We Need DIverse MG is delighted to host a new author this week.  Jorrel reached out to WNDMG a few months ago with an idea for connecting his work as an author and school psychologist to the importance of diverse representation in middle-grade fiction, and we were excited to be able to feature a fresh voice on this always-timely topic. Thanks for your post, Jorrel!

My Journey, by Jorrel Brinkley

Hey everyone! I’m so excited to write a blog post this month for “From the Mixed-Up Files… of Middle-Grade Authors.” Having written a middle-grade novel and working as a school psychologist, I’d like to take this time to talk a little bit about the importance of diverse books and early literacy in reaching children in high-needs elementary schools.

Stereotypes and Microaggressions

As a teenager and in my adult years, I’ve been on the receiving end of various stereotypes and microaggressions:

“Do you rap or play basketball?”

“Imagining you riding a horse is like imagining Tupac riding a horse.”

“You look like someone I saw on a ‘Most Wanted’ billboard.”

I would say, “C’mon guys, read a book!” But given the small amount of prominent diverse books available when I was a kid, I guess I’m not surprised. I’m not disparaging any of those books, but we definitely needed more.

The White Default

Growing up, I can recall only a few books that I read in school featuring Black authors or characters. More often than not, the ones I read featured historical figures (e.g. think days of slavery or around the Civil Rights era) or were African folktales. Important for sure, but not always relatable. Most of the books that I’ve read centered around White characters. I remember that while I was writing my debut book, Gus & Major: Obedience School, I had an idea for another story. As I imagined what the cover of that book might look like, I realized that I had envisioned a White protagonist. Why was that? In my head, I saw a main character that fit with most of who I’ve seen my entire life in books, TV shows, and movies.

“This Boy Looks Like Me!”

It is important for children to not only see characters or authors who look like them but are also relatable. There can be much encouragement and hope for children when they read a book and realize they are not alone. It also gives them an idea of what they could be besides the stereotypical representations found in media. On a personal level, my three year old son was looking at a picture book. He is half-black, half-Latino. As he perused the pictures, he looked up with excitement and said, “This boy looks like me! And this is you, Daddy!”

Lacking Early Literacy Skills

As I mentioned earlier, not only am I an author, but I am also a school psychologist working in a high-needs elementary school. Most of the evaluations that I conduct with students deal with reading difficulties. Many times, I’ve found that the students I’ve tested do not have a learning disability. Rather, they simply lack the early literacy skills that are usually acquired before entering Kindergarten. Now, there are a multitude of factors that play into this, but that’s a discussion for another time. As they go through school, what I’ve typically seen is that they lack foundational reading skills. These skills build on each other every year as the curriculum becomes more challenging. The issue is that by the time the students are in their middle grade years, many have been unable to overcome the ever-increasing gap; that is their expected performance and their actual performance. Mix in a grade retention or two, and we have a serious problem. The students are over-age and seem to have lost interest in school, especially in reading. They do not see its importance; many have told me that reading is too hard. On top of that, when you place a book in front of them with characters that do not look like them or with an unrelatable story, reading it is the last thing they want to do. And let’s face it, smartphones and social media are stiff competition.

Enter diverse middle grade books.

Relatability in Diverse Books

Admittedly, my debut book features animal characters, BUT I was very intentional in writing a story that the students at my school and similar schools would find relatable. Why? In my experience, the children I’ve worked with are more interested in stories with diverse characters or those with similar experiences. They also seem to be more invested in the outcome of certain characters. In addition, when they can empathize with the author, that is a bonus. Not only are children interested in the story, but they are more willing to read other books by said author.

BookCoverWebImage_500x800

Each year at my school, I typically mentor a group of fifth-grade boys in which we discuss music and think about the messages conveyed in songs. When I ask them about their favorite rappers and why they listen to their music, I’m often told that they can relate to some of the rappers’ struggles. They feel like they’re not alone and that there’s hope that they can make it past their own personal struggles too. Without examining the veracity of some rappers’ statements, it’s important that we don’t miss that gold nugget. These boys connected with artists that looked like them, talked like them, and had relatable stories. I can almost guarantee that they would read a book written by their favorite rapper!

((For more articles on why representation matters, check out our WNDMG Wednesday archives))

Making Connections

What does this have to do with diverse middle grade books, Jorrel? I’m glad you asked. It’s all about making connections. Making connections with children through diverse books can help them process their emotions, provide language to what they are experiencing, and may even provide a framework for overcoming various challenges.

How do you attract students who don’t find curling up with a good book on a rainy day as exhilarating as you do? Give them diverse authors and/or characters and a relatable, compelling story. What if they are a struggling reader? Well, if they’re sitting and engaging with the book, that’s half the battle! It’s easier to target some of those foundational reading skills when interest and motivation are high.

On a few occasions, I’ve read part of my book, Gus & Major: Obedience School, to a group of third graders at my school. In it, I touch on topics such as fatherlessness, behavioral problems, and forgiveness. Most of the story is drawn from my time working with children. The students were immediately able to relate to the story and characters, saying things like, “So-and-so does that in my class all the time,” or “I used to act like him in the beginning of the year.”

I’m grateful that there is an increasing number of diverse books being published. What messages do we want to send to our children? How do we ignite a love of reading in children lacking basic reading skills and maintain their interest? Let’s expand their imaginations to what else is out there, and let’s introduce them to more diverse voices early.

About Jorrel Brinkley

Jorrel Brinkley is a school psychologist and the author of his debut chapter book Gus & Major: Obedience School. He has worked with elementary school-aged children from a variety of backgrounds for over 15 years. His goal is to engage children’s imagination through entertaining, relatable, and thoughtful stories. When he is not writing, he is spending time with his wife and two boys.

Connect with Jorrel

 Instagram

Website

 

Under the Mike-roscope: Sisters of the Neversea by Cynthia Leitich Smith

If I were a book reviewer, I’d be the world’s worst book reviewer. Honestly, I stink at it. That said, I’m not a book reviewer; I’m a microbiologist. A scientist. I like to read and write middle-grade books not only for enjoyment but study them and learn from them as well. 

  • What techniques and skills do the author incorporate into their work?
  • What kept me turning pages?
  • Why did I forget to do my chores when reading this book?

And any additional questions as to why a book takes over my brain.

Today, I’m sharing Sisters of the Neverseas by Cynthia Leitich Smith, a book that has taken over my brain.

I’ll spare you my version of a summary of the book because it’ll sound a lot like my almost 4-year-old grandson describing the fireworks display on the Fourth of July. All over the place and delivered with terrific, over-the-top, and breathless enthusiasm. Instead, I’ll sum up my take on Sisters of the Neversea in three words.  

READ THIS BOOK!

As a fan of Cynthia Leitich Smith’s work, I admit I had high expectations for Sisters of the Neversea. It was on my reader radar for quite a while before its release. When I finally got my hands on a copy and read it, it did not disappoint. If fact, I’m currently listening to the audiobook immediately following a listen of J.M. Barrie’s Peter Pan. 

One of the many things that blew my socks off with Sisters of the Neversea is in the Author’s Note at the end of the book. Being a middle-grade writer with an interest in how authors put together their books, I’ll often read the author’s notes or acknowledgments before I read the book. This time I was so stoked to start reading, that the thought to read anything but the book itself never crossed my mind. When I finished and read the Author’s Note, here’s that bit that caught my eye and hooked my storyteller radar.

“One of the most interesting and powerful things about Story is that it invites future storytellers to build on it, to reinvent, and to talk back. Like any other kind of magic, stories can harm or offer hope, even healing.”  

                                             – Cynthia Leitich Smith, Sisters of the Neversea Author’s Note

That’s money. Bulletin board material to post above the writing desk. I’m still bouncing it around in my brain.

Sisters of the Neversea is a masterclass on reinventing a classic story, especially a classic wrought with questionable representation. Cynthia Leitich Smith tells a better story than the traditional Peter Pan story. She expands the story world, and its characters, adding depth to both. The setting of Neverland itself becomes a player in the tale. Best of all, she “talks back” to the original work in a way that’s believable and imaginative.

She doesn’t hide, bury, or run from the questionable representation of the original. She addressed it and attacks it head-on. Her answer to the “redskins” and “injuns” and to the role of girls and women in Barrie’s creation, is to create fully-fleshed Native characters from different Nations and backgrounds and strong female characters throughout. 

She seamlessly weaves the reinvented narrative into the existing framework of Barrie’s work. It has this amazing way of feeling like Barrie’s original Peter Pan yet tells its own unique and contemporary story.  

One of the parts of Sisters of the Neversea I particularly enjoyed was the family dynamic. The weight and burden of the blended Roberts-Darling family’s problems seem insurmountable to Lily and Wendy. This leads to a lot of anger between them and a growing rift. Their home in Oklahoma, their parent’s marriage, and their future as sisters are all on the line. 

However, when they get separated and enter Neverland, Lily and Wendy begin to see each other and their family’s problems in a new light. By taking a step back from the day-to-day struggles at home, the step-sisters realize their problems, no matter how large, can be dealt with as a family. Talk about story magic bringing hope and healing!

Good literature makes the world a little brighter. Great literature transforms it. With Sisters of the Neversea, Cynthia Leitich Smith completely transforms the world we’ve come to associate with Peter Pan and Neverland with luminosity and truth. Under her skilled hand, the Neverland story becomes something entirely different. Something better. Much, much better.

I hope the Sister of the Neversea finds its way into the hands of young readers. I also hope it sparks them to read Barrie’s original and realize the attitudes and mindsets of yesteryear don’t have to be the attitudes and mindsets of today. Things can, and should, change as knowledge changes.

Finally, I can’t wind up this look at Sisters of the Neversea without admitting there’s a wide smile on my face. No, it’s not the amazing cover art by the late Floyd Cooper.* The smile is because I ran across a recent social media post from Cynthia about how she’s drafting a new middle-grade novel. This makes me happy for young readers. The potential for a new, transformative Cynthia Leitich Smith book has this reader on Cloud Nine.

*Judge a book by its cover, please! Floyd Cooper’s artwork captures the characters and the story in perfect fashion. No need for Peter Pan here! Lily, Wendy, and Michael beckon you to the adventure. Come on in for the ride, my friends! We are going to miss Floyd Cooper.

Note: In case you can’t tell,  I am a fan of Cynthia Leitich Smith. In the work she does on the page. In the work she does with and for the Native writing community. In the work she does for the We Need Diverse Books community and leading the Heartdrum Imprint at Harper Collins. She is a force in the kidlit industry while being one of the nicest people in the business. (Perhaps the most remarkable example of how skilled she is as a writer is the fact she had me riveted to her Tantalize YA vampire series back before I was even aware of her other work. Me! Reading YA vampire fantasy! Now that’s writing talent!)

WNDMG Wednesday- Guest Post – Waka T. Brown

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around
We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around

Illustration by: Aixa Perez-Prado

WNDMG Wednesday Guest – Author Waka T. Brown

We at WNDMG Wednesday are thrilled to host our guest post writer, author Waka T. Brown. Waka’s piece in honor of AAPI Heritage Month is a spot-on look at the importance of representation in middle-grade books, and we’re so grateful she took the time to stop by our blog.

Author Waka T. Brown–My Journey

Happy Asian American and Pacific Islander (AAPI) Heritage Month, everyone! I’m honored to write a blog post this month for “From the Mixed-Up Files… of Middle-Grade Authors.”

With two middle grade novels which prominently feature Asian American main characters under my belt (and two more under contract), I’d like to take this opportunity to reflect and share what my journey as an Asian American author has been like thus far.

Being Sabrina Duncan

I’m curious how many Asian American children of the 70s and 80s are out there who remember “Charlie’s Angels.” Not the 2019 reboot with Kristen Stewart, Naomi Scott, and Ella Balinska. Not even the 2000 one with Drew Barrymore, Lucy Liu, and Cameron Diaz. I’m talking about the one with Farrah Fawcett, Jaclyn Smith, and Kate Jackson. Way back when, my friends and I sometimes played like we were the Angels—fighting crime and beating up the bad guys. I always played the character of Sabrina Duncan because… she had the darkest hair of the trio. Like me.

Television star Kate Jackson white woman with short black hair wearing red shirt

It Felt Presumptuous

I grew up reading and loving books by Madeleine L’Engle, Lois Duncan, Beverly Cleary, L.M. Montgomery, Frances Hodgson Burnett, Louisa May Alcott, Laura Ingalls Wilder (just to name a few). I might not have looked like any of their main characters, but I identified with the spunky, smart, and resourceful girls featured in almost all their stories.

Book Cover for Little Women 4 white women wearing 19th century dresses seated together on a couch

I never once thought about what it might mean to read a book with girls on the cover who looked like me. I didn’t even know that it was an option. It felt presumptuous to even want that. After all, until I left home for college, I only knew fewer than a dozen Asian Americans outside of my family. I assumed there weren’t many of us at all, and TV, films, books all seemed to support what I assumed was true.

Looking for Meaningful, Positive Representation

So, what does it mean to grow up without meaningful, positive representation? When I was a teenager, beautiful equaled Christy Brinkley. When kids told me I was ugly, part of me wondered if they had a point. After all, I never saw models like me gracing the covers of Seventeen. When I never encountered stories about people like me, I internalized that maybe our stories don’t matter.

Magazine Cover Seventeen Magazine actor Brook Shields on cover

However, when I arrived in California for college for the first time when I was 18, it was with a bit (a lot) of culture shock that I realized I was not alone. I had never experienced a diverse environment like that one before. I joined the Asian American Student Association. I met Chinese, Taiwanese, Korean, Japanese, Vietnamese, Filipina, and South Asian friends. During study breaks we watched episodes of “Beverly Hills 90210,” and I wondered to myself where all the Asian people were. It took place in California, after all, and what I saw represented in media didn’t look anything like the diversity that now surrounded me.

“Asian Leads Don’t Sell”

Yet, when I started writing (screenplays mostly), my characters still didn’t look like me. “Imagine a bankable star,” I was advised when I created my characters. I wrote shallow, frothy romcoms that I thought would have mass appeal. When nothing came of them, I decided to throw previous advice out the window and wrote a teenage Roman Holiday-esque story… with two Asian leads. I would like to say this is when my big break came, but alas no. I was only able to get one person in the industry to even read it because, “Asian leads don’t sell.” Maybe at the time people truly believed that. But part of me thought (like my character Annie in Dream, Annie, Dream), How do you get to be a big name/bankable star if you’re never cast? After a disappointing reception to my attempt to create some Asian American representation, I went back to writing my standard fare for a while… but then again, I decided on a project, a far-fetched project. A memoir about 12 year-old me called While I Was Away.

Book Cover for While I was Away - profile sketch of an Asian girl with a small village in the background

Waka T Brown at 12 years old, photo of young Japanese girl in plaid shirt

Waka T. Brown at age 12

Even though a lot of people were dismissive of this endeavor and echoed my own concerns such as “Memoir? And middle grade? Good luck, that’s gonna be a tough sell,” and “you need to have an established platform to sell something like that,” I wrote it anyway. No one bought my more “commercial” writing, so why not? I wanted to get the memories down before they faded for myself. For every negative remark, there were also encouraging ones, like “You should definitely write that story” and “That is the story only you can write.” And those were the ones I hung on to.

((Like reading memoirs and ready to find more? Read this Rosanne Parry’s roundup of Diverse MG Memoirs))

Plus, there were other promising signs urging me not to give up. Crazy Rich Asians was a box office smash. Bookstore shelves looked a lot different from when I was a little girl. I caught up on years of reading, including works by Grace Lin and Kelly Yang. And despite a number of rejections that pointed toward my story’s lack of marketability and/or relatability with a wider audience, While I Was Away eventually sold at auction in a 2-book deal.

movie poster for movie "Crazy, Rich Asians"

How people have embraced my first book since its publication in January 2021 has truly blown me away. It was an Oregon Book Award finalist, one of New York Public Library’s Best Books for Kids of 2021, a Bank Street Children’s Best Book of the Year for 2022…

Dream, Annie, Dream

But, I definitely feel my work as a writer isn’t finished. With my second book, Dream, Annie, Dream, I tackle the issue of representation head-on. Even though it’s a work of fiction, many of the experiences were drawn from my own. Although some of the topics and incidents in it might feel uncomfortable, it is my hope that young readers are drawn to my main character Annie Inoue like I was drawn to Sara Crew, Laura Ingalls, Anne Shirley, and Jo March.

Book Cover for Dream Annie Dream, young Asian girl with basketball and books and pencil as "dreams" floating around her head

They’ve Needed This Story for Decades

While I truly feel my books are for everyone (even teenaged sons who have yet to read their mother’s second book… cough, cough… you know how you are), I appreciate that what each reader gains from them is their own. Some readers have let me know how they related to certain incidents. Some have mentioned that they just enjoyed the story. But the ones that I hold the most dear have been the ones who tell me that they’ve needed this story for decades.

For me personally, representation has come a long way from “the dark-haired Charlie’s Angel” to these two books.

Book Cover for Dream Annie Dream, young Asian girl with basketball and books and pencil as "dreams" floating around her headBook Cover for While I was Away - profile sketch of an Asian girl with a small village in the background

It’s my sincere hope that more stories, diverse stories, stories about events we’ve never heard of continue to surface. And that as readers, we continue to embrace them all with open hearts and minds.

 

 

 

 

 

 

 

Headshot author Waka T. Brown - Asian woman seated on couch, smiling

Waka is a Stanford graduate with a B.A. in International Relations and a Master’s in Secondary Education. While I Was Away (Quill Tree/HarperCollins 2021) is her debut novel.

Dream, Annie, Dream (Quill Tree/HarperCollins 2022) is her first work of historical fiction.

More About Waka T. Brown

In addition to writing middle-grade stories, I enjoy writing screenplays. I wrote and co-directed the short film Double Tap (Official Selection, 2018 DC Shorts and Portland Film Festivals) and my feature-length screenplays (comedies, romcoms, & animated features) have been 2nd-rounders at AFF, placed in the semifinals of PAGE, and quarterfinals of Screencraft writing competitions.

I’m currently an online instructor with the Stanford Program on International and Cross-Cultural Education (SPICE). I teach about U.S.-Japan relations to high school students in Japan, and have also authored curriculum on several international topics. Recently, I was honored to receive the U.S.-Japan Foundation and EngageAsia’s national 2019 Elgin Heinz Outstanding Teacher award.

I live in the Portland, Oregon area with my husband, three sons, and my naughty yet lovable shiba Niko. I have a lot of hobbies such as running, art, baking, and playing guitar.

Connect with Waka:

Twitter

Instagram

Website