Posts Tagged novels in verse

South Asian Storytelling: Author Interview with Rajani Narasimhan LaRocca, and Giveaway

              

Today, I am delighted to welcome Rajani Narasimhan LaRocca to Mixed-Up Files to talk about her experience writing RED, WHITE, AND WHOLE ( Harper Collins, 2021).

  1. Tell us about your latest book, “Red, White, and Whole”. What inspired you to write this book?

Red, White, and Whole is set in 1983 and is about 13-year-old Reha, the child of Indian immigrants, who is torn between the worlds of her parents and immigrant community and her friends at school and 80s pop culture. But then her mother becomes seriously ill, and Reha is torn in a different way. The book involves the interplay between heritage and fitting in, science and poetry, 80s pop music and Hindu mythology. It’s about being caught between here and there, before and after, and finding a way to be whole.

The idea for Red, White, and Whole came to me as a metaphor: blood, and all that it means in terms of biology, heredity, and community bonds. I wanted to explore the immigrant experience from the inside—especially the personally resonant feeling of wondering whether you truly belong anywhere. The title refers to red and white blood cells and whole blood; the connotations of the colors red and white in Indian and American culture; and the colors of the American flag.

  

  1. How does your professional experience as a doctor inform you in your own writing?

Because of my background in science, I love incorporating STEM topics into my writing. My debut picture book, Seven Golden Rings (Lee & Low, 2020), features a math puzzle and an explanation of binary numbers. My second picture book, Bracelets for Bina’s Brothers (Charlesbridge, April 2021), involves very early math—pattern making. Another forthcoming picture book, The Secret Code Inside You (Little Bee Books, September 2021), explains the basics of DNA. And my third middle grade novel, Much Ado About Baseball (Yellow Jacket/Little Bee Books, June 2021), features kids who must solve math puzzles that may or may not be magical.

As I’ve already mentioned, the concept of blood is a major element in Red, White, and Whole. In the story, Reha’s mother is diagnosed with a blood cancer—acute myeloid leukemia, or AML. I did a lot of research into the disease and the treatments available in 1983, and I worked hard to make sure the medical aspects of the book were understandable to non-medical people. But the story doesn’t only explore illness. It also considers the normal functions of blood—to nourish, to heal, to protect—as a metaphor for Reha’s relationship with her mother.

  1. What was your writing process like for this story?

The writing process for this book was different from any of my other novels. I knew the general outline early on. I wanted to write this story in verse because that format, with its layers of imagery, sparse language, and use of metaphor, would allow me to tackle emotional topics without being too heavy-handed. I hoped that leaving more white space on the page would allow more room for readers to process what happens.

I had never written a novel in verse, so I read every verse novel for young readers that I could get my hands on. And in February 2019, I was lucky enough to attend a novel in verse workshop taught by Elizabeth Acevedo at the NY SCBWI conference. She gave the attendees some great tips, and we spent time analyzing excerpts from verse novels and doing a writing exercise. And a line from that exercise made it into the final version of my book!

Red, White, and Whole spent a long time in my head before I really got down to writing it. It became my “Friday night date” when I allowed myself to think about it while I worked on finishing another other novel.

Once I started writing Red, White, and Whole in December 2019, the story poured out of me in about six weeks. I was obsessed: I woke up thinking about it, and got flashes of inspiration in the middle of the night or when I was driving and had to dictate into my phone before the ideas disappeared. I had some topics that I knew would be poems from the beginning, and then I thought of other images and ideas that I wanted to explore, so I made a big list and wrote the poems as inspiration took me. Over time, I went back and put them in an order that made sense and filled in spots as needed. I asked a few trusted readers give me feedback. And then in mid-February 2020, I felt the novel was done and sent it to my agent.

  1. You have written for many different age levels from picture books to middle grade. Is there any age group you have most enjoyed working on the most? If so, why?

I’ve always been an omnivorous reader—even as a kid, I loved novels, nonfiction, comic books, comic strips . . . nearly everything. So it’s no surprise that now I’m an omnivorous writer, writing fiction and nonfiction, novels and picture books, poetry and prose.

I particularly love middle grade because the books I read from those years are the ones that have stayed in my heart. Middle grade readers are at such an important point in their lives: they seek connection with family and friends, strive to make a difference in the world, and care deeply about fairness and justice.

But I also love writing picture books—which are for children, of course, but also for the adults who read to them. And the final product, when a gifted artist illustrates your words, is nothing short of magical.

  1. What has writing this story taught you about yourself?

I knew Red, White and Whole was an ambitious project, and there were times when I was full of doubts. Did I know how to write a story in verse? Was it okay to set the novel in the 1980s? I’d put my heart and soul into this book, but would anyone else be interested in reading it?

But I couldn’t help myself—I had to write this story. And so I persevered through my doubts and allowed myself to be more vulnerable than ever before in my writing. Reha’s story is fictional, but some of the situations and many of the emotions in this book came straight from my own life.

And when I sent this book to my agent and we then sent it to editors, it became clear that this story did resonate with others—even those who don’t share my background or experiences. At its heart, this story is about love and family, friendship and belonging, and feeling pulled in different directions—and these are universal feelings, especially during adolescence.

So what did writing this book teach me? That it’s okay to be ambitious about a project. That I have the right to tell stories that are deeply meaningful to me. That baring my heart on the page can translate so that others feel it, too.

  1. What would you like to say to writers who are reading this interview and wondering if they’re good enough, or if their voices and stories matter?

There are stories that only you—you, with your own experiences, perspective, and skills—can write. So write them. Write them first for yourself, and don’t be afraid to be vulnerable. Because the more specific and emotionally true a story is, the more universal it can become. And there are people who need your stories, even if they don’t know it yet.

 

Enter the giveaway for a copy of RED, WHITE, AND WHOLE by leaving a comment below.  You may earn extra entries by blogging/tweeting/facebooking the interview and letting us know. The winner will be determined on Monday, February 8th, 2021, and will be contacted via email and asked to provide a mailing address (US/Canada only) to receive the book.

Rajani LaRocca was born in India, raised in Kentucky, and now lives in the Boston area, where she practices medicine and writes award-winning novels and picture books. She’s always been an omnivorous reader, and now she is an omnivorous writer of fiction and nonfiction, novels and picture books, prose and poetry. She finds inspiration in her family, her childhood, the natural world, math, science, and just about everywhere she looks. To connect with Rajani and learn more about her and her books visit her at https://www.rajanilarocca.com/ or TwitterFacebookInstagram or Linkedin

 

Free verse choice reads for middle grade readers

I come across a lot of free verse novels for teens in my work as a librarian, but fewer for middle grade readers, especially in recent years. Then I had the good fortune to read Red Butterfly by A.L. Sonnichsen, which recently won the Washington State Book Award for Middle Grade Books, and I was again hooked.

What’s the appeal of novels in free verse? Some readers (often adults) will tell us it’s the imagery, the pacing, the sparseness of writing that requires restraint and specificity of words. Teachers and librarians know that there’s another kind of reader who may be a perfect match for a novel in verse: the reluctant reader.

Opening a book written verse and seeing all that air, all that white space, can be inviting on its own. The books may have 200 or more pages and look long, but have half the number of words as a traditional prose piece. In addition, “novels in verse can be especially appealing to reluctant readers because they use so much vivid imagery,” says Dorie Raybuck in this excellent Horn Book piece “This Is Too Much!” Why Verse Novels Work for Reluctant Readers.”

When trying to find a free verse book for your readers, search the library under the subject heading “novels in verse” (makes sense!) and then filter to the age range and type of book you want. In the meantime, a few recommendations to get readers started.

The Crossover by Kwame Alexander
2015 Newbery Medal Winner and 2015 Coretta Scott King Honor Award Winner. “With a bolt of lightning on my kicks . . .The court is SIZZLING. My sweat is DRIZZLING. Stop all that quivering. Cuz tonight I m delivering,” announces dread-locked, 12-year old Josh Bell. He and his twin brother Jordan are awesome on the court. But Josh has more than basketball in his blood, he’s got mad beats, too, that tell his family’s story in verse, in this fast and furious middle grade novel of family and brotherhood.

Mountain Dog by Margarita Engle
When Tony’s mother is sent to jail, he is sent to stay with a great uncle he has never met in Sierra Nevada. It is a daunting move Tony’s new world bears no semblance to his previous one. But slowly, against a remote and remarkable backdrop, the scars from Tony’s troubled past begin to heal. A Kirkus Reviews best books of 2013.

Garvey’s Choice by Nikki Grimes
School Library Journal says: “Grimes’s latest is a sensitively written middle grade novel in verse that takes its syllable count from Japanese tanka.  Garvey is an overweight boy who is teased at school and whose father constantly prods him to be more like his athletic older sister, Angie. But Garvey has a best friend (Joe), an open heart (which leads him to a new friend, Manny), and, as readers learn midway through the book, a talent for singing, which lands him a coveted solo in the school’s chorus concert.”

Inside Out & Back Again by Thanhhà Lại
Winner of the National Book Award and also a Newbery Honor Book. Inspired by the author’s childhood experience of fleeing Vietnam after the Fall of Saigon and immigrating to Alabama, this coming-of-age debut novel told in verse has been celebrated for its touching child’s-eye view of family and immigration.

Red Butterfly by A.L. Sonnichsen
A young orphaned girl in modern-day China discovers the meaning of family in this “heartbreaking, heartwarming, and impressive debut” (Publishers Weekly, starred review) told in verse. 2016 Washington State Book Award winner.

 

Interview with Annie Donwerth-Chikamatsu + Giveaway

Today we have on the blog an interview with Annie Donwerth-Chikamatsu, author of SOMEWHERE AMONG, a beautiful and haunting debut novel in verse about an American-Japanese girl struggling with the loneliness of being caught between two worlds when the tragedy of 9/11 strikes an ocean away. Read on for the interview and a chance to win this lovely book!

somewhere among

What inspired SOMEWHERE AMONG?

Our life in Japan! I have lived and raised my children in a binational, bicultural, bilingual, multi-generational home in Tokyo for the past 24 years. Clashes, comedic scenarios and common ground have provided much introspection. Although I don’t see myself as a writer of Asian topics, there were a few things I wanted to share in children’s non-fiction magazine articles and picture books. I found it difficult to fill in the spaces of what American children know.

I started a children’s photo blog in 2006 when my youngest child was in fifth grade. That satisfied the desire to show modern Japan. I later started a novel set in Texas (my home state). After the earthquake and tsunami of 2011, I had to ground myself in Japan. Emotions and images and memories of our life and our nations’ shared history rushed into poems that turned into this story.

At the story’s center is a paper doll that a woman had handed me on the train in my early days here. The doll came with the message “May Peace Prevail on the Earth.” I had tried to write a picture book about that, but the story was too big for 32 pages.

The 2011 disaster spurred me to write about Japan and the paper doll was the inspiration and motivation to try to tell its story again.

What kind of research did you do to tell this story?

I had started out with what I remembered. Then after the first draft, I used news reports, newspaper articles, weather data, and websites like NASA’s. The storyline didn’t change much from the first drafts. Through revisions it was a matter of making sure the timeline was correct and layering details.

The school and family life details were inspired by but altered from our experience. My children went through the Japanese public system and we lived in a multi-generational home. I couldn’t have written this story without that experience. It would have been very shallow.

Hearing the story of 9/11 from the perspective of an American living overseas is fascinating. Is that something you planned from the beginning, or did it come out in the writing process?

I didn’t set out to write about 9-11. This story came about through grounding myself by reminiscing. Sitting down to write about our life and memories here, I couldn’t get very far before 9-11 came up.

However, the sinking of the Japanese fishing boat, the Ehime Maru actually came up first. That incident exemplified the struggle (I especially felt) to reconcile the history and tragedies that my children’s two nations share. I distinctly remember that sadness and the months of TV coverage. The fishing ship tragedy happened in February 2001.

So, through writing this story, I was dragged into dealing with 9-11 again. I was dealing with aftershocks at our Tokyo home and the grief of the tsunami damage from a distance. It was not easy to deal with this. I could have easily avoided writing this story.

What are some books of poetry or novels in verse you would recommend for kids?

Oh! I have to say that I have limited access to English books because of price and place. I cannot afford all the books I would love to buy and our local library only has two or three short shelves of Newbery winners. No verse novels.

The only verse novel I had read before I started Somewhere Among was Out of the Dust by Karen Hesse. Holly Thompson’s young adult novel, Orchards, had arrived just before the earthquakes of 2011. I knew it was about suicide so I didn’t get to read it until after the aftershocks and I had written my first draft. I discovered and read Susan Taylor Brown’s Hugging the Rock. I also learned of and read Thanhha Lai’s middle grade Inside Out and Back Again after it had won the Newbery. I read Jacqueline Woodson’s Brown Girl Dreaming last summer. All of those are wonderful.

Since attending Highlights Foundations Verse Novel workshop in 2012, I have read and enjoyed the work of instructors Virginia Euwer Wolf, Sonya Sones, and Linda Oatman High and attendees K.A. Holt, Sarah Tregay, and Madeleine Kuderick. There are future verse novelists from that group to watch out for.

Helen Frost, Margarita Engle, Mariko Nagai, Leza Lowitz and Holly Thompson’s books are on my wish list. There are many other verse novels I would love to read. Most of them are for young adults. I read and write mostly for middle grade readers 9-12 so middle grade novels are my first choice of purchase now.

Children’s poetry anthologies aren’t particularly age-specific. All anthologies and books by Lee Bennett Hopkins are great. My children loved You be Good I’ll be Night by Eve Merriam. Talking Like the Rain by X.J. Kennedy and Dorothy Kennedy. My favorite children’s poets are Joyce Sidman, Janet Wong, Helen Frost, Charles Ghigna, Gwendolyn Brooks, Elizabeth Coatsworth.

I enjoy the video interviews that Lee Bennett Hopkins and Renee La Tulippe produce about children’s poets. There are so many wonderful things done for poetry for children. Sylvia Vardell’s blog www.poetryforchildren.com . Poetry Minute for younger readers www.poetryminute.org and Poetry 180 for older readers www.loc.gov/poetry/180

 

Annie Donwerth-Chikamatsu lives in Tokyo, Japan. Her work has been published in Hunger Mountain, Highlights, Highlights High Five, Y.A.R.N., and other magazines. She received a grant from the Highlights Foundation to attend Chautauqua in 2009. Somewhere Among won the 2013 Writers’ League of Texas award in the middle grade category and is her debut novel.

For a chance to win a copy of SOMEWHERE AMONG, please leave a comment below by noon Eastern time on Monday, May 30th. If you tweet about the contest, we can give you an extra entry. Continental U.S. only, please (sorry! It’s the postage!).

Katharine Manning sighed her way through the lovely SOMEWHERE AMONG. She is a middle grade writer of dreamy fantasies and fast-paced soccer books. To see more of her raving about middle grade books, visit Kid Book List. You can also find her at www.katharinemanning.com and on Twitter.