Posts Tagged Middle Grade

Painting with an Allegorical Brush

The messages we convey through our storytelling are important and lasting, and those that are evident but not directly stated offer readers plenty to think about. One way to get those deeper-meaning messages across while offering middle graders real opportunities to engage with stories is through allegory.

What an allegory can do (and how it’s different from symbolism and metaphor)

It’s easy to confuse allegory with metaphor and symbolism—they are closely related literary devices with some overlap between them.

Metaphor – A comparison of two unlike things that points out how they, in fact, are alike: That girl is a night owl. The sun was a golden coin.

Symbol – Usually an object, character, event, or idea that has its own literal role in the story but also represents some important idea on a figurative level: The green light on Daisy’s dock, the raven perching on a statue of Athena.

Allegory – A little more didactic, allegories point the reader in a particular direction of thought or behavior with more comprehensive lessons about or inspired by life, morals, politics, religion, history, myth, or other big ideas. An allegorical character or situation might extend through the whole work, or a whole work can be an allegory with multiple meaningful elements.

You’ll recall allegories from studying adult lit. In the allegorical medieval morality play Everyman, for example, main character Everyman (that’s his name) doesn’t want to go on a journey of reckoning with Death (someone Everyman meets), and he is surprised that his buddies Fellowship, Kindred, and Goods won’t go along with him to the afterlife. He discovers, though, that Good Deeds will follow him on his journey, though he’s been remiss in attending to them and must turn to Knowledge and Confession to help Good Deeds along. (Medieval audiences got the allegorical message, loud and clear.) Other allegories you’ve probably studied convey political or societal messages, such as Animal Farm, Metamorphosis, and The Crucible.

It may be helpful, as a writer, to think about these devices’ comparative size and scope: In a story, metaphors are typically brief expressions for a passing effect on a reader (with extended metaphors really driving the point home with additional references). The scale of importance grows with a symbol, as it carries the weight of some important takeaway that enriches the reader’s comprehension of plot and character. An allegory uses symbols and metaphors and intends even more sweeping effect on the reader, with a message or meaning about life the reader can effectively employ for their betterment and/or the betterment of everyone.

Allegories seem heavy: Too much for MG?

You might wonder so, but remember, fairy tales and fables have been serving up allegorical lessons for young audiences since once upon a time. And think about some classic children’s stories widely accepted as allegories: The Chronicles of Narnia, The Golden Compass, The Giving Tree, The Phantom Tollbooth, The Little Prince. There are modern examples of MG fiction with allegorical elements we can turn to for cues as well:

The Ogress and the Orphans by Kelly Barnhill — This allegorical fantasy reveals what happens to a community when its members are swayed by suspicion and start rejecting those unlike themselves.

When You Trap a Tiger by Tae Keller – In this Newbery Medal winner, tales told by the characters are allegories for family love and for the power stories have to inspire.

The Puppets of Spelhorst by Kate DiCamillo – This story’s allegorical plot and character actions represent big ideas about being called to one’s true purpose and following the heart.

The Language of Spells – Garret Weyr – This adventure reveals the power of perception when considering what makes us special and points to what we tragically lose during times of conflict.

How might you employ the allegorical brush in your writing?

Experimenting with allegory in your writing? Some ideas to chart your course:

  1. What’s the big-picture message you want to send to readers?
  2. What are the most important elements of that message, and what’s the best way to convey them? Symbolic characters? Objects that recur? A quest, a battle, something else?
  3. Imply your message clearly but inconspicuously. Trust the reader: They will get the takeaway if the individual parallels are there.
  4. Keep the story strong and interesting…and prioritize it. The allegorical message flows from a story that is substantive and fulfilling all on its own.

I hope these ideas on allegory are helpful in your current projects, and thanks for reading!

MIND THE MIDDLE!

Poster introducing the Mind the Middle Project

Still reeling from Goodreads’ elimination of Children’s & Middle Grade and Graphic Novels in their 2023 Goodreads Choice Awards?

Still upset about Barnes and Noble’s drastic reduction of hardcover middle grade books?

Still shaking your head about Scholastic’s off-again, on-again support of diverse books?

Then we have just what you need: some good news about middle grade books! Courtesy of School Library Journal’s Teen Librarian Toolbox, we bring you the MIND THE MIDDLE PROJECT. The idea is to dedicate 2024 to highlighting middle grade and young teen literature.

Why is this important?

Well, beyond the obvious reasons, let’s take a look at some data. According to SLJ, “test scores for this age group are falling, and youth are reporting that they read less for fun.” Noting a powerful correlation between those two data points, an emphasis on the promotion of books for this age group is a genuinely great idea.

And the best news is that YOU are invited to become a part of the MIND THE MIDDLE PROJECT. Authors are invited to share book cover reveals, participate in interviews, and talk about the writing process. The idea is to connect kids and their gatekeepers with the books they’re looking for.

Teachers and librarians are invited to participate as well, by sharing themed book lists, book club information, and any ideas that inspire reading among this age group. 

How can you get involved?

Would you like to sign up to make a guest post on the Teen Librarian Toolbox? Visit this link and find out how!

Ready to sign up? There’s a Google Form for that!

Let’s give our support to SLJ and the Teen Librarian Toolbox as they promote books and inspire readers with the 2024 MIND THE MIDDLE PROJECT.

Interview with debut author Nancy Hudgins

Nancy Hudgins always wanted to write for children, but her roles as attorney, business owner, mediator, and mom kept standing in the way. A number of years ago, Nancy decided to pursue her dream in earnest. Nancy began taking the advice that many writers offered her; write, research, join the Society of Children’s Book Writers and Illustrators, attend conferences and connect with fellow writers.

Nancy’s work paid off, as her first book, Ursula Nordstrom: Books Good Enough for Children, will be published by Cameron Kids books in fall, 2025.

Nancy’s journey is inspiring…check it out!

Please share a bit about your publication journey…

Five years ago, I wrote a picture book biography of Ursula Nordstrom and took it to an Andrea Brown Literary Agency retreat. Amy Novesky led one of my critique groups. We both became animated talking about Ursula. My manuscript was an early (likely, dreadful) draft, but even so, Amy was encouraging and invited me to send her a revision. I was new to picture books and couldn’t figure out a way into the story, so I set it aside, but I loosely stayed in touch with Amy. She was always supportive of my writing. Much like Ursula was with her writers.

Fast forward to Publishers Weekly’s announcement of Beth Kephart’s picture book on Ursula, Good Books for Bad Children. So much for all my research! When I saw Cameron Kids was beginning to publish middle grade books, I asked Amy if she would be interested in a middle-grade biography of Ursula. She said yes, so I learned how to write a nonfiction book proposal. I sent the proposal to Amy in April and in June I had a book deal and a wonderful agent, Rachel Orr.

Why did you choose Ursula Nordstrom as the subject of your first biography?

I read Leonard Marcus’s Dear Genius: The Letters of Ursula Nordstrom when it came out and loved Ursula’s sense of humor. Years later, when I began trying to write books for children, I remembered it and re-read it. As a prospective writer, it was hard not to like Ursula. She was so supportive of her writers and artists and so deft in helping them produce their best work. Her letters open a door to the way in which the iconic books she edited were made. I was curious about those details, and I thought kids who liked to read books would be curious, too. And maybe kids who aren’t so in to books could be intrigued by their origin stories.

Why is her story significant to middle-grade readers?

I think it’s likely middle-grade readers have been exposed to at least one of the books Ursula edited—picture books such as Goodnight Moon, Harold and the Purple Crayon, Little Bear, Bedtime for Frances, Where the Wild Things Are, The Giving Tree, Stevie, In the Night Kitchen, and Where the Sidewalk Ends; middle-grade books like Stuart Little, Charlotte’s Web, Harriet the Spy and Freaky Friday. That may draw them to this biography. Then, they’ll discover one woman published ALL of them! She was extraordinary. I’m hoping they’ll admire Ursula, as I do, and also enjoy the stories behind the stories. They may discover some classics they hadn’t read before, too. I also write about the editing process, which may help them in editing their own writing.

What resources have you used for your research?

I visited one of Ursula’s boarding schools in New England and explored the village on Long Island where she lived as a little girl. I did research in person at university and public library archives. Many archives now have online finding aids, which is a great way into the details of their collections. I also looked at magazines, journals and newspapers online. And, of course, books.

What is relevant about Ursula’s role in the publishing world to the industry today?

I don’t think I’m the best person to speak to this. It’s all new to me. I can say that Ursula was willing to challenge the status quo. She took risks. She backed up her authors and illustrators. She organized a public stand against book banning.

What have you learned about the process of writing nonfiction that you would like to share with our readers?

There’s always more than one side to a story. Try to find as many viewpoints as possible. You can’t do too much research. I’m happiest when I find something that challenges the assumptions I have based on what I’ve previously read. It’s hard to curate someone’s life. I want to get it right.

And finally, based on your journey, what advice do you have for writers?

Find curious, discerning, thoughtful critique partners! They’ll make you think. Remember your audience. Sometimes I get carried away and write pages about something I’m interested in for some arcane reason. During revision, I realize I’ve written those pages for me, not for my readers! They get cut.