Posts Tagged middle-grade nonfiction

Meet Literary Agent Dani Segelbaum

Dani Segelbaum agent headshot

Dani Segelbaum was born and raised in Minneapolis and grew up as a voracious reader. She’s a graduate of Boston University’s College of Communication, where she studied journalism and political science. 

Early in her career, she worked with established and debut authors as a literary assistant at New Leaf Literary and Media. Her career in publishing began when she became an editorial assistant at HarperCollins Publishers, where she focused primarily on highly designed non-fiction titles. 

Now, Dani is Vice President, Literary Agent, and Subsidiary Rights Director at the Carol Mann Agency. And she’s stopping by the Mixed-Up Files to tell us a little bit about her journey, the work she currently represents, and the kind of manuscripts she wants to find in her inbox.

 

Hi Dani. Welcome to the Mixed Up Files! 

Hi, Susan! It’s great to join you today.

 

Can you tell us a little about your path to becoming an agent?

I started my career as an editorial assistant at HarperCollins. After a few years, I realized I wanted to be an agent instead of an editor. From there, I went on to work at New Leaf Literary as an agent’s assistant and slowly started to build my list. I then joined Carol Mann in 2021 and am now Vice President, Subsidiary Rights Director, and Literary Agent for the agency.

 

Please give us a little background on the Carol Mann Agency.

The Carol Mann Agency was established in 1977 and has long been home to highly-regarded writers of fiction and non-fiction. We are a boutique agency that prides itself on giving individual attention to all our clients and regularly placing projects with leading publishers both in the United States and overseas. Our broad range of tastes, our experience guiding authors and their manuscripts through the publication process, and our industry relationships make us on of New York’s top literary agencies. We are privileged to work with a number of bestselling and award-winning authors.

 

It sounds like you’ve found your niche in the publishing world. Tell us what you find to be the best and worst parts about being an agent.

Best: I’m always learning something new from my authors! Each book teaches me something exciting and different.

Worst: Rejections! Although, it is a regular part of the publishing process.

 

Can you describe what you look for in a query?

I want to see that the author has done some initial research on what I’m looking for and that they followed my submission guidelines.

 

What are the top reasons you pass on a submission?

The number one reason is that the query is not in the genre I work on.

 

Here at MUF, we’re all about middle grade. Can you tell us what you love most about middle grade literature?

Stephen Colbert said, “As far as I can tell, a young adult novel is a regular novel that people actually read.” I feel the same applies for middle-grade novels. They take real-life issues and make them understandable for all ages!

 

What kind of middle grade books do you enjoy?

The middle-grade landscape has changed drastically since I was a kid. Now, there are all types of middle-grade books available that weren’t around when I was young. It’s really incredible to see.

Matt Sprouts and The Curse of the Ten Broken Toes cover

My author Matt Eicheldinger’s book MATT SPROUTS AND THE CURSE OF THE TEN BROKEN TOES is such a delight. It’s funny, relatable, and entertaining. He’s fantastic to work with and has such a creative mind. Kids will absolutely love this book. I promise!

 

What types of queries would you like most to see in your inbox right now?

I’m interested in seeing both fiction and non-fiction. In fiction, I’d really like to see literary and upmarket adult fiction including debut, historical, rom-coms, and women’s fiction. In non-fiction, I’m looking for proposals with an emphasis on politics, women’s issues, popular culture, and current events. Oh, and I love memoir, narrative non-fiction, lifestyle, and cookbooks, too!

In both fiction and non-fiction, I hope to work with authors from diverse backgrounds to tell the stories that are important to them. Overall, I’m really drawn to compelling narrators and writing that is voice-driven, highly transporting, and features unique perspectives and marginalized voices.

 

Where can authors learn more about you? 

You can follow me on Twitter (X) and Instagram at @danisegelbaum and check out my MSWL.

 

Now that we know all about Dani the agent, tell us what you like to do when you’re not at work.

When I’m not working, you’ll most likely find me baking, making homemade ice cream, or walking my dog!

 

Thanks again for joining us, Dani.

Thanks for having me!

STEM Tuesday — Spooky and Scary Science– Interview with Gail Jarrow

Welcome to STEM Tuesday: Author Interview, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Happy Spooky Season! What better way to celebrate this deliciously horrific month than with a book that’s TERRIFYING?!

American Murderer: The Parasite That Haunted the South is a riveting tale of an unwelcome guest that wreaked havoc in the 19th and early 20th centuries by boring into unsuspecting bodies through the skin and leaving its human hosts with wrecked bodies and brains.

Horrifying! Let’s dig in with Gail Jarrow!

 

American Murderer

Included on NPR’s 2022 “Books We Love” List Finalist, 2023 YALSA Award for Excellence in Nonfiction ALSC Notable Children’s Book

Andi Diehn: My first question feels a tad obvious, but why did you devote a whole book to hookworms?!   

Gail Jarrow: Gross and disgusting appeals to many  in my audience of ages 10+. You can’t beat a vampire creature that clings to the inside of your intestine wall with its suction-cup mouth and sucks your blood until you get sick or  die. And what’s more disgusting than a discussion of leaky outhouses? But beyond that, my account of hookworm disease in the U.S. is a little-known story showing  the  changes in medicine and public health that occurred in the early 1900s. I also was drawn to the subject because it dramatically illustrates how  researchers used the scientific method to make medical discoveries.

AD: Arthur Looss and his accidental discovery of how hookworms entered the body – wow! What does this tell you about the courage of scientists (or at least that particular scientist!)? 

GJ: You have to admire them!  Looss made a dangerous lab error that he recognized as an opportunity. In  research for my books, I’ve encountered several scientists who have intentionally put themselves at risk. Sometimes they’re so sure of themselves that they don’t consider their experiment to be reckless. But in other less certain situations,  they decide that being a human guinea pig is the only way to test a hypothesis. In Bubonic Panic, I tell how Waldemar Haffkine injected himself with the first plague vaccine in 1897, keeping records of his physical reaction. In Red Madness, Joseph Goldberger swallowed a “pill” made of feces, urine, blood, and saliva from pellagra victims to prove that the disease wasn’t contagious. His 1916 experiment put the infectious theory to rest. (Pellagra is a vitamin deficiency disease.) In 1984, Barry Marshall successfully tested his hypothesis that a bacterium caused stomach ulcers by swallowing a beaker full of the microbe. He did get an ulcer, which he cured with antibiotics, but he also received the 2005 Nobel Prize in Physiology or Medicine for the discovery.hookworm

AD: Stiles’s name for his newly discovered hookworm – the American Murderer – is chilling! Why do you think he gave it such a chilling moniker?

GJ: Stiles wasn’t a subtle man. He knew this human hookworm killed people, and he gave it a name to communicate that fact. The name certainly brought attention to the parasite, and it gave me a good book title.

AD: Your descriptions of how people with hookworm were treated – even by medical professionals – is heartbreaking. What’s the lesson here? How can we use that moment in American history to improve current medical practices?hookworm victims

GJ: Having written a few books about the history of medicine, I’ve learned that  “accepted” theories can be wrong. Patients suffer when the mantra is “everyone agrees that. . ..”  As part of my research for American Murderer, I read medical books from the late 19th/early 20th centuries. According to the experts, human hookworm disease didn’t exist in the U.S. except in recent migrants. But Charles Stiles proved that was incorrect and that millions of southerners were infected, probably for generations. He had studied in Europe, where the disease was recognized and easily treated. The American medical establishment, particularly in the South, was slow to go along because Stiles was a parasitologist, not a physician. They also didn’t want to admit that, because of their ignorance, they’d misdiagnosed and failed to treat their patients for years. The sick people were dismissed by  their communities as lazy and stupid. And because victims were usually infected by hookworms at home,  it appeared as if these undesirable character traits simply ran in the family.  The lesson for today is that the medical community must be open to new ideas, knowledge, and approaches and should not dismiss them for the wrong reasons.hookworm education

AD: The cotton mills and Stiles’s narrow focus on hookworms – how might history have been different if Stiles had entertained the idea that other issues affected the mill workers?

GJ: Perhaps that  would have sped up reforms, especially concerning child labor. Still, just a few years later, in 1916, Joseph Goldberger and the U.S. Public Health Service investigated the health of mill workers and identified poor nutrition as a pervasive problem. These studies, as well as Lewis Hine’s photographs of child laborers, helped to bring reforms.

AD: The story of the hookworm is the story of public health – what did we learn from that era that we’ve put to use in more recent times, like with covid?

GJ: The hookworm campaign that started in 1909 demonstrated that in order to reduce or eliminate a disease,  it’s important to educate people about prevention and treatment. The information must be explained clearly and accurately without being condescending. In the early 1900s, newspapers were key to disseminating that information.The articles were written by Stiles, the Public Health Service, and doctors. Today we see similar efforts to transmit facts about COVID, influenza, prenatal care, vaccines, and other health concerns. But times have changed. People no longer have just one reliable source to keep them informed, such as their local newspaper. While additional kinds of media are available to educate the public today,  more unvetted, confusing, and false information is readily available, too.

before and after hookworm victim

A before and after image of a boy cured of hookworms

The hookworm campaign also showed that people are more likely to accept and act on information when they hear it from someone they trust. That meant keeping the  campaign local, at the county or state level and even in the schools and churches. The strategy was to reach people where they were, no matter who they were in terms of socio-economic status or race. The clinics  were staffed by local doctors and community volunteers known by the visitors. Today we see a decline in trust of public health institutions like the CDC and FDA–for many reasons. That’s proving to be a problem.

AD: It’s wonderful to see the before and after photos of victims who were cured, but I also worry about longterm effects on their mental/emotional health – did officials do anything to support individuals once they’d been cured of hookworm? 

GJ: Judging from the personal testimonies I read, I’d say that people who had been cured felt so much better physically that they were  happier and more positive about their lives. With energy to work and learn, they could support and care for their families. Rather than focusing on emotional support (an approach which is more of our time than theirs),  the campaign’s follow-up plan was to stop reinfection by educating hookworm victims about how the parasites spread and helping to install effective waste disposal systems at homes. State education departments added hookworm to the curriculum so that students learned about the disease’s cause, prevention, and treatment. Laws  in southern states required well-maintained outhouses in schools. Eventually, sewers were built in most towns and cities, which stopped the spread of hookworm and other intestinal diseases. But even today, many rural homes like mine are not hooked up to a municipal sewer, and it’s up to the homeowner to have a safe system. newspaper clippings

AD: Why was it important to you to bring readers to the present time to see what the worm situation is like today?

GJ: I always aim to convey hope in my endings.  Hookworm infections were significantly reduced in the United States. Research brought better treatments. The recognized importance of proper waste management spurred  infrastructure improvements.  At the same time, I tried to get young readers to think about what happens when they flush  a toilet and how their health can be affected by tiny parasites. I even included some advice about wearing proper footwear on our southeastern beaches to avoid infection by dog hookworms. 

I also wanted young readers to be aware that at least 1.5 billion people worldwide are still afflicted with soil-transmitted worms, including hookworms. These infections negatively impact a country’s economy and political stability.  It’s essential to know what’s going on in the world beyond. Sooner or later, these things affect all of us.

***

Gail Jarror headshot

Gail Jarrow is the author of nonfiction books and novels for ages 8-18.

Her books for young readers have earned the Winner of the Excellence in Nonfiction Award from YALSA-ALA; the Robert F. Sibert Honor Book Award; Orbis Pictus Honor; Children’s Book Guild Nonfiction Award; the Jefferson Cup; Grateful American Book Prize Honor; Golden Kite Honor for NF for Older Readers; Eureka! Gold Award; ALA Notable Book; Notable Social Studies Trade Book; the National Science Teaching Association Outstanding Science Trade Book and Best STEM Book, Best Books awards from Kirkus Reviews, School Library Journal, Booklist, Bulletin of the Center for Children’s Books, Bank Street College of Education, New York Public Library, Chicago Public Library, and NPR. She has received additional awards and recognition from the American Booksellers Association, American Library Association, Public Library Association, the Society of School Librarians International, and Junior Library Guild.

 

Andi DiehnAndi Diehn grew up near the ocean chatting with horseshoe crabs and now lives in the mountains surrounded by dogs, cats, lizards, chickens, ducks, moose, deer, and bobcats, some of which help themselves to whatever she manages to grow in the garden. You are most likely to find her reading a book, talking about books, writing a book, or discussing politics with her sons. She has 20 children’s books published or forthcoming.

The Scholastic Book Fair Situation

Middle Grade Authors
There are few school events that children look forward to as much as the annual Scholastic Book Fair. Library shelves get moved aside, and a big truck shows up to deliver boxes and boxes and boxes filled with all kinds of books. Children are excited, parents are nostalgic, and schools reap the benefits of a time-honored tradition. What could possibly go wrong?
red rectangle, white letters, scholastic logo

Well, in our current climate, books are being challenged in every state across the nation. Individuals are being empowered to call for the removal of books from library shelves, and children are losing access to books that are representative of many members of our diverse population. And now, the time-honored tradition of Scholastic Book Fairs has succumbed to the pressure created by the vocal minority who challenge diverse books.

 

The Controversy

 

In response to the growing number of book challenges across the country, Scholastic made the decision to separate books dealing with racism and sexuality from the rest of their merchandise. When planning their book fairs, schools could decide whether to “opt in” or “opt out” of making diverse books available.

Change Sings Amanda Gorman cover

The books that have been separated from the general inventory are being lumped together in a special collection called “Share Every Story, Celebrate Every Voice.” According to Publisher’s Weekly, there are 64 books in the collection. If schools opt out, students are denied access to books like Amanda Gorman’s Change Sings, Kwame Alexander’s Booked, Denise Lewis Patrick’s Justice Ketanji, and Michael Hall’s Red: A Crayon’s Story.

 

Many librarians complained, and public outrage followed. Writers and educators used their social media platforms to reprimand Scholastic for bowing to political pressure and restricting access to diverse books. PEN America released a statement decrying Scholastic’s actions. Red Wine and Blue, a group of moms who stand against book banning, is circulating a petition that asks Scholastic to return the books to their regular collection.

 

PEN America says that the issue is “driven by a vocal minority demanding censorship.” The organization tracks book bans and has documented a significant rise in the number of books being challenged and restricted. According to NPR, book challenges and bans are most prevalent in Texas, Florida, Missouri, Utah, and South Carolina. However, no state is immune to restrictions being placed upon books.

 

The Statement

 

In response to public outcry, Scholastic released a statement providing a rationale for their decision to allow schools to opt out of the “Share Every Story, Celebrate Every Voice” collection. Among their reasons, Scholastic states the following:

There is now enacted or pending legislation in more than 30 U.S. states prohibiting certain kinds of books from being in schools – mostly LGBTQIA+ titles and books that engage with the presence of racism in our country. Because Scholastic Book Fairs are invited into schools, where books can be purchased by kids on their own, these laws create an almost impossible dilemma: back away from these titles or risk making teachers, librarians, and volunteers vulnerable to being fired, sued, or prosecuted.”

 

The main premise for their decision seems to be that book challenges are placing schools in a difficult position. In order to continue offering their popular book fairs, the company claims that they need to provide a way for schools to adhere to complex state and local laws. They acknowledge that this is not a perfect solution, but they claim that without the ability to opt out of certain books, schools would be unable to host book fairs.

 

The Reality

 

A fifth grade teacher in Georgia was recently fired because she shared a book about gender identity with her students. That book had been available at her school’s Scholastic Book Fair. A middle school teacher in Texas was fired for sharing a graphic novel about Anne Frank with her eighth grade students. A high school English teacher in Oklahoma received death threats after sharing a QR code with her students that enabled them to access the Brooklyn Public Library’s Books Unbanned project. 

a stack of books chained together

Teachers, librarians, and volunteers are being fired, sued, and threatened for sharing diverse books with their students. Scholastic claims they are trying to help schools navigate these threats and still provide book fairs that bring in needed funds and put books in the hands of children. Critics disagree.

 

Critics accuse Scholastic of putting profit over principle. They argue that publishers need to stand strong in support of their authors and books. Across social media platforms, there is a demand for Scholastic to reverse the opt-out option and support access to diverse books. After all, critics argue, if your goal is to truly “Share Every Story, Celebrate Every Voice,” you cannot hide some stories and voices because a vocal minority denounces them.

 

The Alternatives

When we think of book fairs, we think of Scholastic. There’s a good reason for that. Over 100,000 Scholastic book fairs are hosted each year, and they provide schools with funds for books and other resources. Scholastic is so dominant in the book fair market that it’s difficult for many schools to find viable options. However, outrage over the isolation of the “Share Every Story, Celebrate Every Voice” collection has caused many librarians to look beyond Scholastic for book fair options.

 

While Scholastic is definitely the biggest player in the book fair market, there are other booksellers that host book fairs, including Literati and Barnes and Noble. Many publishers also host book fairs, but their collections might be more limited than what is offered by Scholastic.

shelves with books, red seats, people reading

Another option is the independent book store. During recent years, indie bookstores have seen a rise in popularity, and their followers have a deep sense of loyalty. Communities embrace them because they are known for promoting the open exchange of ideas and contributing to the local economy. They also usually provide access to a diverse collection of books and make their services available to local schools. 

 

Now, many communities are turning to their local bookstores as an option to book fairs hosted by the publishing giant. Independent bookstores have strong ties to their neighbors and understand the culture and needs of their communities. The personal attention they can offer is leading many librarians and schools to partner with their local indie bookstores. The indie alternative offers a personalized approach to hosting a book fair and a way to take a stand against Scholastic’s decision to give libraries and schools the choice to opt-out of including diverse books.