Today, we’re thrilled to welcome New York Times bestselling author Michael P. Spradlin to the Mixed-Up Files! Michael, who happens to be one of the most prolific authors on Earth–he’s written dozens of books for children, teens, and adults–is here to talk about his latest MG novel, Rise of the Spider, the first of a planned six-book series set in pre-World War II Germany. The novel, praised by Kirkus as “[A] fast-moving, stirring tale….Clear of stance and cogent of theme,” is out now from Margaret K. McElderry Books.
And now, without further ado…
Interview with Michael P. Spradlin
MR: Welcome back to the Mixed-Up Files, Michael! It’s a pleasure to have you here.
MPS: I’m happy to be here! Wherever here is! 🙂
Rise of the Spider: A Summary
MR: Your latest novel, Rise of the Spider, the first in a planned six-book series, is set in pre-World War II Germany during the Nazi Party’s rise to power. Can you tell MUF readers more about the book and its 11-year protagonist, Rolf?
MPS: Rise of the Spider takes place in 1929. Each book–which will feature a different protagonist and examine how the rapid, accelerating change in Germany affects all of them–will be set in a different year, leading up to 1934 and after Hitler is named Chancellor of Germany.
The first book features Rolf Von Huesen who lives in Heroldsberg, Germany, with his father and brother. Rolf’s older brother died in the Great War, and his mother passed during the Spanish Flu right after he was born.
MR: At the beginning of the novel, Rolf suspects that his older brother, Romer, is being courted by the Hitler Youth. What impact does this have on Rolf and the choices he makes throughout the novel?
MPS: Ultimately it nearly tears Rolf apart. Romer is Rolf’s idol, the person who has most taken care of him since his mother died during the Spanish Flu. Romer’s got it all: He’s smart, handsome, and athletic. To see him so easily seduced by Nazi ideology is devastating to Rolf.
The Role of Friendship
MR: While Rolf is struggling with his brother’s involvement in the Hitler Youth—and later, his role in the destruction of Jewish-owned shops in their small Bavarian town—he leans on his outspoken best friend, Ansel, for support. What role does friendship play in the novel? How does it help—and, in many ways, hinder—Rolf’s struggle?
MPS: I’ve been told by many readers and librarians that the central theme of my novels is often the true meaning of friendship. I guess that’s right. In this case, Ansel’s friendship helps by giving Rolf a sounding board. While Ansel is definitely a wiseacre, he is also a good listener. He’s just as puzzled by Rolf at what is happening. Yet he also pushes the envelope and likes poking the bear, which often leads to trouble. But, if nothing else, Ansel is loyal as all heck to his friends.
The Real Heroldsberg
MR: Since the novel takes place in pre-World War II Germany, in a small Bavarian town called Heroldsberg, what sort of research did you do in order to ensure authenticity? I know you traveled to Bavaria, and to Heroldsberg itself. How did the trip deepen your understanding of the historical events fictionalized in your novel?
MPS: I’m obsessed with Heroldsberg! What an idyllic, beautiful, and picturesque place. And like most of Europe it is just dripping with history. Major battles of the Thirty Years War were fought there. Bavaria is just stunning, and every time you turn around you think you are going to see Cinderella’s castle. Being there had a real influence on writing this book. Usually in my historical novels, I’m writing about a place that no longer exists. In this case, I could walk the streets and cobblestones that had been there since the middle ages.
The Long-lasting Impact of WWII
MR: This isn’t your first middle-grade novel set in Nazi-occupied Europe. Into the Killing Seas, The Enemy Above, and Prisoner of War all are set during WWII. What impels you to write about this historical period? What makes it meaningful to you?
MPS: I think it’s because I was deeply affected by the war. I say this because my dad was a veteran. Other than his children being born, I think it had to be the most profound experience of his life and it impacted his beliefs greatly. Notably, his brother was killed in action on Omaha Beach.
I grew up in a small town and every single man within five years of my father’s age had served. They were my teachers, coaches, scout leaders, bosses, and mentors. I know it had an impact on them, and therefore on me. I think my father, a quiet, sensitive man, was greatly influenced by his brother’s death. I think he had horrible survivor’s guilt.
I also believe that World War II is the most transformative event in human history thus far. We are still living with many of its outcomes today. First, it was truly a global conflict with more than eighty countries taking part. In our country, we saw women enter the workforce in large numbers as well as the beginnings of racial desegregation. We also made enormous technological advances in a very short time. While the war was a horrific loss of blood and treasure, it also served to propel humanity forward in many ways.
The Takeaway
MR: What do you hope readers will take away from the series?
MPS: I want them to understand that evil is insidious and can be presented in all kinds of promises and pretty packages. It can also be very hard to spot–especially at the beginning. It can even sound appealing. That’s why it’s important that kids understand how someone like Hitler came to power; how he tailored his message to the those who were disenfranchised by war, poverty and a lack of hope. But all along he was selling a pig in a poke.
Michael’s Writing Routine
MR: Switching gears, let’s talk about your writing routine. Do you have a specific time of the day when you like to write? Any particular writing rituals? Also, what’s the secret to being so prolific? You’ve published a gazillion books! (Well, 33 and counting.)
MPS: By and large, I write mostly at night–but sometimes during the day as well. Usually my computer is open to a manuscript all day and I am sitting down and tapping out a couple of sentences throughout the day.
As for being prolific, it is a blessing and a curse. I have a brain that doesn’t believe in downtime. I’m always thinking about new ideas and new projects, and I always have multiple projects in the works.
Planning and Organizing a Series
MR: As stated above, Rise of the Spider, is the first installment in a planned six-book series. How do you organize the writing process for such a big project? It seems like a herculean task!
MPS: I use a lot of spreadsheets. I keep them for continuity, and correctly spelling character names. And keeping track of physical descriptions. I have general outlines for all six books, but they aren’t strict so if the story takes me in a different, better direction I can adapt.
MR: In addition to MG, you also write picture books, YA, and books for adults, including a volume of haikus about pirates (!). What’s the key to writing books for different age groups?
MPS: I’m not sure there’s a key. Obviously with kids’ books there are things like language and themes you need to watch out for, but the main goal is to write as well as you can. Kids need to be the hero, and you can’t have them saved by adults at a critical moment. Other than that, I’d say to be honest… and treat your audience with respect.
Lessons from Buffy the Vampire Slayer
MR: Rumor has it that you’re a Buffy the Vampire Slayer fan. I have questions…
MPS: OMG! DID WE JUST BECOME BEST FRIENDS? I was never so saddened to learn the truth about what happened to the creator of the show. It was so brilliantly written and acted. But I came to realize that a lot of art throughout history has been created by not so great people. In the case of a movie or television show, it takes far more than the writer to make it work.
Hundreds of people contribute from actors to cinematographers and their contributions also play a key role. I think you can still appreciate it from that perspective. If someone horrible did something behind the scenes, aren’t we further punishing the actors and the hundreds of other people involved in the show who can least afford to be punished by us no longer watching? That’s a rhetorical question. I’m not sure what the answer is. But in a vacuum: BTVS is a great accomplishment by all involved.
MR: What are you working on now, Michael? More books in the Web of the Spider series, I’m guessing?
MPS: Yes, more Web of the Spider books. Then I have a trilogy I’ll be shopping soon, but these books will be my main focus for the next couple of years.
Lightning Round!
MR: And finally, no MUF interview is complete without a lightning round, so…
Preferred writing snack? Oatmeal schotchie cookie
Coffee or tea? Neither
Cat or dog? Love both. Own a dog. Allergic to cats
Plotter or Pantser? Total pantser
Zombie apocalypse: Yea or nay? Um. YES!
Superpower? I can melt an ice cube with my mind. It just takes a while. Also, I can do a killer Sean Connery impersonation, but no one knows who he is anymore.
Favorite place on earth? My house with my family present
If you were stranded on a desert island with only three things, what would they be? Boats. Boats. Boats
MR: Thank you for chatting with us, Michael—and congratulations on the publication of Rise of the Spider!
MPS: Thank you for having me! Watch for The Threat of the Spider coming in summer 25!
Bio
Michael P. Spradlin is the New York Times bestselling and Edgar Award–nominated author of the Spy Goddess series, The Youngest Templar series, and the Web of the Spider series, as well as several works of historical fiction, including the Western Heritage Award–winning Off Like the Wind: The Story of the Pony Express. He currently resides in Lapeer, Michigan, with his wife, daughter, and his schnoodle, Sequoia. Learn more about Michael on his website and follow him on X, and Facebook.
Sarah: He loved drawing. But is father didn’t want him to be a starving artist. And I remembered thinking, I’m a lot like Rube. My Dad is an economist and when I switched to writing he said, “you’re supposed to take a job that makes more money.” He was speaking out of fear. But he ultimately understood what I was trying to do and that I had something to say. I didn’t study engineering but Rube did. When he looked around he was latching on to creativity. He was worried that giving people all these machines was going to give people less opportunities for ingenuity. For thinking out of the box. He lived in the industrial age and he worried what was happening to curiosity.
Sarah: I also have a book about 
