Posts Tagged Janet Fox

Writing Advice From MG Women Authors

To celebrate Women’s History Month, I put out a call for writing advice from women middle-grade authors. Here are their wonderful tips:

“Write your truth! There’s a reader out there who needs it.” —Mae Respicio, ANY DAY WITH YOU

“All the talent in the world will not get you over the finish line in publishing. Persistence is the true measure of a professional.” —Janet Fox, THE ARTIFACT HUNTERS

“A mistake is never a mistake unless you don’t learn from it.” —S.A. Larsen, MOTLEY EDUCATION

“Half of writing is daydreaming. It’s not putting words on a page, it’s staring out a window waiting for the story to float by.” —Lija Fisher, THE CRYPTID CATCHER

“Writing is an act of empowerment: You’re creating your own world. It’s a place for your individual voice to ring out. So tell the story you need to, and enjoy the process!” —Diane Magras, THE MAD WOLF’S DAUGHTER and THE HUNT FOR THE MAD WOLF’S DAUGHTER

“Nobody writes well in a first draft. I think the reason many writers fail to finish projects is because they are putting too much pressure on themselves to be a ‘good’ writer – whatever that means. I am a firm believer in Anne Lamott’s advice to write crummy rough drafts. The important thing is to get the story on paper so you have the raw material to work with. Then, in revision, that’s when the real work starts, sculpting, shaping, and finding the best way to tell your story.” —Tara Gilboy, UNWRITTEN and REWRITTEN

“Connect with other writers. They are a wonderful source of motivation and support, and will help you to hone your craft.” —Anne O’Brien Carelli, SKYLARK AND WALLCREEPER and ONE LIGHT

“Every piece of writing you create contains a piece of yourself. It can feel scary to send that piece out into the world, into the hands of other people. But when you realize (and you will) that you’re brave enough to do it—and strong enough to survive the possibility that others may not be careful or even kind with that piece of yourself—you will join in the miracle and magic of a writer’s gift: You will have healed a corner of the world, someone’s world, with that small gift of you. So be brave.” —R.L. Toalson, THE COLORS OF THE RAIN and THE WOODS

“Your first draft is not supposed to be perfect! It is easy to get intimidated when you read a great book or interesting news story, but it’s not only possible, but probable, that the writer’s first draft wasn’t good — at all. That’s okay, first drafts aren’t supposed to be good. They exist to get the information down, then you go back and fix it all up and make it sound better the next time through it, and the time after that. Give yourself a break if your first draft (or first time you play a new song or try to draw a photo or learn a new dance move) needs love and attention to get better. That’s all part of the process!” —Andrea Pyros, MY YEAR OF EPIC ROCK and PINK HAIR AND OTHER TERRIBLE IDEAS

“As a former advice columnist and life coach, I’ve doled out a fair number of ‘dos’ and ‘don’ts’ over the years. My favorite piece of advice is this: ‘Don’t get too comfortable.’ That’s not to say you should sleep on a bed of nails or run a marathon in heels. I’m talking about stepping outside your comfort zone. Of doing the thing that scares you; that makes you say, ‘I can’t.’ Sure, it will be scary at first, and you may want to throw in the towel. You might even decide that trying is too hard—and you won’t even bother. But complacency comes at a cost. It will chip away at your confidence, until the ‘I can’ts’ feel more natural than the “I cans.” But that’s fear talking. You can do more than you realize. So, do the thing that scares you, whether it’s taking up a new hobby or starting a journal. If you don’t succeed, that’s okay. You can always try again.” —Melissa Roske, KAT GREENE COMES CLEAN

“What you need to succeed as an author: lots of hope, hard work, and chocolate.” Cynthia Reeg, FROM THE GRAVE and INTO THE SHADOWLANDS

“You guide your career, not an agent or publisher. Be deliberate in your career choices and keep the long-term in mind. Make a five or ten-year plan, even if many aspects of success feel out of your control. And don’t be afraid to experiment and fail along the way.” Kim Ventrella, HELLO FUTURE ME and THE SECRET LIFE OF SAM

I love all this advice! And here’s one from me:

“Have fun! Publishing can be a difficult industry and writing can be hard work, but the best part of that is the creating. Play with your characters. Explore your new world. And I’ll say it againhave fun.” —Samantha M Clark, THE BOY, THE BOAT, AND THE BEAST and ARROW

Interview With Janet Fox, Author of The Artifact Hunters

The Artifact Hunters is one of my favorite books of 2020. So I immediately called dibs on an interview with Janet Fox for MUF. This sequel to THE CHARMED CHILDREN OF ROOKSKILL CASTLE combines historical fiction and magic in a fast-paced adventure full of twists and turns.

Let’s get to it!

1. Tell us about The Artifact Hunters.

My main character, Isaac Wolf, is a 12 year old boy living in Prague in 1942, when his parents suddenly send him away alone with a talisman (a pendant in the shape of an “eternity knot”), a mysterious box containing…, and instructions to find Rookskill Castle in Scotland. When he arrives at Rookskill he discovers the Special Alternative Intelligence Unit where gifted children learn to harness their magical powers to support the Allies’ cause. Isaac has to learn that he, too, has magical powers, but to harness and use them he must hunt for a series of magical artifacts that are scattered throughout the past. And what is inside the mysterious box? How can he find those artifacts? And who – or what – is actually hunting him, as he unlocks the answers to these secrets?

2. How did you come up with the idea?

All of my Rookskill books have something to do with time.

In the first book, my protagonist Kat (who is also in this book) knows how to fix clocks, which gives her the ability to defeat the antagonist (there’s a bit of a steampunk element). In this new book, I wanted to play with time travel and the dangers inherent in time loops, time warps, and so on. I also wanted in this book to touch, albeit subtly, on how societies rise and fall and the nature of conflict.

But the real touchstone for me was when I happened upon an article about something called a Death’s Head Watch, which is a totally creepy real thing. https://janetsfox.com/2020/07/the-deaths-head-watch/

3. Do you base your characters on people you know? If yes, spill the beans!

Actually…no. My characters come to me, begging to be written. I’m not kidding.

Of course, there is an element of me in each of them. Kat is especially close to the kid inside me. But I try to enrich them by playing at opposites, at something I would never do or say or think, even if I share their fears or dreams. Each time I start a new story I start with the character first, and build the story around him or her.

4. How much of your real-life experiences play a role in the stories you tell?

When I write I do a lot of research, and my favorite kind of research is travel (which is a little hard to do right now, sadly.) For The Artifact Hunters, I went to Prague, where Isaac is from, and for Charmed Children I visited Scotland. A sense of place is really important to everything I write, so if you look carefully at any of my books you’ll see that they are set in places I’ve lived or visited.

I also have a master’s degree in science (geology), and so science plays a huge role in my work.

5. What books did you like to read when you were a kid? Do those books influence your writing?

My all-time favorite books as a kid were the Narnia books. And yes, they profoundly influence everything I write. I try to invoke that same sense of wonder and magic, and the kid relationships Lewis developed. My first three books are YA novels, and I have one picture book out, but I feel now that my sweet spot is middle grade, and that’s probably due to my love of Narnia.

6. What are you working on now?

I have a third Rookskill novel in proposal stage with my publisher (Viking), so we’ll see whether that’s a go or not. It may depend on how well The Artifact Hunters does, as all things in this business.

I have another book, Carry Me Home, coming out with Simon & Schuster next summer that is really different for me – a contemporary middle grade story about a homeless girl. I really, really love that book and can’t wait to see it out in the world.

But I’ve also been working hard on a “Covid” book, another middle grade fantasy that’s set in contemporary times but with a parallel universes theme. It’s tentative title is The Book of Weirds and Wonders.

7. What is your writing process? Are you a plotter or a pantser?

I’ve been a pantser forever but I’m trying really hard to plan more, and am finding my way to a technique I really like (that I’m teaching as part of my coaching business https://janetsfox.com/book-coaching/ ). I love pantsing but it makes the work so much more difficult. I’m working on this new in-between strategy called the inside-outline.

https://montana.scbwi.org/events/webinar-a-new-way-to-outline-with-author-janet-fox/

8. What advice do you have for aspiring authors?

Don’t give up.

It’s so amazing to me to think that I’ve written and published as much as I have. I remember too well the early days, the rejections, the disappointments, the thinking I’d never make it, never publish anything, never be read. There’s only one real reason I did make it – I didn’t give up.

Oh, sure, I studied craft. I have my MFA in writing. I work hard. I’ve been lucky. But honestly, there are many ways to reach your dreams and only one thing that will really get you there and that’s to Never Give Up.

Buy Now!

 

 

Driving book trailers to new locations — at libraries

You’ll often see book trailers on an author’s website and the publisher’s youtube channel. But did you know that your public library’s catalog is another easy place to view book trailers? It’s also a great place to put a book trailer, whether you’re an author, a teacher, a parent, a young reader (or any age reader). All you need is a library card and you can add content — ratings, reviews, lists of favorites, tags, videos — to a book’s record in the public catalog.

My hometown library is Seattle Public Library, and we share catalog content with our nearby neighbors at King County Library System and our far away friends at Boston Public Library, and dozens of other libraries in between. When I uploaded this book trailer for The Charmed Children of Rookskill Castle by Janet Fox to Seattle’s catalog, it also shows up here at Boston Public Library.

And when I added the book trailer for Sarah Albee’s wonderful nonfiction book Why’d They Wear That? to Seattle’s catalog, it shows up here at San Francisco Public Library as well.

Here are a few other book trailers from recent middle-grade books I’ve loved — all uploaded via my local library’s website (I’ve listed a sampling of libraries where they show up, too):

Not every library has the ability (or has chosen to) include videos in their catalogs. But I encourage you to check to see if yours does. And if it does, you can start playing around with rating books, making lists, and tagging local authors (here’s what comes up under the tag “Seattle authors“).

Video interviews, book reviews and book talks also make great content to enhance a library catalog. If your students are working on book-related videos, consider broadening their viewership by adding their work to a library catalog. If you’re an author and one of your presentations or interviews is filmed, consider uploading the video to your book’s catalog record.