Posts Tagged interview

STEM Tuesday — Natural Disasters — Author Interview with Amy Cherrix

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Amy Cherrix, author of EYE OF THE STORM: NASA, Drones, and the Race to Crack the Hurricane Code.

Mary Kay Carson: Tell us a bit about Eye of the Storm and how you came to write it.

Download a Discussion & Activity Guide for the book.

Amy Cherrix: Eye of the Storm is the story of an elite group of NASA meteorologists and the Hurricane Severe Storm Sentinel mission (HS3). These scientists and engineers re-purposed military drones to conduct high-altitude hurricane research. This Global Hawk drone was built for use in dry climates. Global Hawk is so delicate, it cannot take off during so much as a light rain shower, yet it can fly safely high above hurricanes–the most violent storms in nature’s arsenal. How’s that for irony? The drone is loaded with remote control science instruments that measure humidity, air pressure, temperature, and more. The Global Hawk’s pilot flies the aircraft using a computer mouse and keyboard from a control room on the ground that is hundreds, or thousands, of miles away from the aircraft.

I stumbled onto this incredible story while engaging in my favorite Saturday morning activity. I love to pour a big cup of coffee and surf the NASA.gov website (an activity I highly recommend to science enthusiasts and story writers). When I read about the HS3 mission, I knew I had a great book idea on my hands. I sent emails to the mission’s principal investigators and within an hour, replies from NASA were pouring into my inbox. NASA is a public agency and its scientists love to share their work. I accepted a generous invitation from the mission’s principal investigator, Dr. Scott Braun, and visited NASA’s Wallops Flight Facility on the coast of Virginia to observe the mission. I interviewed drone pilots, engineers, meteorologists, and mechanics. Every single person was deeply invested in the mission’s success. It was inspiring.

MKC: Anything you’d like to share about the time you spent with researchers while writing this book?

Amy: The scariest part of writing this book was not knowing if the team would have a hurricane to study while I was visiting Wallops Flight Facility. What would I write about if nothing happened while I was there? But sometimes, things just work out for the best.  Hurricane Edouard formed soon after my arrival and was the best storm the HS3 team had studied to date! It was an ideal sample, staying far out to sea, not threatening land, and it spun for days. They were thrilled and it was an unexpected honor to be present at such a high-point of the mission.

MKC: Why do you choose to write STEM books?

Amy: I write STEM stories because I have always been insatiably curious about science and the natural world. When human beings try to overcome the forces of nature—whether it’s gravity, or the weather—challenges abound. Scientists confront these impossible challenges everyday. That’s their job. I’m fascinated by that kind of determination, patience, and persistence.

Amy Cherrix is the acclaimed author of In the Shadow of the Moon: America, Russia, and the Hidden History of the Space Race, as well as two middle-grade nonfiction books in the award-winning Scientists in the Field series: Backyard Bears: Conservation, Habitat Changes, and the Rise of Urban Wildlife and Eye of the Storm. Her newest STEM picture book is Animal Architects (9/7/21), from Beach Lane Books/Simon & Schuster. www.amycherrix.com

MKC: For readers who loved The Eye of the Storm, what other middle-grade books would you suggest?

Amy: I highly recommend every book in Houghton Mifflin’s Scientists in the Field series, of which Eye of the Storm, is a part. There’s something for everyone; thrilling stories about science in the fields of geology, biology, seismology, meteorology, genetics; just about any branch of science you can imagine. These books show young readers that science is much more than a white coat and a laboratory. Science is adventure!

MKC: Could you share where you are right now on a current project and how you’re approaching it?

Amy: I’m working on a new STEM picture book series for Beach Lane Books called Amazing Animals. I just finished the first book in the series that publishes on September 7, 2021 called Animal Architects, illustrated by Chris Sasaki. Many animals, both on land and in the sea, build amazing structures to help them trap food, attract mates, or hide from predators. From undersea cities of coral, to a mother penguin’s palace of pebbles, the natural world is a construction zone. I spent months reading books, watching nature videos, taking notes, and studying photographs to collect their stories. The second book, Animal Superpowers, publishes in fall 2022. I approached Animal Architects with a spirit of wonder. I wanted to inspire readers’ curiosity. To do that, I created a list of the various structures animals and insects build. Then I imagined what questions young readers might ask of nature’s builders. The answers I found surprised me at every turn. For example, before writing this book, I’d never given termites a second thought. But I learned that some species of termites build giant, naturally air-conditioned towers. How cool is that? These tiny insects work together as a colony to build a home that helps them survive as a group. We can learn a lot from nature. I hope this new series inspires young readers to ask their own questions about the natural world, and consider what actions they can take to protect our planet and its creatures.

Win a FREE copy of EYE OF THE STORM!

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Your host is Mary Kay Carson, author of Wildlife Ranger Action Guide, The Tornado ScientistAlexander Graham Bell for Kids, Mission to Pluto, and other nonfiction books for kids. @marykaycarson

Storystorm: It’s Not (Just) for Picture Book Writers

Tired of sitting on the sidelines while her novelist friends participated in NaNoWriMo each November, kidlit author Tara Lazar created PiBoIdMo (Picture Book Idea Month), a monthlong brainstorming event for picture book writers: 30 ideas in 30 days.

That was back in 2009. The event has since been renamed Storystorm, in order to be reflect a “broader range” of writers, moved to January, and now boasts nearly 2,000 participants from across the country and around the world—professionals, amateurs, teachers, and students alike.

Ready, Set… GO!

 

 

 

With this in mind, and eager to get my fun on during the dark days of Covid, I decided to give Storystorm a try. How hard could it be?

Harder than I thought. The first week went by relatively smoothly, with ideas spewing from my brain like Vesuvius lava. But by Day #11, I found myself scraping the bottom of the idea barrel. Such gems from my notebook include: “Tween kidnapping ring”; “Reality show for middle-school tuba players”; and, simply, “oranges.”

In frustration, I decided to kick Storystorm to the curb. The event was for picture book writers, I rationalized—not for middle-grade authors who wrote entire novels. The challenge was that much harder for us.

That was just an excuse, of course. The real reason I didn’t want to continue the challenge is that it was far outside comfort zone. Like, Timbuktu far. I also felt pressure to come up with the “perfect” idea for my next novel. The idea that would catapult me to MG superstardom and make readers go, “Jeff Kinney, who…?”

Under Pressure

Unfortunately, and as any writer knows, pressure can stop creativity dead in its tracks. It can also make you feel “less than” as a writer. So, instead of seeking perfection (which doesn’t exist, anyway), I decided to have fun with the challenge. I added “What if…?” and “maybe” sentences to my brainstorming sessions:

What if the main character is forced to live with her crotchety grandmother for the summer?”

What if she’s left-handed, with fiery red hair, and a dime-size gap between her two front teeth?” “Maybe she’s a gifted tap dancer who loves Cheetos.”

Maybe she’s five feet tall…”

This helped ease the pressure that declarative statements can often bring. Once I started to enjoy the Storystorm journey, rather than the destination, I felt myself relax. And even better? I crossed the finish line, with a slew of sparkling new ideas.

And now, without further ado…

Five questions for the creator of Storystorm, Tara Lazar

MR: Hi, Tara! I know this isn’t your first Mixed-Up Files rodeo. You appeared on the blog in 2019, with this interview by Mindy Alyse Weiss. Welcome back!

TL: Merci beaucoup!

MR: As above, you created StoryStorm in 2009, as a response to NaNoWriMo. Which aspects of the event have changed most since then? What remains the same?

TL: The name and the month changed—because if I had thought about it for two seconds, I would’ve realized that PiBoIdMo is a terrible name and November is an awful month to get anything done. Plus, the first year, I wrote HALF of all the blog posts. Fifteen! Talk about scraping the bottom of the barrel for ideas! The following year I invited more authors and illustrators to guest blog and I took on a more administrative role.

Advice for MG writers (including yours truly)?

MR: As I mentioned in the intro, as an MG author I had a hard time generating 30 ideas in 31 days. It felt like a lot! In your opinion, is brainstorming different for writers of MG fiction and nonfiction? What advice do you have for MG writers specifically, in terms of idea generation?

TL: I think picture books sell based more upon concept than MG novels. MG novels have much more “meat” to them—yes, they can have a brilliant premise, but voice, plot, subplot and language play a bigger role than in picture books. Picture books are generally a tougher sell, so the more manuscripts you have, the better a position you’re in. As an MG author you probably don’t need as many ideas as PB authors do, but I believe the more ideas from which to choose, the better.

Storystorm in the classroom

MR: Educators, such as teachers and librarians, are encouraged to participate in Storystorm. From what you’ve seen and heard, what are the most effective ways educators have used Storystorm in the classroom?

TL: Teachers put the daily blog posts on their smartboards in the classroom and encourage their students to brainstorm at the start of the school day. It’s an easy way to get students into a creative mode, plus they will have a portfolio of ideas ready to go for their next writing assignment. It eliminates that “blank page” fear! Writing is less daunting if students already know what to write about!

MR: You can say that again. Now, I’m curious, Tara… Do you participate in Storystorm yourself? If so, have any of your published or soon-to-be-published books been Storystorm ideas? Enquiring minds want to know!

TL: I do, and I don’t. I generate ideas all year long so I don’t necessarily need to do Storystorm, plus I’m busy behind the scenes. If I get ideas during the event, I write them down, like always. The whole point of Storystorm is to create a habit for writers, and I’ve already cultivated it!

Free to Be You and Me

MR: You sure have. What advice do you have for MG writers who are reluctant to participate in Storystorm because they feel intimidated? Let’s hear your best sales pitch. 🙂 

TL:  It’s free. There’s a great community of writers to keep you on track, and there’s no punishment if you don’t get 30 ideas. And your ideas are for your eyes only—no one has to see them if you don’t want to share. You’re going to end the month with more story ideas than you had before it began, so what have you got to lose? Nuthin’. Did I mention it’s free?

MR: Thank you so much for joining us again on Mixed-Up Files, Tara. And thanks for everything you do for the kidlit community!

About Tara

TARA LAZAR is the author of several picture books, including the award-winning 7 ATE 9: THE UNTOLD STORY from Little, Brown. Her next book BLOOP is illustrated by Mike Boldt and releases from HarperCollins in July ’21.

Tara is the co-chair of the Rutgers University Council on Children’s Literature One-on-One Plus Conference and an SCBWI member. She writes flash fiction for adults and serves as an inspirational speaker, based on her battle with Primary Progressive Multiple Sclerosis.

Tara lives in New Jersey with her husband, two teenage daughters, and a recently rescued stray cat, Phoebe. Learn more about Tara on her website, Twitter and Instagram.

The Skinny on Storystorm: What other MG writers are saying…

Wendy McLeod MacKnight, MG author of It’s Not a Mystery, Pig Face; The Frame-Up; and The CopyCat: “As an author who both struggles to come up with ideas AND flesh them out, Storystorm has been a creative godsend! I’ve got new tools for my idea-generation toolkit and a bunch of shiny new ideas to work on in 2021! I can’t wait for the next iteration!”

Christiana Doucette, MG writer: “Brainstorming alongside so many other writers—the energy and encouragement—has helped me to create an idea-seeds spreadsheet. I’m excited to sift through my list and start drafting my next story.”

Andrea Mack, writer of PBs and MG fiction: “I love how generating ideas through Storystorm inspires me by opening the door to my creativity. Sometimes I get ideas for developing my characters, plot events, or interesting details. If none of the ideas works for my story, starting my day by adding an idea or two to my list sets me up for a good writing day. And I love how I have that whole list of ideas to fall back on when my writing isn’t going anywhere.”

Mindy Alyse Weiss, Mixed-Up Files contributor and PB/MG writer: “Not only is Storystorm great for coming up with potential series ideas, I’ve found that a few ideas can mesh together into one amazing one. Also, I’ve discovered a few tricks to spark ideas, thanks to some of Tara’s archived posts. The ones I use most are: 500+ Things That Kids Like and 100+ Things Kids Don’t Like. I also scroll back to posts from previous years, for both Storystorm and the original PiBoIdMo. Tammi Sauer’s posts are always a huge help!”

The Seed of Something Great – An Interview with Story Seeds Podcast Creator Sandhya Nankani

A few weeks ago I was visiting a writing class and mentioned a podcast called Story Seeds. At first I thought maybe I was doing a bad job explaining it, but then I realized the collective silence of the room wasn’t confusion – it was utter amazement.

Photo credit: Marj Kleinman

“Is this real?” someone finally asked.

Is it ever! And today I’m sharing my interview with Story Seeds creator and executive producer, Sanhya Nankani. She told me all about the development of this quite amazing project, as well as her path toward producing content for young readers.

CL: Thanks so much for chatting with me, Sandhya! Let’s start with your journey to children’s media – can you give us a glimpse into the path that led you to the work you do now?

SN: Well, I have a pretty non-traditional background and don’t quite fit into a box or a linear path in terms of my path! I studied history, got my masters degree in International Affairs, and once upon a time, planned to work in international development…but I was always passionate about the written word, media, and communication. I finally joined the “publishing” world in 2004 when I was almost 30 – at Weekly Reader Classroom Magazines, where I was part of the literacy magazines group. I edited a magazine called Writing for Teens and also got to work on some proof of concept digital experiments; this was the time when digital magazines were just making inroads.

From there I moved to more formal educational publishing at Scholastic, where I worked in the English Language Arts group on some iterations of their successful product READ 180. This is where I cut my teeth on developing curriculum and teacher materials and parsing standards and began thinking about how to create engaging kids content that can also support curriculum.

Then, in 2008 or so, I ventured out on my own and started my studio Literary Safari!

I’ve always been interested in the intersection between print and new media and how innovations (whether it’s POD, digital content, audio, or apps) can be applied to the content that children engage in and consume, I guess — and playing and experimenting with it. 

CL: What a cool journey! So one of the things coming out of your studio is Story Seeds, which is all about taking an idea and helping it grow into something bigger. That seems to be true of the podcast itself, as well – can you take us through the beginnings of that idea and how it blossomed into a fully produced show?

SN: As an editor of Writing for Teens magazine, I worked with lots of young writers and authors, and there was one project I’d helped launch called The Weekly Writer where an author started a story and kids helped them continue it on a weekly basis — we would pick a paragraph each week. This was a web-based project, but I’ve always thought about the collaborative nature of it and loved working on it. Then, a few years ago, Literary Safari worked as vendor for an educational publisher where we commissioned diverse trade authors to write leveled chapter books for the classroom market. Ideas (what I called story seeds) were provided to us by the publisher and I worked closely with authors to help them grow the seed into a story. During this project – we created 75+ books, including graphic novels – I started thinking about this wonderful author network that I had built over the years and what joy I derived from it, as well as about how the seeds were sometimes not that great and one day I remember saying to myself, “I wonder whether kids would have better ideas than this!”

When we finished the project, I was eager to continue working closely with authors – I had enjoyed it so much, especially the process and challenge of matching authors to story ideas – we worked with Jerry Craft, Derrick Barnes, Traci Sorell, and several more award-winning authors on that project —  and I was eager to find a way to do that for a wider audience.

CL: So collaboration has obviously had a big role in your creative life – can you share a bit more about the role collaboration has played in your various pursuits?

SN: When my daughter was little, we used to do what I called “studio” time, where we would collaborate — she would tell me a story or the beginning of a story, and I would ask her guiding questions and she would talk and I would write and she would draw. I’ve always looked back on that experience and thought about how it was empowering for her as a child to be heard, to get to illustrate and think out loud even when she couldn’t write, and what it meant for us to put our heads together and collaborate — and all of those things definitely inspired the “seed” for Story Seeds – because as a mom, as a creative, as a producer and as an educator, I really believe that young people need spaces where they can be empowered and have their voices heard and centered. 

I’m also very interested in interdisciplinary collaboration – as I’ve seen how people from different technical backgrounds and fields create rich experiences when they come together. I’ve created some apps for kids such as HangArt, for example, and the development of that was driven by the intersection of art & words in the formation of literacy, and showing how they are not separate from each other but support one another in learning and in play. 

CL: Well, your list of collaborators in Season 1 of Story Seeds is pretty impressive – names like Dan Gutman, Jason Reynolds, and Veera Hiranandani just to name a few. How did you connect with so many talented people?

SN: I have always had a radar for noticing new talent and diverse voices. Early in my career I received a grant from the Asian American Writers Workshop for example to help diversify a collection of grades 9-12 Language Arts textbooks published by then Holt, Rinehart and Winston Elements of Literature textbooks. Since then, I’ve also worked with authors, commissioning them to write original works for the publishers that employed me.

Connecting with authors took a bit of digging and detective work to figure out how to reach them and who would be a good match for what. That was something I always loved, but mostly it takes being brave enough to bring an idea to them and ask them if they want to be a part of bringing it to life. That is what I did with Story Seeds – once we had selected ten story seeds and kids to feature on our first season, I made a list of authors who would be good matches for them (it was a bit like matchmaking) and then tracked down the authors or their agents and shared the idea about the show. We were super lucky to have uber librarian Betsy Bird as our podcast host, and she was an incredible

Story Seeds host Betsy Bird | photo by Sonya Sones

resource to us in the match-making process as well, with suggesting authors when as well. I feel very fortunate that most of the authors we approached signed on right away and felt connected to our mission of empowering kids and were excited to collaborate with them.

CL: So with that said, do you have a favorite episode of the podcast?

SN: That is like asking a mom to name her favorite child!!! I love them all and each one, like one of your favorite books, had a special story behind the story – whether it was how the kids were matched up with authors, a production adventure, or the way in which the author and kid connected. What I found amazing was the deeper level of connections each of our “matches” had when they finally met up — that was something none of us could have predicted.

For example, Jason Reynolds and Irthan both had a deep love of music and commitment to social justice which you hear on Episode 10, and Sulaf and Susan Muaddi Darraj both love Agatha Christie on Episode 8, on Episode 1, Dan Gutman and Hannah were finishing each other’s sentences, and on Episode 7, Carlos Hernandez and the twins Siri and Zarana collaborated in a way that went beyond what we had imagined as producers of the show, and well, Veera Hiranandani and Willa were such deep thinkers who shared a common experience of school on Episode 2 and so on. 

CL: Well, one of MY favorite things about the podcast in general is the activity book that goes with it. Can you explain a bit about what the activity book is and how it works?

SN: Yes! IMAGINATION LAB: Experiments in Creativity is a companion to Story Seeds and features QR codes that kids can scan to listen to an episode of the podcast, then launch their own creative experiments in writing, reading, and STEAM. It’s techie yet screenfree! For each episode, we have created activities and printables that go hand in-hand and that showcase themes, author’s craft and tips, and draw listeners into their own imaginations. We tried to tie the activities to different disciplines because we strongly believe that storytelling is a doorway to learn about EVERYTHING in the world. It has made me immensely happy to hear early praise for the book from many teachers and parents, as well as Geek Dad!

CL: As you know, our focus here at Mixed Up Files is middle grade books and resources for the middle grade audience – do you have a favorite middle grade book? How has it shaped your thinking as you work on projects in the media world?

SN: The middle grade books that I’ve recently been drawn to are ones that tell stories that I never had access to as a young person growing up in the United States – or as an immigrant coming here at age 12. Over the past few years, it has been extremely gratifying to read the books of authors Saadia Faruqi (A Place at the Table), Rajani LaRocca (Midsummer’s Mayhem), Veera Heeranandani (The Night Diary), Janae Marks (From the Desk of Zoe Washington), Roshani Chokshi (Aru Shah series), Varian Johnson (The Parker Inheritance) whose stories reflect my experiences, my middle grade dreams and ambitions (mystery solver, sleuth, etc.!). But I would have to say that the book I most recently read that just knocked me over is Daniel Nayeri’s Everything Sad is Untrue which I wrote about here at my Instagram.

CL: SO many great books! My TBR list is already a mile high, but I may have to climb up there and add Daniel Nayeri’s new book to the top 🙂 So what’s next for you, Sandhya? Any new seeds you’re planning to cultivate this coming year?

SN: I always have my thinking cap on about new ways to meet kids & families at the interaction of print and digital media — and am brewing some ideas that are growing out of this pandemic experience and my thinking about where we can go from here in terms of the lessons and opportunities around storytelling and learning.

I’m also actively working to figure out how to make a second season of Story Seeds. The response to the show has been so incredible – it does require resources to continue producing a show that has this production value and to continue to bring authors of this caliber together with kids and to have a host like the wonderful Betsy Bird. So we are looking for sponsors who see the value in reaching kids and families and understand that the power of a podcast is not just as a new media form that is growing, but also that it provides the opportunity to reach listeners directly in their ears and to communicate with them in a meaningful way. We are also shopping around some ideas for an “interactive” book series that features  the original  stories that appeared on Season 1.

At my studio Literary Safari, we’ve been creating a collection of culturally responsive lessons to support teachers in literature instruction for McGraw Hill Education. That has been very gratifying and it’s good to be involved in a project that will have impact and give teachers a permission slip to talk about race, social justice, and inclusion in a meaningful way.

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Many thanks to Sandhya Nankani for taking the time to chat with me! If you haven’t already, I highly recommend checking out Story Seeds, Literary Safari, and Sandhya on twitter/instagram.

Until next time!