Posts Tagged diversity

STEM Tuesday – Diseases and Pandemics — Author Interview

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’ve the pleasure of revisiting Gail Jarrow, author of the highly acclaimed Fatal Fever: Tracking Down Typhoid Mary. Although this is a historical medical thriller its exploration of the opportunities and ethics of public health resonate in today’s COVID-19 reality.

Carolyn Cinami DeCristofano: Thank you for joining STEM Tuesday again. I hope you are doing well during this pandemic. Fatal Fever takes readers to a time when typhoid fever outbreaks were not uncommon in the U.S. and elsewhere. What would you say the book is primarily about?

Picture of the cover of fatal fever. Gail Jarrow:  The book is part of my Deadly Diseases trilogy, which focuses on early-20th-century medicine.  I consider that period a turning point. After the acceptance  of  germ theory, scientists and physicians were looking for ways to prevent, treat, and cure diseases. I wrote Fatal Fever to explain how typhoid fever was tackled, and I chose Mary Mallon, aka Typhoid Mary,  as a way to tell the story.

CCD: The opening scene, in which Mary Mallon seeks to escape from health officials and the police, is full of suspense. It’s a gripping beginning and it flows smoothly to the rest of the book’s structure. It makes me wonder how the book’s narrative arc took shape in your mind. Can you fill us on in some of that process?

GJ:  I think it helps readers to understand unfamiliar information, such as a disease, when I approach the subject through personal stories.  Because Mary Mallon was an asymptomatic typhoid carrier,  I couldn’t show the disease’s horrible toll by only telling  her story.  I found another way.  I discovered that George Soper (the sanitary engineer  who tracked her down) had helped to clean up a typhoid epidemic in my hometown of Ithaca, New York, in 1903.  Early in my  book, I use details about that episode to introduce readers to the biology of the disease, the ways it devastated the bodies of individual Ithacans, and the fact that there was no cure or treatment.  When Soper starts his search for Mary Mallon in New York City just three years later, the reader understands why he believes it is critically important to find her before she can sicken and kill others.

CCD: This book brings in various disciplines and topics –history, human rights and civics, and public health and the biology of disease all come into play. Yet it’s a tight story. Did you ever struggle with drafts that were too complex or too rambling a book for your readers?

GJ: My biggest hurdle is the jump from researching to writing. I’ve read thousands of pages of historical background, past and present scientific literature, and primary documents. From all that, I have to figure out the most engaging, accessible, and accurate way to present this knowledge in abbreviated form. One thing that often helps is to remember my days teaching middle-school science. If I were conveying this information to my students, how would I do it?  As I write, I keep an eye on vocabulary as well as sentence, paragraph, and chapter length. I read everything  aloud so that I hear how it sounds. I’m not afraid to slash my prose. When I hand my manuscript to my longtime editor, Carolyn Yoder, I always ask her to look for spots that drag or confuse.

CCD: How did you decide which scientific information to include and what to leave out?

GJ: I consider how much science background my typical readers probably have. Do they know enough that I can build on that foundation to explain new information?  I’m careful not to simplify so much that I make incorrect statements.  Sometimes, after reading many scientific papers and talking to experts, I realize that parts of the science aren’t settled. Depending on the topic, I might explain the debate. But if it’s too technical and in the weeds for my audience, I might not include that aspect. I ran into a different problem with my book about plague, Bubonic Panic. I came across a recent controversial hypothesis about the history of plague. Though intriguing, it was based on very weak evidence. If the evidence had been stronger, I might have mentioned the idea. But I decided it would be irresponsible to perpetuate what might turn out to be speculative balderdash.

CCD: I have experienced similar decisions in my own writing. Deciding which new ideas to include can be a tough call! Moving on…Obviously, as a book that features a dangerous infectious disease, there are parallels to our current COVID-19 pandemic. Which Fatal Fever themes and issues resonate most strongly for you as the world faces and attempts to cope with COVID-19?

GJ:  In my Author’s Note to Fatal Fever, which I wrote several years ago, I raised the issues that arise when a deadly, highly contagious, and untreatable disease strikes.  I was thinking about typhoid fever in 1900 and the plight of Mary Mallon when quarantines and contact tracing were part of the story. But what I wrote then applies to any epidemic:  What do we expect health authorities to do? What government actions would or should we tolerate? Does protecting a city/state/country override the rights and freedoms of an individual?  You can’t get any more relevant to COVID than that!

public health poster/cartoon

 The numerous historical images and documents in FATAL FEVER, such as this cartoon (Page 115), help to bring readers back to the early 20th century and better understand the tale and its context.

CCD: In Fatal Fever, you point out that science understanding that asymptomatic individuals can spread typhoid fever was new at the time when Mary Mallon was identified as a carrier. Today, we are facing a new disease, and information about its transmission has developed and evolved over the months. I wonder if you see anything in the story of Mary Mallon and her intersection with disease, transmission, and public health that might be of use in our individual and collective responses to COVID-19?

GJ: I personally learned several lessons from Mary’s case and typhoid outbreaks. People whose job it was to worry about public health (officials, medical personnel) had one agenda. People who had to make a living to support themselves and their families (Mary, other typhoid carriers) had a different agenda. The goals and needs of these groups ended up in conflict.  Compromises had to be found.  They have to be found today, too.

World Health Organization slide about how COVID-19 is spread.

An early 21st-century public health slide about how COVID-19 spreads. Note that as of this posting, WHO and the US Centers for disease control acknowledge that asymptomatic individuals can also spread the coronavirus. (Source: World Health Organization)

 

Another lesson is a hopeful one. The diseases I’ve studied from 100 years ago have been controlled and, in some cases, conquered.  We have witnessed amazing discoveries in COVID treatments and vaccines in nine or ten months. It took years, even decades, to make that progress with earlier diseases. Our parents, grandparents, great-grandparents suffered through much worse times—disease-wise—than today, and they coped and survived. History gives us perspective.

CCD: I appreciate that hopeful, historical angle! As you explain in a short video on your website, you write about history. Yet science themes come into your books. What thoughts do you have about how these historical stories might impact readers’ relationship to science?

GJ: First, as I mentioned above, I think personal stories make scientific topics more relatable.

Second, the history of science shows that understanding and “theories” change as we gain more information. In the past, scientists and physicians  fervently believed in ideas that we now know were absolutely wrong, and the scientific/medical establishment criticized and ridiculed anyone who challenged those ideas. Two examples of 19th-century mavericks who are relevant today as we deal with antiseptics and handwashing: Lister and Semmelweis. Scientific views change. Careful observation and proof from unbiased tests are essential.

CCD: Stepping away from history—what’s new for you as an author, and what we can we look forward to seeing from you in the future?

The cover of Gail Jarrow's most recent book, BLOOD AND GERMS.

Gail Jarrow continues to write about the intersection of history and medicine. BLOOD AND GERMS is her most recent book.

GJ: In keeping with my interest in history and the evolution of medicine, this fall I launched my Medical Fiascoes series with Boyds Mills & Kane. The first book, BLOOD AND GERMS: The Civil War Battle Against Wounds and Disease,  came out last month. The second book, AMBUSHED!: The Assassination Plot Against President Garfield, will be published next fall, and it explores the way medical ignorance led to his death. I’m currently in the midst of research for the third book in the series.

CCD: This is exciting! I’m sure we all look forward to exploring more medical history with you as our thoughtful, informative guide, Gail. I want to thank you for your wonderful writing and for this interview. Stay well.

 

***

Win a FREE copy of FATAL FEVER: Tracking Down Typhoid Mary!

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Photo of Carolyn DeCristofanoYour host is Carolyn Cinami DeCristofano, founding STEM Tuesday contributor, STEM Education Consultant, and author of STEM books for kids. Her books include A Black Hole is NOT a Hole, Running on Sunshine: How Does Solar Energy Work?, and National Geographic Kids Ultimate Space Atlas.

 

 

 

Gail Jarrow is the author of nonfiction books and novels for ages 8-18. Her nonfiction books have earned numerous awards. Photograph of author Gail Jarrow

 

 

The Latinx Kidlit Book Festival

We Need Diverse MG

Artwork by Aixa Perz-Prado

Here at WE NEED DIVERSE MG, we are super excited about the Latinx Kidlit Book Festival coming up in less than two weeks. The virtual festival runs from December 4 to 5, 2020, and was created by a collective of women and non-binary Latinx kdilit writers called Las Musas.  Many of us know Las Musas for their support of aspiring Latinx creators and for their beautiful books.

Who Will Be There?

I was lucky to be able to talk to Mayra Cuevas, Ismee Williams and Alex Villasante who headed up the Latinx Kidlit Book Festival steering committee.

latinx organizers

APP: Congratulations on the exciting Latinx Kidlit Book Festival! Can you tell me about some of what we can expect at the online event?

MAYRA: We have an incredible lineup! Over 150 authors and illustrators representing a wide and diverse range of experiences and ties to Latin America. Their work includes picture books, middle grade and young adult novels, graphic novels, comic books and poetry. We wanted the panel topics to cover themes that are important to the Latinx community in a way that is accessible to everyone.

ALEX: We have amazing, award-winning Middle Grade authors in our lineup, like National Book Award-finalist Ibi Zoboi, author of MY LIFE AS AN ICE CREAM SANDWICH. We also have Meg Medina, author of Newbery Award winner, MERCI SUÁREZ CHANGES GEARS. And Rebecca Barcárcel, author of the Pura Belpré Honor Book, THE OTHER HALF OF HAPPY. Other notable MG authors include Margarita Engle, Monica Brown, Lilliam Rivera, Daniel José Older and Yamile Saied Méndez—just to name a few!

ISMEE: We also will have interactive events, including a poetry slam, illustrator draw off’s, a graphic novel/cartooning panel including Raúl the Third and Axur Eneas. And even a few music and dance interludes.

Coming Together to Celebrate Latinx Creators

APP: That sounds like so much fun! I am a huge fan of many of those authors and look forward to getting to know more of them through the festival. I know that so many Latinx creators are eagerly anticipating this event. Can you tell me what sparked the idea for the festival?

MAYRA: Both Ismee and I have books that came out early in the pandemic. We quickly had to pivot to all virtual events. In May we were invited to participate at the Everywhere Book Festival, led by three amazing authors, Christina Soontornvat, Ellen Oh and Melanie Conklin. We wondered what it would be like to have a similar event for the Latinx community. We wanted to create a space where book lovers everywhere could come together to celebrate Latinx authors, illustrators and their books. Thanks to the help of Las Musas Books members, dozens of volunteers, sponsors and community partners the dream quickly became a reality.

latinx festival coming soon

APP: It is truly incredible how quickly you were able to put this festival together, and in the midst of a pandemic! What was your vision for the project, and what challenges did you face?

ISMEE: We created the Latinx Kidlit Book Festival because we want to give back to those who have been hard hit by the pandemic: students, educators and parents. We want to give the gift of story and art to any child and family who is able to tune in–and not just Latinx families but all families. We hope to provide a virtual field trip experience for classrooms, with programming that spans from pre-K through 12th grade, including picture books, middle grade, graphic novels, poetry and young adult.

Resources for Teachers and Students

latinx student teacher graphic

APP: That sounds great! I hope many teachers are able to take advantage of everything the Latinx Kidlit Book Festival has to offer. Tell me about your resources for educators.

ISMEE: Educator guides for specific festival books are located on our website for easy access and download under the Educator Tab. We also created, with the help of wonderful volunteers, two festival educator guides, one for elementary and one for secondary school students. These Latinx Kidlit Book Festival Educator Guides will allow teachers to bring the festival into the classroom so students may learn about festival authors, illustrators and their works.

We also have a number of author and illustrator Flipgrid introduction videos available to assist students. Answer questions are found in the educator guides. Finally, we are encouraging all students to submit their own questions for our festival participants ahead of time. We want kids and teens to feel engaged and to know that we value them and their own creativity and curiosity! To make it even more exciting, we are offering book giveaways (a huge thank you goes out to all the publishers who generously have donated cartons of books)! If a student’s question is selected for use in the festival, that student will be entered into a drawing to win a set of books for their entire classroom. Winners will be announced during the festival, so be sure to tune in!

Latinx Kidlit Festival Partners and Sponsors

call for kids questions

APP: That really sounds like a lot of fun for the kids! What about your partners and sponsors? How have they contributed to this project?

ALEX: With the Latinx Kidlit Book Festival we wanted to create a network of support in the community. We knew that some would be able to support us financially and some would not.

A Community Partner, like Miami Book Fair, The Highlights Foundation or Latinx In Kidlit, can use their social media reach to get our message to as many readers, educators and kids as possible. They also help by giving us a team of amazing volunteers who work so hard to help us get everything in place.

We’re 100% volunteer run, so that’s a huge benefit! Sponsors, like Penguin, Harper Collins, and Macmillan play a very special role. Their financial support helps fund tools for the festival, like professional producers and real-time transcription and captioning. We’re also so fortunate to have sponsors like SCBWI and NCTE – organizations that support writers and educators and see the value of putting capital behind Latinx creators. Because, at the end of the day, supporting this festival sends a message of solidarity with the Latinx community and marginalized voices. It says—loud and muy claro—Latinx creators, books and art are worthy of investment.

Success and Suerte

APP: Clarisimo! Beyond the obvious,  what are your hopes for the festival? What does success look like?

MAYRA: We want kids, educators and book lovers everywhere to come together to celebrate the voice and talent of Latinx authors and illustrators. Ultimately, we want to create an infinite bookshelf for our community, in which there is room for countless stories. We want stories that portray the complexities of our world, and illuminate profound moments of loss and grief. We also want stories that celebrate the love and joy in all the things we hold dear.

ISMEE: We want to showcase the beauty in the wide diversity of Latinx identities that encompasses multiple races, traditions, and countries of origin. We also want to emphasize that Latinx stories are not just for the Latinx community. A good story speaks to the larger human experience and will resonate with readers no matter their backgrounds. I see this festival as an opportunity not only for the Latinx kidlit book community to come together but for all lovers of kidlit to join in the celebration of story and diversity and life.

Latinx Kidlit Book Festival

APP: I couldn’t agree with your more. Representation matters and the wide diversity of what it means to be Latinx is keenly felt by so many of us. I know that as a young Latinx immigrant from Argentina, I certainly searched for someone like me in my books. Unfortunately, I was never able to find characters that represented my experience. I am so happy that little Latinxers today are able to see more of themselves and their families in children’s literature! Thank you so much for sharing this event with us and we hope that many of our readers will be in attendance.

And now, how about a giveaway? The Latinx Kidlit Book Festival organizers have kindly donated some awesome giveaways! Like, retweet and follow @LatinxKidLitBF and @MIxedUpFiles on twitter for a chance to win! Two winners will be chosen, US only, please.

Prizes: A copy of The Other Half of Happy by Rebecca Balcárcel & Into the Tall, Tall Grass by Loriel Ryon!

Suerte!

a Rafflecopter giveaway

Mini-Museums for Middle Grade Favorites

Hello, fans of Middle Grade! I hope the school year is running smoothly for your students, your readers, or your own kids, whether they are learning in-person, remotely, independently, or in a hybrid or homeschool environment. While online learning and the use of technology are certainly helpful in this time of Covid, I know my own kids sometimes grow weary of screens and keyboards in their current environments. So I wanted to share a fun and engaging reading activity that can work equally well in both the home and classroom: A Mini-Museum display based on a great Middle Grade read.

As a teacher, librarian, or homeschooling parent, you can pose this idea before readers start or finish a book, or encourage readers to choose a favorite story with which they are already familiar. The Mini-Museum employs reading, writing, and creative/critical thinking skills, and culminates in a hands-on and 3-D product. You can include teamwork and presentation/delivery skills if you choose. The steps are simple and the supplies minimal—and the search for objects gets a reader out of his or her chair and away from the screen.

Step One – After (or while) reading a novel, the reader lists notable and important physical objects mentioned in the book that have some significant relevance and/or symbolic value to the plot, characters, theme, point-of-view, or setting. Eight to ten objects make a nice-sized museum collection, but the suggested or required number would be determined by your readers’ abilities, your environment, your time, and the book choice.

Step Two – Readers gather household, three-dimensional objects that are the real thing, a replica, or a constructed facsimile of each object on his or her list.

Step Three – Readers choose and prepare a display space. This can be a shelf, tabletop, or windowsill in the classroom, or a table or empty corner at home. Use cardboard boxes, recyclables, or piles of books to create museum stands and exhibit spaces. A variety of sizes and levels makes the overall look of the display more interesting and easier to see. Readers can cover these items with plain fabric or paper for a clean “museum look.”

Step Four – Readers fill the museum with their objects. Objects of greatest significance get the choicest spots in the display.

Step Five – Readers write brief descriptive captions to display near each object, like you’d see in a real museum. These can include the object name, the date of use (setting of book), the materials that form the object, and a few sentences on the object’s significance to one or more story elements in the book. Mount the typed and printed (or handwritten) captions on folded index cards and place each free-standing description near its object.

Step Six –Optional share and tell with the class! Thanks to smart phones and cameras, most readers can find a way to show their display distantly to their teacher and classmates.

If you’ve read or taught the excellent Stella by Starlight by Sharon M. Draper, you’ll recognize how these real objects make great representations of the novel’s important character and plot points:

  • Notebook (Stella uses one to practice writing late at night.)
  • Cigar box (Stella keeps her collection of inspirational newspaper articles in one.)
  • An edition of the Star Sentinel (This is the newspaper Stella creates.)
  • Small, unmarked bottle (Stella buys medicine for her sick brother Jojo.)
  • Clean rags torn into strips (Stella tends to her mother’s snakebite.)

Students can manufacture some objects when necessary, like Stella’s original newspaper the Star Sentinel, which she types on a donated typewriter. A description for the torn rags might be something like: “Extra wound dressings, circa early 1930s; wool and cotton. Stella uses dressings like these to help treat her mother’s snakebite. When she finds Mama unconscious in the woods, Stella brings water, whiskey, and dressings to clean and wrap the wound. Mama survives in part due to Stella’s quick actions.”

Benefits of a Mini-Museum Display:

  • It’s highly flexible with strong potential for individualization.
  • Visual-spatial learners will enjoy creating the display space.
  • Readers can work in groups or independently, depending on their situation and capabilities.

Thanks for reading and sharing this idea! Enjoy the holidays, keep safe, and stay well.