Posts Tagged contemporary realistic middle-grade fiction

Author Spotlight: Sally J. Pla

By on July 10, 2023   /   Author Interviews  

For those of you who are regular Mixed-Up Files readers, you know that I LOVE to do author interviews. So, you can only imagine how thrilled I was to have the good fortune to chat with one of my favorite authors—and favorite author friends—Sally J. Pla!

Sally, who wrote the best-selling MG novels The Someday Birds and Stanley Will Probably Be Fine, is also the author of a picture book, Benji, the Bad Day, and Me. Her latest MG novel, The Fire, The Water, and Maudie McGinn, is out tomorrow, July 11, from Quill Tree Books.

A  Summary of Maudie McGinn

Neurodivergent Maudie always looks forward to the summers she spends in California with her dad. But this year, she must keep a troubling secret about her home life—one that her mom warned her never to tell. Maudie wants to confide in her dad about her stepdad’s anger, but she’s scared.

When a wildfire strikes, Maudie and her dad are forced to evacuate to the beach town where he grew up. It’s another turbulent wave of change. But now, every morning, from their camper, Maudie can see surfers bobbing in the water. She desperately wants to learn, but could she ever be brave enough?

As Maudie navigates unfamiliar waters, she makes friends—and her autism no longer feels like the big deal her mom makes it out to be. But her secret is still threatening to sink her. Will Maudie find the strength to reveal the awful truth—and maybe even find some way to stay with Dad—before summer is over?

Interview with Sally J. Pla

MR: Sally! I’m jumping up and down with excitement to welcome you to the Mixed-Up Files. Thanks for stopping by, my friend!

SJP: I’m jumping up and down with excitement to be here! I love Mixed-Up Files! And you!

MR: First, you already know how much I loved The Fire, The Water, and Maudie McGinn. I laughed, I cried, and I rooted for Maudie from beginning to end. What was the inspiration behind this wonderful book?

SJP: Thank you so much for those kind words! In terms of inspiration, I guess you could say that for this book, the setting was the first character. Maudie’s story is set in an RV campground by the beach, in a fictional town in San Diego County. I live in this county, not too far from the beach, and there’s an actual RV campground that I often meander through during beach walks.

Something about the place is so appealing. Lawn chairs pulled up to fire pits, folks chatting, kids whizzing around on skateboards, surfers making their way up and down the cliff steps with their boards. The supply store, the rangers’ office, the snack bar—it’s a whole little world. So, as I walked, I started to weave a narrative in my head about a young girl who lived in a fictionalized beachside campground. What would be her story? And what could have brought her there?

All About Maudie

MR: The protagonist Maudie, who is autodivergent, is a kind, lovable, and highly relatable character. How were you like Maudie as a child? How were you different?

SJP: Maudie has many of my childhood behaviors, quirks, and challenges. She dislikes change. She has shy attacks– i.e., going mute when overwhelmed, just as I did. She loves simple, comfortable clothing. She is incredibly empathetic, caring, and sensitive. Nothing about her is too girly or precious. Maudie is willing to be brave, though, and she wants to delve into life; to join in, to try new things. These are all ways we are similar.

As for differences: Maudie’s mom and dad were struggling teen parents who split, and now she has a difficult stepdad situation. This is not my family history. Although, like Maudie, I did experience emotional and physical abuse in my formative years.

The Future is Female

MR: As a follow-up, Maudie McGinn is your first MG novel to feature a female protagonist. What made you decide to switch it up?

SJP: I have three boys. Between them and all their friends hanging out, I used to joke that the testosterone in my house was giving me facial hair! Because I lived in boy-world for a long time, it naturally filtered into my writing choices. But now they are grown, I am turning to my own personal stories and experiences. It’s time to write for GIRLS.

Autistic girls are diagnosed at a rate four times less than boys. They fly under the radar, because their behaviors can be more subtle. Part of why I write is that I want to shine a spotlight on this.

Poisonous Secrets

MR: An important theme in the novel is secret keeping, when Maudie’s mom makes Maudie promise not to tell anyone about the abuse she’s suffering at the hands of her stepfather, Ron. What were you trying to say about secret keeping—and secrets in general?

SJP: That sometimes, secrets are poison. They corrode your sense of self, your self-esteem. Certain secrets are intricately connected to shame. And you can’t really heal yourself from the damage they do, until you find the power within yourself to show them the sunlight. Speak them aloud. I feel so strongly that we need to learn to air certain secrets, if we ever plan to heal from them.

Maudie’s mother puts Maudie in a dire situation by making her promise to keep her new stepdad’s anger attacks upon Maudie a secret. It compounds the abuse. And Maudie has trouble speaking, in general—so how does she find her way through this dilemma?

Fact: Autistic (or otherwise neurodivergent) and disabled children are three times more likely to experience abuse than their normal-presenting peers. Quite frankly, they are more likely to frustrate a caregiver or parent. And they are less likely to be believed or listened to, after the fact.

 Hang Ten

MR: Maudie wants to learn how to surf, so she takes lessons from former pro surfer Etta Kahana. Unless I’m mistaken, Sally, you’re not a surfer yourself. How did you make the surfing scenes so realistic? What kind of research did you do?

SJP: Many of my family members are surfers. And where I live, a lot of it is just in the air. I also have surfing-enthusiast friends—most notably, my pal Janet Berend, lifelong surfer, author, and teacher. She read the whole manuscript for me to check it for surf-accuracy, and I’m forever indebted to her. (Any mistakes are my own!)

I do not surf, but when I was younger, I used to love to windsurf. I still have my old Mistral board. Nowadays, though, all I do is swim. And I deeply enjoy being surrounded by all that beautiful, watery blue.

Literary Leanings

MR: Maudie McGinn is a wonderful hybrid of prose and verse. What made you choose this particular literary form for your novel?

SJP: Maudie has a glitch: She has some auditory processing delays. Auditory processing (listening-understanding-responding within typical speed parameters) is a challenge for some autistic people. It was for me when I was very young.

So, words come to Maudie, and leave her lips, at a halting pace sometimes. Verse is perfect for this. I found myself writing verse for her without even realizing it. Verse format reflects how she sometimes thinks: in slow, considered, spare, fragments.

Path to Publication

MR: What was the path to publication like with Maudie McGinn? To use a surfing analogy, was it a smooth ride or did you wipe out once in a while?

SJP: Ha ha, great analogy! Publishing IS like surfing: a ridiculous and unpredictable combination of skill, timing, and luck. Lord knows, I’ve messed up that combination often enough in the past, but Maudie was more or less of a smooth ride. I wrote it during Covid, so there were big waves of emotion involved. But the writing flowed.

I’m so grateful to be at Quill Tree Books, an imprint of HarperCollins, that raises up underrepresented voices. Quill Tree’s slogan is: “Many branches, many voices,” and I love that.

No World Too Big

MR: You have a poem in the MG poetry anthology, No World Too Big: Young People Fighting Global Climate Change. Can you tell us about this project? How did you get involved, and why?

SJP: I was super honored to be asked to write the poem for Greta Thunberg, as she is one of my absolute heroes! Talk about an autistic girl with courage and grit! It’s such an inspiring anthology, with gorgeous illustrations by Jeanette Bradley. Editors Lindsay Metcalf and Keila Dawson were a joy to work with! And there is no more important issue affecting our next generation—affecting all of us—than climate crisis.

(For more information on the impacts of our changing climate, check out this STEMTuesday interview with author Christy Mihaly.)

Write This Way…

MR: What does your writing routine look like, Sally? Do you have any particular writing rituals?

SJP: I have insomnia, and sometimes do my best work sitting up in bed in the wee hours. That is a HORRIBLE method, however, and I do not recommend it unless you enjoy feeling dopey and groggy all day. Otherwise, I try to be an early bird. Hot tea. Quiet. A comfy armchair. Oh, and ‘Freedom’ blocking software on my laptop, to keep me from wandering away into every rabbit hole in the cyberwilderness.

A Novel Mind

MR: In addition to being an acclaimed children’s book author, you run anovelmind.com, a site about mental health and neurodiversity in children’s literature. Can you tell MUF readers a bit about it? What was the impetus behind starting this site?

SJP: Thank you for mentioning A Novel Mind! I cofounded it a few years ago with my friend, neurodivergent author/licensed therapist Merriam Saunders.

It grew out of our many, many complaining conversations, bemoaning how hard it was to find stories with quality, authentic autism/ADHD/disability/mental health representation. The stories that didn’t “other” or “pathologize” the neurodivergent kid, or use them for the purpose of what’s called “inspiration porn.” The stories that just showed neurodivergent or otherwise challenged kids going about their lives naturally, and having adventures, etc. Because these stories help show kids their power. They are great touchstones to classroom conversations. They grow empathy. They heal.

We have well over 1,000 such books in our searchable database now. And there are Educator Resource pages on the site with tons of informative links, curated by amazing autistic librarian Adriana White and myself. There are close to 200 guest posts on our weekly blog, now, written by some of today’s foremost award-winning children’s authors, and educators and other professionals. In sum: it’s a great resource, and a labor of love. I hope Mixed-Up Files readers will check it out!

MR: What are you working on now? Enquiring Mixed-Up Files readers want to know.

SJP: A dual point-of-view Romeo+Juliet retelling, set against the background of a simmering family feud, in a small farming town in the upper Midwest, in the early days of the culture wars. Upper middle-grade!

Lightning Round!

MR: And finally, no MUF interview is complete without a lightning round, so…

Preferred writing snack? Roasted almonds.

Coffee or tea? I love the smell of coffee but sadly can’t drink it! I’m “English Breakfast” all the way!

Cat or dog? Big goofy dogs are my total weakness.

Favorite beach? I grew up on Southport Beach, in Connecticut. It’s the setting of so many memories: big nostalgia! But now I live by, and love, Moonlight Beach, Swami’s, Cardiff Beach, Del Mar dog beach, La Jolla Shores–all my favorite San Diego sandy spots.

Zombie apocalypse: Yea or nay? No apocalypses of any kind for me, thank you very much!

Superpower? To not feel sensory overwhelm, fear, or anxiety anymore would be a superpower enough. But if we’re being truly aspirational: SuperWorldPeaceMaker!

Favorite place on earth? The chair in my living room that looks out over a beautiful canyon and soaring hills, and it’s so peaceful, all you hear are birds.

If you were stranded on a desert island with only three things, what would they be? A deluxe resort! Great friends! Good weather! Ha ha.

MR: Thank you for chatting with us, Sally—and congratulations on the publication of The Fire, The Water, and Maudie McGinn. I thoroughly enjoyed it, and I know MUF readers will too!

SJP: Thank you so much, Melissa! This is my most personal and heart-felt book yet, and I hope everyone who reads it, falls in love with Maudie a little bit. Then I’ll feel as if I’ve done my job.

Bio

Sally J. Pla is the award-winning author of acclaimed middle-grade novels THE SOMEDAY BIRDS and STANLEY WILL PROBABLY BE FINE, and the picture book, BENJI, THE BAD DAY, AND ME. Her books are Junior Library Guild Selections with starred reviews that have appeared on many awards lists and “best books” roundups. Her latest middle-grade novel, THE FIRE, THE WATER, AND MAUDIE McGINN, pubs on July 11, 2023 (Quill Tree/HarperCollins).

Sally has appeared on television and radio as an author and autism advocate, and she runs the website resource A Novel Mind (anovelmind.com). Learn more about Sally on her website and  follow her on Twitter and Instagram.

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Judy Blume: The Author, the Legend… The MOVIE!

By on May 25, 2023   /   Articles, Pop Culture  
Judy Blume, author

Are You There God? It’s Me, Margaret was the first book I bought with my own money. Later, Judy signed it for me at a meet-and-greet at Eeyore’s, the iconic and sadly, now defunct children’s bookstore on the Upper West Side of Manhattan.

“To Melissa,” she inscribed. “Love, Judy Blume.” Yes, Judy had written “Love” in my book. This was more valuable than my collection of Bonne Bell Lip Smackers and Wacky Packages combined.

Margaret: The OG

I read Margaret obsessively, for months. Soon, my once-pristine paperback felt apart (above, left) and I retired it to my bookshelf, only to be brought out for special occasions, like birthdays, or to impress my friends. I purchased a new Margaret (this time, my mom paid for it), and when that copy fell apart, I bought another. And another. And then another…

I Must… I Must… I Must Increase My…

As a voracious reader with an underdeveloped body and an overactive imagination, Are You There God? It’s Me, Margaret—which was published in 1970, when books weren’t banned for using words like “menstruation,” “masturbation,” and “wet dreams”—had an enormous impact on me. I could relate to Margaret’s yearning for breasts, and for her period, and for her desire to impress the girls in Nancy Wheeler’s secret club, the Four PTS’s. And who could begrudge Margaret’s crush on Philip Leroy? Sure, Jay Hassler was nicer, and he had clean fingernails, but Philip Leroy was hot.

Margaret Simon, Movie Star

With that in mind, you can imagine my reluctance to see the movie version of Margaret. I knew it couldn’t possibly be as good as the book, but I was too curious not to go. Plus, my 23-year-old daughter, an avid Margaret fan too, gamely agreed to go with me. So, off we went.

I was grateful to see how closely the movie hewed to the book, especially its 1970s setting, updated and enhanced by a more inclusive and diverse cast. Abby Ryder Fortson, the 15-year-old star, brings Margaret to life, with a perfect combination of moxie and self-reflection, and Kathy Bates, whose incomparable comic timing makes Margaret’s grandma, Sylvia Simon, sparkle like a Swarovski crystal, gives a standout performance as well. Other notables include Elle Graham as alpha girl Nancy Wheeler; Isol Young, as the misunderstood Laura Danker; and Amari Alexis Price as Margaret’s effervescent pal, Janie.

But the best part of the movie…?

The cameo of Judy Blume walking her dog, along with real-life husband, George Cooper. I could have watched that all day. 😀 (For more on Melissa’s admiration for Judy Blume, check Are You There Judy? It’s Me Melissa.)

Kidlit Authors ❤️ Judy Blume

I asked MUF contributors and other children’s authors—including bestselling author and illustrator Debbie Ridpath Ohi, who illustrated the fabulous Simon & Schuster Judy Blume book-cover reissues (see above, and below)—to share their admiration for the Queen of Kidlit.  Here’s what they had to say…

Debbie Ridpath Ohi

“While I was growing up, reading Are You There God? It’s Me, Margaret helped me realize that I wasn’t the only one thinking these crazy thoughts, and that everything was going to be okay.”

–Debbie Ridpath Ohi, illustrator of the Simon & Schuster Judy Blume book-cover reissues and award-winning author and illustrator. Learn more about Debbie on her website and follow her on Twitter and Instagram.

(For more on Debbie’s experience illustrating the Judy Blume cover reissues, click here.)

Beth McMullen

“I saw the movie with a group of friends, and we agreed it felt like a surreal trippy visit to the 1970s that felt faithful to the book. I had completely forgotten about the religious exploration part of the book, which reminded me how much that resonated with my young self. I grew up in a very small, very Christian town and I was a weirdo transplant from New York City who was raised in a non-religious household.

Looking back now, I release how strange it was to identify as ‘not’ something, rather than as something, and how often I was called upon to defend my lack of religious affiliation in this community. Most middle-grade authors I’ve met have, at some point, felt like they were on the outside looking in, and this was certainly my experience around religion when I was young.”

–Beth McMullen, MUF member and author of the Mrs. Smith’s Spy School for Girls series,  Lola Benko: Treasure Hunter series, Secret of the Storm series, and others. Find Beth on LinkTree and check out the Writers with Wrinkles podcast, which she co-hosts with MUF member Lisa Schmid.

Tonya Duncan Ellis

“Judy Blume was like that Big Sis who knew everyone’s secrets. I’ve read all of her books for tweens and teens, and they definitely influenced me as I wrote The Snitch and other books in my Sophie Washington series. Beloved characters like Fudge, Margaret, and Sheila the Great stay with me as an adult and played a huge role in making me a reader and book lover!”

– Tonya Duncan Ellis, author of the Sophie Washington series. Learn more about Tonya on her website and follow her on Twitter and Instagram.

Chris Baron

“Like most kidlit writers, when I hear the name Judy Blume–I smile. I also think of Blubber, and the sharp white curves of the lettering on the cover. I watched that book spin on the fifth-grade book carousel while Mrs. Goldberg taught us math problems. I wanted to read it but was told the subject matter was a little ‘too much’ for me. But one day, I tucked it beneath The Lion The Witch and the Wardrobe. I Immediately identified with Linda [aka ‘Blubber,’ the character bullied for her weight] for her demeanor and size, and the truthful and brave way Blume wrote this story. I felt like it had been written for me.

Whenever I read any of Judy Blume’s books, I still feel connected to Blubber. In my deepest writerly dreams, I hope that I can write books like this–with honest, memorable characters whose focused and relational stories are as intimate as a Sunday afternoon with friends, and as universal as the questions they make us ask about ourselves.”

—Chris Baron, author of All of Me, The Magical Imperfect, and The Gray (out 6/13). Visit Chris on his website and follow him on Twitter and Instagram.

Heather Murphy Capps

“I can’t understate the influence Judy Blume had on my life as a young person. My BFF in grades 3-7 was Michelle, and we read Are You There God? It’s Me Margaret together– multiple times. Feeling deeply connected with Margaret’s narrative, we helped each other figure out how to use maxi pads, monitored our (seemingly slow-motion) progression toward puberty, and cheered each other on as we checked off those all-important development milestones. (“We must, we must, we must increase our bust!”) I think Margaret contributed to the foundation of that friendship, which was a fundamentally important part of my life during those years. (Sadly, we lost touch.)

As a writer, Judy Blume’s work serves as mentor text—a running tutorial every time I craft or edit character arc and emotional resonance. Blume’s work is timeless, and her influence on the MG space is one I will always appreciate, honor, and hope to emulate.”

—Heather Murphy Capps, MUF member and debut author of Indigo and Ida. Learn more about Heather on her website and follow her on Twitter and Instagram.

Sally J. Pla

“I just finished watching the Judy Blume documentary (I loved it, of course). What moved me most was when Judy got choked up and cried, remembering one word in one book: The F word. It appears once, at a critical moment, in Here’s to You, Rachel Robinson. Her editor told her it would cause banning, but he supported whatever decision she made about leaving it in or taking it out. Judy resolved not to take it out. Because censoring herself wouldn’t be true to the story, true to the character, true to her readers or herself. And in recalling this decision, she broke down in tears. Those tears moved me so much. Such a small thing: one word. Such a big, important thing: artistic integrity. This loyalty to her vision, and to her readers’ real lives, will always stay with me.”
–Sally J. Pla, author of The Someday Birds; Stanley Will (Probably) Be Fine, and the forthcoming The Fire, the Water, and Maudie McGee; creator/editor of A Novel Mind. Find  Sally on Linktree.

Mae Respicio

“Judy Blume’s books took me through girlhood with glimpses of love, friendship, and periods… Are You There God? It’s Me, Margaret was such a heart book for me that I was specifically asked by my beloved elementary-school librarian, Mr. Reilly, to take a break from checking it out so that other kids could have a chance to read it. And as a middle-grade author who writes about everyday kids in their everyday worlds, her books were one of my very first inspirations.”
—Mae Respicio, author of How to Win a Slime War, Any Day with You, and The House That Lou Built. Learn more about Mae on her website, and follow her on Twitter and Instagram.

Carol Weston

“So many girls identify with Margaret. Me, I identified with Judy. My first book was Girltalk: All the Stuff Your Sister Never Told You, and Newsweek once called me a “Teen Dear Abby.” But I didn’t want to be Dear Abby, I wanted to be Judy Blume. I wanted to write fiction. I was over 40 when I finally made the leap.Did it help that I heard Judy speak at Marymount College? I think so. Her beloved father, like mine, had died too young, and she choked up talking about her grief. Getting rejections was hard too, but she persevered. She was so real and so radiant. So generous. I was starstruck. Still am.

I love the new movie, of course, and also the new documentary. Judy said she went to a therapist because it was such a responsibility to recieve so much mail from girls. I’ve been an advice columnist at Girls’ Life since 1994 and have sometimes felt buried in letters. I appreciated Judy’s therapist’s advice: “You can’t save everyone.” True. But I love that Judy hasn’t given up on trying. I’m a fan. Forever!”
–Carol Weston, author of Speed of Life, Girltalk, the Ava and Pip series, and more. Learn more about Carol on her website and follow her on Twitter and Instagram.

Mindy Alyse Weiss

“I remember how much I LOVED Are You There God? It’s Me, Margaret, and how relatable yet shocking it was, in the best possible way. Judy really changed kidlit! The novel that made the biggest impact on me as a kid was Tales of a Fourth Grade Nothing. Later, while getting my degree in elementary education, I saw the magic of reading it aloud—and of course I read it to my daughters. My oldest was in kindergarten, the youngest in preschool, and they sat, mesmerized, begging me to read another chapter or two before stopping for the night.”

–Mindy Alyse Weiss, Mixed-Up Files contributor, MG author, and host of #PBParty and co-host of #PBFest. Learn more about Mindy on her website and follow her on Twitter and Instagram.

Faran Fagen

“I enjoyed reading Judy Blume’s book growing up, because I felt like she spoke to me. I actually met her in Key West, at her bookstore. She was so nice, and took a whole bunch of pictures with me and then signed her new book, which I bought for my wife. As far as the documentary, I couldn’t stop watching it, and I plan to watch it again. The most striking takeaway was that no matter how famous she got, or how much her life changed, Judy always took the time to connect with children—her readers—and put them first.”

–Faran Fagen, Mixed-Up Files contributor, teacher, journalist and MG author. Find Faran on Facebook and Twitter.

Kellye Crocker

“Judy Blume has had a tremendous impact on me, both as a lifelong reader and writer. She told the truth to young people. That’s powerful and an incredible gift. Many of novels I read as a kid painted a false, saccharine picture of what life was supposed to look like, so I distinctly remember the shock I felt at reading Are You There God? It’s Me, Margaret. Here were girls like me, worrying about periods, boys, fitting in, and existential questions like: ‘Does God exist?’ and ‘Will I ever need a bra?’ (My mom refused to take me shopping for one until a boy in my fifth-grade class drew a picture of me with two dots on my chest. Deeply mortifying! But I’m…fine… Really! Um…I mean, mostly.)

Judy Blume’s books are funny and entertaining, and I devoured them all. But they were so much more. Validating. Informative. It was as if Judy showed us a secret world that other adults pretended didn’t exist—like what happens to boys during puberty. (No one told me!) I still remember someone’s well-loved copy of Forever being passed around the middle-school bus—with certain passages marked, of course. (They didn’t tell me about that, either!)

Judy was one of the first authors to write truly realistic fiction for and about young people, and she paved the way for other authors, and for me. She’s also fought tirelessly against censorship and the folks who believe they have the right to decide what other people’s kids should read. Judy Blume is a national treasure!”

–Kellye Crocker, debut author of My Dad’s Girlfriend and Other Anxieties. Learn more about Kellye on her website and follow her on Twitter and Instagram.

Wendy McLeod Macknight

“I was in grade six—small for my age and two years away from getting my period—when I heard rumblings about a BOOK. And not just any book, a book written by a female author who KNEW what it meant to be twelve years old and feeling less than. Are You There God, It’s Me, Margaret was being passed from girl to girl like a sacred text, but I couldn’t wait: I used my savings to buy my own copy and devoured it in one sitting. Then promptly reread it. It was the first book I’d ever read that addressed the inner lives of young girls. Judy Blume got us. She KNEW. She UNDERSTOOD. We were no longer alone.

She became my patron saint, her work a beacon of safety and understanding as I navigated the choppy seas of middle school. I’m not sure Judy Blume made me want to be a writer, but I do know this: Judy Blume made me believe things would be okay. And honestly? That was everything.”

—Wendy McLeod MacKnight, author of The Frame-Up, The Copycat, and It’s a Mystery, Pig Face! Follow Wendy on Twitter, Facebook, and Instagram.

Rosanne Parry

“I saw a preview of the movie a few weeks ago, and I was really touched by it. I was happily surprised to see that they kept the early Seventies setting. Even nicer to see all the glory and agony of girl friendships played out so beautifully, without cellphones, cyber bullying, or the continuous drumbeat of gun menace that children face today.”

—Rosanne Parry, Mixed-Up Files contributor and New York Times bestselling author of A Wolf Called Wander, A Whale of the Wild, and the upcoming A Horse Named Sky. Learn more about Rosanne via her website and follow her on Twitter and Instagram.

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Agent Spotlight: Molly Ker Hawn of The Bent Agency

By on April 28, 2023   /   Editor / Agent Spotlight, For Writers  

Molly Ker Hawn, Managing Director and Literary Agent at The Bent Agency

Hi, everyone! I’m so excited to welcome Molly Ker Hawn of The Bent Agency to our Agent Spotlight here on The Mixed Up Files. Molly leads the London office of TBA and works with authors from all over the world — including Angie Thomas, Hilary McKay, Dhonielle Clayton, Casey Lyall, Stephanie Burgis, Meera Trehan, and many more—selling directly to publishers in the US, the UK, Canada, and Australia. I’m also lucky enough to call her my agent, and she graciously agreed to answer some questions about querying, author-agent relationships and the publishing world today. Thank you, Molly!

MD: Lately I’ve been spending a lot of time listening to the podcast The Sh*t No One Tells You About Writing, where each episode begins with the agents critiquing query letters listeners have sent in for feedback. What are you looking for in a query letter? Other than NOT addressing you as “Dear Sir” or “Dear Agent”, how important is the personalization part of the query letter for you? 

MKH: I know writers really agonize over query letters, so I’m pretty forgiving when I’m reading them. A hook-y pitch is most important to me, and maybe a line or two of bio. It doesn’t have to be long. You don’t have to convince me that you’re interesting; I’m trying to evaluate your book, not you. Personalization is less important  – I don’t need to be flattered or to be convinced that I’m The One. If there’s a particular reason they’re querying me, then I’m glad to hear it, and it’s always nice to hear that someone enjoyed a book I represented (and why), but there’s no need to scrabble around for a connection that isn’t genuinely there. 

MD: My query to you was the old fashioned way: a cold query with no connections. What percentage of your clients would you say have come to you that way?

MKH: That’s such a good question! I think a lot of people assume that you need an ‘in’ to find representation, but most of my clients have come to me via out-of-the-blue queries. There is nothing – nothing – like the feeling of reading a submission from someone I’ve never heard of and feeling that zing of recognition that they’ve written something special.

MD: Something that’s not often talked about is that sometimes a writer’s first agent is not their forever agent. My understanding is that before querying a new agent one must no longer be with a previous agent. What other etiquette is important to know when looking for a new agent? How should the author handle putting information about it in a query letter? Have your clients who’ve previously had other agents come to you through recommendations or through the slush pile?

MKH: I think most agents would agree that it’s bad form to approach a new agent before you’ve parted ways with your current one. I personally am uncomfortable with it. Once you’ve formally terminated your agreement, you can say in your query that you were previously represented by [name] — you might as well say who your old agent was, because potential agents are likely to ferret that out anyway via Publishers Marketplace or Twitter or some other online source. The important thing that agents will want to know is whether your current project has been submitted to publishers by your former agent.

In the last couple of years I’ve started working with a few writers who’ve had previous representation, but not even all of those came with a personal referral. It’s lovely when they do, because a recommendation from a current client is the kind of praise I value most. It’s not at all necessary, though.

MD: In the UK, it’s uncommon to see middle grade novels in hardcover. In the US recently there was a lot of brouhaha on social media about Barnes & Noble no longer stocking a majority of hardcover middle grade novels. Have you seen this hurting newer North American MG releases? Have you seen this changing how publishers are buying middle grade novels—and going about their sales and marketing of them?

MKH: I know that many children’s writers saw B&N’s shift to stocking fewer hardcovers as a targeted attack on MG, but we’ve been watching their overall buying practices change for a while now. And when you look specifically at MG, B&N has reported returning about 80% of the hardcovers they bought in from publishers. You don’t need an MBA to see that the status quo wasn’t sustainable. 

I’m starting to see more publishers plan to release new MG simultaneously in hardcover and paperback – that’s an interesting solution. A lot of libraries will be happy to keep buying the hardcovers, and the retailers can have the editions that they think they can sell. I don’t love the effect this has on advances and royalty earnings, of course – a paperback sale earns less than a hardcover sale. But I want there to continue to be a wide range of children’s books published for a diverse audience, and some experimentation is going to be necessary to make that happen.

MD: What are you loving about being a children’s book agent these days?

MKH: The same things I’ve loved since I started: the thrill of discovery, the sense of satisfaction I get from helping books I care about find an audience, the camaraderie of the children’s book industry, the satisfaction of effectively advocating for authors and making them as much money as I can. And I love working with my team at TBA. We have such a good time, and we’re constantly learning from each other. I’m very lucky.

MD: Where can people find out about what kind of projects you’re looking for and how to query you?

MKH: I’ve got detailed information here and I keep it up to date. I read all my queries myself and respond to all of them, as long as spam filters don’t get in the way.  

Thank you again to Molly for this fabulous interview!

 

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