Posts Tagged children’s books

The Liberation of Lefties

By on January 22, 2025   /   Articles, Book Lists, Diversity, Fiction, For Librarians, For Parents, For Teachers, kidlit  
Lefty book cover

I grew up as the youngest of five very ordinary children. Well, we each had our individual personalities, preferences, and idiosyncrasies, but we were mainstream in the obvious ways — like being right-handed.

 

So, when my niece’s son turned out to be left-handed, it was a source of great curiosity and excitement in the family. This trait was viewed as unique. Cool. Special. And then his sister turned out to be left-handed as well. Then two of my three grandchildren turned out to be lefties. The excitement was almost too much to handle!

 

A Book Called Lefty

With love for so many lefties, you can imagine my delight when I learned about the book Lefty: A Story That is Not All Right (Union Square Kids, 2024), with words by Mo Willems and pictures by Dan Santat. Oh, how I smiled. Well, the work of these two creators often makes me smile, but this was different. This book evoked images of some children who are very dear to me, so I smiled for a really long time. In fact, I’m still smiling.

Lefty book cover

 

The book opens with a question: “Did you know there was a time when you could get into trouble…really, really big trouble…for being left-handed?” The question is being asked by a left hand, held puppet-style, who happens to be speaking to a right hand.

 

The right hand is incredulous, as many young readers might be. But the book goes on to explain that left-handedness was once feared, maligned, and viewed as something sinister…because it was a variation from the norm.

 

While that might sound crazy to children who are free to use the hand that feels naturally dominant, it wasn’t that long ago when people were still forcing children into right-handedness. I remember this happening to a few friends from my childhood. The rationale was that life would be easier for them as a right-handed person. 

 

To my horror, I later discovered that in some communities, left-handedness was interpreted to be a sign that the child had been “touched by the devil.” When I first started teaching, I actually had students who referred to a left-handed classmate as “evil-handed.”

 

According to a 2015 Time magazine article entitled “How Lefties First Gained Acceptance,” the association of evil with left-handedness goes back to the Middle Ages. (Believe me, I did NOT start teaching in the Middle Ages. These attitudes hung around for a LONG time.) The article goes on to identify some very famous and highly-regarded southpaws, including Leonardo da Vinci, Marie Curie, Bill Gates, and Barack Obama.

 

A book like Lefty can be very powerful in helping us normalize a trait that, according to the National Institute of Health, has belonged to 10% of the population dating back to the time of Neanderthals. This made me wonder….Are there middle grade books that celebrate left-handedness? Yes, there are! Here’s a sample of some literary lefties middle grade readers can enjoy.

 

Middle Grade Books Featuring Left-Handedness

 

The Left-Handed Shortstop cover

The Left-Handed Shortstop (Yearling, 1989) by Patricia Reilly Giff

When fourth-grader Walter Moles is assigned the role of shortstop in the big rivalry game, he’s overcome with the fear of failure. After all, there hasn’t been a left-handed shortstop since 1892! This book was published just a couple of years after one of my students was referred to as “evil-handed.” I hope that in its time, it found its way into the hands of some kids who needed it.

 

Choosing Up Sides cover

Choosing Up Sides (Viking Books for Young Readers, 2000) by John Ritter

Lefty Luke Bledsoe discovers that he has a talent for pitching. It’s the first time he’s felt good about being left-handed. That’s because Luke’s dad is a pastor who believes that the left hand is the side of Satan. This award-winning book evokes empathy for lefties as well as for those who struggle to balance family expectations with personal passions.

 

The Clue of the Left-Handed Envelope cover

The Clue of the Left-Handed Envelope (Simon and Schuster, 2004) by George E. Stanley

Left-handedness is right there in the title. It’s a clue to solving the mystery of who sent Amber Lee Johnson an anonymous letter. This chapter book is the first in a mystery series that will delight young readers while building a bridge to longer texts.

 

Little Lefty cover

Little Lefty (Bella Rosa, 2009) by Matt Christopher

Despite his small size, Bill Bailey can throw harder than anyone else on the team. He’s encouraged when he hears stories about “Little Lefty,” a small pitcher who made it into the big leagues. However, a freak accident puts Bill Bailey’s dream in jeopardy. Matt Christopher has pulled many reluctant readers into the world of books with his sports stories, and it’s great to know that this one features a left-handed protagonist.

 

The Left-Handed Fate cover

 

The Left-Handed Fate (Henry Holt & Co., 2016) by Kate Milford

Lucy and Max try to end the war between their home country of England and Napoleon Bonaparte’s France. But then the plot thickens when their ship, The Left-Handed Fate, is taken by the Americans. Some exciting historical fiction with a twist of left-handedness makes for a highly engaging story. (And for some added trivia, Napoleon Bonaparte happened to be a lefty.)

 

Literary Liberation

How lovely to live in a time when lefties are liberated! And how wonderful to know that literature can build a sense of belonging by featuring characters and situations that help us become comfortable with our differences. In a world that finds solace in sameness and order in the ordinary, may we continually look to literature as a means of dispelling fear and building empathy.

Do you know of other middle grade books that feature left-handedness? Please share them in the comments! And remember to share all of these books with young readers who might identify with the characters, grow in empathy, or just simply enjoy a good book.

 

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STEM Tuesday– Fossils– Writing Tips & Resources

By on January 21, 2025   /   Fossils, STEM Tuesday  

 

 

 

 

 

 

Welcome again to STEM Tuesday! I’m Stephanie.

When you’ve been writing for a long time, coming across an old piece of writing is like finding a fossil—it’s a record of a bygone era: incomplete, stripped of context, languishing unstudied. The metaphor breaks down eventually, because I’m no paleontologist, but you get the idea. We all have tidbits of stories that we’ve never completely unearthed, or found all the pieces of. And in that spirit, instead of generative prompts, today we have revision prompts!

Revision Prompt 1 | Dig, Discover, Excavate

Pickaxes and rock hammers ready? It’s time to revisit a piece of writing, something you haven’t looked at for a long time. Where do you keep these things? I have discarded notebooks, a drawer of ideas jotted on paper scraps, a list of odd facts, and files scattered on two computers. Wherever your archeological dig site, take a good look, skimming and rereading…

(Teachers, have students select excerpts from classroom journals or past assignments. Define a scope for your students… do you want them to revise a single sentence, a paragraph, a story idea?)

  1. Look for something that catches your eye, for whatever reason. Select a dusty piece but one that seems to say, “I have more to give.” Maybe you thought nothing of it when you wrote it, but now you’re not sure where it came from. It could be strange, or funny, dark-humored or sentimental. Mysterious. Playful. Whatever you like, but something you want to spend time on: something with a hook.
  2. For at least 10 minutes, do some exploratory writing, examining what you’ve found. What’s the size of your “fossil”

    Whale skeleton on sandy land in a desert. Picture by Rachel Claire. Used with permission.

    (writing sample)? What’s its nature? What do you like about it? What does the language do: nail an authorial tone that you like? perfectly capture a universal truth? Where did it come from, within you? answering these and the following questions. Does your fossil want to tell a fiction story, or a non-fiction one? What motivates you to excavate around it? What do you hope to find?

  3. Write down as many revision options for yourself as possible—and make them differ widely in scope, tone, and even genre. Think mash-ups. Think metaphors. Don’t edit your options. Go for variety.
  4. Next, discuss your revision ideas with someone else. If nobody is available, say them aloud anyway. Talk through them. Pick any two significantly different ideas and write them out for 10 minutes each.

If you feel exhausted, it’s well deserved. You dug. You discovered. You excavated. Congrats on your findings! Maybe you’ll continue to revise this piece, or maybe a year from now you’ll dig, discover, and excavate again. After all, the writing process sometimes feels paced like the geologic eras.

Revision Prompt 2 | Fragmented Storytelling

Fossils are seldom found complete. It’s more common to find fragments, and I find memory to be the same way. With creative nonfiction such as I’ve been writing lately for my undergrad classes, while the setting, characters, and events must be accurate, the license to embellish covers a good swath of gray area, such as story structure. Where memory fails, creative nonfiction offers artful transitions. Where historical gaps exist, the genre says, (since know it’s creative) give us approximations of the truth, renditions of it. Give us stories based on true stories.

Sometimes constructing context requires this sort of fragmented, non-linear, woven storytelling. It requires a rhetorical look at sequencing. If that’s something you like, maybe take a look at Marbles on the Floor: How to Assemble a Book of Poems by editors Sarah Giragosian and Virginia Konchan. It’s a compilation of essays about how to organize poems, but not-so-secretly, I think the methods for motif layering are similarly applicable to prose.

  1. Print both of your revisions from above, double spaced. You may want to print more than one copy each, since this exercise is about experimentation, and there’s always more than one way to revise a sentence. Cut your “fossil” into white strips of paper—individual words, phrases, entire sentences or paragraphs. Now piece these together like the bones of a skeleton. Create a new story using fragments. The story should become both and neither of the stories it was before.
  2. There’s no “wrong” way to do this exercise, but the important part is to break sentences in search of better sentences, to braid metaphors from each version, to look for surprises buried in the words that are already yours. Perhaps you wrote an entire paragraph that’s perfect as it is… almost. Can you substitute a better word from your other story? Alternate sentences. Try reversing parts of the story, or parts of the sentences. Where might sentence fragments do a better job of communicating than a whole sentence would?

How much fragmentation is too much fragmentation? That’s up to you and the story you’re telling. This is, after all, just an exercise. If your new piece feels too fragmented, adjust as necessary.

Do you still like the paleontology metaphor for writing? I’ll be posting some of my extra fossil-themed writing prompts on my website very soon!

All my best,

Stephanie

 

A nature-loving creative, Stephanie Jackson writes poems, articles, picture books, middle-grade novels, and more. Her nonfiction has been published in Cricket magazine and her poems have been published in The Dirigible Balloon and various literary journals including Touchstones, where she’s been a contributing poetry editor. Professional affiliations include the Society of Children’s Book Writers and Illustrators (SCBWI) and The Authors Guild. This spring she’s graduating from Utah Valley University with her English degree, emphasis in creative writing. She interacts with the kidlit community on Twitter as @canoesandcosmos, and you can read more at StephanieWritesforKids.com.

 

 

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Interview with Nashae Jones, Author of AS YOU WISH

By on January 16, 2025   /   Articles, Author Interviews  

In As You Wish, thirteen-year-old Birdie’s plans for an awesome eighth grade are disrupted when the West African trickster god Anansi offers her three wishes, as part of a debt he owes her family. Naturally, nothing goes as expected, and Birdie is forced to reexamine her priorities, goals, and friendships, especially where her long-time best friend Deve is concerned…

MUF: Thanks for speaking with us, Nashae. This book is absolutely delightful. I’m a sucker for trickster figures, and Anansi is such a chaotic presence. What inspired this story?

NJ: Hi, I’m so excited to be doing this interview. I’ve been a huge fan of From the Mixed-Up Files for years now. I’ve always loved trickster characters, and Anansi is by far my favorite. In fact, the idea for the book started with Anansi and evolved from there.

MUF: You’ve also written Courtesy of Cupid, another story in which a mythological figure wreaks havoc on an unsuspecting mortal’s life. I’m sensing a pattern here. What about this theme appeals to you?

NJ: I have always been in awe of high-fantasy writers and their ability to weave together elements to create new, inventive worlds.  But as an author, I like to write stories grounded in reality with just a touch of magic. I love weaving in the idea that magic is something fantastical and otherworldly, but not a crutch for my characters to use to fix their real-world problems.

MUF: On a related tangent, you’ve played around with several different mythologies. What other gods or pantheons would you like to explore, given a chance?

NJ: I love this question!  I have a couple of different mythologies/folklores I want to take a go at including: the golem, Baba Yaga, and ciguapas (mermaids).

 MUF: I understand that Courtesy of Cupid and As You Wish are loosely connected; do you want to write more in this setting, or try something unrelated in the future?

NJ: I think for right now, I really enjoy writing these type of middle grade books. I’m hoping that I’ll be able to continue to write more of these interconnected, magical stories.

MUF: Deve’s little sister Mishti is hearing impaired. Not only do Birdie and Deve use ASL to communicate with her, they use it as a secret way to talk to each other. What prompted you to include this in your story?

NJ: Growing up, I had a friend that was partially deaf, and I remember learning basic ASL signs so that we could communicate. It very much felt like we had our own secret language. I wanted to find a way to integrate that part of my childhood into the story.

 MUF: Birdie’s mother struggles with anxiety, and her resultant overprotectiveness has a profound impact upon Birdie’s own everyday life. What do you hope readers will take away from this element of the story, especially in terms of the mother-daughter relationship?

NJ: Birdie’s mother’s anxiety is a catalyst to why many of the events unfold in the story. Birdie desperately wants to be normal, and she feels like her mom is a road block to achieving that goal. The middle school years are rough, and that can be especially so for mothers and daughters. While middle schoolers are trying to figure out who they are and where they belong, they have parents who are trying to adjust to their kids’ burgeoning need for independence. I hope readers will take away the fact that they aren’t alone in feeling this way about parental relationships—and that all relationships take work.

MUF: You make a point of noting that Birdie and her cousin Erin are Black in a small town where there aren’t that many people of color. Meanwhile, Deve and his family are Indian. Can you tell us more about your choice of characters and setting?  

NJ: This was more of a personal choice. I live in a rural county where my family is one of the small number of Black families that live here. I wanted to write a story reflecting the town my children grew up and went to school in.

MUF: Your author bio says you’re passionate about diversity initiatives in children’s literature. Can you tell us more about that? Are you involved with any in particular, or any you’d like to recommend?

NJ: I’m a huge advocate for diversifying the children’s literary canon, so that we can include a variety of people and experiences for people to read about. Right now, the biggest initiative I am apart of is the Authors Against Book Bans. Book bans target BIPOC and LGBTQ+ stories, and they seek to silence the authors of these stories. I always recommend this coalition to any fellow authors or illustrators.

MUF: I see that you teach AP English in high school. What do your students think about your publications? Are they helpful when it comes to capturing authentic teenage voices and experiences?

NJ: My students love my stories. They’re very supportive, and they love the fact that a fictionalized version of their town is being centered in my stories. My experience as a teacher brings with it a wealth of insight into the teenage psyche and behaviors, and they are always informing my writing.

MUF: Not to spoil anything, but I saw that Courtesy of Cupid was inspired by Pride and Prejudice, while As You Wish was inspired by the movie Bedazzled. What other influences would you like to share with us? 

MJ: Courtesy of Cupid is also lightly influenced by the 90s TV show Sabrina the Teenage Witch. I really liked the concept of a teenager with new powers who messes things up sometimes. With As You Wish, one of my favorite things I got to include as sort of an Easter egg was the title itself. As You Wish is based on the famous line from The Princess Bride.

MUF: If Anansi popped into your life and offered you a wish, would you accept? If so, what would you wish for, knowing his talent for chaos? Or would you run away, very quickly?

NJ: I would love to say I would turn my nose up at Anansi, but I don’t think my curiosity would let me turn him down. Haha. I think that I would wish for a lifetime supply of warm chocolate chip cookies. Surely, he couldn’t mess that up…

MUF: What’s next for you as an author? 

NJ: Right now, I’m working on some books in the young adult age group. I’m hoping  to share more information soon.

 

FURTHER INFORMATION:

Nashae Jones is a freelance writer and an educator. Her fiction and nonfiction pieces have appeared in publications such as HuffPost, McSweeney’s, Yahoo Voices, and October Hill Magazine, among others. She lives in Virginia with her husband, two kids, two cats, and one dog. She is passionate about diversity initiatives, especially in children’s literature.

Website: www.nashaejones.com
Instagram: @nashae.jones

 

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