Posts Tagged children’s books

STEM Tuesday– Fossils– Writing Tips & Resources

By on January 21, 2025   /   Fossils, STEM Tuesday  

 

 

 

 

 

 

Welcome again to STEM Tuesday! I’m Stephanie.

When you’ve been writing for a long time, coming across an old piece of writing is like finding a fossil—it’s a record of a bygone era: incomplete, stripped of context, languishing unstudied. The metaphor breaks down eventually, because I’m no paleontologist, but you get the idea. We all have tidbits of stories that we’ve never completely unearthed, or found all the pieces of. And in that spirit, instead of generative prompts, today we have revision prompts!

Revision Prompt 1 | Dig, Discover, Excavate

Pickaxes and rock hammers ready? It’s time to revisit a piece of writing, something you haven’t looked at for a long time. Where do you keep these things? I have discarded notebooks, a drawer of ideas jotted on paper scraps, a list of odd facts, and files scattered on two computers. Wherever your archeological dig site, take a good look, skimming and rereading…

(Teachers, have students select excerpts from classroom journals or past assignments. Define a scope for your students… do you want them to revise a single sentence, a paragraph, a story idea?)

  1. Look for something that catches your eye, for whatever reason. Select a dusty piece but one that seems to say, “I have more to give.” Maybe you thought nothing of it when you wrote it, but now you’re not sure where it came from. It could be strange, or funny, dark-humored or sentimental. Mysterious. Playful. Whatever you like, but something you want to spend time on: something with a hook.
  2. For at least 10 minutes, do some exploratory writing, examining what you’ve found. What’s the size of your “fossil”

    Whale skeleton on sandy land in a desert. Picture by Rachel Claire. Used with permission.

    (writing sample)? What’s its nature? What do you like about it? What does the language do: nail an authorial tone that you like? perfectly capture a universal truth? Where did it come from, within you? answering these and the following questions. Does your fossil want to tell a fiction story, or a non-fiction one? What motivates you to excavate around it? What do you hope to find?

  3. Write down as many revision options for yourself as possible—and make them differ widely in scope, tone, and even genre. Think mash-ups. Think metaphors. Don’t edit your options. Go for variety.
  4. Next, discuss your revision ideas with someone else. If nobody is available, say them aloud anyway. Talk through them. Pick any two significantly different ideas and write them out for 10 minutes each.

If you feel exhausted, it’s well deserved. You dug. You discovered. You excavated. Congrats on your findings! Maybe you’ll continue to revise this piece, or maybe a year from now you’ll dig, discover, and excavate again. After all, the writing process sometimes feels paced like the geologic eras.

Revision Prompt 2 | Fragmented Storytelling

Fossils are seldom found complete. It’s more common to find fragments, and I find memory to be the same way. With creative nonfiction such as I’ve been writing lately for my undergrad classes, while the setting, characters, and events must be accurate, the license to embellish covers a good swath of gray area, such as story structure. Where memory fails, creative nonfiction offers artful transitions. Where historical gaps exist, the genre says, (since know it’s creative) give us approximations of the truth, renditions of it. Give us stories based on true stories.

Sometimes constructing context requires this sort of fragmented, non-linear, woven storytelling. It requires a rhetorical look at sequencing. If that’s something you like, maybe take a look at Marbles on the Floor: How to Assemble a Book of Poems by editors Sarah Giragosian and Virginia Konchan. It’s a compilation of essays about how to organize poems, but not-so-secretly, I think the methods for motif layering are similarly applicable to prose.

  1. Print both of your revisions from above, double spaced. You may want to print more than one copy each, since this exercise is about experimentation, and there’s always more than one way to revise a sentence. Cut your “fossil” into white strips of paper—individual words, phrases, entire sentences or paragraphs. Now piece these together like the bones of a skeleton. Create a new story using fragments. The story should become both and neither of the stories it was before.
  2. There’s no “wrong” way to do this exercise, but the important part is to break sentences in search of better sentences, to braid metaphors from each version, to look for surprises buried in the words that are already yours. Perhaps you wrote an entire paragraph that’s perfect as it is… almost. Can you substitute a better word from your other story? Alternate sentences. Try reversing parts of the story, or parts of the sentences. Where might sentence fragments do a better job of communicating than a whole sentence would?

How much fragmentation is too much fragmentation? That’s up to you and the story you’re telling. This is, after all, just an exercise. If your new piece feels too fragmented, adjust as necessary.

Do you still like the paleontology metaphor for writing? I’ll be posting some of my extra fossil-themed writing prompts on my website very soon!

All my best,

Stephanie

 

A nature-loving creative, Stephanie Jackson writes poems, articles, picture books, middle-grade novels, and more. Her nonfiction has been published in Cricket magazine and her poems have been published in The Dirigible Balloon and various literary journals including Touchstones, where she’s been a contributing poetry editor. Professional affiliations include the Society of Children’s Book Writers and Illustrators (SCBWI) and The Authors Guild. This spring she’s graduating from Utah Valley University with her English degree, emphasis in creative writing. She interacts with the kidlit community on Twitter as @canoesandcosmos, and you can read more at StephanieWritesforKids.com.

 

 

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Interview with Nashae Jones, Author of AS YOU WISH

By on January 16, 2025   /   Articles, Author Interviews  

In As You Wish, thirteen-year-old Birdie’s plans for an awesome eighth grade are disrupted when the West African trickster god Anansi offers her three wishes, as part of a debt he owes her family. Naturally, nothing goes as expected, and Birdie is forced to reexamine her priorities, goals, and friendships, especially where her long-time best friend Deve is concerned…

MUF: Thanks for speaking with us, Nashae. This book is absolutely delightful. I’m a sucker for trickster figures, and Anansi is such a chaotic presence. What inspired this story?

NJ: Hi, I’m so excited to be doing this interview. I’ve been a huge fan of From the Mixed-Up Files for years now. I’ve always loved trickster characters, and Anansi is by far my favorite. In fact, the idea for the book started with Anansi and evolved from there.

MUF: You’ve also written Courtesy of Cupid, another story in which a mythological figure wreaks havoc on an unsuspecting mortal’s life. I’m sensing a pattern here. What about this theme appeals to you?

NJ: I have always been in awe of high-fantasy writers and their ability to weave together elements to create new, inventive worlds.  But as an author, I like to write stories grounded in reality with just a touch of magic. I love weaving in the idea that magic is something fantastical and otherworldly, but not a crutch for my characters to use to fix their real-world problems.

MUF: On a related tangent, you’ve played around with several different mythologies. What other gods or pantheons would you like to explore, given a chance?

NJ: I love this question!  I have a couple of different mythologies/folklores I want to take a go at including: the golem, Baba Yaga, and ciguapas (mermaids).

 MUF: I understand that Courtesy of Cupid and As You Wish are loosely connected; do you want to write more in this setting, or try something unrelated in the future?

NJ: I think for right now, I really enjoy writing these type of middle grade books. I’m hoping that I’ll be able to continue to write more of these interconnected, magical stories.

MUF: Deve’s little sister Mishti is hearing impaired. Not only do Birdie and Deve use ASL to communicate with her, they use it as a secret way to talk to each other. What prompted you to include this in your story?

NJ: Growing up, I had a friend that was partially deaf, and I remember learning basic ASL signs so that we could communicate. It very much felt like we had our own secret language. I wanted to find a way to integrate that part of my childhood into the story.

 MUF: Birdie’s mother struggles with anxiety, and her resultant overprotectiveness has a profound impact upon Birdie’s own everyday life. What do you hope readers will take away from this element of the story, especially in terms of the mother-daughter relationship?

NJ: Birdie’s mother’s anxiety is a catalyst to why many of the events unfold in the story. Birdie desperately wants to be normal, and she feels like her mom is a road block to achieving that goal. The middle school years are rough, and that can be especially so for mothers and daughters. While middle schoolers are trying to figure out who they are and where they belong, they have parents who are trying to adjust to their kids’ burgeoning need for independence. I hope readers will take away the fact that they aren’t alone in feeling this way about parental relationships—and that all relationships take work.

MUF: You make a point of noting that Birdie and her cousin Erin are Black in a small town where there aren’t that many people of color. Meanwhile, Deve and his family are Indian. Can you tell us more about your choice of characters and setting?  

NJ: This was more of a personal choice. I live in a rural county where my family is one of the small number of Black families that live here. I wanted to write a story reflecting the town my children grew up and went to school in.

MUF: Your author bio says you’re passionate about diversity initiatives in children’s literature. Can you tell us more about that? Are you involved with any in particular, or any you’d like to recommend?

NJ: I’m a huge advocate for diversifying the children’s literary canon, so that we can include a variety of people and experiences for people to read about. Right now, the biggest initiative I am apart of is the Authors Against Book Bans. Book bans target BIPOC and LGBTQ+ stories, and they seek to silence the authors of these stories. I always recommend this coalition to any fellow authors or illustrators.

MUF: I see that you teach AP English in high school. What do your students think about your publications? Are they helpful when it comes to capturing authentic teenage voices and experiences?

NJ: My students love my stories. They’re very supportive, and they love the fact that a fictionalized version of their town is being centered in my stories. My experience as a teacher brings with it a wealth of insight into the teenage psyche and behaviors, and they are always informing my writing.

MUF: Not to spoil anything, but I saw that Courtesy of Cupid was inspired by Pride and Prejudice, while As You Wish was inspired by the movie Bedazzled. What other influences would you like to share with us? 

MJ: Courtesy of Cupid is also lightly influenced by the 90s TV show Sabrina the Teenage Witch. I really liked the concept of a teenager with new powers who messes things up sometimes. With As You Wish, one of my favorite things I got to include as sort of an Easter egg was the title itself. As You Wish is based on the famous line from The Princess Bride.

MUF: If Anansi popped into your life and offered you a wish, would you accept? If so, what would you wish for, knowing his talent for chaos? Or would you run away, very quickly?

NJ: I would love to say I would turn my nose up at Anansi, but I don’t think my curiosity would let me turn him down. Haha. I think that I would wish for a lifetime supply of warm chocolate chip cookies. Surely, he couldn’t mess that up…

MUF: What’s next for you as an author? 

NJ: Right now, I’m working on some books in the young adult age group. I’m hoping  to share more information soon.

 

FURTHER INFORMATION:

Nashae Jones is a freelance writer and an educator. Her fiction and nonfiction pieces have appeared in publications such as HuffPost, McSweeney’s, Yahoo Voices, and October Hill Magazine, among others. She lives in Virginia with her husband, two kids, two cats, and one dog. She is passionate about diversity initiatives, especially in children’s literature.

Website: www.nashaejones.com
Instagram: @nashae.jones

 

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STEM Tuesday– Fossils– In the Classroom

By on January 14, 2025   /   Fossils, STEM Tuesday  

Fossils are like time capsules that preserve clues about life on Earth millions of years ago. They help us reconstruct the planet’s past, including ancient environments, climate conditions, and ecosystems. By studying fossils, we learn how the Earth has changed and how life has evolved in response to these changes. These books explore fossils and how they tell Earth’s story. They make a great starting point for fossil classroom discussions and activities!  

 
Tales of the Prehistoric World: Adventures from the Land of the Dinosaurs by Kallie Moore, illustrated by Becky Thorns

How do stromatolites in Australia connect to Mars? Starting with the answer provided by these oldest known fossils (3.5 billion years old), we are led on an engaging journey through time. Detailed discussions of the life found in each period are sandwiched between captivating accounts of the intrigues, adventures, and conflicts of scientists, kids, farmers, and miners who discovered some unique and surprising fossils.

 

Classroom Activity

We can understand the history of life on Earth through fossils. Have students create a timeline of Earth’s history showing the different eras (Paleozoic, Mesozoic, Cenozoic). Use pictures of fossils that were found in each period. What types of organisms lived in each era? How did they evolve over time? How do fossils tell these stories?

 

The Illustrated Guide to Fossils & Fossil Collecting by Steve Kelly

Amazing photographs of fossils combine with reconstruction illustrations to give the reader a sense of what each animal or plant might have looked like. Following a discussion of fossils, geologic timeline, and reconstruction challenges, the detailed directory of 375 plant and animal fossils includes an additional fact file, and the relationship of the fossil to its current relatives and their role in the environment.

 

Classroom Activity

Can you identify the fossil? Divide students into small groups and give each group a set of fossil images. Have each group research and identify their fossils, then share what they have learned about each one with the class. Students can then create a board game using the images of different fossils. What are the rules of the game? How do you play? How do you determine the winner?

 

Kid Paleontologist: Explore the Remarkable Dinosaurs, Fossils Finds, and Discoveries of the Prehistoric Era by Thomas Nelson, illustrated by Julius Csotonyi

A great discussion of the field of paleontology is followed by an introduction to “10 Famous Paleontologists,” a list of “10 Famous Fossil Sites” in the world, and an engaging dinosaur classification chart. Stunning “true-life” illustrations and a conversational narrative first explore ten dinosaurs which defy classification (including one that was a burrower) and then examine many other familiar and lesser-known dinosaurs from the perspective of what their fossils, imprints, CT scans, and stomach contents have taught paleontologists about each species and what is still unknown. Highlighting where initial guesses or information has been corrected by subsequent fossil discoveries. A great book to inspire future fossil hunters.

 

Classroom Activity

Paleontologists use trace fossils to learn about ancient animals. Footprints, burrows, and trails are examples of trace fossils. Gather several toy animals of different shapes and sizes. Divide students into small groups and give each group a set of toy animals. Each group of students should create fossilized footprints by pressing the animals’ feet into clay. Then, have students trade fossils with another group. Students should analyze the footprints and measure their size, shape, and depth. What can they tell about the animal that made the footprints? What can fossils reveal about an animal’s size, behavior, and environment?

 
 
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Carla Mooney loves to explore the world around us and discover the details about how it works. An award-winning author of numerous nonfiction science books for kids and teens, she hopes to spark a healthy curiosity and love of science in today’s young people. She lives in Pennsylvania with her husband, three kids, and dog. Find her at http://www.carlamooney.com, on Facebook @carlamooneyauthor, or on X @carlawrites.

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