Posts Tagged children’s books

STEM Tuesday– Genetics– Writing Tips & Resources

CAT TAG

It’s February. The month of love. The perfect month to declare my love of genetics to the STEM Tuesday world in the passionate execution of my Week 3 Writing Craft & Resources post. I love genetics!

It is more than mere fate or blind luck that the STEM Tuesday schedule and my posting schedule aligned for February 2023. The STEM nonfiction universe knows.

Genetics + Me = #ForLife.

But what does all that have to do with a Writing Craft & Resources post? Bear with me, please, through my soliloquy on genetics.

Genetics had me at my first Punnett square. Just like Mendel and his pea plants or Barbara McClintock and her corn chromosomes, genetics had me hooked from the get-go. The idea that life has a blueprint and we have the ability to study and define it captured the teenage me as much as sports had. As a son of a civil engineer who designed and built bridges and highways, plus, as someone just getting into computer programming on my Texas Instruments TI-99, I was hooked on the coded blueprint of life for life.

Then deoxyribonucleic acid came along. The fundamental code of life. Adenine (A), cytosine (C), guanine (G), and thymine (T). Four chemical bases attach to a sugar-phosphate backbone to form a nucleotide. Four bases that pair with one another (A-T and C-G) in a particular order to form a double-helix strand of DNA and the chromosome. Just about everything we see in the living world is built from the order of those four bases. A, T, C, and G, coded in the chromosome blueprint. 

The genetic information coded in our DNA is transcribed into a specific protein in the central dogma of genetics, DNA→RNA→Protein. The triplet code is the key to the central dogma during the transcription of the DNA code. The cell’s machinery reads the code three nucleotide bases at a time and makes RNA copies of them which, in turn, code for one of 20 amino acids used to construct a protein. 

Humans have about 38 trillion cells in the body and each of those cells contains the code for ~20,000 genes within its chromosomes. The total length of the DNA in one cell is six feet. That’s a lot of DNA needing to be intricately folded to fit inside the cell’s nucleus! Each cell transcribes the proper genes at the proper time to make the proper proteins it needs to function. The cell must keep the genetic code organized while maintaining its integrity and repairing any damage to the code. Add to that, the need to faithfully replicates itself for future progeny cells so mistakes in the code, called mutations, don’t get passed to the next generation of cells. 

This molecular dance of life. with its high level of fidelity. never ceases to blow my mind.

I’ve made a career chasing DNA. I’ve cloned it and I’ve sequenced it. I’ve digested, purified, manipulated, mutated, labeled, edited, and analyzed it. Everything I’ve done in three decades of science revolves around A, T, C, and G. And even after all this time, there is still so much that I don’t know about genetics and DNA and the molecular dance of life, which brings me back to writing. 

Everybody knows writing is work. It’s hard work but, similar to genetics, it is also work that has me hooked. Also like genetics, there’s is still so much I need to learn about writing, even after decades of writing. Just as there are the tools of genetics, writers have tools. Letters, words, structure, and grammar are the nucleotide bases (A/T/C/G), genes, chromosomes, and triplet code of genetics. 

Word→Sentence→Paragraph is the writer’s central dogma. Finding the right words to describe our ideas and transcribing them in legible form is what we attempt to do as writers. 

When I teach what we do in our lab or speak to students about genetics and genetic mutations, I use a little paper demonstration called CAT TAG. It’s based on transcription using the triplet code defined above. I use it to describe how important it is to preserve the correct sequence and fidelity of the triplet code when we are cloning or mutating a gene for further analysis.

Here’s the imaginary DNA code sequence I use for the CAT TAG gene demonstration:

ATG CAT TAG CAT TAG CAT TAG CAT TAG

If we start transcribing at the “ATG” start codon signal, we get frolicking felines playing an adorable game of CAT TAG protein.

CAT TAG CAT TAG CAT TAG CAT TAG

What happens when we inadvertently insert a base in the gene?

ATG tCAT TAG CAT TAG CAT TAG CAT TAG

We get nonsense and no more frolicking feline protein. Where did my adorable cats go!!!

tCA TTA GCA TTA GCA TTA GCA TTA G

The same thing happens when we delete a base in the gene. Nonsense and no cats!

ATG AT TAG CAT TAG CAT TAG CAT TAG

ATT AGC ATT AGC ATT AGC ATT AG

Even more frightful, what if a whole CAT codon gets deleted?

ATG TAG CAT TAG CAT TAG CAT TAG

Argghh!!!!! Ouch!!! Now I’m tagging the cat and the cat does not appreciate it! Ouch!

TAG CAT TAG CAT TAG CAT TAG

Writing is like the CAT TAG gene game. Finding the right order and sequence of words to express ideas is the ultimate goal. The skill and magic of revision lie not only in the order and sequence but in finding the best words to express the idea. No more or no less. Make sure additions or subtractions fit properly.

The goal is to find the adorable cats playing tag version of your writing without creating confusion, nonsense, or attacking felines. 

Mike Hays has worked hard from a young age to be a well-rounded individual. A well-rounded, equal-opportunity sports enthusiast, that is. If they keep a score, he’ll either watch it, play it, or coach it. A molecular microbiologist by day, middle-grade author, sports coach, and general good citizen by night, he blogs about sports/training-related topics at  www.coachhays.com and writer stuff at  www.mikehaysbooks.comTwo of his science essays, The Science of Jurassic Park and Zombie Microbiology 101, are included in the Putting the Science in Fiction collection from Writer’s Digest Books. He can be found roaming around the Twitter-sphere under the guise of @coachhays64 and on Instagram at @mikehays64.


The O.O.L.F Files

This month’s version of the O.O.L.F.(Out of Left Field) Files explores revision tips, genetics history with two of the faces on the Mount Rushmore of genetics, a lesson in genetic expression, and CRISPR gene editing at home. 

Kirsten W. Larson’s Revision Tip: Unwriting Your Draft blog post

Barbara McClintock

Gregor Mendel

The fabulous Punnett square

University of Nebraska-Lincoln Plant & Soil Science Learning Module

CRISPR at Home


YOUNG PEOPLE WORKING FOR CHANGE

 Several new books have come out featuring young people working for change in their communities and the world. Child leaders have emerged in almost every activist movement today. Though too young to vote, they organize, draw public attention to issues, and often can get laws and policy changed. The causes they champion directly impact the quality of their future lives. These include water rights, human rights, and especially climate change.
Here are some of the  books designed to inform and encourage young readers who want to make a difference. .
The Climate Book (2023) is by 19-year-old Greta Thunberg,  an internationally known and respected leader in the movement to combat climate change. This has been her focus ever since she demonstrated outside the Swedish parliament with a hand-made sign at age 15. In this book, she outlines the urgent need for accurate information and effective , and she provides both. She calls on the wisdom and knowledge of hundreds of scientists, indigenous leaders, historians, engineers, and mathematicians. Her book includes graphs and illustrations, and suggests paths for real step-by-step change. Also see Greta’s Story: The Schoolgirl Who Went on Strike to Save the Planet by Valentina Camerini (2019)

We Have a Dream: Meet 30 Young Indigenous People and People of Color Protecting the Planet (2022) is by Mya-Rose Craig.” Mya-Rose,    British Bangladeshi ornithologist who was awarded an honorary science degree from Bristol University at age 17. She has created “Black to Nature” camps to encourage indigenous people and people of color to fight for equal rights and environmental protection, since they are the most affected. This book profiles thirty young people around the world, including the US, who are already taking action.

Also see Young Native Activist: Growing Up in Native American Rights Movements  by Aslan Tudo. Alsn is  a 13 year old member of the Lipan Apache Tribe of Texas. When he was 8 and again at 11, Aslan went to South Dakota to join the protests of Lakota Sioux against construction of a oil pipeline at Standing Rock. In this book, he describes native American causes in which he continues to be active.

In Movement Makers: How Young Activists Upended the Politics of Climate change (2022), author Nicke Englefried interviews over 100 youth leaders.  She  tells the background story of how youth climate campaigns have drawn attention, changed the national discussion, and become a mass movement.

Saving Animals: A Future Activist’s Guide (2021), is by Catherine Kelaher, founder of New South Wales’ Hen Rescue.  Her organization  rehomes chickens and other animals from factory farms. This well-researched guide is full of  ideas about how to protect and make the world a better place for pets, farm animals & wildlife . It includes stories of empathetic young people who are doing just that.

Glimmer of Hope: How Tragedy Sparked a Movement (2018), is by the founders of March For Our Lives. On Valentine’s Day in 2018, a mass-shooter killed 17 students and teachers at Marjory Stoneman Douglas High in Parkland, Florida. Surviving students channeled their grief and anger into a youth movement to end gun violence.  The students of the movement provide a blueprint, showing how they took action in rallies, on social media, in voter registration drives, and with a march on Washington.

Tomorrow Begins Now: Teen Heroes Who Faced Down Injustice (2022) is by Ava Lorelei Deakin. It features stories, ranging from the 1950s to today, of 11 teens fighting for their civil rights and liberties. Their  issues include school segregation, sports equality, censorship, unjust deportation, and others.

Putting Peace First: 7 Commitments to Change the World (2018) is  by Eric David Dawson, who at age 18 founded a non-profit called Peace First.  Peace first is  based on the idea that young people can change the world now. Putting Peace First is his handbook for would-be peacemakers, with step-by-step explanations of how peacemakers have achieved their goals

Author Spotlight: Kellye Crocker + a GIVEAWAY!

Today, Melissa Roske chats with Kellye Crocker, author of the MG debut, Dad’s Girlfriend and Other Anxieties (Albert Whitman & Co). Described by best-selling author Rita Williams-Garcia as “thoroughly engaging,” the novel combines serious topics—anxiety, ADHD, blended families—with laugh-out-loud humor. It also hooked Newbery Medalist Erin Entrada Kelly “from the first page,” which is no mean feat. Want a chance to win a copy of the book? Giveaway details below 👇👇👇

A Summary of the Novel

Anxiety has always made Ava avoid the slightest risk, but plunging headfirst into danger might be just what she needs. 

Dad hasn’t even been dating his new girlfriend that long, so Ava is sure that nothing has to change in her life. That is, until the day after sixth grade ends, when Dad whisks her away on vacation to meet The Girlfriend and her daughter in terrifying Colorado, where even the squirrels can kill you! Managing her anxiety, avoiding altitude sickness, and surviving the mountains might take all of Ava’s strength, but at least this trip will only last two weeks. Right?

Interview with Kellye Crocker

MR: Welcome to the Mixed-Up Files, Kellye. So happy to have you here!

KC: Thank you, Melissa! I’ve been a MUF fan for years! I’m so excited to be here!

MR: First, I have to tell you how much I enjoyed Dad’s Girlfriend and Other Anxieties. It was fun, fast-paced, and highly relatable. Can you tell us a bit about the novel? What inspired you to write it?

KC: Thank you so much! The book was inspired by my surprise move to Denver and my own anxiety disorder. After living most of my life in Iowa, the only thing I knew about Colorado was that my partner suddenly had a job there. Colorado is so different from Iowa, and I wanted to pay attention to those differences before I got used to them. I fell in love with Colorado—like everyone does (except Ava, at least at first). I’d been feeling down about my writing and a close friend suggested I take a more playful attitude. I had so much fun exploring the state with Ava and writing her contrarian views.

I wasn’t diagnosed with anxiety and depression until I was an adult, in the late ’90s. But I believe it’s something I’ve always had. It had been well-controlled for years—until the move. I didn’t intend to write about anxiety but it suddenly was part of my day-to-day life again and it danced onto the page.

Dealing with Anxious Thoughts

MR: Ava suffers from anxiety, which causes her to obsess over things that can go wrong—especially during her trip to Colorado, where the novel takes place. Ava’s fears include: altitude sickness; rattlesnakes; wildfires; hypothermia; avalanches; ghosts; poisonous plants… The list goes on. How were you able to jump inside Ava’s brain and channel her anxiety so effectively? Also, what did your research process look like?

KC: Here’s the thing: Ava’s not wrong about those dangers! 😜 She just doesn’t have the tools to accurately assess the risks and deal with her anxiety. I have a lot of those tools, and still there were times when I was a bit freaked about, say, bears. And rattlesnakes. And driving on very narrow, very twisty, very high roads with “falling rocks” signs. (By “driving,” I mean white-knuckling it in the passenger seat.) I took a lot of notes about my feelings and physical sensations, especially in the mountains, and drew on childhood memories.

When I finished the first draft in late 2016, I started researching anxiety in young people and was surprised to learn that it was growing and the American Academy of Pediatrics and other organizations were concerned. (This, of course, was pre-pandemic.) I ended up reading a lot of studies and articles about adolescent development and anxiety. I even talked to (and spied on) real young people! I also did a lot of internet searches for things like “how to stay safe in Colorado.”

My amazing editor—who gave me permission to share this—was diagnosed with anxiety as a young person. Everyone’s experience with anxiety—or illness or disability—is unique, so it was very helpful to talk about our experiences as we deepened Ava’s story.

Iowa, Dogs, and Charlotte’s Web

MR: Ava is not the sum total of her anxiety. On the plus side, she’s smart, resourceful, and highly relatable. On the minus, she sabotages her dad’s carefully planned vacation to Colorado with a host of evil-adjacent deeds, including canceling the hotel reservation and putting rocks in The Girlfriend’s shoes. How were you like Ava as a child? How were you different?

KC: One of my biggest childhood fears was getting into trouble! There is no way I would have done what Ava does. She’s also a shy introvert. I’m the opposite of shy. My first grade teacher wrote, “Kellye likes to go visiting” on my report card! As I’ve grown older, though, I’ve discovered that I’m actually an introvert, too. I love being with people, and I need lots of alone time. Ava and I also love dogs, books, and Iowa. We both like a good comfort read, including Charlotte’s Web. (For more children’s books that can calm anxiety, click here.)

The Connection Between Vulnerability and Humor

MR: I appreciated how you were able to take serious topics—anxiety, ADHD, blended families—and add a generous dollop of humor. How were you able to pull this off? Also, what is the secret sauce for writing “funny”?

KC: Thank you! I think humor plays such an important (dare I say “serious?”) role in helping us face and cope with difficult, scary things.

As with so many aspects of writing fiction, I think the humor comes from the main character. How does she uniquely experience and see the world? I can’t quite articulate it, but, for me, there’s also something about the connection between vulnerability and humor that really gets me, especially in writing for young readers. Funny situations often reveal an embarrassing, tender, honest part of ourselves.

At the same time, hyperbole is a fun tool for creating humor, and I may have exaggerated Ava’s Colorado take because it made me smile. I also love paradoxes, and I think it’s true that anxiety can be both awful and funny.

It helps to have really good (and funny) critique partners! (How would any of us survive without friends to help us laugh?) Shout out to Sarah Aronson and Coral Jenrette, in particular, who helped make some last-minute revisions funnier.

Finally, I can’t help thinking about what EB White and his wife, Katharine S. White, said in an essay: “Humor can be dissected, as a frog can, but the thing dies in the process…” I haven’t found the secret sauce, but if you do, Melissa, please share, and I promise to do the same!

Advice from Elizabeth Gilbert

MR: I know you’re a fan of the following quote from writer Elizabeth Gilbert: “Fear can come along for the ride, but it doesn’t get to drive—or touch the radio.” What is it about this advice that resonates with you?

KC: Oooh, you’re good, Melissa! Respect from one journo to another! Fear and writing is something I’ve been interested in for years. As strange as it sounds, our sweet, twisted fear is trying to protect us. It’s the ancient lizard part of our brains that sounds the alarm: BELONGING IS EVERYTHING1 What if your writing is terrible, and everyone knows but you? You will be REJECTED! YOU! WILL! DIE! ALONE!

First of all, Elizabeth Gilbert’s quote frees me from even trying to get rid of fear. (I think it’s probably impossible. Also, fear is part of ourselves, which is why she opposes macho approaches like “Punch your fear in the face!”) Her quote reminds me that when I’m doing something I really care about, especially when it’s so uncertain, fear will show up—and that’s okay. It might arrive disguised as procrastination or writers’ block, perfectionism or the most vicious Inner Critic (whose voice sounds so familiar… Your dad? Your former coach? A jealous ex?) However it shows up, it’s not the boss! It sits in the back seat because it’s not making any decisions about this creative road trip.

I try to make Fear feel as welcome, safe, and cozy back there as I can. Setting baby-step goals, finding joy in writing, focusing on a playful process instead of the end “product,” all help me calm my fear. A friend and I joked that we feed our Fear warm applesauce cake—and then she made me one with her own home-grown apples! It was delish—and still warm. Writing (and baking) friends are so important for dealing with the fear that comes with this work.

On the Move

MR: Ava faces relocation after her dad falls in love with The Girlfriend and considers a move from Iowa to Colorado. This is something you faced yourself when you relocated to Colorado from Iowa. Can you tell us about it? What are the pros and cons of moving from one place to another?

KC: As an adult, I’d moved four other times to places where I knew no one (and little about each state), and each experience was positive. The move to Colorado felt different because I’d lived in Iowa as an adult for 26 years. My roots were deep. Maybe stuck?

I didn’t want to leave our son, who had started his first year of college, my parents, and friends I’d loved for decades. I also still was recovering from a debilitating, long-term illness. Our mortgage would be paid off in three years. My husband and I were nervous. Should we do this? What if we moved to Colorado and didn’t like it? What if it was a huge mistake?

At the same time, we agreed that our decision had to come from a positive place and not fear. (Say it with me: Fear doesn’t get to drive! That quote works for everything! 😃 ) We were new empty-nesters. Weren’t we due for an adventure? If not now, when? We could return to Iowa if we wanted, couldn’t we?

Getting our house ready to sell was a full-time job. Sometimes I’d stretch out on our living room floor and sob about all I was leaving. (Why the floor? I didn’t want to disturb the stager’s precise sofa-pillow arrangement.)

AND…Colorado’s sunny, laid-back vibe really suits us. Exploring the state’s famous mountains, history, cultures, customs, and food—and meeting amazing new friends—is the shake-up we didn’t know we needed. We joke that we should have moved sooner.

Path to Publication

MR: You were a newspaper journalist and freelance writer and editor for more than two decades. How did your past career prepare you to be a novelist? Also, can you tell us about your path to publication? Was it a straight path or a curvy road?

KC: A sure way to improve your writing is to write a lot every day, and that’s what newspaper reporters do. As a reporter, you’re constantly meeting different kinds of people, and it’s such a privilege to hear their stories. You have to be able to understand their perspective, even if you personally disagree, and that’s important for writing fiction, too. One of my fiction-writing strengths, I think, is dialogue, and that probably comes from so many years of listening to—and writing down—what people said and how they said it. Also, as a reporter, you don’t have the luxury of waiting for inspiration. You sit down, write, and meet your deadline. It’s great training for novel writing.

My road to publication was long, with lots of hairpin turns, potholes, construction zones, and traffic jams! I wrote fiction for kiddos seriously and steadily for sixteen years before publishing my debut novel. Here’s to all of us late bloomers!

The process of getting the book out has been nerve-wracking. Like a lot of books in the past couple of years, mine experienced supply chain and shipping delays. In addition, the publisher was unhappy with the quality of the initial printing, so the book went through an entire reprint. (I’m very happy that they did that.) My release dates were 9/1/22, then 10/18/22, and, finally, 11/22/22.

I was told that November 22 definitely was my pub date… except no print books were available! Amazon was saying the hardcover wouldn’t ship until January. (It seems to have shipped sooner than that.) The book seems to be sort of trickling out. I haven’t seen it in “the wild” yet, and occasionally a friend emails asking, “When is your book coming out?”

Writing: Inspiration Is in the Cards

MR: What does your writing routine look like? Do you have any particular writing habits or rituals?

KC: I usually work for two or three hours in the morning, and sometimes can get another hour or two in in the afternoon. I have a neurological disorder and chronic illnesses that cause serious exhaustion, and, sadly, that has worsened recently. I’m trying to learn how to work with it. (Fighting it didn’t help.) For example, I just learned about pre-emptive rest—resting before you absolutely need to—and am experimenting with that in the hopes that it increases my energy.

It’s funny when I think about my writing habits and rituals. I don’t have one thing that I always do, but I have a bag of tools, so to speak, that I use often, as needed. I do a lot of journaling, but not every day. I’ll go through periods where I light incense for certain projects. (I like Golden Coast and Amber and Moss from PF Candle Co.) Sometimes I ask a question and draw a tarot card for inspiration. (I recently bought the cool Modern Witch Tarot Deck by Lisa Sterle.) Making low-stakes visual art—drawing, painting, collaging—is helpful. Sometimes I play music. I like to read early in the morning—it inspires my own writing. (I also read while resting in the afternoon…and at night. LOL.)

Read, Read, Read… and Write, Write, Write

MR: In addition to being an author of MG fiction, you teach creative writing to young people. What advice do you give to your students—and to other aspiring authors—besides “Never give up”? (For more insight and advice from Kellye, click here.)

KC: I want my students to know that writing is good for everyone. Scientific studies show writing helps them think better, stretch their creativity, and express themselves—all important skills for whatever their dreams are. Other studies have found strong mental health benefits from even short sessions of journaling (private writing about feelings).

For those who want to publish, I recommend the standard: Read, read, read. Write, write, write. Send, send, send. As I’ve turned toward a more relaxed, playful writing process, I’ve encouraged my students and others to do the same. Drafting and editing require different skills and brain regions. It’s unhelpful to attempt both at the same time. Try to bring as much of your weird, wild, and wonderful self to the page. That’s truly where the magic is.

I also love, love, love working with young reluctant writers! I think it’s important that they understand they are innately creative, what they have to say is important, we need their voices, and stories can take lots of forms. I wrote a guest post about teaching creative writing to young people for The TeachingBooks Blog here.

New Projects Ahead

MR: What are you working on now, Kellye? Care to share?

KC: I’m juggling a few things. One is a middle grade novel set in the Victorian era. I finished the first draft ten years ago! I did a big revision in 2022, but it’s still a mess, and I’ve been stuck for quite a while. Expecting an epiphany…any…day… I’m also dipping into a new novel-ish thing…middle grade…set in the near future, involving politics and basketball. And I’m working on two nonfiction picture books. Picture books are a new and challenging form for me, but nonfiction feels like coming home.

Lightning Round!

MR: And finally, no MUF interview is complete without a lightning round, so…

Preferred writing snack? Dove dark chocolate

Coffee or tea? Cold brew coffee, even in winter—unless it’s really cold—then hot. Black. But iced tea (no sugar) on a hot, summer afternoon is lovely.

Cat or dog? DOGS. DUH. (Written under the watchful eye of Daisy Crocker, my energetic, bossy, loudly barky Black Lab.) As a kiddo, I was dismayed that the only pets allowed at my house were tropical fish. As an adult, I’ve been a devoted pet mom (consecutively) to two black cats and two Black Labs. They stretched my heart in so many ways.

Zombie apocalypse: Yea or nay? OMG, are you even KIDDING?! NAY ALL DAY, NAY ALL THE WAY!!! (I’m assuming this question involves me facing real zombies, in which case, I’m probably already dead. If it involves me safely reading about or watching zombies [on TV], then yea.)

Superpower? Napping

Biggest fear? That someone I love will be hurt or die. (Second biggest: Zombies. Thanks for that!)

Tractor rides or hiking trails? Hiking. At a leisurely pace, not too far.

Favorite place on earth? With family and friends. Maybe in a magical, cozy-cool indie bookstore?

If you were stranded on a desert island with only three things, what would they be? Assuming clean water and food (coconuts? bugs?) already are included, I’d bring the biggest book I could carry, a notebook-and-pen, and sunscreen. Because of the hyphens, I’m hoping we can count notebook-and-pen as one thing. If I’m overruled, I’ll ditch the sunscreen.

MR: Thank you for chatting with us, Kellye—and congratulations on the publication of Dad’s Girlfriend and other Anxieties. I thoroughly enjoyed it, and I know MUF readers will too!

KC: Thank you so much, Melissa! Your questions really made me think. And I really appreciate you taking the time to read Dad’s Girlfriend and to share it with your readers!

GIVEAWAY!

For a chance to win a copy of Dad’s Girlfriend and Other Anxietiescomment on the blog–and, if you’re on Twitter, on the Mixed-Up Files Twitter account for an extra chance to win! (Giveaway ends 2/19/22 EST.) U.S. only, please. 

Bio

Kellye Crocker is a journalist who’s worked in library youth services and has taught writing at two Iowa universities. She teaches creative writing to young people through a large literary nonprofit. She holds an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts. She’s an empty-nester who lives in Denver, where you’ll find her reading, making art, and hiking with her husband and their rambunctious black lab, Daisy. Learn more about Kellye on her website and follow her on Twitter and Instagram.

 

Melissa Roske is a writer of middle-grade fiction. Before spending her days with imaginary people, she interviewed real ones as a journalist in Europe. In London she landed a job as an advice columnist for Just Seventeen magazine. Upon returning to her native New York, Melissa contributed to several books and magazines, selected jokes for Reader’s Digest (just the funny ones), and received certification as a life coach from NYU. In addition to her debut novel Kat Greene Comes Clean (Charlesbridge), Melissa’s short story “Grandma Merle’s Last Wish” appears in the Jewish middle-grade anthology, Coming of Age: 13 B’Nai Mitzvah Stories (Albert Whitman). Learn more about Melissa on her Website and follow her on  TwitterFacebook, and Instagram.