Posts Tagged Author Interview

Interview with Lauren Tarshis, author of the super popular I SURVIVED series, now with a new 9/11 graphic novel

I SURVIVED: THE ATTACKS OF SEPTEMBER 11, 2001

Photo Credit: David Dreyfuss

Lauren Tarshis is the author of the New York Times bestselling I Survived series of which there are 20 and counting! Each of these historical fiction books focuses on an iconic event from history, and tells the story through the eyes of a child who was there. The theme of the series is resilience: how human beings can struggle through even the most difficult experiences and somehow not simply survive but heal — and ultimately thrive. Now in time for the twentieth anniversary of 9/11, the bestselling I Survived the Attacks of September 11 has been adapted to graphic novel format to become I SURVIVED: THE ATTACKS OF SEPTEMBER 11, 2001, written by Lauren and illustrated with a gorgeous, realistic and contemporary art style by Corey Egbert. The Mixed-Up Files is excited to welcome Lauren Tarshis to our blog.

 

Meira: Hi Lauren, thanks so much for joining us over on The Mixed-Up Files!
The original I Survived the Attacks of September 11 was first published in 2012. What was the impetus to adapting it into a graphic novel in 2021?

Lauren: Scholastic proposed the idea of transforming my series into graphic novels, and at first I didn’t understand their reasoning. The stories were already written, right? But I trust the Scholastic team so much — my editor Katie Woehr cares as much about my series as I do, and understands how much work, care, and LOVE I put into creating each book, taking complicated topics and trying to make them accessible to kids, and bringing my characters to life for my readers. And so I green-lighted the Titanic graphic novel, which was an incredible experience. Fortunately Scholastic was able to hire Georgia Ball to write the scripts, and she captures my stories so perfectly for this format. And the artists they have chosen create such glorious worlds for my books. What a joy it’s been — first Titanic, then Shark Attacks, and most recently I Survived the Nazi Invasion. September 11 was a natural choice because of the anniversary. And what I’ve realized is that these books make my stories accessible to an entirely different audience of readers, including kids who either don’t like to read or struggle to read. And this is so exciting to me.

Meira: In I SURVIVED: THE ATTACKS OF SEPTEMBER 11, 2001 one really feels like they are there. At the end in an Author’s Note you talk about how you lived in New York at the time but was en route from a trip abroad without your children, and your own personal terror at not being with them as you were rerouted back to London. Having been in New York on that fateful day myself, with my husband who worked in the World Financial Center, I really felt how well you capture the city, the mood, and what happened. I love the choice to tell the story through the eyes of a boy whose father is a firefighter. It’s a brilliant choice as the firefighters are such heroes in the fabric of New York City—even before this act of terrorism, —and so many of their lives were tragically lost. Did you consider other eyes from which to tell the story before settling on Lucas’s?

Lauren: Thank you so much for these kind words. I actually struggled through several drafts of this book before I realized that ultimately this book wasn’t just about September 11, but about an NYFD family. I started from scratch, delved into the culture and history of the NYFD, and also created a pretty “big” front story of Lucas dealing with concussions and the loss of football as a focus and a way of coping with his father’s injury from a warehouse fire years before. The size and depth of the character’s front story varies depending on the nature of the historical event I’m writing about. 9/11 is so intense and aspects are so complicated and potentially overwhelming for young readers. Focusing on other aspects of Lucas’s life enabled me to tell the story in a way that was appropriate for my younger readers.

Meira: How do you conduct research for the books in which there is less of a personal connection and you are not immediately familiar with the setting, time period and community? How do you put yourself into the shoes of a child through which you tell the story?

Lauren: I travel to all of the places I write about (with the exception of the bottom of the North Atlantic to see the Titanic wreckage and to the shores of Japan to research the 2011 tsunami). I want to walk in my characters’ footsteps, see and feel what they are feeling. For 9/11, of course, this was easier because I grew up in CT, went to college in NYC and work in NYC. Those two towers were part of my own landscape. But for other settings, those visited are so important. Another important step in researching the books is talking to people who actually experienced the event, or who have had stories passed down, or reading diaries of letters.

Meira: Can you talk a little bit about the themes of the I Survived series—on one hand kids have a lurid fascination with disaster, on the other hand your books offer a strong sense of resilience, which in this current time seems more important than ever. How do you achieve this balance?

Lauren: This is a great question. The theme of the series is resilience and healing — I try not portray a realistic sense of how we cope with loss, how we can slowly heal, how we can help each other and ask for help. But I’m also trying to write engaging adventure stories that kids — including struggling readers — will read. Finally, I want to build their knowledge in history, science, or important cultural touchstones and references points. I would say that I give equal weight to these three strands of the series.

Meira: What was it like to see your words come to life in this way? Authors whose books are turned into movies are often asked how it feels to see their characters with specific features, and their story acted out. What is it like to see your story told in this graphic format?

Lauren: I do feel that the experience of the graphic novels has been akin to seeing my books turned into an animated series. It’s been wonderful — because the team has done such a superb job. I’ve been dazzled by all of the artists who have worked on the series, and Corey Egbert was such a fantastic choice for this book.

Meira: I read an interview with you in which you mention how you started the series for your son and as an answer to reluctant readers. Can you talk a little bit about that here in light of this now being a graphic novel. (And I ask as the mother of two sons who find even short text tedious, especially if the font is small, but will devour anything in graphic format regardless of font size.)

Lauren: I so related to your boys, because not only were my boys reluctant readers but I struggled to read. And so these are the readers I’m picturing as I’m writing the books, and these are the readers I’m hoping will especially love the graphic novels.

Meira: Are there plans for more of the series to become graphic novels? Or for new I Survived books?

Lauren: We just finished I Survived the Grizzly Attacks, 1967, and the team is working on I Survived Hurricane Katrina. There are more planned after that, but we haven’t yet decided which topics.

Meira: What advice would you have for writers looking to break into series writing, in particular for reluctant readers?

Lauren: I would say that reluctant readers “deserve” access to important stories, fascinating chapters in history, characters who will inspire them and fortify them as they face challenges. Just because a child doesn’t love to read doesn’t mean they aren’t deeply curious about the world. Writers for reluctant readers have to work a little harder to make stories that much more engaging, to pull the reader through the book using suspense, rich descriptive details, and humor. These readers need to feel deeply connected to the characters, and invested in what happens. I will also say that there is no more rewarding audience to write for. NOTHING is more inspiring and motivating to me then en email from a kid saying “I hate to read but love your series!”

Meira: Is there anything I haven’t thought to ask that you’d like our readers to know?

Lauren: I just want to thank you for the chance to be a part of your wonderful blog, and for your thoughtful questions.

Meira: The pleasure is ours, thank YOU!

I SURVIVED: THE ATTACKS OF SEPTEMBER 11, 2001 can be purchased here or or wherever fine books are sold.

Interview with Jess Rinker and Giveaway

Our guest today is Jess Rinker, author of the middle-grade novels Out of Time: Lost on the Titanic, The Dare Sisters, and The Dare Sisters: Shipwrecked (coming this September). Jess has also written picture book biographies on feminist Gloria Steinem and Brenda Berkman, one of the first female firefighters for the New York City Fire Department.

Thanks so much, Jess for joining us at From the Mixed-Up Files of Middle-Grade Authors! It has been fun witnessing your publishing success since meeting at the Highlights Foundation workshop several years ago. Can you offer a bit about your journey?

Thank YOU for having me! It’s funny, I always think about our time at Highlights as if it was “last summer”, when in fact it was four years ago! Wow. A lot has happened since then for sure—it’s amazing how connected we’ve all remained and hopefully, we’ll begin to cross actual paths again soon.

My journey started way before then, probably more around 2005 when I went from one of those people who said “someday I’ll write a book” to someone who actually sat down and wrote a book. It would be the first of many shelved manuscripts, but learning I could write a novel changed my life trajectory. Fast forward through years of practice, attending conferences, and taking classes, by 2014 I graduated with an MFA, signed with an agent the following year, and sold my first book Gloria Takes a Stand in 2016. I definitely put in my “10,000 hours” as Malcolm Gladwell says. 2018 was a bit of an explosion for me regarding book sales, and so now I just turned in my third middle-grade novel, which brings me to a total of six books by next summer. Whew.

I know you love the outdoors and rural settings, which shines through in your middle-grade works of fiction. Would you share your inspiration for these settings?

So far, yes, all of my middle grade takes place in rural/small town settings. (Even the super secret one we’re just about to pitch to my editor) I grew up in rural NJ and PA in the ’70s-’80s and my parents were pretty hands-off so I was free to explore all of the woods and creeks and rivers around me. Other than a library card, it was probably the biggest gift they gave me. I had few friends as a young child and the woods and wildlife became my entire world—the perfect place for an imagination to blossom. My mom gave me countless nature books as well, and so learning the names of flowers, trees, bugs, animals, even fish, and frogs, became a way for me to “know” the wildlife around me, as well as order my otherwise chaotic world. I think my mom always had an innate understanding that when you give something a name (or learn its name), you gain an appreciation for it. In my upcoming book The Hike to Home, I give my mom and my young self a little nod in that the main character has a similar proclivity to know all the names of the natural things around her. It’s something I still do and now living in a brand-new place—West Virginia—there are so many new creatures to get to know! West Virginia is an incredibly biologically diverse state with New River Gorge (The nation’s most recent National Park!) being the highest, I believe.

Your picture book biographies feature strong, independent women. Your middle-grade fictional work shares the adventures of strong and independent girls. Tell us a little bit about the background behind these stories.

To be completely honest, I never intended to “brand” myself and when I first started, I was writing angsty YA that didn’t sell. I’ve always approached the writing life—and publishing as much as possible—as someone who just truly loves writing stories. I don’t have a very altruistic sense until the book is on the shelf. Once it’s out there, it’s on its own, but before that it’s all mine and I treasure that creative stage. So ideas come and go and whatever grabs a hold of me the most, I write it. I have plenty of stories and ideas that are not strong-girl stories per se.

That being said, back in 2015 I was reading Gloria Steinem’s canon of literature and that, paired with the sale of the biography, fueled me in a new way as a woman and as a writer. I absolutely became conscious of wanting to write characters who had agency in their lives. I had next-to-none as a child, and many children are powerless because of their circumstances. I chose not to write about those circumstances (yet) and instead write stories that showed children the power they CAN have. Somehow, that turned into strong girls, strong women. I’m not complaining! But it was a natural evolution, driven by my own education and internal revolution, the love of storytelling, and a desire to empower children in whatever little way I can.

I know that you and your family experienced a tragic fire, which engulfed and destroyed your home, including all of your childhood journals. How has writing helped you move forward through that loss?

That was a huge blow, for sure. Sometimes I don’t even remember it happened until someone mentions it and other times I look in my closet and mourn the loss of my favorite summer dress or those precious journals. I mentioned earlier that 2018 was a bit of an explosion for me book-wise, and I think that’s what really helped me quickly recover from that trauma—which was also caused by a literal explosion! I don’t know that we will ever be “over it”, only through the worst of it, but we have found a secure new normal since then. The book sales kept me focused. I’d lost everything I owned, but I still had my family and my job, and it completely kept me going. I’d also been married only a week before the fire, so while it slightly marred our anniversary month, which is August, we had a lot of love and joy.

Exactly a week after the fire, even though we were technically homeless, we still had our wedding party that had been planned for months. Sometimes I wish we could do it over again since my husband and I were in a bit of a fog, but I’m grateful we were able to celebrate. In another wonderful, but long story my wedding dress had been somewhat spared from flame and smoke because of the way it was stored, so a dear friend of mine stole it away, had it cleaned and repaired, and I got to wear it again at the party. We made the news for the fire and the dress. Kind of a beautiful juxtaposing, I think. Everything is writing material, right?!

Whenever I do school visits, both students and teachers are interested in my writing process. Tell us about yours.

Gosh, it changes so much all the time—especially with writing under a few different categories. This question is always tough to answer, but I suppose my main process is to first let myself be entirely swept away with an idea. Whether nonfiction or fiction, I dive into research, notetaking, scene ideas, dialogue, and especially character development before I really write anything. When I’m drafting, I’m in my PJ’s on the couch. Sometimes I try to get away to a place like Highlights where I don’t have to think about normal day-to-day stuff, but that’s not possible as much anymore since I’m also teaching now. I don’t have any fun rituals or anything—it’s just me, silence (when possible), the notebook or computer, and a comfy place to sit.

What stories did you enjoy reading as a child?

Everything. I was never once told I wasn’t allowed to read something so I read everything from the nature books to kids’ books to my mom’s collection of Stephen King and Dean Koontz. My favorite stories often involved survival aspects, like Island of the Blue Dolphin, or My Side of the Mountain, but I also loved classics like Little Women and The Secret Garden.  (Which, come to think of it, have survival aspects in other ways) All of EB White and Judy Blume, Beverly Cleary, and Katherine Paterson. But I quickly graduated to adult books and loved horror and dystopian. I weirdly enjoyed reading about grown-ups. I also really loved my grandparents’ shelves of encyclopedias and would page through them quite a bit. It wasn’t until having my own kids, and especially while working on my MFA, that I really got a good dose of the huge variety of children’s books.

I know you teach writers at the collegiate level. What have you learned through this process?

My husband and I were just talking about this! Teaching writing forces you to be a better writer and that’s one of the reasons we both really enjoy it. (Although don’t ask me that when I have 25 essays to grade in two days) Teaching stretches you, keeps you on your toes. Not only for the college but with freelance clients as well. We team up as a couple to coach writers through their projects and we bring different skills and insights to the table, so it becomes a pretty well-rounded process. When you have to help someone craft and revise an essay or plot a novel, it reminds you of all the things you do on a more subconscious level. It’s very eye-opening. My favorite part of teaching, however, is encouraging young writers who want to be better, assuring them that it is a lifetime of practice and devotion, and none of us masters it. We just get better. Hopefully.

As you are married to children’s book author Joe McGee, what is it like working and living with a fellow creative soul?

It’s pretty wonderful. I won’t say there haven’t been some tough spots, because when we first partnered, he was a bit “ahead” of me in the business. I was struggling to sell anything, as well as unable to find a decent job. I had a couple of years of a lot of disheartening “No’s” seemingly coming from everyone and we struggled financially. Those couple years were hard on me. I wasn’t competing with him, but I remember thinking if nothing ever happened for me, and I had to settle for retail jobs for the rest of my life, I didn’t know if I could survive the relationship. This came from my own personal baggage of always feeling like the cheerleader in my previous marriage, and I was very aware of that, and so was Joe. With patience and continued determination, it obviously all panned out. And Joe is probably my biggest cheerleader. 

I’m often asked which is my favorite book that I’ve written…do you have a favorite?

I get that question a lot too—especially from kids. I always tell them my favorite is the one I’m writing right now because it’s true! It’s that special creative time where the story is all mine and I can be lost in it before handing it over to the world. So right now, my favorite book is the one we’re about to pitch to my editor…hopefully more on that very soon!

What is your absolute favorite thing about writing for children?

I do not know. How’s that for an answer! But I really am not sure how to choose one thing. Writing is what I love and it just happens to be for children. I’ve been writing for myself since I was a kid, and then when my kids were little, and I read to them all the time, I thought, “I could totally do this”. So, I did and I never looked back. I’ve never tried writing an adult book, I never have ideas for adult books, and I’m fine with that. I could get super psychological and really pull it apart on a deeper level that has to do with suffering a lot of trauma as a child, and the fact I was treated like a peer to my parents from day one, and so never had a true, care-free childhood….but nah. It doesn’t really matter. Because those very things also made me the writer I am. The fact is, the ideas and voices in my head are always kids and teens, and I just love writing their stories. When a young reader tells me they loved the book, or a parent tells me that it’s the first book their kid ever finished, that is a major heart-warming bonus, for sure. But I’d keep writing regardless.

 

Thank you, Jess! To learn more about Jess, visit her website, www.jessrinker.com. Jess has graciously offered to give a copy of both The Dare Sisters and the upcoming Dare Sisters: Shipwrecked to one lucky winner. Enter here by July 15 for your chance to win. Note: Only residents of the contiguous United States, please.

 

 

STEM Tuesday — Serendipity Science — Interview with author Sarah Albee

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Sarah Albee, author of Accidental Archaeologists: True Stories of Unexpected Discoveries.  The book is a fascinating compilation of discoveries, often made by ordinary people, that changed the way we view history.  Sarah Albee is known not only for presenting facts in an interesting way, but showing how everything we study is interconnected. In a way, she’s building higher order thinking in her readers one book at a time. Because the pandemic affected the release of a number of good STEM books, I wanted to bring this particular title to our reader’s attention.

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Christine Taylor-Butler: Sarah, you’ve published a wide variety of books for children. How did you get started in publishing?

Albee books

Sarah Albee: My first year out of college I worked in Egypt for a year. After that I knew I wanted to work in publishing. I landed a job with Children’s Television Workshop which produced Sesame Street. Today it’s known as Sesame Workshop. It wasn’t easy to break into the television side of the business so I moved to the publishing division. I was hired as an editorial assistant. That’s when I realized I really wanted to write for children. One of my responsibilities was to fly to Bologna Children’s Book Festival in Italy each year. I speak Italian so I set up the booth and helped translate for my boss and coworkers. I worked for CTW for nine years and was promoted to Senior Editor during that time. Afterwards, I started freelancing for Sesame Street while raising my children. I wrote a lot of fiction and learned early on how to hit deadlines. It was incredible training. I put in my “ten thousand hours” as Malcom Gladwell would say, to develop my skills over time. I wrote constantly and became very efficient. That experience helped me grow as a writer.

Fun fact, I got to meet the Muppets!

CTB: Okay, let’s back up a minute. After college, you spent a year working in Egypt? Wow! What did you do for that year?

Sarah: I was lucky. I got an internship at the press office of American University in Cairo. I edited English language books for adults. Later, I got a freelance job illustrating books.

CTB: As a parent and an author I’m always pointing students toward the benefits of traveling abroad. Do you have a special memory of your time there?

AUC courtSarah: Yes. I was walking across campus one day and saw a basketball sitting on this beautiful court. I played basketball at Harvard and was in good shape. So I started shooting baskets. As luck would have it, a coach was walking through the court and saw me playing. He wanted to talk but I didn’t speak Arabic and he didn’t speak English. He found a student who could translate for us. Because of that chance encounter I ended up playing semi-pro basketball. It was one of the best experiences of my time there. The women on my team all spoke Arabic, but not all spoke English. Some spoke French. So the time outs were held in all three languages. I became good friends with the other women on the team. Egypt is a very private society so the games became a great way to talk and learn more about the culture.

CTB: We share a similar view on pursuing knowledge for the sake of it instead of a specific career. That’s not as common as it should be in society.

Sarah: I consider myself a generalist. Throughout history, enlightenment thinkers saw acquiring knowledge as an end to itself. I look at the way we educate children today. They go to math class, then English, then Social Studies, etc.  It’s an artificial construct. We don’t make connections between the individual disciplines. Instead we treat them as separate topics.

Albee BuggedCTB:  You take a different approach when writing nonfiction. I’ve noticed a trend across your body of work. You go well beyond basic facts to make connections other people might not consider.

Sarah: Yes. That’s why it’s hard to find a place for my book on a classroom or library shelf. I try to connect dots. When I write a book about insects it’s put in the science section but it’s really about history too.

CTB: Then we both agree that, ideally, we need to think more broadly about how we teach children.

Sarah: Exactly. When I’m researching a topic I’m thinking, “What else was happening at that time?” Here’s a good example: We teach children about the Roman empire but at that same point in history the Han Dynasty in China was much larger. In another example, Beethoven was composing his third symphony at the same time Lewis and Clark were leading a western expedition.

Hobble skirtI like vertical and horizontal history. I ask myself, “What was being invented at the same time?” “Who was friends with whom?” Want to know why was there a sudden explosion of self portraits during the Renaissance? It corresponded with the invention of mirrors in the 15th century. Suddenly people could see what they looked like. Another fun fact I uncovered was at Harvard. The Widener Library was finished in the early 1900’s but the risers on the staircase are shallow – about 4 inches tall. I wondered what happened in history to cause that. It turns out that was the era when hobble skirts were popular.  Women had to take tiny mincing steps to walk in them so architects built that into their design.

CTB: Let’s talk about ACCIDENTAL ARCHAEOLOGISTS which fits the this month’s STEM TUESDAY theme perfectly. It’s also a Junior Library Guild selection.

Albee ArchaelogistsSarah: Thanks. I’m really proud of this book. I got the idea while working on North America – a fold out timeline of America, published by What On Earth Books in tandem with the Smithsonian. I was researching Mexico in the 20th century. One year a construction worker was burying electrical cable beneath the streets of Mexico. While digging he uncovered an enormous stone. It turned out to be a section of Templo Mayor, the main temple for the ancient capital city of Tenochtitlan. So I thought, “There has to be other stories like that.” In the book, I open with a discovery then discuss where, who, what and why it’s significant. I try to contextualize the information for kids – the history, the science and the human connections.

ruinsI went into the research thinking archaeology is the ultimate objective truth. People talk about only using primary sources, but those can sometimes be flawed. I use a combination of primary and secondary sources. For example, a professor who spent their life studying something may be a reliable source in addition to information in a diary. The truth is that sometimes archaeologists can be biased. The field has such a checkered history about sexism and racism. Here’s an example: the Zimbabwe ruins are stone structures in what was once Rhodesia. These magnificent edifices were precise and put together without mortar. It’s genius. They were discovered by male archaeologists in the late 1800’s. Someone decided that African people couldn’t have possibly built something that sophisticated so it must have been a different civilization, maybe the Phoenicians. Later, a female archaeology team proved without a shadow of a doubt that based on dating, the ruins had been built by African people. The Zimbabwe ruins didn’t make the book because the discovery wasn’t accidental. But it’s an excellent example of how bias can shape perception and that bias is then carried into books until unbiased research proves the assumptions to be wrong.

I’ve learned that you do your best to triangulate all the sources of information to get as close to the truth as you can. That’s the underlying theme of my work.

CTB: That’s the hard part of what we do. Evaluating information in context. What might be underlying the information we are reading and whether it is biased based on the time the documentation was created.

Cowboy George McJunkinSarah: Yes. Here’s an example in the book. I read about a Black cowboy, George McJunkin who lived in the late 1800’s/early 1900’s. He was enslaved as a child but was later freed. He worked to become a cow wrangler but was a scientist at heart. Fluent in Spanish, he had his own science equipment. He was also well respected and helped to resolve land disputes. He was the “go to guy” for things like that. In 1908 there was a big flood near the ranch he lived on. He went to check his fences and discovered a huge gully had opened up. Inside he saw huge white bones. Right away he knew they are ancient and might be bison. There was something cool about them. They were larger than contemporary bison. So McJunkin wrote to a museum and to several men and tried to generate interest in the discovery. But cars weren’t common and it was too hard for anyone to travel there easily. After his death, cars were more widely available, The two men he’d contacted drove out to investigate McJunkin’s discovery. Those men then contacted a museum. Not only had McJunkin found these bison, but after one of the skeletons was removed scientists found a spear point between the ribs. That changed what archaeologists knew about Native Americans. It proved that humans had coexisted with these animals much earlier than thought. It moved the date back by 10,000 years. McJunkin got no credit for the discovery. He was a Black male and a cowboy. There had been a bias towards the contributions of people who weren’t part of the majority. Only now is he finally being recognized.

CTB: Book research is great but sometimes the best resources are serendipitous and you find help in unlikely places.

Golden BuddhaSarah: My husband teaches at a high school. I was researching a story about a giant solid gold buddha in Bangkok. It was about nine feet tall and originally covered in concrete plaster. It wasn’t very attractive and was moved several times throughout its history. In the 1950’s it was being moved to a permanent display. As it was being lifted the cable broke and the buddha fell to the ground. The plaster cracked and revealed a statue underneath made of solid gold. Most of the stories I’d read were not from reliable sources. My husband introduced me to a student from Thailand. I asked for her help finding Thai sources. Turns out she lived close to the temple. When she went home on break, she began sending me photos, descriptions and notes from her conversations with monks at the temple. To get this right I then had to learn more about Thai history and who might have covered the statue. It turns out the Burmese were invading the territory so monks covered the statue with concrete plaster to keep it from being stolen. After a while, knowledge of what was underneath the plaster was forgotten.

CTB: So what’s up next? Is there a book we should be putting on our radar?

Sarah: Fairy Tale Science: Explore 25 Classic Tales through Hand’s On Experiments comes out in Fall of 2021. I’m so excited about it. It features twenty-five (25) tales, some well known, some international and lesser known. I start each tale with a synopsis which is tongue in cheek. Then I pull out the scientific questions. For example, could a pair of glass slippers sustain the stress of ballroom dancing? Could hair really hold the weight of a prince climbing up a tower? Is stone soup a mixture, or does it undergo a chemical change? Then I follow up with experiments the readers can do.

CTB: It’s a brilliant way to engage students by using something already familiar. But identifying science in fairy tales had to be a daunting task (and I’ll confess I’m sad I didn’t think of that first.)

Sarah: The book was hard to write because the research involved physics, chemistry, botany and astronomy among others. I thought, “What am I doing? I can’t write this!” But scientists tend to be specialized. Einstein, for example, was a genius but he had a hard time explaining his concepts to regular people. He didn’t understand why other people didn’t understand his research. So I decided I was the right person to write a book like this because I had to understand the science in order to explain it to the reader. If I’m looking into a subject I have to learn about concepts like buoyancy and sheer stress fractures. It was a super fun book to write. Plus I had the advantage of talking to a retired scientist who loved to talk about physics. At one point we were talking for an hour and a half each day. This book is very much in my wheelhouse. There’s a lot of making connections and finding something familiar to kids to draw them in.

CTB: Well now I want to dive in too. I’d like to thank Sarah for stopping by for an interview. In children’s literature, she’s become a science and history interpreter. Always well researched and engaging, keep an eye out for Sarah’s future titles to round out your S.T.E.A.M. book acquisitions.

Win a FREE copy of Accidental Archeologists: True Stories of Unexpected Discoveries.

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

 

Albee Science

Photo by Peter Frew

Sarah Albee is the New York Times bestselling author of more than 100 books for children. A graduate of Harvard University, her substantial body of work includes numerous preschool titles for Sesame Street, early readers and nonfiction for middle grade. Her work has been recognized by Bank Street College of Education Best Books selections, Notable Social Studies Trade Books, and Eureka! Nonfiction Children’s Book Awards.  To learn more about Sarah visit www.sarahalbeebooks.com. You can follow her on Twitter @sarahalbee

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Christine Taylor-ButlerYour host is Christine Taylor-Butler, MIT nerd and author of Bathroom Science, Sacred Mountain: Everest, Genetics, and many other nonfiction books for kids. She is also the author of the middle grade sci-fi series The Lost Tribes. Follow @ChristineTB on Twitter and/or @ChristineTaylorButler on Instagram