WNDMG

WNDMG Wednesday–Guest Post–Chad Lucas on Letting Boys be Boys

We Need Diverse MG
We Need Diverse MG

Artwork by Aixa Perez-Prado

This month on WNDMG, we’re excited to feature a guest post from author Chad Lucas. Chad’s debut middle grade, THANKS A LOT, UNIVERSE (Abrams Books), releases next week–May 11.

Thanks A Lot, Universe Book Cover

In a starred review, Kirkus calls it “tenderhearted and bold,” and furthermore:

“Featuring snappy dialogue from earnest tween voices, skillful prose guides this engrossing story from start to finish. The themes and social commentary found here are gentle and organic—never heavy-handed—and the plot’s antagonists are far from two-dimensional, expertly reflecting real-life human complexity for a middle-grade audience.”

— Kirkus Reviews

Letting Boys Be Boys

By Chad Lucas

Here’s one not-so-secret reason why I love writing for middle-grade readers: there is no one—I mean no one—more hilarious than a group of middle schoolers in their natural habitat.

Outside of writing, I get to interact a lot with boys between 10-13 as a basketball coach. When I’m in the gym with my team, two things usually happen at least once during every practice or game:

  1. Some kid will try something that makes me think, “Why on earth did you do that?”
  2. Someone—often the same kid—will make me laugh with my whole chest.

Middle school boys are a riot. They’re full of opinions and bursting with questions, like “Can you dunk, Coach?” (With these 41-year-old knees? Child, please.) In that dynamic phase between childhood and full-blown teendom, they’re a whirlwind of contradictions and energy—busting out rap lyrics, piling on each other like puppies, inventing elaborate five-step celebrations for when one of them blows past a defender or swishes from deep like Damian Lillard.

They can be so sophisticated and funny, yet sometimes they’re not sure if they want to grow up.

“Puberty is gross and weird,” one particularly exuberant sixth-grader said at practice one night.

“It’s a natural stage of life. Everyone goes through it,” I offered.

“Not me, Coach,” he declared. That was my big laugh for the night.

I’ve tried to harness some of that whirlwind in my debut middle grade novel, Thanks a Lot, Universe—both the angst of dealing with changes big and small and the sheer joy of boys being boys.

Now, I know that’s a loaded phrase. “Boys will be boys” has been used to downplay or dismiss some inexcusable things. But I’m also aware of all the mixed messages that boys—especially Black boys—receive on what it means to be a boy, and how the world will see and treat them.

Toxic masculinity is a powerful thing. So is the insidious racism that can turn a sweet, playful Black or brown kid into a “threat” in mere seconds. Our boys aren’t always allowed to be boys.

I know a book can’t single-handedly solve those problems. But I hope that readers who pick up Thanks a Lot, Universe will see some healthy representation of how complex and fully human boys can be.

My main characters, Brian and Ezra, are both ballers. Brian also struggles with social anxiety that grows into full-blown panic attacks after a family crisis upends his life. Meanwhile, Ezra wants to help but he’s still coming to terms with his crush on Brian, and he’s not sure he’s ready to let his friends know how he really feels.

One of my older supporting characters, Gabe, is a high-school athlete who ends up befriending Brian and Ezra for reasons I won’t give away here. I’ve had multiple readers tell me how much they love Gabe, and I think it’s because he’s equal parts swagger and vulnerability. That’s what I love about him, anyway.

Without being heavy-handed about it, I think it’s important to give boys permission to contain multitudes. They can be loud, sporty, sweaty, goofy… and they can be artsy, anxious, sensitive, soft. They can question their sexuality, or what it means to identify as a boy. It helps when they see that full range of representation in books.

And boys, especially Black and brown boys, deserve to see those many facets of their identities explored with joy. Of course, that doesn’t mean we writers should never address difficult topics; there’s certainly some angst and heartache in Thanks a Lot, Universe. But some of my favourite scenes involve Ezra—a queer, biracial Black boy—just riffing with his friends, piling on jokes that grow increasingly ridiculous until they collapse into absurdity.

In a world where kids like Ezra are often reduced to issues, threats or problems to be solved, writing stories where they just get to be boys still feels like a small act of revolution.

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Thanks A Lot, Universe

Chad Lucas has been in love with words since he attempted his first novel on a typewriter in the sixth grade. He has worked as a newspaper reporter, communications advisor, freelance writer, part-time journalism instructor, and parenting columnist. A proud descendant of the historic African Nova Scotian community of Lucasville, he lives with his family in Nova Scotia. In his spare time, he enjoys coaching basketball, and he’s rarely far from a cup of tea. His debut middle-grade novel THANKS A LOT, UNIVERSE (Amulet Books/Abrams Kids) releases in May 2021.

 

Thanks A Lot, Universe Book Cover

Thanks A Lot, Universe

Brian has always been anxious, whether at home or in class or on the basketball court. His dad tries to get him to stand up for himself, and his mom helps as much as she can, but after he and his brother are placed in foster care, Brian starts having panic attacks. And he doesn’t know if things will ever be “normal” again…

Ezra’s always been popular. He’s friends with most of the kids on his basketball team—even Brian, who usually keeps to himself. But now, some of his friends have been acting differently, and Brian seems to be pulling away. Ezra wants to help, but he worries if he’s too nice to Brian, his friends will realize he has a crush on him…

But when Brian and his brother run away, Ezra has no choice but to take the leap and reach out. Both boys have to decide if they’re willing to risk sharing parts of themselves they’d rather hide. But if they can be brave, they might just find the best in themselves—and in each other.

We Need Diverse Middle-Grade posts once a month, drawing on work from our own team of MUF contributors as well as from guest authors, editors, agents, teachers, librarians, and booksellers. You can count on our presence here on Mixed-Up Files to shine a light on the stories, work, and truth of all those who are still underrepresented in this field. You’ll be able to recognize our monthly posts by seeing our WNDMG  logo: the diverse world we envision. Our artwork is by contributor Aixa Perez-Prado.

Guest Posts for We Need Diverse Middle Grade

If you’re interested in being considered for a guest post slot on WNDMG, please feel free to email: mufcommunications@gmail.com.  Please Note: We do not pay for guest blog posts.

Amplify Black Stories

Amplify Black Voices

The Brown Bookshelf has partnered with the Highlights Foundation to produce a year-long program to support and amplify Black stories, storytellers, and publishers. The goals are to lift up Black creators and also confront industry challenges and foster change.

Amplify Black Voices

According to the program announcement,  Amplify Black Voices will feature monthly presentations from two distinct cohorts:

“The Storyteller cohort includes debut, midlist, and vanguard Black authors and illustrators across all children’s literature genres and formats, at no cost to the storyteller. Discover the 24 storytellers in the cohort.

The Publishing Teams cohort includes a diverse and inclusive gathering of executives, editors, and marketing and design staff from publishing houses. Our sponsoring publishers and organizations have empowered and funded Black creators and staff to participate while supporting this collaboration to dismantle the systems of racism”

Amplify Black Voices

Diversity in MG Lit #26 Moving and Migration April 2021

Moving is a watershed experience in a young person’s life whether it is across town or across the world. Here are six recently published or soon to be published diverse books about moving and migration.
book cover Letters from CubaOne of my favorite things about historical fiction is the window into seldom studied chapters in history. Letters from Cuba by Ruth Behar is an epistolary novel about a Jewish refugee putting down roots in Cuba while working to bring the rest of her family out of Poland during the horrors of the Second World War. Twelve year old Ester narrates her new and mostly welcoming life in Cuba in letters to the sister she left behind. It is based on the author’s own family story. (Published Aug 2020. Nancy Paulson Books, PRH)
Land of Cranes by Aida Salazar is a contemporary refugee story set along the US-Mexico border. In spare and haunting verse, nine year old Betita tells the story of her family, fleeing the drug cartels of Mexico to find refuge in Los Angeles, only to fall into the hands of ICE and suffer detention and deportation. There are a few graceful line drawings to fill out the pages with the shortest poems. It’s not an easy story to read but the format encourages taking it slow and asking questions along the way. Though the narrator is on the younger end of the MG spectrum I’d recommend this one for older readers. (published Sept 2020, Scholastic Press)
book cover While I Was AwayWhen I was in in the late 70s and 80s I had a friend who, like debut author Waka T Brown, traveled to Japan to stay with grandparens regularly in order to keep his language skills and connection to his family culture fresh. I remember his complex feelings about the whole thing. Pride in his culture, love for his grandparents who seemed fiercely strict to me. But sadness at missing summer camp with his scout troop. I remember that kids teased him about his proficiency in martial arts in an era before martial arts were popular. But I also remember how impressed we all were by his fluency in Japanese and the way he drew kanji with a brush pen. I loved how While I was Away by Waka T Brown captured all the beautiful complexity of being a bicultural kid moving between Kansas and Japan and finding things to love in both places. A very promising debut.  (published Jan 2021, Quill Tree Books, HC)
The Year I Flew Away by Marie Arnold is another debut novel. This one centers on ten year old Gabrielle who has moved to New York from Haiti. She faces the usual struggles, living with relatives she doesn’t know well, learning English, navigating the usual schoolyard teasing. What makes this one stand out is a fantastical element. An encounter with a witch who offers Gabrielle the ability to assimilate by magic. Though she knows better she makes the bargain only to learn what it cost to lose her heritage. A sweet story with a satisfying conclusion. (published Feb 2021, Versify, HMH)
book cover UnsettledUnsettled by Reem Faruqi is a novel in verse about the experience of coming to America from Pakistan. One of the things I appreciated about this book is the role sports played in helping Nurah and her brother feel at home and gain new friendships. There are many reasons to support sports and the arts for children in schools, one of them is the role they play in helping our diverse student populations find common ground and things to strive for together. I was happy to see a glossary in the back along with a recipe for Aloo Kabab. (soon to be published May 2021,
You may have noticed that so far every protagonist I’ve reviewed has been female. I’ve been paying more attention to gender balance on the bookstore shelves at Annie Blooms in the last year. I’d been hoping for more than this one new book about a middle grade boy on a great life journey. However, Ahmed Aziz’s Epic Year by Nina Hamza is the only recent book on this theme I could find. (If I’ve missed a good one please mention it in the comments.) It’s a charmer though. Ahmed was a bit a slacker in his old school in Hawaii but in Minnesota, he’s challenged in ways he wasn’t before. I especially enjoyed how the author weaved in the characters thoughts about three MG classics I’ve loved all my life–Holes, Bridge to Terebithia, and From the Mixed Up Files of Mrs. Basil E. Frankweiler.