Publishing & Promotion

Librarians and Teachers, Take Note! Debut Author Groups Are Great Resources

By on June 20, 2018   /   Author Interviews, For Librarians, For Teachers, For Writers, Publishing & Promotion  

Kidlit authors Julia Nobel (Novel Nineteens) and Joy McCullough (Electric Eighteens) talk to us about how you can take advantage of author debut groups to introduce the year’s hottest new fiction to your middle-grade readers.

Author debut groups are a great way for librarians and teachers to get an early preview of books coming out for kids. They also help educators get to know their authors more personally. “I think debut groups can really help the children’s book market in general,” says Julia Nobel. Nobel founded the Novel Nineteens for middle-grade and young adult authors debuting in 2019. “Some books that might be overlooked get more exposure because there are a lot of other authors talking about them.” Nobel, whose first novel for middle graders, THE MYSTERY OF BLACK HOLLOW LANE appears next year, says that some debut groups concentrate on marketing. Others are focused on mutual support. They all share a mission to introduce their books to new readers.

Joy McCullough is a member of the Electric Eighteens whose debut verse novel BLOOD WATER PAINT published this year. McCullough says debut groups are a place for authors “to ask questions, vent frustrations, and remember that whatever we’re going through, someone else is probably going through the exact same thing.”

“Writing can be a fairly solitary experience,” McCullough says. “When going through the publishing experience for the first time, that solitude is paired with heaps of anxiety and uncertainty and the unpredictable, uncontrollable nature of the publishing business. Having a group of people who are all on similar journeys and timelines can be incredibly comforting and encouraging. There are no expectations to promote each other’s books, though that happens organically as we form relationships with each other and read each other’s books. But the primary purpose, as I see it, is as a support group.”

For Librarians and Teachers: School Visits, Giveaways, and Personal Author Connections

Debut groups offer a wealth of information for teachers and librarians looking for new fiction to share with young readers. The groups’ websites provide summaries of the novels, author bios and social media links. There are also opportunities for giveaways and promotions. This year, Nobel added a feature to the Novel 19s website specifically for teachers and librarians.

Nobel says the feature includes “an author locator for those of us who do school visits, and a list of comparative titles (in case you’re looking for a new book that’s similar to Harry Potter). It also features a document that organizes books thematically. So, for example, if you’re looking a book with LGBTQIA+ characters, you will find a list of titles to explore.”

Use the Hashtag: #Novel19s

Librarians and teachers can also plug in the debut group’s hashtag to keep up with other resources, contests, and giveaways.

“We are really encouraging our authors use the hashtag when they are doing giveaways,” Nobel says. “That way, people can easily find them. Type the phrase #Novel19s into the Twitter search bar. You’ll find authors who are doing book giveaways, pre-order thank you gifts, newsletter goodies, and lots more. You’ll also be able to find new authors you want to connect with. A lot of us love interacting with educators on social media!”

McCullough agrees. “New authors are a great opportunity for schools and libraries to get in on school and Skype visits with an author at the ground floor. It’s important for authors to be paid for these visits. But at the same time, brand new authors are often charging lower rates. And some may not be charging at all as they get their feet under them with school visits. As for things like teacher guides and mailing lists, authors are super eager to connect with teachers and librarians. Author newsletters are a great source of insider info. You’ll find information on the process of publishing, extra content, and a way to connect with authors. A teacher or librarian who reaches out to a debut group asking for swag, teacher guides, etc., is likely to get lots of response!”

Big Trends in Middle Grade

I asked McCullough and Nobel if they were seeing any themes or trends in middle grade books debuting in their respective years.

“Contemporary is king in 2019! The majority of MG books in our group are set in our current time and place,” Nobel says. “Although a handful of those have a twist of magic thrown in. There are only a few fantasy novels, but they really are exceptional. Family dynamics are a common theme in every genre. So is dealing with loss. I’m excited by the number of different ways authors are approaching both those themes. With subjects including the war on drugs, baking competitions, secret societies, and living with nuns, no two books are alike, that’s for sure!

McCullough adds, “It’s been strange for me to debut as a young adult author, since I wrote a ton of middle grade before I got my debut. As a Pitchwars mentor, I’ve always worked with middle grade authors. I really feel like I am a middle grade author! Some middle-grade stand-outs [from 2018], from what I’ve read so far, include PEASPROUT CHEN: FUTURE LEGEND OF SKATE & SWORD by Henry Lien, THE THREE RULES OF EVERYDAY MAGIC by Amanda Rawson Hill, PS I MISS YOU by Jen Petro-Roy, THE UNICORN QUEST by Kamilla Benko, and LOVE SUGAR MAGIC by Anna Meriano. A few I’m super excited to read include EVERLASTING NORA by Marie Miranda Cruz, MEET YASMIN by Saadia Faruqui, FRONT DESK by Kelly Yang, THE HOTEL BETWEEN by Sean Easley.

A Community for Writers

Debut groups also offer a huge learning opportunity for writers. McCullough says, “It’s been fascinating to see the very wide a range of experiences in the publishing journey. It’s really helpful to have fellow travelers on the journey. It’s also incredibly important to keep your eyes on your own suitcase.” Nobel concurs. She says she’s amazed how many authors genuinely want to support each other. “There are a lot of people taking time out from their extremely busy schedules to work on the website, host Twitter chats, and create documents. Or to simply be there to answer questions and offer support. So far it’s been really great!”

Visit the Electric Eighteens at www.Electriceighteens.com and the Novel Nineteens at www.Novelnineteens.com.

**

Julia Nobel is a middle grade author from Victoria, Canada. Her childhood obsession with The Babysitters Club turned into a lifelong passion for reading and writing children’s literature. She offers writing master classes and courses for writers in all genres. Nobel was also a Pitch Wars Mentor in 2017. Her 4-year-old daughter likes to help her write by unplugging her computer and pressing the escape key. Her debut middle grade novel, The Mystery of Black Hollow Lane, will be published by Sourcebooks Jaberwocky in Spring 2019.

http://julianobel.com; @nobeljulia

 

Joy McCullough writes books and plays from her home in the Seattle area, where she lives with her husband and two children. She studied theater at Northwestern University, fell in love with her husband atop a Guatemalan volcano, and now spends her days surrounded by books and kids and chocolate. Blood Water Paint is her debut novel.
www.joymccullough.com; @jmcwrites

 

 

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Dreams and Rejection in the Writerly Life

By on May 9, 2018   /   For Writers, Publishing & Promotion, Writing  

Last night, I dreamed I was at a resort. There was some sort of reception on a beach, and people from my high school were there. Everyone spoke to me, even the ones I had perceived as more popular, more attractive, more intelligent, more likeable than me in high school.

Someone called for the group to move toward the restaurant, and we did. Once inside, the tables filled quickly with groups of friends, chatting, taking seats, and saving chairs for others.

I couldn’t find a seat.

I asked at one table, and the friendly chatter ceased. A woman shook her head “No” and placed an arm over an empty chair, guarding it. Not quite sure how to deal with this shifted level of acceptance, I went to the buffet, where instead of a plate, I was handed a brown paper bag.  I filled the bag with fruit, cheese, and bread, and then took it outside to sit alone on the grass. I fed the bread to the birds nearby.

Now, I know where this dream originated.  It came from two fresh sources.

First, I had a book launch this past week. A high school classmate, who was and still is a dear friend, came the book signing, which happened to be in her town, two hours from where we both grew up. We posted pictures of us together on social media, and as a result, high school friends commented. Even ones I had perceived as so much more popular, attractive, likeable … you get it.

Second, a writer friend this week posted a research question on a writer’s group page. She asked, “At what age do you think children start being exclusionary when it comes to allowing others to sit at their lunch table?”

So, the dream – with its themes of acceptance and rejection – had solid origins. Still, when I awoke, I was amazed by how very real, raw, and current old feelings (and I mean old; high school was a long time ago) could be. As a writer of books for young readers, I feel fortunate that I can recall what it felt like to be thirteen, fourteen, even ten.

And then it occurred to me that maybe it’s because I am writer that I’m still able to connect in such a visceral way with feelings of rejection. Rejection, after all, is a large part of every writer’s life. If it’s not, you’re not putting your writing out into the world.

Early on, writers face lots of rejection. Nearly every book published was once (or twice or twenty times) rejected. We’ve all heard (various versions of) how many times J.K. Rowling was told “No, thanks” before the Harry Potter series was published.  We’re rejected by editors, by agents, we don’t win contests, we send our work out into the world and … crickets.

But even amid success, published authors continue to hear that their work, or sometimes worse yet, they are not wanted or needed. We create brilliant proposals for workshops, we apply for faculty positions at conferences, we hope to be invited, included, asked, or needed. And sometimes, we get what we hoped for. And often, we don’t.

The inimitable Jane Yolen – you might know that she’s now published more than 365 books in her career, hence #Yolen365 – frequently posts her rejections on Facebook. Yes, publishers reject Jane Yolen. Even today. She reminds us that you’re never too successful to cease the hard work that made you successful in the first place. You must put yourself and your work out there. Often. Even if it means you’re rejected more often.

So, in Jane’s spirit, I’ll give you a glimpse into my year so far: I’ve had 5 manuscript rejections and 2 offers. I joined a stellar cast of authors to create a well-thought-out STEM-related panel proposal at a major national education conference – and we were rejected. I’ve applied for faculty positions at four writing conferences – and I’m happy to say that I’ll be on the SCBWI Regional Fall Conference faculties in Ohio and Wisconsin, but not in two other states. I applied for a prestigious children’s book festival and was rejected. I admit, it was a little difficult seeing fellow authors post their pictures from that festival, but I am invited to four other book festivals in 2018. I applied for and was accepted into a select program for published picture book authors. I’ve stretched my wings with a submission in a brand new genre (for me), and I’m patiently, but realistically, waiting to hear about that.

If I could go back to sleep and reenter that dream, I’d confidently approach another table. I’d find someone else who looked alone, I’d smile and introduce myself to someone. In other words, I’d try again.

We can’t let rejection isolate us. We can’t let self-doubt creep in. Writers must persevere even when it feels easier to give up. Otherwise, we find ourselves alone, feeding our dinner to the birds.

 

 

 

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Book Fairs: Forging Connections Between Authors and Readers

By on December 15, 2017   /   Articles, For Librarians, For Teachers, For Writers, Publishing & Promotion  

As an author and as a parent, one of the school activities I love most is the book fair. This chance to watch our readers as they browse books and talk about what they’re connecting to is invaluable; it provides a unique peek into what they love about books and characters that I don’t get anywhere else. Obviously, there are other tools and even metrics to measure what’s resonating with our middle grade readers, but book fairs are just special.

Recently, in an effort to enhance the book fair at my children’s school, I piloted a new program called “Meet the Author.” I stole the idea from another book fair I had worked with in Oro Valley, AZ, where their week-long event included two full days of classroom visits from authors whose books were being sold at the fair.

It was a wonderful way to immerse the students in the whole process of publishing—from the crafting and editing of a book to the actual purchase. The visits also offered readers who were able to purchase the authors’ books a tangible reminder of the visit—personally autographed books! The difference between these and the typical author school visit was that it all happened in the classrooms, which provided a more intimate visit than is usually manageable when you pack an entire grade level into a large room.

The event took a lot of heavy-lifting: months of organization and two long days of managing a roster of authors and parent volunteers who could escort our visitors around the school. But oh, the results. Kids were excited and energized; brand new authors were born in every classroom. It was truly wonderful to watch.

When I imported the idea to our school here in northern Virginia, I started small: no budget and only one author for one grade level presentation. I had to depend on the kindness of an author who would be willing to speak for free and still be willing to sign books afterward. That author was Leah Henderson, author of ONE SHADOW ON THE WALL.

Leah was fabulous. Her presentation was interesting, engaging, and interactive. The children loved her slide show, which included photos of Senegal, where her novel is set. They really plugged into her questions, competing with each other to identify which of her geographically diverse photo slides were in Africa.

Even better? Our 6th graders gained a valuable and exciting connection between the book they saw on the shelves at the book fair and the in-person visit from the actual author—the face of the artistry behind the pages.

“Whenever someone can build a connection with a book they’re more apt to pick it up the next time they see it—often curious what other connections they may make. Having a ‘Meet the author’ event before or during a book fair is a wonderful way for students to hear the behind the scenes in an author’s book journey.”

                                                     –Leah Henderson, ONE SHADOW ON THE WALL

It’s important to note here that the experience itself—an author visit—wasn’t new for us, nor would it be for most schools that want to try this. Our school in particular is very fortunate in that we have an active librarian who schedules author visits as often as her budget allows: we’ve met some pretty amazing, well-known writers. But this was unique in that the author’s work was on sale at the book fair, so everything happened in real time: students saw the book on the shelves at the fair and heard about it in person. They got to interact with the author. Many bought the book and got it signed, much like bookstore signings, which not all children get to attend.

One student said afterward, “It was very interesting to hear how she was inspired to write the book and I liked that she focused on that instead of giving spoilers about what the book was about. That was really good.”

Another said, “I was interested to find out what it takes to get a book published. It takes a lot longer than I thought, and I didn’t know that before we listened to Ms. Henderson. She was a great speaker.”

What motivated me to share this with all of you is twofold: 1) I wanted to encourage all of you who get to work with school book fairs to consider this idea (if you haven’t already); 2) I wanted to thank all the authors who are willing to cut or eliminate their speaking fees entirely when they are being courted by a local school or a speaker program with no budget. I understand that for many of us, speaking fees are a vital part of our income and we can’t make ends meet without them, certainly not when it involves travel outside our region. But the fees can also be prohibitive. I was so grateful to Leah for her generosity because I had no budget at all; any speaker fee would have come from my own pocket, which I couldn’t do. But the value of Leah’s visit was priceless for our kids, and, I can confirm, gained her some new fans. And if we’re lucky? A few new authors were born that day.

Happy Holidays to all of you, and here’s to a 2018 full of great books and good cheer.

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