For Writers

Taking Stock of Writerly Weaknesses and How to Avoid Overwhelm

By on October 9, 2019   /   Articles, For Writers, Writing, Writing  

One of my graduate students once told me that as she was reading a craft book on writing, she suddenly felt that everything she read about was a technique that she had failed to apply to her work-in-progress.

I laughed with recognition. It’s like a medical student who thinks she has every disease in her textbook.

This can feel a bit dire, even scary, as well as a little overwhelming.

However, just like a solid protagonist, you must comfort your flaws in order to achieve growth.

Today, my musings will be posting on Yom Kippur, the holiest day of the year for Jews. And I will sit in synagogue and take stock of my behaviors, actions, and habits. This is a designated period of forgiveness as well as renewal.

As a writer, I try to also take stock of my areas of weaknesses and consider practices I might like to change. It is one of the greatest joys in writing—this idea that we can always grow, always learn.

But how to stop the overwhelm of it all?

Once when I was in graduate school, I visited my professor and I was really upset. She had read my submission, and I felt she had been too easy on me. “But what about setting?” I said. “I’m horrible with exposition. And my characterization and my rhythm and… and… and…”

She told me to take a deep breath and realize that it’s crazy making to try to fix everything all at once. Read a chapter for just one or two issues. For example, you could look at it to see if the dialogue sounds naturalistic and then edit with that in mind. Then you could examine how you’re dealing with tertiary characters, for example.

But after you’ve looked at a few craft areas, she recommended putting the piece down for a bit.

Although I didn’t believe her at the time, I do now.

There is be wisdom in putting your WIP on pause. You might, after a few months, have fresh eyes on your writing project. This does not mean to give up. Sometimes a little vacation can be healthy. You might even keep a notebook and, as you get an idea for revision, write it down, but not actually apply it right away. The WIP can be something you can attack when you feel ready and excited about it.

So, I guess, what I’m saying is take stock of what you want to fix in life, and in writing, but don’t feel like you need to remedy it all at once.

Tomorrow, PG&E will shut off my power for two to five days (I live in a wildfire area of California). It feels appropriate to me, on this day of awe, to take a pause, a break.

Although it seems a bit daunting, I’m actually looking forward to it.

Hillary Homzie is the author of Ellie May chapter book series (Charlesbridge, 2018), Apple Pie Promises (Sky Pony/Swirl, 2-18), Pumpkin Spice Secrets (Sky Pony/Swirl, 2017), Queen of Likes (Simon & Schuster MIX 2016), The Hot List (Simon & Schuster MIX 2011) and Things Are Gonna Be Ugly (Simon & Schuster, 2009) as well as the Alien Clones From Outer Space (Simon & Schuster Aladdin 2002) chapter book series. During the year, Hillary teaches at Sonoma State University and in the summer she teaches in the graduate program in childrens’ literature, writing and illustration at Hollins University. She also is an instructor for the Children’s Book Academy. She can be found at hillaryhomzie.com and on her Facebook page as well as on Twitter.

Back to Top

Book Festivals: Are They Worth the Time and Travel?

By on September 27, 2019   /   For Writers, Publishing & Promotion  

Photo by Laura Hays Hoover

Take a look at that picture. There’s a lot happening there. A lot. It was taken at the annual Ohioana Book Festival, held each April in Columbus, Ohio. Featuring 150 authors from all genres, it’s a flurry of literary hoopla.

Book festivals happen in major cities and small towns across the country each year. Fall seems to be a particularly popular season for book festivals, so I decided to devote a few minutes to dissecting the costs and benefits of book festivals – for authors and consumers alike.

So what’s in a book festival for…

Teachers and Librarians?  Uh, well, books!  It’s no secret that teachers and librarians love books. They love to read and collect them, and they, above all others, are usually interested in learning what’s new in world of literature. In order to remain fresh and interesting, most book festivals only offer slots to authors who have a new book, released within the past year, or sometimes two. Book festivals are a great way to see, hold, and peruse the newest releases.

Teachers and librarians who are looking to hire authors to speak at their venues can do a little reconnaissance at a book festival. Talking face-to-face with a potential speaker can provide lots of good information about their enthusiasm and their potential to captivate with your audience – something that’s hard to gauge from a website.  Sometimes, teachers and librarians might connect in person with an author they already know via social media. It was great to meet the real Ms. Yingling from Ms. Yingling Reads, a favorite middle-grade book blog, which you can find HERE.

Can you see the mutual admiration?

Parents and Families?  Most book festivals are family friendly, with kids corners and teen scenes and reading rooms and roaming storybook characters and face painting and food – of course, there must be food. I love watching families come by my table. I eavesdrop and hear young readers tell their parents “I read that at school” or “I love that author!” I hear families talking about what books to read together and what books to add to wish lists. I see parents getting a better understanding of their child’s likes and dislikes when it comes to reading. And I see lots of tigers, butterflies, and dragons on faces where the smile didn’t need to be painted.

Young readers get artsy making thaumatropes at the Buckeye Book Fair in Wooster, Ohio.

Authors and Illustrators? While attending a book festival is usually free for consumers, the cost of participation may vary for authors and illustrators.  Most book festivals don’t charge authors a fee, but participating authors are carefully selected by the organizers in order to reflect a wide variety of genres. Authors and illustrators are sometimes invited and sometimes they apply. If invited or accepted, authors must consider the cost of an entire day away from their work and travel and, sometimes, lodging near the venue. Some authors find that only a handful of their books were sold after hours of sitting behind a table, engaging in lively conversation with potential consumers. It can be exhausting. But, creators must consider the benefits of attending a large book festival, and there are many. Authors and illustrators often work alone. It’s good to get out of writing caves and interact with the very people for whom we write.  Meeting our audience gives us connection and puts faces to the vague terms “readers” and “middle-graders” and “consumers.” I also have to say that connecting with fellow authors is inspiring and refreshing. I look forward to several festivals a year because I know I will see other authors. Finally, I’ve been invited to many a school or library after meeting a teacher or librarian at a book festival, so often the benefits more than outweigh the cost of travel and lodging.

Nancy Roe Pimm, Julie K. Rubini, Cynthia A. Crane, and Michelle Houts participate in a Middle-Grade Biographies Panel Discussion at the 2019 Ohioana Book Festival

Catching up with children’s nonfiction author Mary Kay Carson at Books By the Banks in Cincinnati

 

 

 

 

 

 

 

 

 

 

 

It would be impossible to list every great book festival in the U.S. here, but I’ll start us off with a few that I’ve attended or hope to attend someday. In the comments below, please add more! And whether you’re a teacher, librarian, parent, author, or illustrator, I hope you’ll consider spending a day at a book festival near you. You just never know who you’ll meet!

Who knew Darth Vader was a Charley Harper fan?

A Short List of Book Festivals – add more in the comments below!

Ohioana Book Festival –  April – Columbus, OH

Southern Kentucky Book Fest – April – Bowling Green, KY

Hudson Children’s Book Festival – May – Hudson, NY

Claire’s Day – May – Toledo/Maumee, OH

Chesapeake Bay Children’s Book Festival – June – Easton, MD

Sheboygan Children’s Book Festival – September – Sheboygan, WI

Princeton Children’s Book Festival – September – Princeton, NJ

Books by the Banks – October – Cincinnati, OH

Warwick Children’s Book Festival – October – Warwick, NY

Chappaqua Children’s Book Festival – October – Chappaqua, NY

Texas Book Festival – October – Austin, TX

Twin Cities Book Festival – October – St. Paul, MN

Buckeye Book Fair – November – Wooster, OH

Kentucky Book Fair – November – Lexington, KY

Rochester Children’s Book Festival – November – Rochester, NY

Wordstock – November – Portland, OR

Western New York Children’s Book Expo – November – Buffalo, NY

Back to Top

Writing MG Nonfiction: Top Researching Tips

By on September 13, 2019   /   For Writers, Writing  

I think half the fun of writing MG nonfiction is done before ever beginning to write. It all begins with research. I love to do research. I can spend hours just searching for that one really weird fact that sends me down another research rabbit hole. Those strange and little-known facts are what grab kids attention and what makes your book stand out from the rest. So research is not work to me—it’s really fun. And what it ultimately leads to is the story behind the facts. You want to get to that story . . . it’s what really hooks young readers.

Through working in publishing as an editor and solo as a freelance writer/editor, I’ve gathered some very reliable resources of interesting information that I either use on the book I’m writing or that I tuck away in my “future book ideas” file. I write a lot of science- and history-focused books, so here are some of the best resources I’ve found to help me with that research. Feel free to add some of your top research resources in the comments.

 

Library Databases: Free to access (with a library account) and filled with a wealth of information, library databases can be accessed either online or onsite at your local library. You can search academic journals, historical newspapers, scientific collections, historical collections, government publications, maps, music, and much more. Onsite databases offer even more than what libraries have online. Most writers wouldn’t be able to afford one or two of the subscriptions to these databases each year, but libraries can offer them free to the public. You just have to know where to look on their website or on computers in the library—and librarians are always willing to help you find the best databases for your research needs. Here are just a few of the many databases available through my local library’s online resources:

  • Birds of North America Online: Life histories of bird species breeding in the U.S. (including Hawaii) and Canada, including maps, images, videos, and audio files of songs and calls.
  • EBSCO Megafile: Magazine and journal articles, reference books, and images. Provides general and academic coverage of multiple subjects including science, technology, religion, philosophy, psychology, and business.
  • General Science Collection (from GALE): Full-text articles from journals on physics, mathematics, nanotechnology, geology, chemistry, biology, and more.
  • National Geographic Virtual Library: Full-text magazine articles. Includes books, maps, images and videos. Goes back to 1888.
  • New York Times, Historical: Digitized images from the original newspapers, New York Daily Times (1851 – 1857) and New York Times (from 1857 on, except the most recent 4 years).

 

An LOC image of Wilbur Wright gliding in level flight, moving to right near bottom of Big Hill; Kitty Hawk, North Carolina

Library of Congress: I am constantly findingnew treasures on the Library of Congress website. Whether it’s a historical photograph that helps me describe a hunting scenes and near-extinction of buffalo and bald eagles in North America or Civil War maps that help me understand more about the history of the war, this site is packed with primary sources that can be used not only for research on the topic, but also for free historical images that can be used in your book. It contains digital images, music, and manuscript collections; reference guides for researchers (like this one on natural disasters); great backmatter inclusions, like this list of sites for kids and families, turn-of-the-century films of San Francisco before and after the great earthquake and fire ; articles with links and images about important inventions, like the Wright brothers’ airplane and first flight; or the America’s Story site for student use.

 

Google Alerts and GoogleScholar: If I’m working on a particular topic, I’ll set up a Google Alert on the topic. This is particularly helpful when writing about current topics that are affected by daily events. The alerts send me links to the latest news articles and research papers on the topic. For example, I found this really useful when writing a book about exoplanet discoveries, as new planets are being discovered on a daily basis. I use Google Scholar to search academic journals for the latest research.

 

Research Papers (Lead to Interviews and Much More!): Not only great for primary source information and data to support your arguments, research papers are a goldmine for interview leads. They always include author information, sometimes even email addresses for the scientists who led the study and wrote their analysis. If not, by digging a little further, you can usually find contact information through a scientist’s listing on the university website of where they work. I have gotten many interviews with top scientists in their field this way, and the majority are thrilled to speak with me. Many will even send me other papers relevant to my topic, or not-yet-published results from some of their studies.

I found this incredible photo through a research paper on earwigs and their intricate wings.

Research papers may also include photos and diagrams related to the study. Some include a release for media professionals or contact information for media inquiries. I’ve never had a problem getting permission to use these images in the books I write, and since they are so specific to the topic, they can show exactly what’s described in the text (rather than the typical stock images, which is often what publisher’s use when specific images are not available). Authors of these studies will often send me laboratory photos to use in my books as well, which cannot be found elsewhere. For example, for a book on animal and plant longevity, a scientist studying Greenland sharks sent me the most amazing photos of him tagging the sharks for further study and of the shark’s eyeball (which is used to determine its several centuries-old age). Scientists rock! Their willingness to help authors educate others leads to some of the most interesting angles and stories behind the data of their studies.

And just a few more . . .

Digging deeply into your research will lead you on pathways you had no idea existed for your book. So have fun and dig as deep as you can as you work on your nonfiction. Kids will notice your work!

Back to Top