For Teachers

All the Fall Feels

As a society, haven’t we all fallen hard for fall in recent years? Perhaps our interest in autumn emanates not just from sweater weather, football games, and fall food favorites, but from the amazing array of emotions that comes with fall. It’s a strangely paradoxical season when you think about it: summer ending, school beginning; energetic colors that burn fiercely before a quick fade; the beginning of the end of another year.

No matter the weather, temperatures, or number of pumpkins in fields near to you, fall in our hemisphere signifies the passage of time; so all those autumn connotations can hold plenty of meaning. No wonder we all want to stroll through leaves and reflect with our you-know-what-spice latte in hand. Thankfully, autumn gives us the ways and means to mindfully reflect on seasons and transitions. For example, we might have a little more home-time with longer stretches of dark. Families settle more deeply into the routine of the school year. And a chill in the air helps along a more meditative feel as we cozy up in hoodies and fleece.

Middle graders are at an excellent age developmentally to take on some of that mindful reflection. They still have a festive appreciation for changing leaves and upcoming holidays, but they are also developing daily their sense of how time passes (as evidenced in their connection to school planners and bell schedules).

For all those reasons, the atmosphere associated with autumn can be inspirational, and you might use that vibe to incorporate some middle grade fall-themed celebratory reflection, writing, and reading in your ELA or homeschool classroom or in your library.

Fall Reflection

  • If permitted to so in your educational setting, students might benefit from experiencing a guided walk outside looking for evidence of the change of seasons.
  • If not, consider video and audio that encapsulates images of seasonal change pertinent to your region—or explore what fall means in other places.
  • If your setting permits independent reading or research into themed topics, consider investigation into the historical importance of the harvest to community and society, the cultural history of Halloween, the notion of “playing” with time in the interest of more daylight, and why pumpkins hold the cultural significance the do. Here are some reads for student interest:

An article with explanations and examples of hygge ; ideas and images for fall based on hygge

Cool facts about and images of pumpkins

A discussion on why we “fall” back and reset clocks in November

An article on the origins and history of Halloween

Fall Writing

Sensory imagery writing is a natural choice for fall; weather, clothing, meals, the look of the light and landscape all set the senses astir. Take students through some imagination activities or pose leading questions about the feel of cold air in the nose, the sound of geese flying south, the surprising heaviness of a jacket after warm days turn chilly. Put imagination generation to work with prompts, discussion, story starters or setting descriptions.

Some autumn-themed quotes for prompts or reflection:

  • “Of all the seasons, autumn offers the most to man and requires the least of him.” – Hal Borland (American writer, journalist, and naturalist)
  • “I’m so glad I live in a world where there are Octobers.” – L.M. Montgomery, Anne of Green Gables
  • “No spring nor summer hath such grace as I have seen in one autumnal face.” – John Donne, English poet and scholar
  • “Every leaf speaks bliss to me, fluttering from the autumn tree.” – Emily Bronte, English novelist
  • “Life starts all over again when it gets crisp in the fall.” – F. Scott Fitzgerald, The Great Gatsby
  • “Winter is an etching, spring a watercolor, summer an oil painting and autumn a mosaic of them all.” – Stanley Horowitz

 

Fall Reading

Cozy up with some sustained silent reading (or individual listening via audio device) afternoons over the next several weeks in your classroom or library. If permitted in your setting, consider allowing students to bring blankets, warm cocoa, apples or other autumn snacks, or other small comfort factors to enhance the hibernation vibe (without the actual hibernating, of course!) Relaxing with a great book might benefit MG readers ready to experience all the fall feels.

Here’s a varied mix to make the most of fall—some set in autumn, some that feature the passing of symbolic seasons of life, some with reflection and gratitude themes:

The Brilliant Fall of Gianna Z by Kate Messner – Gianna’s chances of attending a cross-country tournament depend on her successful completion of a science project requiring the collection of 25 fall leaves.

Turtle Boy by M. Evan Wolkenstein – Introverted 7th grader Will Levine is inspired by RJ, a boy with a terminal disease whom Will meets during his bar mitzvah service project, and takes up RJ’s “bucket list” of adventures.

  Stella by Starlight by Sharon M. Draper – In the autumn season of her 11th year, Stella Mills confronts racism while navigating the challenges of school, family life, and friendship.

Hurricane Season by Nicole Melleby – Sixth grader Fig contends with her father’s mental health challenges during hurricane season in their beach town. (Scholastic notes this book as having mature content.)

October October by Katya Balen – Autumn imagery abounds in this novel featuring 11-year-old October, a girl raised in the woods by her father but compelled to join her mother in busy London after a fateful accident.

The Truth as Told by Mason Buttle by Leslie Connor – Mason Buttle lost his mom, his grandfather, and his family orchard–along with his best friend Benny. When his current best bud Calvin goes missing, Mason faces loss, harassment from local bullies, and other challenges with pluck and gumption.

Alone by Megan E. Freeman – Twelve-year-old Maddie wakes to discover that her Colorado town is inexplicably abandoned. She must keep her wits and find the courage to survive as the months pass.

Enjoy, and please share your cozy, contemplative MG reads in the comments!

 

Hop Down the Rabbit Hole

Writing is tough.

Writing is tough. At any level. From learning to put one word after another (and in order!) to construct one meaningful sentence to the classic high school essay to writing award-winning books, it isn’t easy. It’s a rewarding kind of tough, though. Challenging but rewarding as most creative ventures tend to be.

The blank page can be a fearsome opponent. The nothingness intimidates. One of the magical rewards of writing is overcoming the mountain of blank space with a word or an idea. The breakthrough lets the creative gears fall in place and allows the river to flow. 

Perhaps as daunting as the blank page is a second barrier to writing. Its roots lie in the way we are taught to write from day one in elementary school. It’s constrained, tightly-focused writing. The expectation a well-written sentence has to come out of the gate and hit the center target with great precision using a minimum of words. Don’t get me wrong, focus is an absolute in teaching beginning writers. What would written communication be like if we all wrote exactly like your favorite five-year-old breathlessly telling the story of how the clown at the birthday party tripped and popped the balloon elephant he was making which scared the magician’s rabbit who escaped and pooped while hopping across the birthday cake? 

So, out of necessity, we are taught to write tight from the beginning. We are taught we must not take a false step off the path or else, like in Bradbury’s A Sound of Thunder, we crush a butterfly and scramble the entire space-time continuum. But what happens when we’re ready to take a step and can’t see even a hint of a path? Like with the blank page, we can get stuck. Paralysis by analysis. 

See? Writing is tough.

So, what’s the remedy?

Well, we first need to loosen the thumbscrews of the deeply ingrained idea of user-focused writing. We need a distraction to help us step back and attack the blank page and/or the paralysis of a constrictive focus. Pull back and give yourself some space. That’s what drafting is. It’s finding your way but on a wide and sometimes rambling path.

(Psst, come closer. I don’t want the writing police or your high school English teacher to hear this.) There are also rabbit holes! Yes! The dreaded rabbit hole can help your writing in more ways than you think if you use them with discipline and measure. 

This image has an empty alt attribute; its file name is 640px-Down_the_Rabbit_Hole.png

John Tenniel, Public domain, via Wikimedia Commons

The rabbit hole of research is one of my personal favorite places to hang out as a writer. It’s part of what brings me joy as an ever-curious 58-year-old writer. I used to feel guilty about this research rabbit hole obsession until I discovered that, while the rabbit hole can be a distraction if entered unchecked, it was creating path after path after path for my writing. Paths forward, new paths, paths that veered away from dead ends on discarded writing projects. What has always been considered a waste of time and focus became a great creative tool for me. 

The rabbit hole has become a way to fight through blank page syndrome and break the shackles of tight, and often restrictive, focus that is still ingrained in my brain from elementary school. It’s an idea generator, a brainstorming tool, and a source of necessary or (often at the time) obscure facts which may worm their way into future stories. Out of chaos comes order.

Chaos into order.

The tricks to making the rabbit hole work for you as a writer are simple but can be difficult in execution. The first trick is to stay the master of the rabbit hole, whether it’s the internet, the library, a stack of articles, or books. You can’t turn yourself over completely to it and tumble endlessly from researching what kids might have eaten on the banks of the Nile in the Old Kingdom period to find yourself 45 minutes later checking out the latest Beyonce videos and fashions. 

The second trick is a very useful skill. The beauty of a skill is it can be learned, practiced, and mastered. It’s the ability to look at the chaos, organize it into a fashion that makes sense to you, and store the organized pieces for later. It’s like being a sculptor. Take a block of stone, wood, or clay and remove the pieces that don’t belong in the composition. The skill is the ability to manage information. The skill to find the gold hidden deep within the rabbit hole and then establish order from chaos.

As you can see, rabbit holes can be a writer’s friend and a valuable tool in the writer’s toolbox. Writing is tough. Any tools we acquire to help us over the hills and humps that stand in our way are more valuable than gold. Because, in the end, the most important thing in writing is writing that next word and building our stories one word at a time, brick by brick.

The moral of the story.

Find what works for you. 

Find what brings you joy in doing creative things. 

Do those things. 

Repeat.

 

Alex Lehner, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons

STEM Tuesday — A River Runs Through It– Writing Tips & Resources

 

 

Margo here, working to keep the (A) in STE(A)M. Science purists might think the (A) is unimportant but I’m here to argue that it is Very Important. and I will present reasons why.

For instance, this month’s theme is “rivers.” This week, I have examples of books about rivers that are superior at delivering content to youngsters because of that (A). I selected these books because they are perfect examples of using (A) – creativity in BOOK DESIGN that makes the content easier to understand and enjoy. Remember the spoonful of sugar? Plus having students make their own books is the perfect way to evaluate their learning and understanding of the subject matter (more on that below).

The first book is World Without Fish by Mark Kurlansky, illustrated by Frank Stockton. Take a look at this page. The book designer has made the page speak by using color, type design, and compositional tricks. Let’s back up a bit.

In the study of art, you will find that “art” has three components: subject, form, and content. Subject is, well – what it’s about. Subject in a painting might be an apple, in a book – rivers. Content is deeper meaning – the deeper meaning of the apple might be hunger depending how the apple is portrayed. In the book, content could be environmental impact. And form refers to the physical aspects, such as medium (paint or pencil) or such observable concepts as composition and color. Book design comes under the component of form. I argue that appropriate and creative FORM enhances the subject and content. And that (A) art is an essential ingredient in STE(A)M.

In World Without Fish, the subject is of course fish. The content is what is happening to fish, the impact of fishing, and possible solutions to maintaining the oceans environmentally and economically. Now this might be exciting to read just the text, but to some students, it might not. So the publishing team has taken creativity to the form – the book and type design, the colors, the styles and size – to make a book where the content fairly jumps off the page and engages young readers with energy. It includes a comic series that appears at regular intervals throughout the book. So we have the art of “visual narrative” to further the content and engage all types of learners.

The illustrations and creative use of type all serve to draw the reader in.

 

The next book, Explore Rivers and Ponds, by Carla Mooney, illustrated by Bryan Stone, is an activity book with more examples of creative arrangement of content. The design makes the material easier to understand. It’s almost conversational. It pauses to explain vocabulary and includes activities such as ‘bark rubbing,” which looked like a great active art project for getting kids out into nature and interacting directly with the environment. It’s an activity that requires no “art” experience and can produce some great drawings.

 

 

 

 

 

One of my favorite activities with students is making books. It offers a creative and very satisfying way for students to “show off” what they have learned. Let the students try their hand at creative book design. A very friendly and ecologically conscious guide to making books with kids is Susan Kapuscinski Gaylord’s Handmade Books for A Healthy Planet. An enthusiastic environmental artist, she offers many ideas for book projects. Visit her website for many free activities or visit her YouTube channel. https://www.youtube.com/user/skgaylord.

 

A project I did with university students requires publishing software skills, but it’s a great project that combines research, writing, collaboration, proper citing of sources, and, of course, art, and can be scaled down for younger children. I partnered with Dr, Esther Pearson, a member of the Echota Cherokee Tribe and we produced a coloring book called “Native American Lore.” The students did the research and artwork and had the satisfaction of seeing their work in print. We presented it at an educational symposium and proceeds are donated to a non-profit that provides school expenses for the children of migrant workers in Veracruz, Mexico. The students had an amazing sense of accomplishment to see their research and artwork out in the world. This would be great for science topics and promote teamwork and cooperation. You can still find our book on Amazon.

 

 

 

 

Please don’t think because you are not an artist, you can’t work (A) into STEM projects. You will find your students have a good sense of art and many will be delighted to help plan. There are plenty of resources such as Susan Kapuscinski Gaylord’s book, and you may find you have more (A) in you than you realize.

 

Books can be found here:

World Without Fish by Mark Kurlansky, Frank Stockton (Illustrator) ISBN-13: 9780761185000, Publisher: Workman Publishing Company. https://bookshop.org/books?keywords=9780761185000

Explore Rivers and Ponds! Carla Mooney (Author) Bryan Stone (Illustrator) 9781936749805. Nomad Press (VT) https://bookshop.org/books/explore-rivers-and-ponds/9781936749805

Handmade Books for a Healthy Planet – Sixteen Earth-Friendly Projects From Around The World, Susan Kapuscinski Gaylord, ISBN-10: 0984231900, makingbooks.com. https://www.susangaylord.com/store/p7/Handmade_Books_For_A_Healthy_Planet.html

Native American Lore An Educational Coloring Book: Class Research Project Paperback – November 5, 2018 by Dr. Esther Pearson (Author), Margo Lemieux (Author), Riverside Studios Publishing, ISBN-10 ‏ : ‎ 1731183933 . https://www.amazon.com/Native-American-Lore-Educational-Coloring/dp/1731183933/ref=sr_1_1?crid=2N6YKOA8ZYDBD&keywords=Native+American+lore+lemieux&qid=1662756358&sprefix=native+american+lore+lemieux%2Caps%2C94&sr=8-1

Kaleidoscope for Kids https://www.amazon.com/Kaleidoscope-Kids-Magic-Storymakers-Present/dp/B0B3S1Y4XN/ref=sr_1_1?crid=2PBZG4RAZRH13&keywords=Kaleidoscope+for+Kids+book&qid=1662989345&sprefix=kaleidoscope+for+kids+book%2Caps%2C111&sr=8-1

 

 

*********
Margo Lemieux is professor emerita at Lasell University, former regional advisor for SCBWI New England, and a lifelong learner. Her publishing credits include picture books, poetry, articles, and illustration. Her latest publishing project is an anthology with her writers’ group, the Magic Storymakers, titled Kaleidoscope for Kids.